"I don't know how often we makes this yere round trip from one camp to t'other, cause my mem'ry is some dark on the later events of that Thanksgivin'. My pony gets tired of it about the third time back, an' humps himse'f an' bucks me off a whole lot, whereupon I don't go with them Red Dog folks no further, but nacherally camps down back of the mesquite I lights into, an, sleeps till mornin'. You bet! it's a great Thanksgivin'.'
CHAPTER XXL.
BILL HOSKINS'S COON.
"Now I thoroughly saveys," remarked the Old Cattleman reflectively, at a crisis in our conversation when the talk turned on men of small and cowardly measure, "I thoroughly saveys that taste for battle that lurks in the deefiles of folk's nacher like a wolf in the hills Which I reckons now that I, myse'f, is one of the peacefullest people as ever belts on a weepon; but in my instincts—while I never jestifies or follows his example—I cl'arly apprehends the emotions of a gent who convenes with another gent all sim'lar, an' expresses his views with his gun. Sech is human nacher onrestrained, an' the same, while deplorable, is not s'prisin'.
"But this yere Olson I has in my mem'ry don't have no sech manly feelin's as goes with a gun play. Olson is that cowardly he's even furtive; an' for a low-flung measly game let me tell you-all what Olson does. It's shorely ornery.
"It all arises years ago, back in Tennessee, an' gets its first start out of a hawg which is owned by Olson an' is downed by a gent named Hoskins—Bill Hoskins. It's this a-way.
"Back in Tennessee in my dream-wreathed yooth, when livestock goes projectin' about permiscus, a party has to build his fences 'bull strong, hawg tight, an' hoss high,' or he takes results. Which Hoskins don't make his fences to conform to this yere rool none; leastwise they ain't hawg tight as is shown by one of Olson's hawgs.
"The hawg comes pirootin' about Hoskins's fence, an' he goes through easy; an' the way that invadin' animal turns Bill's potatoes bottom up don't hinder him a bit. He shorely loots Bill's lot; that's whatever.
"But Bill, perceivin' of Olson's hawg layin' waste his crop, reaches down a 8-squar' rifle, 30 to the pound, an' stretches the hawg. Which this is where Bill falls into error. Layin' aside them deeficiencies in Bill's fence, it's cl'ar at a glance a hawg can't be held responsible. Hawgs is ignorant an' tharfore innocent; an' while hawgs can be what Doc Peets calls a' CASUS BELLI,' they can't be regarded as a foe legitimate.
"Now what Bill oughter done, if he feels like this yore hawg's done put it all over him, is to go an' lay for Olson. Sech action by Bill would have been some excessive,—some high so to speak; but it would have been a line shot. Whereas killin' the hawg is 'way to one side of the mark; an' onder.
"However, as I states, Bill bein' hasty that a-way, an' oncapable of perhaps refined reasonin', downs the pig, an' stands pat, waitin' for Olson to fill his hand, if he feels so moved.
"It's at this pinch where the cowardly nacher of this yere Olson begins to shine. He's ugly as a wolf about Bill copperin' his hawg that a-way, but he don't pack the nerve to go after Bill an' make a round-up of them grievances. An' he ain't allowin' to pass it up none onrevenged neither. Now yere's what Olson does; he 'sassinates Bill's pet raccoon.
"That's right, son, jest massacres a pore, confidin' raccoon, who don't no more stand in on that hawg-killin' of Bill's, than me an' you,—don't even advise it.
"Which I shorely allows you saveys all thar is to know about a raccoon. No? Well, a raccoon's like this: In the first place he's plumb easy, an' ain't lookin' for no gent to hold out kyards or ring a cold deck on him. That's straight; a raccoon is simple-minded that a-way; an' his impressive trait is, he's meditative. Besides bein' nacherally thoughtful, a raccoon is a heap melancholy,—he jest sets thar an' absorbs melancholy from merely bein' alive.
"But if a raccoon is melancholy or gets wropped in thought that a- way, it's after all his own play. It's to his credit that once when he's tamed, he's got mountainous confidence in men, an' will curl up to sleep where you be an' shet both eyes. He's plumb trustful; an' moreover, no matter how mournful a raccoon feels, or how plumb melancholy he gets, he don't pester you with no yarns.
"I reckons I converses with this yere identical raccoon of Bill's plenty frequent; when he feels blue, an' ag'in when he's at his gailiest, an' he never remarks nothin' to me except p'lite general'ties.
"If this yere Olson was a dead game party who regards himse'f wronged, he'd searched out a gun, or a knife, or mebby a club, an' pranced over an' rectified Bill a whole lot. But he's too timid an' too cowardly, an' afraid of Bill. So to play even, he lines out to bushwhack this he'pless, oninstructed raccoon. Olson figgers to take advantage of what's cl'arly a loop-hole in a raccoon's constitootion.
"Mebby you never notices it about a raccoon, but once he gets interested in a pursoot, he's rigged so he can't quit none ontil the project's a success. Thar's herds an' bands of folks an' animals who's fixed sim'lar. They can start, an' they can't let up. Thar's bull-dogs: They begins a war too easy; but the c'pacity to quit is left out of bull-dogs entire. Same about nose-paint with gents I knows. They capers up to whiskey at the beginnin' like a kitten to warm milk; an' they never does cease no more. An' that's how the kyards falls to raccoons.
"Knowin these yere deefects in raccoons, this Olson plots to take advantage tharof; an' by playin' it low on Bill's raccoon, get even with Bill about that dead hawg. Which Bill wouldn't have took a drove of hawgs; no indeed! not the whole Fall round-up of hawgs in all of West Tennessee, an' lose that raccoon.
"It's when Bill's over to Pine Knot layin' in tobacker, an' nose- paint an' corn meal, an' sech necessaries, when Olson stands in to down Bill's pet. He goes injunnin' over to Bill's an' finds the camp all deserted, except the raccoon's thar, settin', battin' his eyes mournful an' lonesome on the doorstep. This Olson camps down by the door an' fondles the raccoon, an' strokes his coat, an' lets him search his pockets with his black hands ontil he gets that friendly an' confident about Olson he'd told him anythin'. It's then this yere miscreant, Olson, springs his game. "H's got a couple of crawfish which he's fresh caught at the Branch. Now raccoons regards crawfish as onusual good eatin'. For myse'f, I can't say I deems none high of crawfish as viands, but raccoons is different; an' the way they looks at it, crawfish is pie.
"This Olson brings out his two crawfish an' fetchin' ajar of water from the spring, he drops in a crawfish an' incites an' aggravates Zekiel—that's the name of Bill's raccoon—to feel in an' get him a whole lot.
"Zekiel ain't none shy on the play. He knows crawfish like a gambler does a red chip; so turnin' his eyes up to the sky, like a raccoon does who's wropped in pleasant anticipations that a-way, he plunges in his paw an' gets it.
"Once Zekiel acquires him, the pore crawfish don't last as long as two-bits at faro-bank. When Zekiel has him plumb devoured he turns his eyes on Olson, sorter thankful, an' 'waits developments.
"Olson puts in the second crawfish, an' Zekiel takes him into camp same as t'other. It's now that Olson onfurls his plot on Zekiel. Olson drops a dozen buckshot into the jar of water. Nacherally, Zekiel, who's got his mind all framed up touchin' crawfish, goes after the buckshot with his fore foot. But it's different with buck- shot; Zekiel can't pick 'em up. He tries an' tries with his honest, simple face turned up to heaven, but he can't make it. All Zekiel can do is feel 'em with his foot, an' roll 'em about on the bottom of the jar.
"Now as I remarks prior, when a raccoon gets embarked that a-way, he can't quit. He ain't arranged so he can cease. Olson, who's plumb aware tharof, no sooner gets Zekiel started on them buckshot, than knowin' that nacher can be relied on to play her hand out, he sa'nters off to his wickeyup, leavin' Zekiel to his fate. Bill won't be home till Monday, an' Olson knows that before then, onless Zekiel is interrupted, he'll be even for that hawg Bill drops. As Olson cones to a place in the trail where he's goin' to lose sight of Bill's camp, he turns an' looks back. The picture is all his revenge can ask. Thar sets Zekiel on the doorstep, with his happy countenance turned up to the dome abov
e, an' his right paw elbow deep in the jar, still rollin' an' feelin' them buckshot 'round, an' allowin' he's due to ketch a crawfish every moment.
"Which it works out exactly as the wretched Olson figgers. The sun goes down, an' the Sunday sun comes up an' sets again; an' still pore Zekiel is planted by the jar, with his hopeful eyes on high, still feelin' of them buckshot. He can't quit no more'n if he's loser in a poker game; Zekiel can't. When Bill rides up to his door about second-drink time Monday afternoon, Olson is shorely even on that hawg. Thar lays Zekiel, dead. He's jest set thar with them buck-shot an' felt himse'f to death.
"But speakin' of the sapiency of Bill Hoskins's Zekiel," continued the old gentleman as we lighted pipes and lapsed into desultory puffing, "while Zekiel for a raccoon is some deep, after all you-all is jest amazed at Zekiel 'cause I calls your attention to him a whole lot. If you was to go into camp with 'em, an' set down an' watch 'em, you'd shorely be s'prised to note how level-headed all animals be.
"Now if thar's anythin' in Arizona for whose jedgement I don't have respect nacheral, it's birds. Arizona for sech folks as you an' me, an' coyotes an' jack-rabbits, is a good range. Sech as we-alls sorter fits into the general play an' gets action for our stacks. But whatever a bird can find entrancin' in some of them Southwestern deserts is allers too many for me.
"As I su'gests, I former holds fowls, who of free choice continues a residence in Arizona, as imbeciles. Yet now an' then I observes things that makes me oncertain if I'm onto a bird's system; an' if after all Arizona is sech a dead kyard for birds. It's possible a gent might be way off on birds an' the views they holds of life. He might watch the play an' esteem 'em loser, when from a bird's p'int of view they's makin' a killin', an' even callin' the turn every deal.
"What he'ps to open my eyes a lot on birds is two Road Runners Doc Peets an' me meets up with one afternoon comin' down from Lordsburg. These yere Road Runners is a lanky kind of prop'sition, jest a shade off from spring chickens for size. Which their arrangements as to neck an' laigs is onrestricted an' liberal, an' their long suit is runnin' up an' down the sun-baked trails of Arizona with no object. Where he's partic'lar strong, this yere Road Runner, is in waitin' ontil some gent comes along, same as Doc Peets an' me that time, an' then attachin' of himse'f said cavalcade an' racin' along ahead. A Road Runner keeps up this exercise for miles, an' be about the length of a lariat ahead of your pony's nose all the time. When you- all lets out a link or two an' stiffens your pony with the spur, the Road Runner onbuckles sim'lar an' exults tharat. You ain't goin' to run up on him while he can wave a laig, you can gamble your last chip, an' you confers favors on him by sendin' your pony at him. Thar he stays, rackin' along ahead of you ontil satiated. Usual thar's two Road Run. ners, an' they clips it along side by side as if thar's somethin' in it for 'em; an' I reckons, rightly saveyed, thar is. However, the profits to Road Runners of them excursions ain't obvious, none whatever; so I won't try to set 'em forth. Them journeys they makes up an' down the trail shorely seems aimless to me.
"But about Doc Peets an' me pullin' out from Lordsburg for Wolfville that evenin': Our ponies is puttin' the landscape behind 'em at a good road-gait when we notes a brace of them Road Runners with wings half lifted, pacin' to match our speed along the trail in front. As Road Runners is frequent with us, our minds don't bother with 'em none. Now an' then Doc an' me can see they converses as they goes speedin' along a level or down a slope. It's as if one says to t'other, somethin' like this yere
"'How's your wind, Bill? Is it comin' easy?'
"'Shore,' it would seem like Bill answers. 'Valves never is in sech shape. I'm on velvet; how's your laigs standin' the pace, Jim?'
"'Laigs is workin' like they's new oiled,' Jim replies back; 'it's a plumb easy game. I reckons, Bill, me an' you could keep ahead of them mavericks a year if we-alls feels like it.'
"'Bet a blue stack on it,' Bill answers. ' I deems these yere gents soft. Before I'd ride sech ponies as them, I'd go projectin' 'round some night an' steal one.'
"'Them ponies is shorely a heap slothful,' Jim answers.
"'At this mebby them Road Runners ruffles their feathers an' runs on swifter, jest to show what a slow racket keepin' ahead of me an' Peets is. An' these yere locoed birds keeps up sech conversations for hours.
"Mind I ain't sayin' that what I tells you is what them Road Runners really remarks; but I turns it over to you-all the way it strikes me an' Doc at the time. What I aims to relate, how-ever, is an incident as sheds light on how wise an' foxy Road Runners be.
"Doc Peets an' me, as I states, ain't lavishin' no onreasonable notice on these yere birds, an' they've been scatterin' along the trail for mebby it's an hour, when one of 'em comes to a plumb halt, sharp. The other stops likewise an' rounds up ag'inst his mate; an' bein' cur'ous to note what's pesterin 'em, Peets an' me curbs to a stand-still. The Road Runner who stops first—the same bein' Bill— is lookin' sharp an' interested-like over across the plains.
"'Rattlesnake,' he imparts to his side partner.
"'Where's he at?' says the side partner, which is Jim, 'where's this yere snake at, Bill? I don't note no rattlesnake.'
"'Come round yere by me,' Bill says. 'Now on a line with the top of yonder mesa an' a leetle to the left of that soap-weed; don't you- all see him quiled up thar asleep?'
"'Which I shorely does,' says Jim, locatin' the rattlesnake with his beady eye, 'an' he's some sunk in slumber. Bill, that serpent is our meat.'
"'Move your moccasins easy,' says Bill, 'so's not to turn him out.
Let's rustle up some flat cactuses an' corral him.'
"Tharupon these yere Road Runners turns in mighty diligent; an' not makin' no more noise than shadows, they goes pokin' out on the plains ontil they finds a flat cactus which is dead; so they can tear off the leaves with their bills. Doc Peets an' me sets in our saddles surveyin' their play; an' the way them Road Runners goes about the labors of their snake killin' impresses us it ain't the first bootchery of the kind they appears in. They shorely don't need no soopervisin'.
"One after the other, Jim an' Bill teeters up, all silent, with a flat cactus leaf in their beaks, an' starts to fence in the rattlesnake with 'em. They builds a corral of cactus all about him, which the same is mebby six-foot across. Them engineerin' feats takes Jim an' Bill twenty minutes. But they completes 'em; an' thar's the rattlesnake, plumb surrounded.
"These yere cactuses, as you most likely saveys, is thorny no limit; an' the spikes is that sharp, needles is futile to 'em. Jim an' Bill knows the rattlesnake can't cross this thorny corral.
"He don't look it none, but from the way he plays his hand, I takes it a rattlesnake is sensitive an' easy hurt onder the chin.
"An' it's plain to me an' Peets them Road Runners is aware of said weaknesses of rattlesnakes, an' is bankin' their play tharon. We- alls figgers, lookin' on, that Jim an' Bill aims to put the rattlesnake in prison; leave him captive that a-way in a cactus calaboose. But we don't size up Jim an' Bill accurate at all. Them two fowls is shorely profound.
"No sooner is the corral made, than Jim an' Bill, without a word of warnin', opens up a warjig 'round the outside; flappin' their pinions an' screechin' like squaws. Nacherally the rattlesnake wakes up. The sight of them two Road Runners, Jim an' Bill, cussin' an' swearin' at him, an' carryin' on that a-way scares him.
"It's trooth to say Bill an' Jim certainly conducts themse'fs scand'lous. The epithets they heaps on that pore ignorant rattlesnake, the taunts they flings at him, would have done Apaches proud.
The rattlesnake buzzes an' quils up, an' onsheaths his fangs, an' makes bluffs to strike Bill an' Jim, but they only hops an' dances about, thinkin' up more ornery things to say. Every time the rattlesnake goes to crawl away—which he does frequent—he strikes the cactus thorns an' pulls back. By an' by he sees he's elected, an' he gets that enraged he swells up till he's big as two snakes; Bill an' Jim maintainin' their sass. Them Road Runners is abreast of the play every minute, you can see that.
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"At last comes the finish, an' matters gets dealt down to the turn. The rattlesnake suddenly crooks his neck, he's so plumb locoed with rage an' fear, an' socks his fangs into himse'f. That's the fact; bites himse'f, an' never lets up till he's dead.
"It don't seem to astound Jim an' Bill none when the rattlesnake 'sassinates himse'f that a-way, an' I reckons they has this yere sooicide in view. They keeps pesterin' an' projectin' about ontil the rattlesnake is plumb defunct, an' then they emits a whirlwind of new whoops, an' goes over to one side an' pulls off a skelp dance. Jim an' Bill is shorely cel'bratin' a vic'try.
"After the skelp dance is over, Bill an' Jim tiptoes over mighty quiet an' sedate, an' Jim takes their prey by the tail an' yanks it. After the rattlesnake's drug out straight, him an' Bill runs their eyes along him like they's sizin' him up. With this yere last, however, it's cl'ar the Road Runners regards the deal as closed. They sa'nters off down the trail, arm in arm like, conversin' in low tones so Peets an' me never does hear what they says. When they's in what they takes to be the c'rrect p'sition, they stops an' looks back at me an' Peets. Bill turns to Jim like he's sayin':
"'Thar's them two short-horns ag'in. I wonders if they ever aims to pull their freight, or do they reckon they'll pitch camp right yere?"'
CHAPTER XXII.
OLD SAM ENRIGHT'S "ROMANCE."
"It mebby is, that romances comes to pass on the range when I'm thar," remarked the Old Cattleman, meditatively, "but if so be, I never notes 'em. They shorely gets plumb by me in the night."
The old gentleman had just thrown down a daily paper, and even as he spoke I read on the upturned page the glaring headline: "Romance in Real Life." His recent literature was the evident cause of his reflections.
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