by Nora Roberts
“Seems right to dress formally when you’re breaking into a distinguished institution.”
“True.” Kirby dropped the keys back in her pocket. “And we do make a rather stunning couple. The Titian hangs in the west room on the second floor. The watchman has a little room in the back, here on the main floor. I assume he drinks black coffee laced with rum and reads pornographic magazines. I would. He’s supposed to make rounds hourly, though there’s no way to be certain he’s diligent.”
“And what time does he make them, if he does?”
“On the hour—which gives us twenty minutes.” She glanced at her watch and shrugged. “That’s adequate, though if you hadn’t pressed me for details we’d’ve had more time. Don’t scowl,” she added. She pressed her finger to her lips and slipped through the door.
From out of the depths of her pocket came a flashlight. They followed the narrow beam over the carpet. Together they moved up the staircase.
Obviously she knew the gallery well. Without hesitation, she moved through the dark, turning on the second floor and marching down the corridor without breaking rhythm. Her cape swirled out as she pivoted into a room. In silence she played her light over paintings until it stopped on the copy of the Titian that had hung in Adam’s room.
“There,” Kirby whispered as the light shone on the sunset hair Titian had immortalized. The light was too poor for Adam to be certain of the quality, but he promised himself he’d examine it minutes later.
“It’s not possible to tell them apart—not even an expert.” She knew what he was thinking. “Harriet’s a respected authority, and she couldn’t. I’m not sure the tests wouldn’t bear it out as authentic. Papa has a way of treating the paints.” She moved closer so that her light illuminated the entire painting. “Papa put a red circle on the back of the copy’s frame so they could be told apart. I’ll take the package now,” she told him briskly. “You can get the painting down.” She knelt and began to unwrap the painting they’d brought with them. “I’m glad you happened along,” she decided. “Your height’s going to be an advantage when it comes to taking down and putting up again.”
Adam paused with the forgery in his hands. Throttling her would be too noisy at the moment, he decided. But later… “Let’s have it then.”
In silence they exchanged paintings. Adam replaced his on the wall, while Kirby wrapped the other. After she’d tied the string, she played the light on the wall again. “It’s a bit crooked,” she decided. “A little to the left.”
“Look, I—” Adam broke off at the sound of a faint, tuneless whistle.
“He’s early!” Kirby whispered as she gripped the painting. “Who expects efficiency from hired help these days?”
In a quick move, Adam had the woman, the painting and himself pressed against the wall by the archway. Finding herself neatly sandwiched, and partially smothered, Kirby held back a desperate urge to giggle. Certain it would annoy Adam, she held her breath and swallowed.
The whistle grew louder.
In her mind’s eye, Kirby pictured the watchman strolling down the corridor, pausing to shine his light here and there as he walked. She hoped, for the watchman’s peace of mind and Adam’s disposition, the search was cursory.
Adam felt her trembling and held her tighter. Somehow he’d manage to protect her. He forgot that she’d gotten him into the mess in the first place. Now his only thought was to get her out of it.
A beam of light streamed past the doorway, with the whistle close behind. Kirby shook like a leaf. The light bounced into the room, sweeping over the walls in a curving arch. Adam tensed, knowing discovery was inches away. The light halted, rested a moment, then streaked away over its original route. And there was darkness.
They didn’t move, though Kirby wanted to badly, with the frame digging into her back. They waited, still and silent, until the whistling receded.
Because her light trembling had become shudder after shudder, Adam drew her away to whisper reassurance. “It’s all right. He’s gone.”
“You were wonderful.” She covered her mouth to muffle the laughter. “Ever thought about making breaking and entering a hobby?”
He slid the painting under one arm, then took a firm grip on hers. When the time was right, he’d pay her back for this one. “Let’s go.”
“Okay, since it’s probably a bad time to show you around. Pity,” she decided. “There are some excellent engravings in the next room, and a really marvelous still life Papa painted.”
“Under his own name?”
“Really, Adam.” They paused at the hallway to make certain it was clear. “That’s tacky.”
They didn’t speak again until they were hidden by the trees. Then Adam turned to her. “I’ll take the painting and follow you back. If you go over fifty, I’ll murder you.”
She stopped when they reached the cars, then threw him off balance with suddenly serious eyes. “I appreciate everything, Adam. I hope you don’t think too badly of us. It matters.”
He ran a finger down her cheek. “I’ve yet to decide what I think of you.”
Her lips curved up at the corners. “That’s all right then. Take your time.”
“Get in and drive,” he ordered before he could forget what had to be resolved. She had a way of making a man forget a lot of things. Too many things.
The trip back took nearly twice the time, as Kirby stayed well below the speed limit. Again she left the Porsche out front, knowing Cards would handle the details. Once inside, she went straight to the parlor.
“Well,” she mused as she looked at her father. “He seems comfortable enough, but I think I’ll just stretch him out.”
Adam leaned against the doorjamb and waited as she settled her father for the night. After loosening his tie and pulling off his shoes, she tossed her cape over him and kissed his balding head. “Papa,” she murmured. “You’ve been outmaneuvered.”
“We’ll talk upstairs, Kirby. Now.”
Straightening, Kirby gave Adam a long, mild look. “Since you ask so nicely.” She plucked a decanter of brandy and two glasses from the bar. “We may as well be sociable during the inquisition.” She swept by him and up the stairs.
CHAPTER 8
Kirby switched on the rose-tinted bedside lamp before she poured brandy. After handing Adam a snifter, she kicked off her shoes and sat cross-legged on the bed. She watched as he ripped off the wrapping and examined the painting.
Frowning, he studied the brush strokes, the use of color, the Venetian technique that had been Titian’s. Fascinating, he thought. Absolutely fascinating. “This is a copy?”
She had to smile. She warmed the brandy between her hands but didn’t drink. “Papa’s mark’s on the frame.”
Adam saw the red circle but didn’t find it conclusive. “I’d swear it was authentic.”
“So would anyone.”
He propped the painting against the wall and turned to her. She looked like an Indian priestess—the nightfall of hair against the virgin white silk. With an enigmatic smile, she continued to sit in the lotus position, the brandy cupped in both hands.
“How many other paintings in your father’s collection are copies?”
Slowly she lifted the snifter and sipped. She had to work at not being annoyed by the question, telling herself he was entitled to ask. “All of the paintings in Papa’s collection are authentic. Excepting now this Titian.” She moved her shoulders carelessly. It hardly mattered at this point.
“When you spoke of his technique in treating paints for age, you didn’t give the impression he’d only used it on one painting.”
What had given her the idea he wouldn’t catch on to a chance remark like that one? she wondered. The fat’s in the fire in any case, she reminded herself. And she was tired of trying to dance around it. She swirled her drink and red and amber lights glinted against the glass.
“I trust you,” she murmured, surprising them both. “But I don’t want to involve you, Adam, in something yo
u’ll regret knowing about. I really want you to understand that. Once I tell you, it’ll be too late for regrets.”
He didn’t care for the surge of guilt. Who was deceiving whom now? his conscience demanded of him. And who’d pay the price in the end? “Let me worry about that,” he stated, dealing with Kirby now and saving his conscience for later. He swallowed brandy and let the heat ease through him. “How many copies has your father done?”
“Ten—no, eleven,” she corrected, and ignored his quick oath. “Eleven, not counting the Titian, which falls into a different category.”
“A different category,” he murmured. Crossing the room, he splashed more brandy into his glass. He was certain to need it. “How is this different?”
“The Titian was a personal agreement between Harriet and Papa. Merely a way to avoid bad feelings.”
“And the others?” He sat on a fussily elegant Queen Anne chair. “What sort of arrangements did they entail?”
“Each is individual, naturally.” She hesitated as she studied him. If they’d met a month from now, would things have been different? Perhaps. Timing again, she mused and sipped the warming brandy. “To simplify matters, Papa painted them, then sold them to interested parties.”
“Sold them?” He stood because he couldn’t be still. Wishing it had been possible to stop her before she’d begun, he started to pace the room. “Good God, Kirby. Don’t you understand what he’s done? What he’s doing? It’s fraud, plain and simple.”
“I wouldn’t call it fraud,” she countered, giving her brandy a contemplative study. It was, after all, something she’d given a great deal of thought to. “And certainly not plain or simple.”
“What then?” If he’d had a choice, he’d have taken her away then and there—left the Titian, the Rembrandt and her crazy father in the ridiculous castle and taken off. Somewhere. Anywhere.
“Fudging,” Kirby decided with a half smile.
“Fudging,” he repeated in a quiet voice. He’d forgotten she was mad as well. “Fudging. Selling counterfeit paintings for large sums of money to the unsuspecting is fudging? Fixing a parking ticket’s fudging.” He paced another moment, looking for answers. “Damn it, his work’s worth a fortune. Why does he do it?”
“Because he can,” she said simply. She spread one hand, palm out. “Papa’s a genius, Adam. I don’t say that just as his daughter, but as a fellow artist. With the genius comes a bit of eccentricity, perhaps.” Ignoring the sharp sound of derision, she went on. “To Papa, painting’s not just a vocation. Art and life are one, interchangeable.”
“I’ll go along with all that, Kirby, but it doesn’t explain why—”
“Let me finish.” She had both hands on the snifter again, resting it in her lap. “One thing Papa can’t tolerate is greed, in any form. To him greed isn’t just the worship of money, but the hoarding of art. You must know his collection’s constantly being lent out to museums and art schools. Though he has strong feelings that art belongs in the private sector, as well as public institutions, he hates the idea of the wealthy buying up great art for investment purposes.”
“Admirable, Kirby. But he’s made a business out of selling fraudulent paintings.”
“Not a business. He’s never benefited financially.” She set her glass aside and clasped her hands together. “Each prospective buyer of one of Papa’s emulations is first researched thoroughly.” She waited a beat. “By Harriet.”
He nearly sat back down again. “Harriet Merrick’s in on all of this?”
“All of this,” she said mildly, “has been their joint hobby for the last fifteen years.”
“Hobby,” he murmured and did sit.
“Harriet has very good connections, you see. She makes certain the buyer is very wealthy and that he or she lives in a remote location. Two years ago, Papa sold an Arabian sheik a fabulous Renoir. It was one of my favorites. Anyway—” she continued, getting up to freshen Adam’s drink, then her own “—each buyer would also be known for his or her attachment to money, and/or a complete lack of any sense of community spirit or obligation. Through Harriet, they’d learn of Papa’s ownership of a rare, officially undiscovered artwork.”
Taking her own snifter, she returned to her position on the bed while Adam remained silent. “At the first contact, Papa is always uncooperative without being completely dismissive. Gradually he allows himself to be worn down until the deal’s made. The price, naturally, is exorbitant, otherwise the art fanciers would be insulted.” She took a small sip and enjoyed the warm flow of the brandy. “He deals only in cash, so there’s no record. Then the paintings float off to the Himalayas or Siberia or somewhere to be kept in seclusion. Papa then donates the money anonymously to charity.”
Taking a deep breath at the end of her speech, Kirby rewarded herself with more brandy.
“You’re telling me that he goes through all that, all the work, all the intrigue, for nothing?”
“I certainly am not.” Kirby shook her head and leaned forward. “He gets a great deal. He gets satisfaction, Adam. What else is necessary after all?”
He struggled to remember the code of right and wrong. “Kirby, he’s stealing!”
Kirby tilted her head and considered. “Who caught your support and admiration, Adam? The Sheriff of Nottingham or Robin Hood?”
“It’s not the same.” He dragged a hand through his hair as he tried to convince them both. “Damn it, Kirby, it’s not the same.”
“There’s a newly modernized pediatric wing at the local hospital,” she began quietly. “A little town in Appalachia has a new fire engine and modern equipment. Another, in the dust bowl, has a wonderful new library.”
“All right.” He rose again to cut her off. “In fifteen years I’m sure there’s quite a list. Maybe in some strange way it’s commendable, but it’s also illegal, Kirby. It has to stop.”
“I know.” Her simple agreement broke his rhythm. With a half smile, Kirby moved her shoulders. “It was fun while it lasted, but I’ve known for some time it had to stop before something went wrong. Papa has a project in mind for a series of paintings, and I’ve convinced him to begin soon. It should take him about five years and give us a breathing space. But in the meantime, he’s done something I don’t know how to cope with.”
She was about to give him more. Even before she spoke, Adam knew Kirby was going to give him all her trust. He sat in silence, despising himself, as she told him everything she knew about the Rembrandt.
“I imagine part of it’s revenge on Stuart,” she continued, while Adam smoked in silence and she again swirled her brandy without drinking. “Somehow Stuart found out about Papa’s hobby and threatened exposure the night I broke our engagement. Papa told me not to worry, that Stuart wasn’t in a position to make waves. At the time I had no idea about the Rembrandt business.”
She was opening up to him, no questions, no hesitation. He was going to probe, God help him, he hadn’t a choice. “Do you have any idea where he might’ve hidden it?”
“No, but I haven’t looked.” When she looked at him, she wasn’t the sultry gypsy or the exotic princess. She was only a daughter concerned about an adored father. “He’s a good man, Adam. No one knows that better than I. I know there’s a reason for what he’s done, and for the time being, I have to accept that. I don’t expect you to share my loyalty, just my confidence.” He didn’t speak, and she took his silence for agreement. “My main concern now is that Papa’s underestimating Stuart’s ruthlessness.”
“He won’t when you tell him about the scene in the library.”
“I’m not going to tell him. Because,” she continued before Adam could argue, “I have no way of predicting his reaction. You may have noticed, Papa’s a very volatile man.” Tilting her glass, she met his gaze with a quick change of mood. “I don’t want you to worry about all this, Adam. Talk to Papa about it if you like. Have a chat with Harriet, too. Personally, I find it helpful to tuck the whole business away from time to time and le
t it hibernate. Like a grizzly bear.”
“Grizzly bear.”
She laughed and rose. “Let me get you some more brandy.”
He stopped her with a hand on her wrist. “Have you told me everything?”
With a frown, she brushed at a speck of lint on the bedspread. “Did I mention the Van Gogh?”
“Oh, God.” He pressed his fingers to his eyes. Somehow he’d hoped there’d be an end without really believing it. “What Van Gogh?”
Kirby pursed her lips. “Not exactly a Van Gogh.”
“Your father?”
“His latest. He’s sold it to Victor Alvarez, a coffee baron in South America.” She smiled as Adam said nothing and stared straight ahead. “The working conditions on his farm are deplorable. Of course, there’s nothing we can do to remedy that, but Papa’s already allocated the purchase price for a school somewhere in the area. It’s his last for several years, Adam,” she added as he sat with his fingers pressed against his eyes. “And really, I think he’ll be pleased that you know all about everything. He’d love to show this painting to you. He’s particularly pleased with it.”
Adam rubbed his hands over his face. It didn’t surprise him to hear himself laughing. “I suppose I should be grateful he hasn’t decided to do the ceiling in the Sistine Chapel.”
“Only after he retires,” Kirby put in cheerfully. “And that’s