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Title: Faro Nell and Her Friends
Wolfville Stories
Author: Alfred Henry Lewis
Illustrator: W. Herbert Dunton
J. N. Marchand
Release Date: July 22, 2009 [EBook #29485]
Language: English
*** START OF THIS PROJECT GUTENBERG EBOOK FARO NELL AND HER FRIENDS ***
Produced by Roger Frank and the Online Distributed
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WE MAKES FOUR TRIPS BACK AND FORTH BETWEEN WOLFVILLE AND RED DOG, CRACKIN' OFF OUR GOOD OLD '45'S AT IRREG'LAR INTERVALS, FARO NELL ON HER CALICO PONY AS THE GODDESS OF LIBERTY, BUSTIN' AWAY WITH THE REST. Frontispiece. p. 170.
* * *
FARO NELL
AND HER FRIENDS
WOLFVILLE STORIES
BY
ALFRED HENRY LEWIS
AUTHOR OF "WOLFVILLE," "WOLFVILLE DAYS," "WOLFVILLE NIGHTS," "WOLFVILLE
FOLKS," "THE BOSS," "THE SUNSET TRAIL," "THE APACHES OF
NEW YORK," "THE STORY OF PAUL JONES," ETC.
ILLUSTRATIONS BY
W. HERBERT DUNTON AND
J. N. MARCHAND
G. W. DILLINGHAM COMPANY
PUBLISHERS NEW YORK
* * *
Copyright, 1913, By
G. W. DILLINGHAM COMPANY
Faro Nell and Her Friends
* * *
THIS BOOK
IS DEDICATED TO
WILLIAM EUGENE LEWIS
AS MARKING
MY APPRECIATION OF
WHAT QUALITIES PLACE HIM HIGH
AMONG THE BEST EDITORS
BEST BROTHERS AND BEST MEN
I'VE EVER MET
A. H. L.
* * *
CONTENTS
CHAPTER PAGE
I DEAD SHOT BAKER 7
II OLD MAN ENRIGHT'S UNCLE 39
III CYNTHIANA, PET-NAMED ORIGINAL SIN 61
IV OLD MONTE, OFFICIAL DRUNKARD 99
V HOW THE MOCKING BIRD WAS WON 126
VI THAT WOLFVILLE-RED DOG FOURTH 148
VII PROPRIETY PRATT, HYPNOTIST 176
VIII THAT TURNER PERSON 198
IX RED MIKE 225
X HOW TUTT SHOT TEXAS THOMPSON 260
XI THE FUNERAL OF OLD HOLT 295
XII SPELLING BOOK BEN 320
* * *
ILLUSTRATIONS
PAGE
We makes four trips back and forth between Wolfville and Red Dog, crackin' off our good old '45's at irreg'lar intervals, Faro Nell on her calico pony as the Goddess of Liberty, bustin' away with the rest. . . . Frontispiece 170
We're all discussin' the doin's of this yere road-agent when Dan gets back from Red-Dog, an' the result is he unloads his findin's on a dead kyard. 18
Dead Shot stops short at this hitch in the discussion, by reason of a bullet from the Lightin' Bug's pistol which lodges in his lung. 28
The second evening Old Stallins is with us, Dan Boggs an' Texas Thompson uplifts his aged sperits with the "Love Dance of the Catamounts." 42
"It's you, Oscar, that I want," observes Miss Bark. "I concloodes, upon sober second thought, to accept your offer of marriage." 90
A couple of Enright's riders comes a packin' a live bobcat into town. 118
Turkey Track, seein' he's afoot an' thirty miles from his home ranch pulls his gun an' sticks up the mockin' bird's buckboard. 138
We sees the Turner person aboard an' wishes him all kinds of luck. 222
"What's the subject?" Peets asks. "That, my friend, is the 'Linden in October,'" returns Mike, as though he's a showin' us a picture of Heaven's front gate. 238
"Him an' Annalinda shore do constitoote a picture. 'Thar's a pa'r to draw to,' says Nell to Texas, her eyes like brown diamonds." 280
Thar's a bombardment which sounds like a battery of gatlings, the whole punctchooated by a whirlwind of "whoops!" 316
"Onless girls is barred," declares Faro Nell, from her perch on the chair "I've a notion to take a hand." 336
* * *
Faro Nell and Her Friends
* * *
I
DEAD SHOT BAKER
"Which you never knows Dead Shot Baker?"
This, from the old cattleman, with a questioning glance my way.
"No? Well, you shore misses knowin' a man! Still, it ain't none so strange neither; even Wolfville's acquaintance with Dead Shot's only what you-all might call casyooal, him not personally lastin' more'n three months.
"This yere Dead Shot has a wife. Thar's women you don't want to see ontil you're tired, an' women you don't want to see ontil you're rested, an' women you don't want to see no how––don't want to see at all. This wife of Dead Shot's belongs with the latter bunch.
"Last evenin' I'm readin' whar one of them philosophic sports asserts that women, that a-way, is shore the sublimation of the oncertain. That's how he lays it down; an' he never hedges the bluff for so much as a single chip. He insists that you can't put a bet on women; that you can bet on hosses or kyards or 'lections, but not on women––women bein' too plumb oncertain. As I reads along, I can't he'p feelin' that somehow this philosophic party must have knowed Dead Shot's wife.
"The first time we-all ever sees Dead Shot, he comes trackin' into the Red Light one evenin' jest after the stage rolls up. Bein' it's encroachin' on second drink time, he sidles up to the bar; an' then, his manner some diffident an' apol'getic, he says:
"'Gents, do you-all feel like a little licker, that a-way?'
"It bein' imp'lite to reefuse, we assembles within strikin' distance of the bottles Black Jack is slammin' the len'th of the counter, an' begins spillin' out our forty drops. At this he turns even more apol'getic.
"'Which I trusts,' he says, 'that no one'll mind much if I takes water?'
"Of course no one minds. Wolfville don't make no speshulty of forcin' whiskey onto no gent who's disinclined. If they prefers water, we encourages 'em.
"'An' for this yere reason,' expounds Boggs, once when he ondertakes to explain the public attitoode towards water to some inquirin' tenderfoot––'an' for this partic'lar reason: Arizona is a dry an' arid clime; an' water drinkers bein' a cur'ous rarity, we admires to keep a spec'men or two buck-jumpin' about, so's to study their habits.'
"As we picks up our glasses, Dead Shot sets to introdoocin' himse'f.
"'My name, gents,' he says, 'is Baker, Abner Baker. The Wells-Fargo folks sends me down yere from Santa Fe to ride shotgun for 'em.'
"The name's plenty s'fficient. It's him who goes to a showdown with them three road agents who lays for the stage over in a spur of the Black Range back of San Marcial, an' hives the three. That battle saves the company $200,000; an', they're that pleased with Dead Shot's industry, they skins the company's bankroll for a bundle of money the size of a roll of blankets, an' gives it to him by way of reward. It's the talk of the two territories.
"While we-all knows Dead Shot when he speaks his name, none of us lets on. It's ag'inst ettiquette in the southwest to know more of a gent than what he tells himse'f.
"'So water's all you samples?' puts in Texas Thompson, as we stands an' drinks.
"'It's like this,' explains Dead Shot, appealin' round with his eye. 'You see I can't drink nosepaint none, an' drink successful.'
"'Shore,' observes Faro Nell, who's takin' her diminyo
otive toddy right at Dead Shot's elbow; 'thar's gents so organized that to go givin' 'em licker is like tryin' to play a harp with a hammer.'
"That's me,' exclaims Dead Shot; 'that's me, Miss, every time. Give me a spoonful, an' I deemands a bar'l. After which, thar ain't no se'f respectin' camp that'll stand for my game.'
"'I savvys what you means,' says Tutt; 'I reecalls in my own case how, on the hocks of mebby it's the ninth drink––which this is years an' years ago, though––I mistakes a dem'crat primary for a Methodist praise meetin', an' comes ramblin' in an' offers to lead in pra'r. Which I carries the scars to this day.'
"'Which is why, Dave,' interjecks Cherokee Hall, in hopes of settin' Tutt to pitchin' on his p'litical rope, him bein' by nacher a oncompromisin' reepublican that a-way––'which is why you always holds dem'crats so low.'
"'But I don't hold 'em low,' protests Tutt. 'Thar's heaps to be said for dem'crats, leastwise for the sort that's pesterin' 'round in the country I hails from.'
"'What be your dem'crats like, Dave?' Texas urges. 'Which I wants to see if they're same as the kind I cuts the trail of down about Laredo.'
"'Well,' returns Tutt, 'simply hittin' the high places, them dem'crats by which I'm born surrounded chews tobacco, sw'ars profoosely, drinks mighty exhaustive, hates niggers, an' some of 'em can read.'
"'That deescription goes for Laredo, too,' Texas allows. 'This yere jedge, who gives my wife her divorce that time, an' sets the sheriff to sellin' up my steers for costs an' al'mony, is a dem'crat. What you says, Dave, is the merest picture of that joorist.'
"'I expects my wife'll come rackin' along poco tiempo,' Dead Shot remarks, after a pause. 'I'm yere as advance gyard to sling things into shape.'
"It's as good as a toone of music to see how softly his face lights up. He's as big an' wide an' thick an' strong as Boggs, an' yet it's plain as paint that this yere wife of his, whoever she is, can jest nacherally make curl-papers of him.
"That mention of a wife as usual sets Texas to growlin'.
"'Thar you be, Dan!' I overhears him whisper, same as if he's been ill-treated; 'the instant this Dead-Shot says "Water" I'm onto it that he's a married man. Water an' matrimony goes hand in hand.'
"'Now I don't see why none?' retorts Boggs.
"'Because water's weakenin'. Feed a sport on water, an' it's a cinch he falls a prey to the first female who ropes at him.'
"'Thar's Dave,' Boggs argyoos, noddin' towards Tutt. 'Ain't he drinkin' that time he weds Tucson Jennie?'
"'Dave's the exception. Also, you-all remembers them circumstances, Dan. Dave don't marry Jennie; Jennie simply ups an' has him.'
"'All the same,' contends Boggs, 'I don't regyard Dead Shot's sobriety as no drawback. Thar's lots of folks who's cap'ble of bein' sober an' sociable at one an' the same time.'
"These yere low-voiced wranglin's between Texas an' Boggs is off to one side. Meanwhile, the gen'ral confab proceeds.
"'You ain't been long hooked up?' says Doc Peets, addressin' Dead Shot.
"'About a year. She's in the stage that time I has the trouble with them hold-ups in the Black Range, an' she allows she likes my style.'
"'We-all hears about that Black Range battle,' remarks Enright.
"'It's a mighty lucky play for me,' says Dead Shot; 'I don't ree'lize it while I'm workin' my winchester, but I'm winnin' a angel all the time. That's on the level, gents! I never puts my arm 'round her yet, but what I go feelin' for wings.'
"'Don't this make you sick?' Texas growls to Boggs.
"'No, it don't,' Boggs replies. 'On the contrary, I'm teched.'
"'Gents,' goes on Dead Shot, an' I sees his mustache tremble that a-way; 'I don't mind confessin' she's that angelic I'm half afraid to marry her. I ain't fine enough! It's like weddin' gunny-sack to silk––me makin' her my wife. Which I shore has to think an' argyoo with myse'f a whole lot, before I gets the courage. Ain't you-all ever noticed'––yere he appeals 'round to Peets––'that every time you meets up with a angel, thar's always some smoke-begrimed an' sin-encrusted son of Satan workin' double-turn to support her?'
"Peets nods.
"'Shore! Well, it's sech reflections which final gives me the reequired sand. An' so, one evenin' up in Albuquerque, we prances over before a padre an' we're married. You bet, it's like a vision.'
"'Any papooses?' asks Tutt, plumb pompous.
"'None as yet,' confesses Dead Shot, lookin' abashed.
"'Which I've nacherally got one,' an' yere Tutt swells. 'You can put your case peso on it he's the real thing, too.'
"'Little Enright Peets is certainly a fine child,' remarks Nell. 'Dave, you're shore licensed to be proud of him.'
"'That's whatever,' adds Boggs. 'Little Enright Peets is nothin' short of bein' the No'th Star of all hoomanity!'
"Mebby a week passes, an' one mornin' Dead Shot goes squanderin' over to Tucson to bring his wife. An' nacherally we're on what they calls in St. Looey the 'quee vee' to see her. At that, we-all don't crowd 'round permiscus when the stage arrives, an' we avoids everything which borders on mob voylence.
"Dead Shot hits the street, lookin' that happy it's like he's in a dream, an' then goes feelin' about, soft an' solic'tous, inside. At last he lifts her out, an' stands thar holdin' her in his arms. She's shore beautiful; only she ain't no bigger 'n a ten year old youngone. Yellow-ha'red an' bloo-eyed, she makes you think of these yere china ornaments that's regyarded artistic by the Dutch.
"They're certainly a contrast––him big as a house, her as small an' pretty as a doll! An' you should see that enamored Dead Shot look at her!––long an' deep, like a man drinkin'! Son, sometimes I fears women, that a-way, misses all knowledge of how much they're loved.
"'She ain't sick,' says Dead Shot, speakin' gen'ral; 'only she twists her off ankle gettin' out at the last station.'
"Dead Shot heads for the little 'dobe he's fitted up, packin' his bloo-eyed doll in his arms. What's our impressions? No gent who signs the books as sech'll say anything ag'in a lady; but between us, thar's a sooperior wrinklin' of the little tipped-up nose, an' a cold feel to them bloo eyes, which don't leave us plumb enthoosiastic.
"'It's like this,' volunteers Enright, who stacks in to explain things. 'Every gent's got his ideal; an' this yere wife of his is Dead Shot's ideal.'
"'Whatever's an ideal, Doc?' asks Boggs, who's always romancin' about for information.
"'Which an ideal, Dan,' Peets replies, 'is the partic'lar gold brick you're tryin' to buy.'
"At the time Dead Shot's standin' thar with his fam'ly in his arms, Nell comes out on the Red Light steps to take a peek. Also, Missis Rucker an' Tucson Jennie is hoverin' about all sim'lar. After Dead Shot an' his bride has faded into their 'dobe, them three experts holds a energetic consultation in the street. Of course, none of us has the hardihood to go j'inin' in their deelib'rations, but from what's said later we gets a slant at their concloosions.
"'Dead Shot's a mighty sight too good for her,' is how Missis Rucker gives jedgment. 'It's peltin' pigs with pearls for him to go lovin' her like he does.'
"Shore; bein' ladies that-a-way, Missis Rucker, Tucson Jennie an' Faro Nell all visits Dead Shot's wife. But the feelin' is that they finds her some stuck up an' haughty. This yere notion is upheld by Nell callin' her a 'minx,' while Tucson Jennie alloodes to her as a 'cat' on two sep'rate occasions.
"Dead Shot an' his doll-bride, in the beginnin', seems to be gettin' along all right. It's only when thar's money goin' over, that Dead Shot has to buckle on his guns an' ride out with the stage. This gives him lots of time to hang 'round, an' worship her. Which I'm yere to reemark that if ever a white man sets up an idol, that a-way, an' says his pra'rs to it, that gent's Dead Shot. Thar's nothin' to it; prick her finger, an' you pierce his heart.
"'It'd be beautiful if it wasn't awful,' says Faro Nell.
"It ain't a month when events lifts up their p'isin heads, which goes to jestify them comments of Nell's. Thar's been a White House shift back in Washington, an' a
new postmaster's sent out. He's a dapper party, with what Peets calls a 'Van Dyke' beard, an' smells like a ha'r-dresser's shop.
"Now if affairs stops thar, we could have stood it; but they don't. I abhors to say so, but it ain't two weeks before Dead Shot's wife's makin' onmistak'ble eyes at that postmaster. Them times when Dead Shot's dooties has took him to the other end of the trail, she's over to the post office constant. None of us says anything, not even to ourselves; but when it gets to whar she shoves you away from the letter place, an' begins talkin' milk and honey to him right under your nose, onless you're as blind as steeple bats, an' as deaf as the adder of scriptoore which stoppeth her y'ear, you're shore bound to do some thinkin'.
WE'RE ALL DISCUSSIN' THE DOIN'S OF THIS YERE ROAD-AGENT WHEN DAN GETS BACK FROM RED-DOG, AN' THE RESULT IS HE UNLOADS HIS FINDIN'S ON A DEAD KYARD. p. 18.
"'Which if ever a gov'ment offishul,' exclaims Texas, as he comes t'arin' into the Red Light one evenin', deemandin' drinks––'which if ever a gov'ment offishul goes organizin' his own fooneral that a-way, it's this yere deeboshed postmaster next door!'
"Thar's nothin' said, but we-all knows what's on Texas's mind. That wife of Dead Shot's, for the fo'th time that day, has gone askin' for letters.
"'She writes 'em to herse'f,' is the way Missis Rucker lays it down. 'Also, it's doo to the crim'nal besottedness of that egreegious Dead Shot. The man's shorely love-blind!'
"'You ain't goin' to t'ar into him for that, be you?' Nell asks, her tones reproachful. 'Him lovin' her like he does shore makes a hit with me. A limit goes in farobank; but my notion is to take the bridle off when the game's love.'
"'But all the same he needn't get that lovin' it addles him,' says Missis Rucker. 'In a way, it's Dead Shot's sole fault, her actin' like she does. Instead of keepin' them Mexicans to do her work, Dead Shot ought to make her go surgin' round, an' care for her house herse'f. Thar ain't nobody needs steady employment more'n a woman. You-all savvys where it says that Satan finds some mischief still for idle hands to do? Which you bet that bluff means women––an' postmasters––every time.'
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