“A cat!” I cried, in the most utter and absolute bewilderment.
“Yes, a cat; a sweet pretty cat, too; aren’t you, pussy?” She knelt down and began to stroke the creature, who changed its mind and rubbed itself against her in evident pleasure. The next moment it darted towards her fur boa and began sniffing at it greedily. As it did so Miss Cusack deftly stripped off a leather collar round its neck. A cry of delight broke from her lips as, unfastening a clasp that held an inner flap to the outer leather covering, she drew out a slip of paper.
“In Henry Le Marchant’s handwriting,” she cried. “What a scoundrel! We have him now.”
“Henry Le Marchant’s handwriting!” I exclaimed, bending over the slip as she held it in her hand.
“Yes,” she answered; “see!”
I read with bated breath the brief communication which the tiny piece of paper contained. It was beyond doubt a replica of the telegram which must have arrived at Hamilton’s office a few moments ago.
Miss Cusack also read the words. She flung the piece of paper to the ground. I picked it up.
“We must keep this, it is evidence,” I said.
“Yes,” she answered, “but this has upset me. I have heard of some curious methods of communication, but never such a one as this before. It was the wildest chance, but thank God it has succeeded. We shall save Evelyn from marrying a man with whom her life would have been intolerable.”
“But what could have led you to this extraordinary result?” I said.
“A chain of reasoning starting on the evening when we dined together,” she replied. “What puzzled me was this: What had Henry Le Marchant to do with valerian on his handkerchief? It was that fact which set me thinking. His explanation of using it as a nerve sedative was so obviously a lie on the face of it, and his embarrassment was so evident, that I did not trouble myself with this way out of the mystery for a single moment. I went through every conceivable hypothesis with regard to valerian, but it was not till I looked up its properties in a medical book that the first clue came to me. Valerian is, as you of course know, doctor, a plant which has a sort of intoxicating, almost maddening effect on cats, so much so that they will search out and follow the smell to the exclusion of any other desire. They are an independent race of creatures, and not easily trained like a dog. Then the amazing possibility suggested itself to me that the method employed by Mr. Le Marchant to communicate with Mr. Gildford, which has nonplussed every detective in London, was the very simple one employing a cat.
“Come to the window and I will explain. You see that narrow ledge along which our friend pussy strolled so leisurely a moment ago. It runs, as you perceive, straight from Mr. Hamilton’s office to that of Mr. Gildford. All Mr. Gildford had to do was to sprinkle some valerian along the ledge close to his own window. The peculiar smell would be detected by a cat quite as far off as the house where Mr. Hamilton’s office is. I thought this all out, and, being pretty sure that my surmises were correct, I called yesterday on Henry Le Marchant at the office with the express purpose of seeing if there was a cat there.
“I went with a message from Evelyn. Nestling on his knee as he sat at his table writing in his private room was this very animal. Even then, of course, there was no certainty about my suspicions, but in view of the event which hung upon them—namely his marriage to Evelyn—I was determined to spare no pains or trouble to put them to the test. I have done so, and, thank God, in time. But come, my course now is clear. I have a painful duty before me, and there is not a moment to lose.”
As Miss Cusack spoke she took up her fur boa, flicked it slowly backwards and forwards to remove the taint of the valerian, and put it round her neck.
Five minutes later we were both communicating her extraordinary story to the ears of one of the sharpest detectives in London. Before that night Henry Le Marchant and James Gildford were both arrested; and Miss Cusack, excited, worn out, her eyes blazing and her hands trembling, went to poor Evelyn Dudley’s home to tell her the result of her day’s work. The particulars of that interview she never confided even to me. But the next week she and Evelyn left the country to spend a long winter in the South of France.
Henry Le Marchant and Gildford were convicted of conspiracy to defraud, and were condemned to suffer the severest punishment that the law prescribes in such cases.
But why follow their careers any further? Evelyn’s heart very nearly broke, but did not quite, and I am glad to be able to add that she has married a man in every respect worthy of her.
DETECTIVE: LADY MOLLY
THE FREWIN MINIATURES
Emmuska Orczy
ALTHOUGH BARONESS EMMUSKA ORCZY (1865–1947) was most famous for the creation of the Scarlet Pimpernel, the first hero with a secret identity, she also was notable for producing stories about “the Old Man in the Corner,” an armchair detective who relied entirely on his cerebral faculties to solve crimes, and about one of the earliest female sleuths, Lady Molly of Scotland Yard.
Lady Molly Robertson-Kirk had an important position in the fictional “Female Department” of Scotland Yard and worked cases almost as a private eye, without assistance until she was ready to have the criminal hauled off. Her exploits, mostly solved by intuition rather than solid police investigation, are narrated by her pretty assistant, Mary, who adores her. Her superiors do not know of Molly’s personal agenda, which is to prove her husband innocent of a crime for which he has been convicted and sentenced to twenty years in prison. At the conclusion of the only book of her adventures, she is successful.
Born in Hungary, Baroness Orczy spoke no English until she was fifteen and her family had moved to England, though all her novels, plays, and short stories were written in English. She failed to sell her novel about Sir Percy Blakeney, an effete English gentleman who was secretly a courageous espionage agent during the days of the French Revolution, daringly saving the lives of countless French aristocrats who had been condemned to the guillotine. Orczy and her husband wrote a stage-play version that was produced without success in 1903. After changing the ending, it opened in the West End two years later and became wildly succesful.
The Scarlet Pimpernel was published as a novel in the same year, the first of numerous adventures about the thorn in the side of the bloodthirsty citizens of the Committee of Public Safety and the Committee of General Security and the gendarmerie. His success inspired the following doggerel:
We seek him here…
We seek him there…
Those Frenchies seek him…
Everywhere.
Is he in heaven?
Is he in h-ll?
That demned elusive
Pimpernel?
The Scarlet Pimpernel took his name from a wildflower that blossoms and dies in a single night.
“The Frewin Miniatures” was first published in the July 1909 issue of Cassell’s Magazine and first collected in Lady Molly of Scotland Yard (London, Cassell, 1910).
The Frewin Miniatures
EMMUSKA ORCZY
ALTHOUGH, MIND YOU, Lady Molly’s methods in connection with the Ninescore mystery were not altogether approved of at the Yard, nevertheless, her shrewdness and ingenuity in the matter were so undoubted that they earned for her a reputation, then and there, which placed her in the foremost rank of the force. And presently, when everyone—public and police alike—were set by the ears over the Frewin miniatures, and a reward of 1,000 guineas was offered for information that would lead to the apprehension of the thief, the chief, of his own accord and without any hesitation, offered the job to her.
I don’t know much about so-called works of art myself, but you can’t be in the detective force, female or otherwise, without knowing something of the value of most things, and I don’t think that Mr. Frewin put an excessive value on his Englehearts when he stated that they were worth £10,000. There were eight of them, all on ivory
, about three to four inches high, and they were said to be the most perfect specimens of their kind. Mr. Frewin himself had had an offer for them, less than two years ago, of 200,000 francs from the trustees of the Louvre, which offer, mind you, he had refused. I dare say you know that he was an immensely wealthy man, a great collector himself, as well as dealer, and that several of the most unique and most highly priced works of art found their way into his private collection. Among them, of course, the Engleheart miniatures were the most noteworthy.
For some time before his death Mr. Frewin had been a great invalid, and for over two years he had not been able to go beyond the boundary of his charming property, Blatchley House, near Brighton.
There is a sad story in connection with the serious illness of Mr. Frewin—an illness which, if you remember, has since resulted in the poor old gentleman’s death. He had an only son, a young man on whom the old art-dealer had lavished all the education and, subsequently, all the social advantages which money could give. The boy was exceptionally good-looking, and had inherited from his mother a great charm of manner which made him very popular. The Honourable Mrs. Frewin is the daughter of an English peer, more endowed with physical attributes than with worldly goods. Besides that, she is an exceptionally beautiful woman, has a glorious voice, is a fine violinist, and is no mean water-colour artist, having more than once exhibited at the Royal Academy.
Unfortunately, at one time, young Frewin had got into very bad company, made many debts, some of which were quite unavowable, and there were rumours current at the time to the effect that had the police got wind of certain transactions in connection with a brother officer’s cheque, a very unpleasant prosecution would have followed. Be that as it may, young Lionel Frewin had to quit his regiment, and presently he went off to Canada, where he is supposed to have gone in for farming. According to the story related by some of the servants at Blatchley House, there were violent scenes between father and son before the former consented to pay some of the young spendthrift’s most pressing debts, and then find the further sum of money which was to enable young Frewin to commence a new life in the colonies.
Mrs. Frewin, of course, took the matter very much to heart. She was a dainty, refined, artistic creature, who idolised her only son, but she had evidently no influence whatever over her husband, who, in common with certain English families of Jewish extraction, had an extraordinary hardness of character where the integrity of his own business fame was concerned. He absolutely never forgave his son what he considered a slur cast upon his name by the young spendthrift; he packed him off to Canada, and openly told him that he was to expect nothing further from him. All the Frewin money and the priceless art collection would be left by will to a nephew, James Hyam, whose honour and general conduct had always been beyond reproach.
That Mr. Frewin really took his hitherto idolised son’s defalcations very much to heart was shown by the fact that the poor old man’s health completely broke down after that. He had an apoplectic fit, and, although he somewhat recovered, he always remained an invalid.
His eyesight and brain power were distinctly enfeebled, and about nine months ago he had a renewed seizure, which resulted in paralysis first, and subsequently in his death. The greatest, if not the only, joy the poor old man had during the two years which he spent pinned to an invalid chair was his art collection. Blatchley House was a perfect art museum, and the invalid would have his chair wheeled up and down the great hall and along the rooms where his pictures and china and, above all, where his priceless miniatures were stored. He took an enormous pride in these, and it was, I think, with a view to brightening him up a little that Mrs. Frewin invited Monsieur de Colinville—who had always been a great friend of her husband—to come and stay at Blatchley. Of course, there is no greater connoisseur of art anywhere than that distinguished Frenchman, and it was through him that the celebrated offer of £8,000 was made by the Louvre for the Engleheart miniatures.
Though, of course, the invalid declined the offer, he took a great pleasure and pride in the fact that it had been made, as, in addition to Monsieur de Colinville himself, several members of the committee of art advisers to the Louvre came over from Paris in order to try and persuade Mr. Frewin to sell his unique treasures. However, the invalid was obdurate about that. He was not in want of money, and the celebrated Frewin art collection would go intact to his widow for her life, and then to his heir, Mr. James Hyam, a great connoisseur himself, and art dealer of St. Petersburg and London.
It was really a merciful dispensation of Providence that the old man never knew of the disappearance of his valued miniatures. By the time that extraordinary mystery had come to light he was dead.
On the evening of January the 14th, at half-past eight, Mr. Frewin had a third paralytic seizure, from which he never recovered. His valet, Kennet, and his two nurses were with him at the time, and Mrs. Frewin, quickly apprised of the terrible event, flew to his bedside, whilst the motor was at once despatched for the doctor. About an hour or two later the dying man seemed to rally somewhat, but he appeared very restless and agitated, and his eyes were roaming anxiously about the room.
“I expect it is his precious miniatures he wants,” said Nurse Dawson. “He is always quiet when he can play with them.”
She reached for the large, leather case which contained the priceless art treasures, and, opening it, placed it on the bed beside the patient. Mr. Frewin, however, was obviously too near death to care even for his favourite toy. He fingered the miniatures with trembling hands for a few moments, and then sank back exhausted on the pillows.
“He is dying,” said the doctor quietly, turning to Mrs. Frewin.
“I have something to say to him,” she then said. “Can I remain alone with him for a few minutes?”
“Certainly,” said the doctor, as he himself discreetly retired; “but I think one of the nurses had better remain within earshot.”
Nurse Dawson, it appeared, remained within earshot to some purpose, for she overheard what Mrs. Frewin was saying to her dying husband.
“It is about Lionel—your only son,” she said. “Can you understand what I say?”
The sick man nodded.
“You remember that he is in Brighton, staying with Alicia. I can go and fetch him in the motor if you will consent to see him.”
Again the dying man nodded. I suppose Mrs. Frewin took this to mean acquiescence, for the next moment she rang for John Chipps, the butler, and gave him instructions to order her motor at once. She then kissed the patient on the forehead and prepared to leave the room; but just before she did so her eyes lighted on the case of miniatures, and she said to Kennet, the valet:
“Give these to Chipps, and tell him to put them in the library.”
She then went to put on her furs preparatory to going out. When she was quite ready she met Chipps on the landing, who had just come up to tell her that the motor was at the door. He had in his hand the case of miniatures which Kennet had given him.
“Put the case on the library table, Chipps, when you go down,” she said.
“Yes, madam,” he replied.
He followed her downstairs, then slipped into the library, put the case on the table as he had been directed, after which he saw his mistress into the motor, and finally closed the front door.
* * *
—
About an hour later Mrs. Frewin came back, but without her son. It transpired afterwards that the young man was more vindictive than his father; he refused to go to the latter’s bedside in order to be reconciled at the eleventh hour to a man who then had no longer either his wits or his physical senses about him. However, the dying man was spared the knowledge of his son’s irreconcilable conduct, for, after a long and wearisome night passed in a state of coma, he died at about 6:00 A.M.
It was quite late the following afternoon when Mrs. Frewin suddenly recollected the case of miniatures, which
should have been locked in their accustomed cabinet. She strolled leisurely into the library—she was very fatigued and worn out with the long vigil and the sorrow and anxiety she had just gone through. A quarter of an hour later John Chipps found her in the same room, sitting dazed and almost fainting in an armchair. In response to the old butler’s anxious query, she murmured:
“The miniatures—where are they?”
Scared at the abruptness of the query and at his mistress’s changed tone of voice, Chipps gazed quickly around him.
“You told me to put them on the table, ma’am,” he murmured, “and I did so. They certainly don’t seem to be in the room now——” he added, with a sudden feeling of terror.
“Run and ask one of the nurses at once if the case was taken up to Mr. Frewin’s room during the night?”
Chipps, needless to say, did not wait to be told twice. He was beginning to feel very anxious. He spoke to Kennet and also to the two nurses, and asked them if, by any chance, the miniatures were in the late master’s room. To this Kennet and the nurses replied in the negative. The last they had seen of the miniatures was when Chipps took them from the valet and followed his mistress downstairs with the case in his hands.
The poor old butler was in despair; the cook was in hysterics, and consternation reigned throughout the house. The disappearance of the miniatures caused almost a greater excitement than the death of the master, who had been a dying man so long that he was almost a stranger to the servants at Blatchley.
Mrs. Frewin was the first to recover her presence of mind.
“Send a motor at once to the police station at Brighton,” she said very calmly, as soon as she completely realised that the miniatures were nowhere to be found. “It is my duty to see that this matter is thoroughly gone into at once.”
The Big Book of Female Detectives Page 16