Delphi Complete Poetical Works of Matthew Arnold

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Delphi Complete Poetical Works of Matthew Arnold Page 49

by Matthew Arnold


  Quae regio in terris nostri non plena laboris?+

  But what was it, this liberalism, as Dr. Newman saw it, and as it really broke the Oxford movement? It was the great middle-class liberalism, which had for the cardinal points of its belief the Reform Bill of 1832, and local self-government, in politics; in the social sphere, free-trade, unrestricted competition, and the making of large industrial fortunes; in the religious sphere, the Dissidence of Dissent and the Protestantism of the Protestant religion. I do not say that other and more intelligent forces than this were not opposed to the Oxford movement: but this was the force which really beat it; this was the force which Dr. Newman felt himself fighting with; this was the force which till only the other day seemed to be the paramount force in this country, and to be in possession of the future; this was the force whose achievements fill Mr. Lowe with such inexpressible admiration, and whose rule he was so horror-struck to see threatened. And where is this great force of Philistinism now? It is thrust into the second rank, it is become a power of yesterday, it has lost the future. A new power has suddenly appeared, a power which it is impossible yet to judge fully, but which is certainly a wholly different force from middle-class liberalism; different in its cardinal points of belief, different in its tendencies in every sphere. It loves and admires neither the legislation of middle-class Parliaments, nor the local self- government of middle-class vestries, nor the unrestricted competition of middle-class industrialists, nor the dissidence of middle- class Dissent and the Protestantism of middle-class Protestant religion. I am not now praising this new force, or saying that its own ideals are better; all I say is, that they are wholly different. And who will estimate how much the currents of feeling created by Dr. Newman’s movement, the keen desire for beauty and sweetness which it nourished, the deep aversion it manifested to the hardness and vulgarity of middle-class liberalism, the strong light it turned on the hideous and grotesque illusions of middle-class Protestantism, — who will estimate how much all these contributed to swell the tide of secret dissatisfaction which has mined the ground under the self- confident liberalism of the last thirty years, and has prepared the way for its sudden collapse and supersession? It is in this manner that the sentiment of Oxford for beauty and sweetness conquers, and in this manner long may it continue to conquer!

  In this manner it works to the same end as culture, and there is plenty of work for it yet to do. I have said that the new and more democratic force which is now superseding our old middle-class liberalism cannot yet be rightly judged. It has its main tendencies still to form. We hear promises of its giving us administrative reform, law reform, reform of education, and I know not what; but those promises come rather from its advocates, wishing to make a good plea for it and to justify it for superseding middle- class liberalism, than from clear tendencies which it has itself yet developed. But meanwhile it has plenty of well-intentioned friends against whom culture may with advantage continue to uphold steadily its ideal of human perfection; that this is an inward spiritual activity, having for its characters increased sweetness, increased light, increased life, increased sympathy. Mr. Bright, who has a foot in both worlds, the world of middle-class liberalism and the world of democracy, but who brings most of his ideas from the world of middle-class liberalism in which he was bred, always inclines to inculcate that faith in machinery to which, as we have seen, Englishmen are so prone, and which has been the bane of middle-class liberalism. He complains with a sorrowful indignation of people who “appear to have no proper estimate of the value of the franchise;” he leads his disciples to believe, — what the Englishman is always too ready to believe, — that the having a vote, like the having a large family, or a large business, or large muscles, has in itself some edifying and perfecting effect upon human nature. Or else he cries out to the democracy,— “the men,” as he calls them, “upon whose shoulders the greatness of England rests,” — he cries out to them: “See what you have done! I look over this country and see the cities you have built, the railroads you have made, the manufactures you have produced, the cargoes which freight the ships of the greatest mercantile navy the world has ever seen! I see that you have converted by your labours what was once a wilderness, these islands, into a fruitful garden; I know that you have created this wealth, and are a nation whose name is a word of power throughout all the world.” Why, this is just the very style of laudation with which Mr. Roebuck or Mr. Lowe debauch the minds of the middle classes, and make such Philistines of them. It is the same fashion of teaching a man to value himself not on what he is, not on his progress in sweetness and light, but on the number of the railroads he has constructed, or the bigness of the Tabernacle he has built. Only the middle classes are told they have done it all with their energy, self-reliance, and capital, and the democracy are told they have done it all with their hands and sinews. But teaching the democracy to put its trust in achievements of this kind is merely training them to be Philistines to take the place of the Philistines whom they are superseding; and they too, like the middle class, will be encouraged to sit down at the banquet of the future without having on a wedding garment, and nothing excellent can then come from them. Those who know their besetting faults, those who have watched them and listened to them, or those who will read the instructive account recently given of them by one of themselves, the Journeyman Engineer, will agree that the idea which culture sets before us of perfection, — an increased spiritual activity, having for its characters increased sweetness, increased light, increased life, increased sympathy, — is an idea which the new democracy needs far more than the idea of the blessedness of the franchise, or the wonderfulness of their own industrial performances.

  Other well-meaning friends of this new power are for leading it, not in the old ruts of middle-class Philistinism, but in ways which are naturally alluring to the feet of democracy, though in this country they are novel and untried ways. I may call them the ways of Jacobinism. Violent indignation with the past, abstract systems of renovation applied wholesale, a new doctrine drawn up in black and white for elaborating down to the very smallest details a rational society for the future, — these are the ways of Jacobinism. Mr. Frederic Harrison and other disciples of Comte, — one of them, Mr. Congreve, is an old acquaintance of mine, and I am glad to have an opportunity of publicly expressing my respect for his talents and character, — are among the friends of democracy who are for leading it in paths of this kind. Mr. Frederic Harrison is very hostile to culture, and from a natural enough motive; for culture is the eternal opponent of the two things which are the signal marks of Jacobinism,- -its fierceness, and its addiction to an abstract system. Culture is always assigning to system-makers and systems a smaller share in the bent of human destiny than their friends like. A current in people’s minds sets towards new ideas; people are dissatisfied with their old narrow stock of Philistine ideas, Anglo-Saxon ideas, or any other; and some man, some Bentham or Comte, who has the real merit of having early and strongly felt and helped the new current, but who brings plenty of narrownesses and mistakes of his own into his feeling and help of it, is credited with being the author of the whole current, the fit person to be entrusted with its regulation and to guide the human race. The excellent German historian of the mythology of Rome, Preller, relating the introduction at Rome under the Tarquins of the worship of Apollo, the god of light, healing, and reconciliation, observes that it was not so much the Tarquins who brought to Rome the new worship of Apollo, as a current in the mind of the Roman people which set powerfully at that time towards a new worship of this kind, and away from the old run of Latin and Sabine religious ideas. In a similar way, culture directs our attention to the current in human affairs, and to its continual working, and will not let us rivet our faith upon any one man and his doings. It makes us see, not only his good side, but also how much in him was of necessity limited and transient; nay, it even feels a pleasure, a sense of an increased freedom and of an ampler future, in so doing. I remember, when I was und
er the influence of a mind to which I feel the greatest obligations, the mind of a man who was the very incarnation of sanity and clear sense, a man the most considerable, it seems to me, whom America has yet produced, — Benjamin Franklin, — I remember the relief with which, after long feeling the sway of Franklin’s imperturbable common-sense, I came upon a project of his for a new version of the Book of Job, to replace the old version, the style of which, says Franklin, has become obsolete, and thence less agreeable. “I give,” he continues, “a few verses, which may serve as a sample of the kind of version I would recommend.” We all recollect the famous verse in our translation: “Then Satan answered the Lord and said: ‘Doth Job fear God for nought?’” Franklin makes this: “Does Your Majesty imagine that Job’s good conduct is the effect of mere personal attachment and affection?” I well remember how when first I read that, I drew a deep breath of relief, and said to myself: “After all, there is a stretch of humanity beyond Franklin’s victorious good sense!” So, after hearing Bentham cried loudly up as the renovator of modern society, and Bentham’s mind and ideas proposed as the rulers of our future, I open the Deontology. There I read: “While Xenophon was writing his history and Euclid teaching geometry, Socrates and Plato were talking nonsense under pretence of talking wisdom and morality. This morality of theirs consisted in words; this wisdom of theirs was the denial of matters known to every man’s experience.” From the moment of reading that, I am delivered from the bondage of Bentham! the fanaticism of his adherents can touch me no longer; I feel the inadequacy of his mind and ideas for being the rule of human society, for perfection. Culture tends always thus to deal with the men of a system, of disciples, of a school; with men like Comte, or the late Mr. Buckle, or Mr. Mill. However much it may find to admire in these personages, or in some of them, it nevertheless remembers the text: “Be not ye called Rabbi!” and it soon passes on from any Rabbi. But Jacobinism loves a Rabbi; it does not want to pass on from its Rabbi in pursuit of a future and still unreached perfection; it wants its Rabbi and his ideas to stand for perfection, that they may with the more authority recast the world; and for Jacobinism, therefore, culture, — eternally passing onwards and seeking, — is an impertinence and an offence. But culture, just because it resists this tendency of Jacobinism to impose on us a man with limitations and errors of his own along with the true ideas of which he is the organ, really does the world and Jacobinism itself a service.

  So, too, Jacobinism, in its fierce hatred of the past and of those whom it makes liable for the sins of the past, cannot away with culture, — culture with its inexhaustible indulgence, its consideration of circumstances, its severe judgment of actions joined to its merciful judgment of persons. “The man of culture is in politics,” cries Mr. Frederic Harrison, “one of the poorest mortals alive!” Mr. Frederic Harrison wants to be doing business, and he complains that the man of culture stops him with a “turn for small fault-finding, love of selfish ease, and indecision in action.” Of what use is culture, he asks, except for “a critic of new books or a professor of belles lettres?” Why, it is of use because, in presence of the fierce exasperation which breathes, or rather, I may say, hisses, through the whole production in which Mr. Frederic Harrison asks that question, it reminds us that the perfection of human nature is sweetness and light. It is of use because, like religion,- -that other effort after perfection, — it testifies that, where bitter envying and strife are, there is confusion and every evil work.

  The pursuit of perfection, then, is the pursuit of sweetness and light. He who works for sweetness works in the end for light also; he who works for light works in the end for sweetness also. But he who works for sweetness and light united, works to make reason and the will of God prevail. He who works for machinery, he who works for hatred, works only for confusion. Culture looks beyond machinery, culture hates hatred; culture has but one great passion, the passion for sweetness and light. Yes, it has one yet greater! — the passion for making them prevail. It is not satisfied till we all come to a perfect man; it knows that the sweetness and light of the few must be imperfect until the raw and unkindled masses of humanity are touched with sweetness and light. If I have not shrunk from saying that we must work for sweetness and light, so neither have I shrunk from saying that we must have a broad basis, must have sweetness and light for as many as possible. Again and again I have insisted how those are the happy moments of humanity, how those are the marking epochs of a people’s life, how those are the flowering times for literature and art and all the creative power of genius, when there is a national glow of life and thought, when the whole of society is in the fullest measure permeated by thought, sensible to beauty, intelligent and alive. Only it must be real thought and real beauty; real sweetness and real light. Plenty of people will try to give the masses, as they call them, an intellectual food prepared and adapted in the way they think proper for the actual condition of the masses. The ordinary popular literature is an example of this way of working on the masses. Plenty of people will try to indoctrinate the masses with the set of ideas and judgments constituting the creed of their own profession or party. Our religious and political organisations give an example of this way of working on the masses. I condemn neither way; but culture works differently. It does not try to teach down to the level of inferior classes; it does not try to win them for this or that sect of its own, with ready-made judgments and watchwords. It seeks to do away with classes; to make all live in an atmosphere of sweetness and light, and use ideas, as it uses them itself, freely, — to be nourished and not bound by them.

  This is the social idea; and the men of culture are the true apostles of equality. The great men of culture are those who have had a passion for diffusing, for making prevail, for carrying from one end of society to the other, the best knowledge, the best ideas of their time; who have laboured to divest knowledge of all that was harsh, uncouth, difficult, abstract, professional, exclusive; to humanise it, to make it efficient outside the clique of the cultivated and learned, yet still remaining the best knowledge and thought of the time, and a true source, therefore, of sweetness and light. Such a man was Abelard in the Middle Ages, in spite of all his imperfections; and thence the boundless emotion and enthusiasm which Abelard excited. Such were Lessing and Herder in Germany, at the end of the last century; and their services to Germany were in this way inestimably precious. Generations will pass, and literary monuments will accumulate, and works far more perfect than the works of Lessing and Herder will be produced in Germany; and yet the names of these two men will fill a German with a reverence and enthusiasm such as the names of the most gifted masters will hardly awaken. Because they humanised knowledge; because they broadened the basis of life and intelligence; because they worked powerfully to diffuse sweetness and light, to make reason and the will of God prevail. With Saint Augustine they said: “Let us not leave Thee alone to make in the secret of thy knowledge, as thou didst before the creation of the firmament, the division of light from darkness; let the children of thy spirit, placed in their firmament, make their light shine upon the earth, mark the division of night and day, and announce the revolution of the times; for the old order is passed, and the new arises; the night is spent, the day is come forth; and thou shalt crown the year with thy blessing, when thou shalt send forth labourers into thy harvest sown by other hands than theirs; when thou shalt send forth new labourers to new seed-times, whereof the harvest shall be not yet.”

  CHAPTER II

  I have been trying to show that culture is, or ought to be, the study and pursuit of perfection; and that of perfection as pursued by culture, beauty and intelligence, or, in other words, sweetness and light, are the main characters. But hitherto I have been insisting chiefly on beauty, or sweetness, as a character of perfection. To complete rightly my design, it evidently remains to speak also of intelligence, or light, as a character of perfection. First, however, I ought perhaps to notice that, both here and on the other side of the Atlantic, all sorts of objec
tions are raised against the “religion of culture,” as the objectors mockingly call it, which I am supposed to be promulgating. It is said to be a religion proposing parmaceti, or some scented salve or other, as a cure for human miseries; a religion breathing a spirit of cultivated inaction, making its believer refuse to lend a hand at uprooting the definite evils on all sides of us, and filling him with antipathy against the reforms and reformers which try to extirpate them. In general, it is summed up as being not practical, or, — as some critics more familiarly put it, — all moonshine. That Alcibiades, the editor of the Morning Star, taunts me, as its promulgator, with living out of the world and knowing nothing of life and men. That great austere toiler, the editor of the Daily Telegraph, upbraids me, — but kindly, and more in sorrow than in anger, — for trifling with aesthetics and poetical fancies, while he himself, in that arsenal of his in Fleet Street, is bearing the burden and heat of the day. An intelligent American newspaper, the Nation, says that it is very easy to sit in one’s study and find fault with the course of modern society, but the thing is to propose practical improvements for it. While, finally, Mr. Frederic Harrison, in a very good-tempered and witty satire, which makes me quite understand his having apparently achieved such a conquest of my young Prussian friend, Arminius, at last gets moved to an almost stern moral impatience, to behold, as he says, “Death, sin, cruelty stalk among us, filling their maws with innocence and youth,” and me, in the midst of the general tribulation, handing out my pouncet-box.

 

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