He pressed on. Smaller trees had stunted and died and then fallen. Even the healthy ones looked as if they'd been painted with light green moss on the windward side, moss the colour of Nile water. All around him was slow growth, and slow decay.
While ahead of him lay… what?
Within minutes he was emerging, breathless and somewhat scratched, onto the roadway not too far from the broken gate where the limo's hubcap still lay like a marker. He followed the tyremarks to the small auto graveyard that stood in the clearing, and there he made a careful circuit of all the vehicles so that he could look without actually touching any of them.
Nothing moved. Nothing made a sound, apart from the wind in the leaves.
He saw the two aligned holes in the front and rear screens of the Toyota, and he saw the widening spray of blood and glass fragments across the bonnet; but he saw no bodies, and he saw no signs of where they might have been taken.
He did find his heavy breather, though. In one of the trees over on the edge of the clearing he spotted a radio — Ivie's, presumably — hanging by its carrying strap from one of the lower branches. The breeze was moving it gently, and probably making a fair imitation of a human sound. He walked over to it and took it down, noting the way that the transmission button had been taped with a piece of yellow insulation plastic that was probably out of the Rover's toolkit.
What he couldn't see, was its purpose in being there.
But of course! he realised after a moment. Bait… and as the word came up into his mind, something very hard and moving very fast made a good, solid contact with the back of his head.
Definitely bait, he acknowledged as he folded like a sack.
FORTY-SEVEN
Diane hated this. She hated being left, she hated the thought of Pete going off alone, she hated her own body for letting her down. Surely they'd reached the point where the only way ahead was to go back to the hall, pick up the phone, and call in the cavalry? The fact of it was that Pete McCarthy had been the first of them to encounter Alina Petrovna, and he was the last to understand, really understand, that of which she was capable. He hadn't seen the graphic aftermath of her work that Ross Aldridge said he'd witnessed, and he hadn't been through Diane's experience of a sincere if rambling first-hand account from a man named Pavel, followed by the sight of his charcoaled body only a few hours later. No, he had to go running up there like a man with his hand out to a mad dog, convinced of his safety because he'd never yet encountered a dog that hadn't liked him.
Unfortunately, Diane couldn't help noticing how Alina seemed to deal out the same kind of treatment to her friends as to her enemies.
The best that she could hope for was that Alina would already be gone when he got there, using whatever time she might have bought for herself to get up and away from the scene. If she could get off the estate, maybe follow one of the walkers' routes over one of the mountain passes, then she could make it into another part of the region and perhaps even get away altogether. Find some other ride on some other road, find a new place to settle, start the process all over again while the police hunt ran itself dry with nothing to go on. Otherwise, what would Pete be facing? A radical revision of his illusions, at best.
She didn't even want to think about the worst.
She'd submitted to being left in the boat house like so much luggage for one reason, and one reason only. Pete had thought that he was dropping her off in the only available place of safety; and from where she was standing it seemed safe enough, with its heavy landward door and solid walls and its thick and grimy skylight of reinforced glass that barely let in the light, let alone anything more. But she hadn't come here to hide, whatever Pete might have been thinking.
She'd come in here because down below, in the dock, stood an unsold Princess.
And in the Princess, there was a multichannel VHF radio telephone.
The boat house lights weren't working, and hadn't been since the night of the party. But there were deck lights and cabin lights on the Princess, and the Princess was only one short flight of stairs away.
But short flight or not, this was going to be one of the toughest journeys that Diane had ever undertaken. Her ankle was giving her hell. She was sure that it was broken; she hadn't felt any snap as she'd gone over, but she was halfway convinced that she could feel the splintered ends of the bone as they ground together with each faltering step. She was still using the shotgun — unloaded, of course — as a makeshift crutch, but progress was slow and getting slower as the pain and the pressure increased. All the same, she couldn't help thinking that it was the most effective use she'd ever made of a twelve bore since she'd first begun to shoot.
Maybe there was something in the first aid kit that she could use. Painkillers, maybe even an emergency splint.
But before anything else, the call.
She checked that the boat house door was securely locked, and took out the key. She wasn't likely to forget that Wayne Hammond and his girlfriend had died in here. For that, if for no other reason, she'd have been happier if the light in here had been just a little better.
Childish fears, she told herself.
And, only halfway believing it, she began her slow shuffle toward the boat house stairs.
Pete was in the back of the Rover when he came around.
He didn't realise it straight away; for a time he hovered, half awake, while in his mind he followed his vision of an altered Alina through the dark spaces under that strange hotel. She led him along, her marbled and beautifully clawed hand beckoning him every now and again, until they reached a door at the corridor's end; and then, with a regretful smile and a sad shake of her head, she stepped through the door and closed it on him. Only then did he begin to see the kick-scuffed grey metal before his eyes, and to feel the coarse woollen blanket that had been placed under his head as a pillow.
It was the first time that he'd ever been knocked out and he decided, everything considered, that he wouldn't care to try it again.
He didn't much want to move, either, but he knew that he'd have to.
He'd been lying on the floor of the Rover's rear passenger section, cramped into the space in a near foetal curl. He felt dusty and gritty, and he had a five-aspirin headache. Alina was on the outside; she raised her head from whatever she'd been doing to look in through one of the rear door windows.
Her face, seen through the wire, seemed to show a genuine concern. Pete struggled up to sit on one of the Rover's inward facing bench seats.
"Are you all right?" she said.
"Considering." Pete made to touch the back of his head, and decided midway that it wouldn't be a good idea.
Alina said, "Don't bother trying to get out. You can't."
"Why are you doing this?"
"To make you safe."
"From you?"
She hesitated for a moment; and then she nodded once, making an admission that was obviously difficult for her. "You're safe as long as you don't try to follow," she said. "I won't be coming back. By the time someone finds you, I'll be gone."
"And the others will be dead."
"They don't die," she said. "I can't help what I do, Peter. I tried for a long time, and in the end it got me nowhere. I'm sorry."
"What do you mean, they don't die?"
"They join me," she said, her grey eyes open and empty of secrets. "They become my children of the lake." And then she turned her face away. "I am sorry, Peter. I wish there was some other way."
He stared at her through the glass, at that delicate, downturned head, as graceful and as heartless as a stone angel, and he knew then that he'd been wrong to think that she was anything other than lost. This was no fitful madness, no staged insanity; the depth and sincerity of her belief in her developed state were awesome. She was the Rusalka, in a faith that could be neither challenged nor shaken. In her own mind, she lived as the beast… and perhaps in the end, she could only be met and recognised as the beast.
"You're breaking your promise," he re
minded her.
"A little," she said, looking at him again and smiling wanly. "As you broke yours, a little. I can leave you and you can't hurt me, no one will believe what you say. But I can't leave others to support you."
"What will happen to Diane?"
"Could she be in love with you?"
"I don't know. It's too early to say."
"If she is, then she'll call to you. And in the night, she may even come to you. And then perhaps you'll come down to the water's edge, and you'll beg me to take you."
"And will you?"
"Yes. Because then I'll be beyond promises." She took a step back from the wired window. "Goodbye, Peter," she said, and she turned to go.
She was going for Diane, to clear out the last of the cell, and Pete realised now that he'd engineered the entire setup himself when he'd broadcast his intentions to Ross Aldridge and to anybody else who might have been listening.
"You can't get to her," he shouted after Alina, and Alina, already halfway across the clearing, turned and looked back.
"I only wish that could be true," she said, and then she walked on.
FORTY-EIGHT
He tried the rear doors but Alina had sealed them somehow, probably by tying the two handles together. Whatever she'd used, he couldn't force them open; after a few seconds he gave up trying, and looked around for another way out. Every window had a wire mesh cover on the outside, a way to protect the glass on badly kept and underused trails; there was a clear cutout section before the driver's position, but it would be too small to crawl through.
Pete scrambled over from the back and into the forward part of the cab, to take a look at the other doors.
Trying the driver's door would have been an obvious waste of time, not only because it had been crushed inward by the collision but also because it still had most of the Toyota holding it shut. Something like a tyre iron had been used to jam the passenger door handle on the outside; dismantling the lock from in here would make no difference, even if he'd had the tools to attempt it.
He lifted out the loose seat sections and started to throw them into the back. The usual locker space under the passenger seat was occupied by a second fuel tank but there was another, smaller locker in the middle that contained a pump and an X shaped wheel brace. Each arm of the X was for a different bolt size.
Think. Ignore this aching head, and concentrate on finding a way out. Alina was already on her way down to the shore. He'd serviced this Rover at least once before; it was ex-army and pretty ancient. He could think of a dozen ways out, but none of them was fast.
Except, perhaps, one.
He tore back the rubber mats on the floor, and then the dusty felt from underneath. The floor here was a single square panel held in place by bolts. He had a start; some of the bolts were already missing.
It was worth a try. He turned the wheelbrace around to see if anything came close to a fit.
Diane had thought that descending the stairway had been a tough job, until it came to getting aboard; there was no gangplank, just a wide step from the dockside across to a gap in the Princess's rail, and then to get around into the cabin she had to make an awkward shuffle and a high step up to the after deck. There were grab rails on the flying bridge above her, and she made full use of them.
God, this was a marathon. She all but collapsed onto the after deck, her ankle raging hot and feeling as if it had swollen to about five times its usual size. She was in near darkness here, the only illumination a kind of pale, dancing underlight from the water that flickered around the walls and through gaps in the boarded quayside. She knew that it was daylight from the lake, getting in under the water doors and being refracted upward, but it gave the place an atmosphere like some forgotten chamber in drowned Atlantis. The deck and flybridge of the Princess stood as an almost solid mass of darkness before her now. She didn't know her way around particularly well, but she did know that a set of keys was hidden under the cover of one of the deck filler points for fuel and water.
A couple of minutes later, she was letting herself in through the sliding glass door and descending the three steps into the after deck saloon.
She tried to remember the layout. How many times had she been on board? Not many. She could remember a chart table to her left, a dinette area ahead of it, the helm and all the instruments forward and to her right. She hopped forward, dragging her heavy boot of molten iron, and with every hop she felt a stab of pain as she jarred the injury. Halfway across the cabin she stumbled and fell. The carpet was intended for hard wear, and wasn't as soft as it might have been. The temptation to give up and lie still was there, but it wasn't quite overpowering. So she dragged herself up, and went on.
At the end of the cabin, she dropped into the padded helmsman's chair.
The control position came alive as she turned the key. Lever controls, twin-scale echo sounder, high speed compass, engine hour meter, rudder position indicator… she found a cabin light switch and turned it on, and the layout immediately became a little less intimidating.
She found the radio telephone. She was hoping that it would work from here inside the boat house because, if it didn't, she'd gone about as far as she could get and for nothing. She had about as much hope of being able to open the lake doors and take the Princess out as she did of dancing Giselle.
She picked up the handset and set one of the frequencies. She didn't know which would be the best, but she could try them all.
"Hello," she said, swivelling the helmsman's chair a little so that she could stretch out her bad leg. "Hello, Mayday. Is anyone receiving me? Mayday."
She turned up the receiver volume, and listened.
Nothing.
She worked her way through every frequency on the set, with no variation in the results. Just the audio snowstorm, the same white noise across all of the channels. She could only suppose that her signal wasn't getting out beyond the walls, or that if it was it was too poor to carry for any useful distance. The valley was notorious for its radio reception at the best of times, and this was hardly one of those.
She tried again, taking frequencies at random.
"Mayday. Mayday. This is Diane Jackson. Can anybody hear me? Mayday."
And then
"Diane? Is that you? Are you serious?"
It was Ted Hammond. The signal wasn't good, but it was definitely Ted Hammond.
"Never more serious in my life, Ted," she said. "Where are you?"
"I'm on the lake with some customers. We just left the marina. What's the problem?"
And so, in as concise and unsensational a manner as she could manage, she told him.
There was silence. "Ted?" she said anxiously, thinking that the signal must have faded as she was speaking and wondering if he'd heard enough to realise the seriousness of the situation, but then he came back on.
"I'm on my way," he said.
"Get a message out. Call the police and make sure they know what they're heading for. She's been fooling people for too long."
"Will do," Ted said, but already his voice was beginning to break up.
There was nothing after that.
Now she didn't have time to mess around looking for the first aid kit. She shut down the radio, but she left on the lights. Now she had to travel all the way back along the quay and up the stairway and across the upper level to the door, and it would probably take her at least as long to do this as it would take Ted Hammond to cover the distance across the water. She didn't know what kind of craft he'd been showing to his customers, but she hoped that it was something fast.
The temptation to stay and relax in the helmsman's chair, just for one minute, was immense. But she knew that one minute would turn into two, and then four, and in the end she'd have as tough a time prising herself out as she did getting Jed out of bed for school on a dark winter's morning. There was urgency, here.
There was urgency…
She snapped out of it, and started to move.
She'd once heard that one
of the main requirements for any kind of success was the kind of doggedness that led one to persist way beyond the point where anyone else would have thrown in the towel and turned to other pursuits. She had a (probable) broken ankle, she had distance to cover. Maybe she was adding to the damage this way, it was impossible to tell — it was hard to imagine it hurting any more than it already did.
But she would persist, and she would succeed.
Because let's face it, she was thinking, her range of other choices was more or less nil.
With the lights of the cabin behind her, she prepared to make the transfer back from the Princess to the quay. She couldn't be sure, perhaps it was just a trick of the lights, but it seemed as if the boat had shifted in its mooring a little and the gap had widened. Holding onto the stanchioned safety wires that took the place of rails along this section, Diane lowered herself to sit on the narrow walkway with the angled cabin wall against her back almost seeming to be pushing her out toward the drop. With her good leg, she got a tentative foothold on the quay. There was an unused mooring ring about a yard further along; if she could reach over and get a hold on that, she'd be more than halfway there. She'd have to face an unnerving point of balance as she moved her weight from ship to shore over the drop, but as long as she held tight to the iron ring she was unlikely to fall.
She reached out. It was a stretch, but she caught it. She was now at that point of balance, her bad leg hanging uselessly as her body bridged the gap. She couldn't help but look down into the flickering semidarkness of the water.
Where a hand which came shooting up in a cloud of erupting spray, and grasped her leg around the ankle.
FORTY-NINE
Shock and pain ran through Diane's nervous system like two trains running head-to-head on the same line; she was being pulled downward as they hit, and their explosion doused her in white heat and fire. A body was coming half up out of the water, raising itself on the nailed grip that it was exerting on Diane's tortured flesh.
The Boat House Page 27