"'It looks like I has more of this thing to do,' says Cherokee, an' his tone shows he's half-way mournin' over it, ` than any sport in the Territory. I tries to keep outen this, but that Lizard gent would have it.'
"After the killin', Enright an' Doc Peets, with Boggs, Tutt, an'
Jack Moore, sorter talks it over quiet, an' allows it's all right.
"'This Stingin' Lizard gent,' says Enright, has been projectin' 'round lustin' for trouble now, mebby it's six weeks. It's amazin' to me he lasts as long as he does, an' it speaks volumes for the forbearin', law-abiding temper of the Wolfville public. This Lizard's a mighty oppressive person, an' a heap obnoxious; an' while I don't like a knife none myse'f as a trail out, an' inclines to distrust a gent who does, I s'pose it's after all a heap a matter of taste an' the way your folks brings you up. I leans to the view, gents, that this yere corpse is constructed on the squar'. What do you-all think, Peets?'
"'I entertains ideas sim'lar,' says Doc Peets. 'Of course I takes it this kyard-sharp, Cherokee, aims to bury his dead. He nacherally ain't look. in' for the camp to go 'round cleanin' up after him none.' "That's about how it stands. Nobody finds fault with Cherokee, an' as he ups an' plants the Stingin' Lizard's remainder the next day, makin' the deal with a stained box, crape, an' the full regalia, it all leaves the camp with a mighty decent impression. By first-drink time in the evenin' of the second day, we ain't thinkin' no more about it.
"Now you-all begins to marvel where do we get to the hangin' of
Cherokee Hall? We're workin' in towards it now.
"You sees, followin' the Stingin' Lizard's jump into the misty beyond—which it's that sudden I offers two to one them angels notes a look of s'prise on the Stingin' Lizard's face as to how he comes to make the trip-Cherokee goes on dealin' faro same as usual. As I says before, he ain't no talker, nohow; now he says less than ever.
"But what strikes us as onusual is, he saddles up a pinto pony he's got over to the corral, an' jumps off every now an' then for two an' three days at a clatter. No one knows where he p'ints to, more'n he says he's due over in Tucson. These yere vacations of Cherokee's is all in the month after the Stingin' Lizard gets downed. "It's about this time, too, the stage gets held up sech a scand'lous number of times it gives people a tired feelin'. All by one party, too. He merely prances out in onexpected places with a Winchester; stands up the stage in an onconcerned way, an' then goes through everythin' an' everybody, from mail-bags to passengers, like the grace of heaven through a camp-meetin'. Nacheral, it all creates a heap of disgust. "'If this yere industrious hold-up keeps up his lick,' says Texas Thompson about the third time the stage gets rustled, `an' heads off a few more letters of mine, all I has to say is my wife back in Laredo ain't goin' to onderstand it none. She ain't lottin' much on me nohow, an' if the correspondence between us gets much more fitful, she's goin' p'intin' out for a divorce. This deal's liable to turn a split for me in my domestic affairs.' An' that's the way we-alls feels. This stage agent is shorely in disrepoot some in Wolfville. If he'd been shakin' up Red Dog's letter-bags, we wouldn't have minded so much.
"I never does know who's the first to think of Cherokee Hall, but all at once it's all over camp Talkin' it over, it's noticed mighty soon that, come right to cases, no one knows his record, where he's been or why he's yere. Then his stampedin' out of camp like he's been doin' for a month is too many for us.
"'I puts no trust in them Tucson lies he tells, neither,' says Doc Peets. 'Whatever would he be shakin' up over in Tucson? His game's yere, an' this theery that he's got to go scatterin' over thar once a week is some gauzy.'
"'That's whatever,' says Dan Boggs, who allers trails in after Doc Peets, an' plays the same system emphatic. An' I says myse'f, not findin' no fault with Boggs tharfor, that this yere Peets is the finest-eddicated an' levelest-headed sharp in Arizona.
"'Well,' says Jack Moore, who as I says before does the rope work for the Stranglers, 'if you-alls gets it settled that this faro gent's turnin' them tricks with the stage an' mail-bags, the sooner he's swingin' to the windmill, the sooner we hears from our loved ones at home. What do you say, Enright?'
"'Why,' says Enright, all thoughtful, 'I reckons it's a case. S'pose you caper over where he feeds at the O.K. House an' bring him to us. The signs an' signal-smokes shorely p'ints to this yere Cherokee as our meat; but these things has to be done in order. Bring him in, Jack, an', to save another trip, s'pose you bring a lariat from the corral at the same time.'
"It don't take Moore no time to throw a gun on Cherokee where he's consoomin' flapjacks at the O. K. House, an' tell him the committee needs him at the New York Store. Cherokee don't buck none, but comes along, passive as a tabby cat.
"'Whatever's the hock kyard to all this?' he says to Jack Moore. 'Is it this Stingin' Lizard play a month ago?'
"'No,' says Moore, "t'ain't quite sech ancient hist'ry. It's stage coaches. Thar's a passel of people down yere as allows you've been rustlin' the mails.'
"Old Man Rucker, who keeps the O. K. House, is away when Moore rounds up his party. But Missis Rucker's thar, an' the way that old lady talks to Enright an' the committee is a shame. She comes over to the store, too, along of Moore an' Cherokee, an' prances in an' comes mighty near stampedin' the whole outfit.
"'See yere, Sam Enright,' she shouts, wipin' her hands on her bib, 'what be you-alls aimin' for to do? Linin' up, I s'pose to hang the only decent man in town?'
"'Ma'am,' says Enright, 'this yere sharp is 'cused of standin' up the stage them times recent over by Tucson. Do you know anythin' about it?'
"'No; I don't,' says Missis Rucker. 'You don't reckon, now, I did it none, do you? I says this, though; it's a heap sight more likely some drunkard a-settin' right yere on this committee stops them stages than Cherokee Hall.'
"'Woman's nacher's that emotional,' says Enright to the rest of us, 'she's oncapable of doin' right. While she's the loveliest of created things, still sech is the infirmities of her intellects, that gov'ment would bog down in its most important functions, if left to woman.'
"'Bog down or not,' says Missis Rucker, gettin' red an' heated, 'you fools settin' up thar like a band of prairie-dogs don't hang this yere Cherokee Hall. 'Nother thing, you ain't goin' to hang nobody to the windmill ag'in nohow. I has my work to do, an' thar's enough on my hands, feedin' sech swine as you-alls three times a day, without havin' to cut down dead folks outen my way every time I goes for a bucket of water. You-alls takes notice now; you don't hang nothin' to the windmill no more. As for this yere Cherokee, he ain't stopped no more stages than I be.'
"'But you sees yourse'f, ma'am, you hasn't the slightest evidence tharof,' says Enright, tryin' to soothe her down.
"'I has, however, what's a mighty sight better than evidence,' says
Missis Rucker, 'an' that's my firm convictions.'
"'Well, see yere,' says Cherokee, who's been listenin' all peaceful, 'let me in on this. What be you-alls doin' this on? I reckons I'm entitled to a look at your hand for my money.'
"Enright goes on an' lays it off for Cherokee; how he's outen camp every time the stage is robbed, an' the idee is abroad he does it.
"'As the kyards lay in the box,' says Cherokee, 'I don't reckon thar's much doubt but you-alls will wind up the deal by hangin' me?'
"'It's shorely five to one that a-way,' says Enright. 'Although I'm bound to say it ain't none decisive as yet.'
"'The trooth is,' says Cherokee, sorter thoughtful, 'I wasn't aimin' to be hung none this autumn. I ain't got time, gents, for one thing, an' has arranged a heap diff'rent. In the next place, I never stands up no stage.'
"'That's what they all says,' puts in Boggs, who's a mighty impatient man. 'I shorely notes no reason why we-alls can't proceed with this yere lynchin' at once. S'pose this Cherokee ain't stood up no stage; he's done plenty of other things as merits death. It strikes me thar's a sight of onnecessary talk yere."
"'If you ain't out working the road,' says Doc Peets to Cherokee, not he
edin' of Bogg's petulance, 'them stage-robbin' times, s'pose you onfolds where you was at?"
"Well, son, not to string this yere story out longer'n three drinks, yere is how it is: This Cherokee it looks like is soft-hearted that a-way,—what you calls romantic. An' it seems likewise that shovin' the Stingin' Lizard from shore that time sorter takes advantage an' feeds on him. So he goes browsin' 'round the postmaster all casooal, an' puts questions. Cherokee gets a p'inter about some yearlin' or other in Tucson this Stingin' Lizard sends money to an' makes good for, which he finds the same to be fact on caperin' over. It's a nephy or some sech play. An' the Stingin' Lizard has the young one staked out over thar, an' is puttin' up for his raiment an' grub all reg'lar enough.
"'Which I yereafter backs this infant's play myse'f,' says Cherokee to the barkeep of the Oriental Saloon over in Tucson, which is the party the Stingin' Lizard pastures the young one on. 'You're all right, Bill,' goes on this Cherokee to the barkeep,' but now I goes back of the box for this infant boy, I reckons I'll saw him off onto a preacher, or some sharp sim'lar, where he gets a Christian example. Whatever do you think?'
"The barkeep says himse'f he allows it's the play to make. So he an' Cherokee goes surgin' 'round, an' at last they camps the boy—who's seven years comin' grass—on the only pulpit-sharp in Tucson. This gospel-spreader says he'll feed an' bed down the boy for some sum; which was shore a giant one, but the figgers I now forgets.
"Cherokee gives him a stack of blues to start his game, an' is now pesterin' 'round in a co't tryin' to get the young one counter- branded from the Stingin' Lizard's outfit into his, an' given the name of Cherokee Hall. That's what takes him over to Tucson them times, an' not stage-robbin'.
"Two days later, in fact, to make shore all doubts is over, Cherokee even rings in said divine on us; which the divine tells the same story. I don't reckon now he's much of a preacher neither; for he gives Wolfville one whirl for luck over in the warehouse back of the New York Store, an' I shore hears 'em as makes a mighty sight more noise, an' bangs the Bible twice as hard, back in the States. I says so to Cherokee; but he puts it up he don't bank none on his preachin'.
"'What I aims at,' says Cherokee, 'is someone who rides herd on the boy all right, an' don't let him stampede off none into vicious ways.'
"'Why don't you keep the camp informed of this yere orphan an' the play you makes?' says Enright, at the time it's explained to the committee,—the time they trees Cherokee about them stages.
"'It's that benev'lent an' mushy,' says Cherokee, 'I'm plumb ashamed of the deal, an' don't allow to go postin' no notices tharof. But along comes this yere hold-up business, an', all inadvertent, tips my hand; which the same I stands, however, jest the same.'
"'It's all right,' says Enright, some disgusted though; 'but the next time you makes them foundlin' asylum trips, don't walk in the water so much. Leave your trail so Wolfville sees it, an' then folks ain't so likely to jump your camp in the dark an' take to shootin' you up for Injuns an' sim'lar hostiles.'
"'But one thing more,' continues Enright, an' then we orders the drinks. Jack Moore is yereby instructed to present the compliments of the committee to Rucker, when he trails in from Tucson; which he also notifies him to hobble his wife yereafter durin' sessions of this body. She's not to go draggin' her lariat 'round loose no more, settin' law an' order at defiance durin' sech hours as is given to business by the Stranglers."
CHAPTER III.
THE STORY OF WILKINS
"No; I don't reckon I ever cuts the trail of this yere Wilson you mentions, once. If I does, the fact's done pulled its picket-pin an' strayed from my recollections."
I had recalled the name of a former friend, one Wilson, who, sore given to liquor, had drifted to Arizona many years before and disappeared. Suggesting "Wilson" to the Old Cattleman, I asked if he had met with such a name and character in his Wolfville rambles.
As often chanced, however, the question bore fruit in a story. It frequently needed but a slight blow from the rod of casual inquiry, and the fountains of my old friend's reminiscences gushed forth.
"No, I never crosses up with him," observed the old Cattleman; "but speakin' of Wilson puts in my mind a gent by the name of Wilkins, who it's some likely is as disrepootable as your old pard Wilson."
"What about Wilkins?" I asked.
"Nothin' thrillin', "answered the old gentleman; "nothin' you'd stay up nights to hear, I don't reckon. It's Wilkins's daughter who is the only redeemin' thing about the old Cimmaron; an' it's a heap likely right now it's her I remembers about instead of him.
"Not at all," he continued, "I don't mind onfoldin' as to Wilkins, nor yet of an' concernin' his daughter. You see this Wilkins is herdin' 'round Wolfville when I first trails in. I never does know where he hails from. I don't reckon' though, he ever grades no ways high, an' at the crisis I'm mentionin' his speshul play is gettin' drunk mostly; an' not allowin' to hurt himse'f none with work.
"'Workin' with your fins,' says this Wilkins, 'is low an' onendoorin' to a gent with pride to wound. It ain't no use neither. I knows folks as works, an' folks as don't, an' you can't tell one from which. They gets along entirely sim'lar.
"'But how you goin' to live?' says Dave Tutt, when he makes this remark, an' who is fussin' with Wilkins for bein' so reedic'lous an' shiftless.
"'That's all right about my livin',' says Wilkins; 'don't you-all pass no restless nights on my account. Go read your Scriptures; read that bluff about feedin' the young ravens an' sparrers. Well, that's me this trip. I'm goin' to rap for a show-down on them promises an' see what's in 'em.'
"'This camp ain't strong on Holy Writ, nohow,' says Dave Tutt, 'an'
I'm partic'lar puny that a-way. It's your game though, an' your
American jedgement goes soopreme as to how you plays it.'
"This Wilkins lives in a wickeyup out on the aige of the town, an' a girl, which she's his daughter, about 19 years old, keeps camp for him. No one knows her well. She stays on her reservation mighty close, an' never seems visible much. I notices her in the New York Store once, buyin' some salt hoss, an'she ain't no dream of loveliness neither as to looks.
"Her face makes you feel she's good people though, with her big soft eyes. They has a tired, broke-down look, like somehow she's been packed more'n she can carry, an' has two or three notions about layin' down with the load.
"It's mebby two weeks after Dave Tutt's talk with Wilkins, when we're all in the Red Light takin' our forty drops, an' Sam Enright brings up this yere Wilkins.
"'It has been a question with me,' he says, 'how this old shorthorn and his girl manages for to make out; an' while I care none whatever for Wilkins, it ain't no credit to a live camp like this to permit a young female to suffer, an' I pauses yere to add, it ain't goin' to occur no more. Yesterday, allowin' to bushwhack some trooth about 'em, I waits till old Wilkins drifts over to the corral, an' then I goes projectin' 'round for facts. I works it plenty cunnin', an' sorter happens up to the old man's tepee. I calls the girl out an' puts it up I wants to see her paw a heap on some business.
"'"I wants to see him speshul,"' I says.
"'"Well, he ain't here now,"' says the girl, "so whatever'll you do?"'
"'"I don't reckon you could prance 'round some an' find him for me, could you, Miss?"' I says.
"'So the girl,' continues Enright, 'which her name is Susan, puts on her shaker an' goes stampedin' off; an' while she's gone I injuns an' spies 'round a whole lot; an', comin' down to the turn, Wilkins an' that girl ain't got nothin' to eat. The question now is, what action does Wolfville 'naugerate at a juncture sech as this?' "'What's the matter with takin' up a donation like they does for a preacher, an' saw it onto the girl?' says Dan Boggs.
"'You couldn't open your game that a-way, nohow,' says Doc Peets. 'That's accordin' to Hoyle for sky-pilots an' missionary people; but a young female a-hoidin' of herse'f high spurns your money. Thar's nothin' ketches me like a female of my species in distress, an' I recalls offerin' t
o stake a lady, who's lost her money somehow, back in St. Looey once. This yere female was strange to me entire, but if she'd knowed me from 'way back she couldn't a-blazed up more frightful. The minute I pulls my bankroll on her, she goes cavortin' off too hostile to talk. It takes ten minutes to get her back to the agency to hear me 'pologize, an' even then she glares an' snorts like she's liable to stampede ag'in. No; you don't want to try an' give this girl no money. What we-alls needs is to hunt up somethin' for her to work at an' pay her.'
"'The Doc's right,' says Enright, 'an' the thing is to find somethin' for this yere lady to do. Any gent with a notion on the subject can't speak too quick.'
"'No party need take my remarks as personal,' says Burns, who runs the Red Light, 'as nothin' invidjous is intended; but I rises to say that a heap of my business is on credit. A gent comes in free an' sociable, names his sozodont, an' gets it. If he pays cash, all right; if he wants credit, all right. "You names your day to drink, an' you names your day to pay," is my motto, as you-alls knows. This bein' troo, onder present exigences what for a scheme would it be for me to get an outfit of books,—day-books, week-books, ledgers, an' the rest of the layout,—an' let this yere maiden keep 'em a whole lot? I throws this out as a su'gestion.'
"'I ain't meanin' nothin' ag'inst Burns's su'gestion,' says Texas Thompson, 'but in my opinion this camp ain't ripe for keepin' books as yet. Things like that has to be come to by degrees. I've knowed a heap of trouble arise from keepin' books, an' as long as this yere's a peaceful camp let's keep it that a-way.'
"'That settles it,' says Burns, 'thar's enough said, an' I don't keep no books.'
"'You-alls present knows me,' says Cherokee Hall, who, as I says previous, is turnin' faro in the Red Light, 'an' most of you has met me frequent in a business way. Thar's my game goin' every night reg'lar. Thar's nothin' tin-horn about it. It ain't no skin game neither. Any gent with doubts can step over an' test my box, which he'll find all comfortable on the layout awaitin' his convenience. It ain't been usual for me to blow my own bazoo to any extent, an' I only does it now as bein' preliminary to the statement that my game ain't no deadfall, an' is one as a respectable an' virchus female person could set in on with perfect safetytood to her reputation. This yere lady in question needs light, reg'lar employment, an' I lets it fly that if she wants in on any sech deal I'll go her a blue stack a week to hold down the chair as look-out for my game.'
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