The E. F. Benson Megapack

by E. F. Benson

  I well remember his coming in to see me on the evening of the 4th of August, 1914.

  “So the war has broken out,” he said, “and the streets are impassable with excited crowds.”

  “Odd, isn’t it? Just as if each of us already was not a far more murderous battlefield than any which can be conceived between warring nations.”

  “How’s that?” said I.

  “Let me try to put it plainly, though it isn’t that I want to talk about. Your blood is one eternal battlefield. It is full of armies eternally marching and counter-marching. As long as the armies friendly to you are in a superior position, you remain in good health; if a detachment of microbes that, if suffered to establish themselves, would give you a cold in the head, entrench themselves in your mucous membrane, the commander-in-chief sends a regiment down and drives them out. He doesn’t give his orders from your brain, mind you—those aren’t his headquarters, for your brain knows nothing about the landing of the enemy till they have made good their position and given you a cold.”

  He paused a moment.

  “There isn’t one headquarters inside you,” he said, “there are many. For instance, I killed a frog this morning; at least most people would say I killed it. But had I killed it, though its head lay in one place and its severed body in another? Not a bit: I had only killed a piece of it. For I opened the body afterwards and took out the heart, which I put in a sterilised chamber of suitable temperature, so that it wouldn’t get cold or be infected by any microbe. That was about twelve o’clock today. And when I came out just now, the heart was beating still. It was alive, in fact.”

  “That’s full of suggestions, you know. Come and see it.”

  The Terrace had been stirred into volcanic activity by the news of war: the vendor of some late edition had penetrated into its quietude, and there were half a dozen parlour-maids fluttering about like black and white moths. But once inside Horton’s door isolation as of an Arctic night seemed to close ’round me. He had forgotten his latch-key, but his housekeeper, then newly come to him, who became so regular and familiar a figure in the Terrace, must have heard his step, for before he rang the bell she had opened the door, and stood with his forgotten latch-key in her hand.

  “Thanks, Mrs. Gabriel,” said he, and without a sound the door shut behind us. Both her name and face, as reproduced in some illustrated daily paper, seemed familiar, rather terribly familiar, but before I had time to grope for the association, Horton supplied it.

  “Tried for the murder of her husband six months ago,” he said. “Odd case. The point is that she is the one and perfect housekeeper. I once had four servants, and everything was all mucky, as we used to say at school. Now I live in amazing comfort and propriety with one. She does everything. She is cook, valet, housemaid, butler, and won’t have anyone to help her. No doubt she killed her husband, but she planned it so well that she could not be convicted. She told me quite frankly who she was when I engaged her.”

  Of course I remembered the whole trial vividly now. Her husband, a morose, quarrelsome fellow, tipsy as often as sober, had, according to the defence cut his own throat while shaving; according to the prosecution, she had done that for him. There was the usual discrepancy of evidence as to whether the wound could have been self-inflicted, and the prosecution tried to prove that the face had been lathered after his throat had been cut. So singular an exhibition of forethought and nerve had hurt rather than helped their case, and after prolonged deliberation on the part of the jury, she had been acquitted. Yet not less singular was Horton’s selection of a probable murderess, however efficient, as housekeeper.

  He anticipated this reflection.

  “Apart from the wonderful comfort of having a perfectly appointed and absolutely silent house,” he said, “I regard Mrs. Gabriel as a sort of insurance against my being murdered. If you had been tried for your life, you would take very especial care not to find yourself in suspicious proximity to a murdered body again: no more deaths in your house, if you could help it. Come through to my laboratory, and look at my little instance of life after death.”

  Certainly it was amazing to see that little piece of tissue still pulsating with what must be called life; it contracted and expanded faintly indeed but perceptibly, though for nine hours now it had been severed from the rest of the organisation. All by itself it went on living, and if the heart could go on living with nothing, you would say, to feed and stimulate its energy, there must also, so reasoned Horton, reside in all the other vital organs of the body other independent focuses of life.

  “Of course a severed organ like that,” he said, “will run down quicker than if it had the co-operation of the others, and presently I shall apply a gentle electric stimulus to it. If I can keep that glass bowl under which it beats at the temperature of a frog’s body, in sterilised air, I don’t see why it should not go on living. Food—of course there’s the question of feeding it. Do you see what that opens up in the way of surgery? Imagine a shop with glass cases containing healthy organs taken from the dead. Say a man dies of pneumonia. He should, as soon as ever the breath is out of his body, be dissected, and though they would, of course, destroy his lungs, as they will he full of pneumococci, his liver and digestive organs are probably healthy. Take them out, keep them in a sterilised atmosphere with the temperature at 98.4, and sell the liver, let us say, to another poor devil who has cancer there. Fit him with a new healthy liver, eh?”

  “And insert the brain of someone who has died of heart disease into the skull of a congenital idiot?” I asked.

  “Yes, perhaps; but the brain’s tiresomely complicated in its connections and the joining up of the nerves, you know. Surgery will have to learn a lot before it fits new brains in. And the brain has got such a lot of functions. All thinking, all inventing seem to belong to it, though, as you have seen, the heart can get on quite well without it. But there are other functions of the brain I want to study first. I’ve been trying some experiments already.”

  He made some little readjustment to the flame of the spirit lamp which kept at the right temperature the water that surrounded the sterilised receptacle in which the frog’s heart was beating.

  “Start with the more simple and mechanical uses of the brain,” he said. “Primarily it is a sort of record office, a diary. Say that I rap your knuckles with that ruler. What happens? The nerves there send a message to the brain, of course, saying—how can I put it most simply—saying, ‘Somebody is hurting me.’ And the eye sends another, saying ‘I perceive a ruler hitting my knuckles,’ and the ear sends another, saying ‘I hear the rap of it.’ But leaving all that alone, what else happens? Why, the brain records it. It makes a note of your knuckles having been hit.”

  He had been moving about the room as he spoke, taking off his coat and waistcoat and putting on in their place a thin black dressing-gown, and by now he was seated in his favourite attitude cross-legged on the hearth-rug, looking like some magician or perhaps the afrit which a magician of black arts had caused to appear. He was thinking intently now, passing through his fingers his string of amber beads, and talking more to himself than to me.

  “And how does it make that note?” he went on. “Why, in the manner in which phonograph records are made. There are millions of minute dots, depressions, pockmarks on your brain which certainly record what you remember, what you have enjoyed or disliked, or done or said.”

  “The surface of the brain anyhow is large enough to furnish writing-paper for the record of all these things, of all your memories. If the impression of an experience has not been acute, the dot is not sharply impressed, and the record fades: in other words, you come to forget it. But if it has been vividly impressed, the record is never obliterated. Mrs. Gabriel, for instance, won’t lose the impression of how she lathered her husband’s face after she had cut his throat. That’s to say, if she did it.

  “Now do you see what I’m driving at? Of course you do. There is stored within a man’s head the complete record o
f all the memorable things he has done and said: there are all his thoughts there, and all his speeches, and, most well-marked of all, his habitual thoughts and the things he has often said; for habit, there is reason to believe, wears a sort of rut in the brain, so that the life principle, whatever it is, as it gropes and steals about the brain, is continually stumbling into it. There’s your record, your gramophone plate all ready. What we want, and what I’m trying to arrive at, is a needle which, as it traces its minute way over these dots, will come across words or sentences which the dead have uttered, and will reproduce them. My word, what Judgment Books! What a resurrection!”

  Here in this withdrawn situation no remotest echo of the excitement which was seething through the streets penetrated; through the open window there came in only the tide of the midnight silence. But from somewhere closer at hand, through the wall surely of the laboratory, there came a low, somewhat persistent murmur.

  “Perhaps our needle—unhappily not yet invented—as it passed over the record of speech in the brain, might induce even facial expression,” he said. “Enjoyment or horror might even pass over dead features. There might be gestures and movements even, as the words were reproduced in our gramophone of the dead. Some people when they want to think intensely walk about: some, there’s an instance of it audible now, talk to themselves aloud.”

  He held up his finger for silence.

  “Yes, that’s Mrs. Gabriel,” he said. “She talks to herself by the hour together. She’s always done that, she tells me. I shouldn’t wonder if she has plenty to talk about.”

  It was that night when, first of all, the notion of intense activity going on below the placid house-fronts of the Terrace occurred to me. None looked more quiet than this, and yet there was seething here a volcanic activity and intensity of living, both in the man who sat cross-legged on the floor and behind that voice just audible through the partition wall. But I thought of that no more, for Horton began speaking of the brain-gramophone again… Were it possible to trace those infinitesimal dots and pock-marks in the brain by some needle exquisitely fine, it might follow that by the aid of some such contrivance as translated the pock-marks on a gramophone record into sound, some audible rendering of speech might be recovered from the brain of a dead man. It was necessary, so he pointed out to me, that this strange gramophone record should be new; it must be that of one lately dead, for corruption and decay would soon obliterate these infinitesimal markings. He was not of opinion that unspoken thought could be thus recovered: the utmost he hoped for from his pioneering work was to be able to recapture actual speech, especially when such speech had habitually dwelt on one subject, and thus had worn a rut on that part of the brain known the speech-centre.

  “Let me get, for instance,” he said, “the brain of a railway porter, newly dead, who has been accustomed for years to call out the name of a station, and I do not despair of hearing his voice through my gramophone trumpet. Or again, given that Mrs. Gabriel, in all her interminable conversations with herself, talks about one subject, I might, in similar circumstances, recapture what she had been constantly saying. Of course my instrument must be of a power and delicacy still unknown, one of which the needle can trace the minutest irregularities of surface, and of which the trumpet must be of immense magnifying power, able to translate the smallest whisper into a shout. But just as a microscope will show you the details of an object invisible to the eye, so there are instruments which act in the same way on sound. Here, for instance, is one of remarkable magnifying power. Try it if you like.”

  He took me over to a table on which was standing an electric battery connected with a ’round steel globe, out of the side of which sprang a gramophone trumpet of curious construction. He adjusted the battery, and directed me to click my fingers quite gently opposite an aperture in the globe, and the noise, ordinarily scarcely audible, resounded through the room like a thunderclap.

  “Something of that sort might permit us to hear the record on a brain,” he said. After this night my visits to Horton became far more common than they had hitherto been.

  Having once admitted me into the region of his strange explorations, he seemed to welcome me there. Partly, as he had said, it clarified his own thought to put it into simple language, partly, as he subsequently admitted, he was beginning to penetrate into such lonely fields of knowledge by paths so utterly untrodden, that even he, the most aloof and independent of mankind, wanted some human presence near him. Despite his utter indifference to the issues of the war—for, in his regard, issues far more crucial demanded his energies—he offered himself as surgeon to a London hospital for operations on the brain, and his services, naturally, were welcomed, for none brought knowledge or skill like his to such work. Occupied all day, he performed miracles of healing, with bold and dexterous excisions which none but he would have dared to attempt. He would operate, often successfully, for lesions that seemed certainly fatal, and all the time he was learning. He refused to accept any salary; he only asked, in cases where he had removed pieces of brain matter, to take these away, in order by further examination and dissection, to add to the knowledge and manipulative skill which he devoted to the wounded. He wrapped these morsels in sterilised lint, and took them back to the Terrace in a box, electrically heated to maintain the normal temperature of a man’s blood. His fragment might then, so he reasoned, keep some sort of independent life of its own, even as the severed heart of a frog had continued to beat for hours without connection with the rest of the body. Then for half the night he would continue to work on these sundered pieces of tissue scarcely dead, which his operations during the day had given him. Simultaneously, he was busy over the needle that must be of such infinite delicacy.

  One evening, fatigued with a long day’s work, I had just heard with a certain tremor of uneasy anticipation the whistles of warning which heralded an air-raid, when my telephone bell rang. My servants, according to custom, had already betaken themselves to the cellar, and I went to see what the summons was, determined in any case not to go out into the streets. I recognised Horton’s voice. “I want you at once,” he said.

  “But the warning whistles have gone,” said I. “And I don’t like showers of shrapnel.”

  “Oh, never mind that,” said he. “You must come. I’m so excited that I distrust the evidence of my own ears. I want a witness. Just come.”

  He did not pause for my reply, for I heard the click of his receiver going back into its place.

  Clearly he assumed that I was coming, and that I suppose had the effect of suggestion on my mind. I told myself that I would not go, but in a couple of minutes his certainty that I was coming, coupled with the prospect of being interested in something else than air-raids, made me fidget in my chair and eventually go to the street door and look out. The moon was brilliantly bright, the square quite empty, and far away the coughings of very distant guns. Next moment, almost against my will, I was running down the deserted pavements of Newsome Terrace. My ring at his bell was answered by Horton, before Mrs. Gabriel could come to the door, and he positively dragged me in.

  “I shan’t tell you a word of what I am doing,” he said. “I want you to tell me what you hear. Come into the laboratory.”

  The remote guns were silent again as I sat myself, as directed, in a chair close to the gramophone trumpet, but suddenly through the wall I heard the familiar mutter of Mrs. Gabriel’s voice. Horton, already busy with his battery, sprang to his feet.

  “That won’t do,” he said. “I want absolute silence.”

  He went out of the room, and I heard him calling to her. While he was gone I observed more closely what was on the table. Battery, round steel globe, and gramophone trumpet were there, and some sort of a needle on a spiral steel spring linked up with the battery and the glass vessel, in which I had seen the frog’s heart beat. In it now there lay a fragment of grey matter.

  Horton came back in a minute or two, and stood in the middle of the room listening.

  “Tha
t’s better,” he said. “Now I want you to listen at the mouth of the trumpet. I’ll answer any questions afterwards.”

  With my ear turned to the trumpet, I could see nothing of what he was doing, and I listened till the silence became a rustling in my ears. Then suddenly that rustling ceased, for it was overscored by a whisper which undoubtedly came from the aperture on which my aural attention was fixed. It was no more than the faintest murmur, and though no words were audible, it had the timbre of a human voice.

  “Well, do you hear anything?” asked Horton.

  “Yes, something very faint, scarcely audible.”

  “Describe it,” said he.

  “Somebody whispering.”

  “I’ll try a fresh place,” said he.

  The silence descended again; the mutter of the distant guns was still mute, and some slight creaking from my shirt front, as I breathed, alone broke it. And then the whispering from the gramophone trumpet began again, this time much louder than it had been before—it was as if the speaker (still whispering) had advanced a dozen yards—but still blurred and indistinct.

  More unmistakable, too, was it that the whisper was that of a human voice, and every now and then, whether fancifully or not, I thought I caught a word or two. For a moment it was silent altogether, and then with a sudden inkling of what I was listening to I heard something begin to sing. Though the words were still inaudible there was melody, and the tune was “Tipperary.”

  From that convolvulus-shaped trumpet there came two bars of it.

  “And what do you hear now?” cried Horton with a crack of exultation in his voice. “Singing, singing! That’s the tune they all sang. Fine music that from a dead man. Encore! you say? Yes, wait a second, and he’ll sing it again for you. Confound it, I can’t get on to the place. Ah! I’ve got it: listen again.”