I must move very carefully, or I’ll end up drugged and edited.
I can’t let myself seem like a crank, a quack, an agitator. I can’t stand up and denounce! I have to find allies. Herndon, first. He surely is onto the truth; he’s the one who nudged me to it, that day we dropped pellets. And I thought he was merely being vicious in his usual way!
I’ll talk to him tonight.
He says, “I’ve been thinking about that suggestion you made. About the Eaters. Perhaps we haven’t made sufficiently close psychological studies. I mean, if they really are intelligent—”
Herndon blinks. He is a tall man with glossy dark hair, a heavy beard, sharp cheekbones. “Who says they are, Tom?”
“You did. On the far side of the Forked River, you said—”
“It was just a speculative hypothesis. To make conversation.”
“No, I think it was more than that. You really believed it.”
Herndon looks troubled. “Tom, I don’t know what you’re trying to start, but don’t start it. If I for a moment believed we were killing intelligent creatures, I’d run for an editor so fast I’d start an implosion wave.”
“Why did you ask me that thing, then?” Tom Two Ribbons says.
“Idle chatter.”
“Amusing yourself by kindling guilts in somebody else? You’re a bastard, Herndon. I mean it.”
“Well, look, Tom, if I had any idea that you’d get so worked up about a hypothetical suggestion—” Herndon shakes his head. “The Eaters aren’t intelligent beings. Obviously. Otherwise we wouldn’t be under orders to liquidate them.”
“Obviously,” says Tom Two Ribbons.
Ellen said, “No, I don’t know what Tom’s up to. But I’m pretty sure he needs a rest. It’s only a year and a half since his personality reconstruct, and he had a pretty bad breakdown back then.”
Michaelson consulted a chart. “He’s refused three times in a row to make his pellet-dropping run. Claiming he can’t take time away from his research. Hell, we can fill in for him, but it’s the idea that he’s ducking chores that bothers me.”
“What kind of research is he doing?” Nichols wanted to know.
“Not biological,” said Julia. “He’s with the Eaters in the compound all the time, but I don’t see him making any tests on them. He just watches them.”
“And talks to them,” Chang observed.
“And talks, yes,” Julia said.
“About what?” Nichols asked.
“Who knows?”
Everyone looked at Ellen. “You’re closest to him,” Michaelson said. “Can’t you bring him out of it?”
“I’ve got to know what he’s in, first,” Ellen said. “He isn’t saying a thing.”
You know that you must be very careful, for they outnumber you, and their concern for your welfare can be deadly. Already they realize you are disturbed, and Ellen has begun to probe for the source of the disturbance. Last night you lay in her arms and she questioned you, obliquely, skillfully, and you knew what she is trying to find out. When the moons appeared she suggested that you and she stroll in the compound, among the sleeping Eaters. You declined, but she sees that you have become involved with the creatures.
You have done probing of your own—subtly, you hope. And you are aware that you can do nothing to save the Eaters. An irrevocable commitment has been made. It is 1876 all over again; these are the bison, these are the Sioux, and they must be destroyed, for the railroad is on its way. If you speak out here, your friends will calm you and pacify you and edit you, for they do not see what you see. If you return to Earth to agitate, you will be mocked and recommended for another reconstruct. You can do nothing. You can do nothing.
You cannot save, but perhaps you can record.
Go out into the prairie. Live with the Eaters; make yourself their friend; learn their ways. Set it down, a full account of their culture, so that at least that much will not be lost. You know the techniques of field anthropology. As was done for your people in the old days, do now for the Eaters.
He finds Michaelson. “Can you spare me for a few weeks?” he asks.
“Spare you, Tom? What do you mean?”
“I’ve got some field studies to do. I’d like to leave the base and work with Eaters in the wild.”
“What’s wrong with the ones in the compound?”
“It’s the last chance with wild ones, Mike. I’ve got to go.”
“Alone, or with Ellen?”
“Alone.”
Michaelson nods slowly. “All right, Tom. Whatever you want. Go. I won’t hold you here.”
I dance in the prairie under the green-gold sun. About me the Eaters gather. I am stripped; sweat makes my skin glisten; my heart pounds. I talk to them with my feet, and they understand.
They understand.
They have a language of soft sounds. They have a god. They know love and awe and rapture. They have rites. They have names. They have a history. Of all this I am convinced.
I dance on thick grass.
How can I reach them? With my feet, with my hands, with my grunts, with my sweat. They gather by the hundreds, by the thousands, and I dance. I must not stop. They cluster about me and make their sounds. I am a conduit for strange forces. My great-grandfather should see me now! Sitting on his porch in Wyoming, the firewater in his hand, his brain rotting—see me now, old one! See the dance of Tom Two Ribbons! I talk to these strange ones with my feet under a sun that is the wrong color. I dance. I dance.
“Listen to me,” I say. “I am your friend, I alone, the only one you can trust. Trust me, talk to me, teach me. Let me preserve your ways, for soon the destruction will come.”
I dance, and the sun climbs, and the Eaters murmur.
There is the chief. I dance toward him, back, toward, I bow, I point to the sun, I imagine the being that lives in that ball of flame, I imitate the sounds of these people, I kneel, I rise, I dance. Tom Two Ribbons dances for you.
I summon skills my ancestors forgot. I feel the power flowing in me. As they danced in the days of the bison, I dance now, beyond the Forked River.
I dance, and now the Eaters dance too. Slowly, uncertainly, they move toward me, they shift their weight, lift leg and leg, sway about. “Yes, like that!” I cry. “Dance!”
We dance together as the sun reaches noon height.
Now their eyes are no longer accusing. I see warmth and kinship. I am their brother, their redskinned tribesman, he who dances with them. No longer do they seem clumsy to me. There is a strange ponderous grace in their movements. They dance. They dance. They caper about me. Closer, closer, closer!
We move in holy frenzy.
They sing, now, a blurred hymn of joy. They throw forth their arms, unclench their little claws. In unison they shift weight, left foot forward, right, left, right. Dance, brothers, dance, dance, dance! They press against me. Their flesh quivers; their smell is a sweet one. They gently thrust me across the field, to a part of the meadow where the grass is deep and untrampled. Still dancing, we seek for the oxygen-plants, and find clumps of them beneath the grass, and they make their prayer and seize them with their awkward arms, separating the respiratory bodies from the photosynthetic spikes. The plants, in anguish, release floods of oxygen. My mind reels. I laugh and sing. The Eaters are nibbling the lemon-colored perforated globes, nibbling the stalks as well. They thrust their plants at me. It is a religious ceremony, I see. Take from us, eat with us, join with us, this is the body, this is the blood, take, eat, join. I bend forward and put a lemon-colored globe to my lips. I do not bite; I nibble, as they do, my teeth slicing away the skin of the globe. Juice spurts into my mouth while oxygen drenches my nostrils. The Eaters sing hosannas. I should be in full paint for this, paint of my forefathers, feathers too, meeting their religion in the regalia of what should have been mine. Take, eat, join. The juice of the oxygen-plant flows in my veins. I embrace my brothers. I sing, and as my voice leaves my lips it becomes an arch that glistens like new steel, a
nd I pitch my song lower, and the arch turns to tarnished silver. The Eaters crowd close. The scent of their bodies is fiery red to me. Their soft cries are puffs of steam. The sun is very warm; its rays are tiny jagged pings of puckered sound, close to the top of my range of hearing, plink! plink! plink! The thick grass hums to me, deep and rich, and the wind hurls points of flame along the prairie. I devour another oxygen-plant, and then a third. My brothers laugh and shout. They tell me of their gods, the god of warmth, the god of food, the god of pleasure, the god of death, the god of holiness, the god of wrongness, and the others. They recite for me the names of their kings, and I hear their voices as splashes of green mold on the clean sheet of the sky. They instruct me in their holy rites. I must remember this, I tell myself, for when it is gone it will never come again. I continue to dance. They continue to dance. The color of the hills becomes rough and coarse, like abrasive gas. Take, eat, join. Dance. They are so gentle!
I hear the drone of the copter, suddenly.
It hovers far overhead. I am unable to see who flies in it. “No!” I scream. “Not here! Not these people! Listen to me! This is Tom Ribbons! Can’t you hear me? I’m doing a field study here! You’ve no right—!”
My voice makes spirals of blue moss edged with red sparks. They drift upward and are scattered by the breeze.
I yell, I shout, I bellow. I dance and shake my fists. From the wings of the copter the jointed arms of the pellet-distributors unfold. The gleaming spigots extend and whirl. The neural pellets rain down into the meadow, each tracing a blazing track that lingers in the sky. The sound of the copter becomes a furry carpet stretching to the horizon, and my shrill voice is lost in it.
The Eaters drift away from me, seeking the pellets, scratching at the roots of the grass to find them. Still dancing, I leap into their midst, striking the pellets from their hands, hurling them into the stream, crushing them to powder. The Eaters growl black needles at me. They turn away and search for more pellets. The copter turns and flies off, leaving a trail of dense oily sound. My brothers are gobbling the pellets eagerly.
There is no way to prevent it.
Joy consumes them and they topple and lie still. Occasionally a limb twitches; then even this stops. They begin to dissolve. Thousands of them melt on the prairie, sinking into shapelessness, losing spherical forms, flattening, ebbing into the ground. The bonds of the molecules will no longer hold. It is the twilight of protoplasm. They perish. They vanish. For hours I walk the prairie. Now I inhale oxygen; now I eat a lemon-colored globe. Sunset begins with the ringing of leaden chimes. Black clouds make brazen trumpet calls in the east and the deepening wind is a swirl of coaly bristles. Silence comes. Night falls. I dance. I am alone.
The copter comes again, and they find you, and you do not resist as they gather you in. You are beyond bitterness. Quietly you explain what you have done and what you have learned, and why it is wrong to exterminate these people. You describe the plant you have eaten and the way it affects your senses, and as you talk of the blessed synesthesia, the texture of the wind and the sound of the clouds and the timbre of the sunlight, they nod and smile and tell you not to worry, that everything will be all right soon, and they touch something cold to your forearm, so cold that it is a whir and a buzz and the deintoxicant sinks into your vein and soon the ecstasy drains away, leaving only the exhaustion and the grief.
He says, “We never learn a thing, do we? We export all our horrors to the stars. Wipe out the Armenians, wipe out the Jews, wipe out the Tasmanians, wipe out the Indians, wipe out everyone who’s in our way, and do the same damned murderous thing. You weren’t with me out there. You didn’t dance with them. You didn’t see what a rich, complex culture the Eaters have. Let me tell you about their tribal structure. It’s dense: seven levels of matrimonial relationships, to begin with, and an exogamy factor that requires—”
Softly Ellen says, “Tom, darling, nobody’s going to harm the Eaters.”
“And the religion,” he goes on. “Nine gods, each one an aspect of the god. Holiness and wrongness both worshiped. They have hymns, prayers, a theology. And we, the emissaries of the god of wrongness—”
“We’re not exterminating them,” Michaelson says. “Won’t you understand that, Tom? This is all a fantasy of yours. You’ve been under the influence of drugs, but now we’re clearing you out. You’ll be clean in a little while. You’ll have perspective again.”
“A fantasy?” he says bitterly. “A drug dream? I stood out in the prairie and saw you drop pellets. And I watched them die and melt away. I didn’t dream that.”
“How can we convince you?” Chang asks earnestly. “What will make you believe? Shall we fly over the Eater country with you and show you how many millions there are?”
“But how many millions have been destroyed?” he demands.
They insist that he is wrong. Ellen tells him again that no one has ever desired to harm the Eaters. “This is a scientific expedition, Tom. We’re here to study them. It’s a violation of all we stand for to injure intelligent lifeforms.”
“You admit that they’re intelligent?”
“Of course. That’s never been in doubt.”
“Then why drop the pellets?” he asks. “Why slaughter them?”
“None of that has happened, Tom,” Ellen says. She takes his hand between her cool palms. “Believe us. Believe us.”
He says bitterly, “If you want me to believe you, why don’t you do the job properly? Get out the editing machine and go to work on me. You can’t simply talk me into rejecting the evidence of my own eyes.”
“You were under drugs all the time,” Michaelson says.
“I’ve never taken drugs! Except for what I ate in the meadow, when I danced—and that came after I had watched the massacre going on for weeks and weeks. Are you saying that it’s a retroactive delusion?”
“No, Tom,” Schwartz says. “You’ve had this delusion all along. It’s part of your therapy, your reconstruct. You came here programmed with it.”
“Impossible,” he says.
Ellen kisses his fevered forehead. “It was done to reconcile you to mankind, you see. You had this terrible resentment of the displacement of your people in the nineteenth century. You were unable to forgive the industrial society for scattering the Sioux, and you were terribly full of hate. Your therapist thought that if you could be made to participate in an imaginary modern extermination, if you could come to see it as a necessary operation, you’d be purged of your resentment and able to take your place in society as—”
He thrusts her away. “Don’t talk idiocy! If you knew the first thing about reconstruct therapy, you’d realize that no reputable therapist could be so shallow. There are no one-to-one correlations in reconstructs. No, don’t touch me. Keep away. Keep away.”
He will not let them persuade him that this is merely a drug-born dream. It is no fantasy, he tells himself, and it is no therapy. He rises. He goes out. They do not follow him. He takes a copter and seeks his brothers.
The sun is much hotter today. The Eaters are more numerous. Today I wear paint, today I wear feathers. My body shines with my sweat. They dance with me, and they have a frenzy in them that I have never seen before. We pound the trampled meadow with our feet. We clutch for the sun with our hands. We sing, we shout, we cry. We will dance until we fall.
This is no fantasy. These people are real, and they are intelligent, and they are doomed. This I know. We dance. Despite the doom, we dance.
My great-grandfather comes and dances with us. He too is real. His nose is like a hawk’s, not blunt like mine, and he wears the big headdress, and his muscles are like cords under his brown skin. He sings, he shouts, he cries.
Others of my family join us.
We eat the oxygen-plants together. We embrace the Eaters. We know, all of us, what it is to be hunted.
The clouds make music and the wind takes on texture and the sun’s warmth has color.
We dance. We dance. Our limbs know n
o weariness.
The sun grows and fills the whole sky, and I see no Eaters now, only my own people, my father’s fathers across the centuries, thousands of gleaming skins, thousands of hawks’ noses, and we eat the plants, and we find sharp sticks and thrust them into our flesh, and the sweet blood flows and dries in the blaze of the sun, and we dance, and we dance, and some of us fall from weariness, and we dance, and the prairie is a sea of bobbing headdresses, an ocean of feathers, and we dance, and my heart makes thunder, and my knees become water, and the sun’s fire engulfs me, and I dance, and I fall, and I dance, and I fall, and I fall, and I fall.
Again they find you and bring you back. They give you the cool snout on your arm to take the oxygen-plant drug from your veins, and then they give you something else so you will rest. You rest and you are very calm. Ellen kisses you and you stroke her soft skin, and then the others come in and they talk to you, saying soothing things, but you do not listen, for you are searching for realities. It is not an easy search. It is like falling through many trapdoors, looking for the one room whose floor is not hinged. Everything that has happened on this planet is your therapy, you tell yourself, designed to reconcile an embittered aborigine to the white man’s conquest; nothing is really being exterminated here. You reject that and fall through and realize that this must be the therapy of your friends; they carry the weight of accumulated centuries of guilts and have come here to shed that load, and you are here to ease them of their burden, to draw their sins into yourself and give them forgiveness. Again you fall through, and see that the Eaters are mere animals who threaten the ecology and must be removed; the culture you imagined for them is your hallucination, kindled out of old churnings. You try to withdraw your objections to this necessary extermination, but you fall through again and discover that there is no extermination except in your mind, which is troubled and disordered by your obsession with the crime against your ancestors, and you sit up, for you wish to apologize to these friends of yours, these innocent scientists whom you have called murderers. And you fall through.
The Very Best of Fantasy & Science Fiction, Volume 2 Page 19