19
When Chink entered the flat where he roomed, the telephone was ringing. He was grimy with dirt, unshaven, and his beige summer suit showed that he'd slept in it. His yellow skin looked like a greasy paste lined with wrinkles where the witches had ridden him in his sleep. There were big black half moons beneath his beaten muddy eyes.
His lawyer had taken all the money he'd gotten from Dulcy to get him out on bail again. He felt like a whipped cur, chagrined, deflated and humiliated. Now that he was out, he wasn't sure whether it wouldn't have been better for him to have stayed in jail. If the cops hadn't picked up Johnny he'd have to keep on the run, but no matter how much he ran there was no place in Harlem where he could hide. Everybody would be against him when they found out he'd turned rat.
"It's for you, Chink," the landlady called to him.
He went into the bedroom where she kept her telephone, with a padlock on the dial.
"Hello," he said in a mean voice and gave his landlady a mean look for lingering in the room.
She went out and closed the door.
"It's me, Dulcy," the voice from the telephone said.
"Oh!" he said and his hands began to shake.
"I've got the money," she said.
"What!" He looked as though someone had stuck a gun in his belly and asked him if he wanted to bet it wasn't loaded. "Ain't he been arrested?" he asked involuntarily before he could catch himself.
"Arrested?" Her voice sounded suddenly suspicious. "Why the hell should he be arrested? Unless you've ratted about the knife."
"You know damn well I ain't ratted," he declared. "You think I'm going to blow away ten grand?" Thinking fast, he added, "It's just I ain't seen him around all day."
"He's gone to Chicago to check up on me and Val," she said.
"Then how'd you get the ten grand?" he wanted to know.
"That's none of your business," she said.
He suspected a trap, but the thought of getting ten thousand dollars filled him with a reckless greed. He had to hold himself in. He felt as though he were going to explode with exultation. All his life he'd wanted to be a big shot, and now was his chance if he played his cards right.
"Okay," he said. "I don't give a damn how you got it, whether you stole it or cut his throat for it, just so long as you've got it."
"I've got it," she said. "But you'll have to bring me your knife before I'll give it to you."
"What the hell do you think I am?" he said. "You bring me the money here and we'll talk about the knife."
"No, you've got to come here to the house and get the money and bring me the knife," she said.
"I ain't that crazy, baby," he said. "It ain't that I'm scared of Johnny, but I don't have to take no rape-fiend chance like that. It's your little tail that's in the vise, and you're goin' to have to pay to get it out."
"Listen, honey, there ain't no chance in it," she said. "He can't get back before tomorrow night because it's going to take him all day tomorrow to find out what he's looking for, and when he gets back I got to be gone myself."
"I don't dig you," Chink said.
"You ain't so smart then, honey," she said. "What he's going to find out is what caused Val to wind up dead."
Suddenly Chink began to see the light. "Then it was you-"
She cut him off. "What difference does it make now? I got to be gone when he gets back, and that's for sure. I just want to leave him a souvenir."
An expression of triumph lit Chink's face. "You mean you want me, there in his own house?"
"In his own bed," she said. "The mother-raper always suspected me of cheating on him when I wasn't. Now I'm going to fix him."
Chink gave a low vicious laugh. "You and me, baby, we're going to fix him together."
"Well, hurry up then," she said.
"Give me half an hour," he said.
She had unhooked the extension in the bedroom and was talking from the extension in the kitchen. When she hung up she said to herself, "You asked for it."
Dulcy was watching from the peephole and opened the door before he rang. She wore her robe with nothing underneath.
"Come on in, honey," she said. "The place is ours."
"I knew I'd get you," he said, making a grab at her, but she slipped neatly out of his arms and said, "All right then, don't make me wait."
He looked into the kitchen.
"If you're scared, search the house," she said.
"Who's scared?" he said belligerently.
The bedroom which Val had used was directly across from the kitchen and the master bedroom beyond the bathroom, adjoining the sitting room.
She started to lead Chink into Val's room, but he went up to the front and looked into the sitting room, then he hesitated before the door to the master bedroom. Dulcy had padlocked it with the heavy Yale lock Johnny had used to lock her in.
"What's in there?" Chink asked.
"That was Val's room," Dulcy said.
"What's it doing locked?" he wanted to know.
"The police locked it," she said. "If you want it open, go ahead and break down the door."
He laughed, then looked into the bathroom. The water was running in the tub.
"I'm going to take a bath first," she said. "Do you mind?"
He kept on laughing to himself with a crazy sort of exultation.
"You're a real bitch," he said, taking her by the arms and pushing her into Val's bedroom and back across the bed. "I knew you were a bitch, but I didn't know how much bitch you really are."
He began kissing her.
"Let me take a bath first," she said. "I stink."
He laughed jubilantly, as though laughing to himself at his own private joke.
"A real solid-gold bitch," he said as though talking to himself. Then suddenly he sat up straight. "Where's the money?"
"Where's the knife?" she countered.
He took it from his pocket and held it in his hand.
She pointed to an envelope on the dressing table.
He picked it up, opened it with one hand while holding onto the knife with the other and shook hundred dollar bills onto the bedspread. She eased the knife from his hand and slipped it into the pocket of her robe, but he didn't notice. He was rooting his face in the money like a hog in swill.
"Put it away and undress," she said.
He stood up, laughing crazily to himself, and began stripping off his clothes.
"I'll just leave it there and look at it," he said.
She sat at the dressing table and massaged her face with cream until he'd finished undressing.
But instead of getting beneath the covers he lay on top of the coverlet, and he kept picking up the brand-new money and letting it rain down over his naked body like falling leaves.
"Have a good time," she said, going into the bathroom. She heard him laughing crazily to himself as she closed the adjoining door.
She quickly stepped across the bathroom, opened the opposite door and stepped into the other bedroom.
Johnny slept on his back with one arm flung out across the cover and the other folded loosely across his stomach. He snored lightly.
She closed the bathroom door behind her, crossed the room quietly, and set the radio to alarm within five minutes. Then she dressed quickly in a slack suit without stopping to put on underwear, slipped into the robe again, and went back into the bathroom.
The water had been running all the while and had reached the overflow outlet. She turned off the faucet, turned on the shower and pulled the drain stopper.
Then she went quickly into the hall, turned into the kitchen, took her saddle-leather shoulder handbag from one of the cabinet shelves and went out through the service doorway.
She was crying so hard as she ran down the stairs she bumped into two uniformed white cops coming up. They stood aside to let her pass.
20
The radio came on with a blast.
Some big brassy band was beating out a rock and roll rhythm.
Johnny came awake as though he'd been bitten by a snake, leaped out of the bed and grabbed for the pistol underneath his pillow.
Then he realized it was only the radio. He grunted sheepishly and noticed that Dulcy was out of bed. He felt his inside coat pocket with his free hand, still holding the pistol in his right hand, and discovered the ten thousand dollars were gone.
He patted the coat absently where it lay on the chair beside the bed, but he was looking at the empty bed. His breath came shallowly, but his face was expressionless.
"Sevened out," he said to himself. "You lost that bet."
The radio was playing so loudly he didn't hear the door to the bathroom open. He merely caught a flicker of movement from the corner of his eye and turned.
Chink stood naked, with his eyes dilated and his mouth wide open, in the doorway.
They stared at each other until the moment ran out.
Suddenly the veins popped out in Johnny's temples as though they were about to explode. The scar ballooned out from his forehead and the tentacles wriggled as though trying to free themselves from his head. Then a blinding flash went off inside of his skull as though his brains had been dynamited.
His brain made no record of his next actions.
He squeezed the trigger of his. 38 automatic until it had pumped all its slugs into Chink's stomach, lungs, heart and head. Then he leaped across the floor and stomped Chink's dying bloody body with his bare feet until two of Chink's teeth were stuck into his calloused heel. After that he leaned over and clubbed Chink's head into a bloody pulp with his pistol butt.
But he didn't know he had done it.
The next thing he knew consciously after having first caught sight of Chink was that he was being held forcibly by two white uniformed cops and Chink's bloody corpse lay on the floor in the doorway, half in the bedroom and half in the bathroom, and the shower was pouring down into an empty tub.
"Turn me loose so I can dress," he said in his toneless voice. "You can't take me to jail buck naked."
The cops freed him and he began to dress.
"We've called precinct and they're sending over some jokers from Homicide," one of them said. "You want to buzz your mouthpiece before they get here?"
"What for?" Johnny said, without stopping dressing.
"We heard the shots and the back door was open, so we came on in," the other cop said half apologetically. "We thought maybe it was her you'd shot."
Johnny said nothing. He was dressed before the men from Homicide arrived.
They held him there until Detective Sergeant Brody came.
"Well, you killed him," Brody said.
"There's all the evidence," Johnny said.
They took him back to the 116th Street Precinct station for questioning because Grave Digger and Coffin Ed were on the case and they worked out of that station.
Brody sat as before behind the desk in the Pigeon Nest. Grave Digger was perched on the edge of the desk, and Coffin Ed stood in the shadow in the corner.
It was 8:37 o'clock and still light outside, but it didn't make any difference to them because the room didn't have any windows.
Johnny sat in the spill of light on the stool in the center of the room, facing Brody. The vertical light made grotesque patterns of the scar on his forehead and the veins swelling from his temples, but his big muscular body was relaxed and his face was expressionless. He looked like a man who'd gotten a load from his shoulders.
"Why don't you just let me tell you what I know," he said in his toneless voice. "If you don't buy it, you can question me afterwards."
"Okay, shoot," Brody said.
"Let's begin with the knife, and get that cleared up with," Johnny said. "I found the knife in her drawer on a Tuesday afternoon a little over two weeks ago. I just thought she'd bought it to protect herself from me. I put it in my pocket and took it to the club. Then I got to thinking about it and I was going to put it back, but Big Joe seen it. If she was so scared of me she needed to keep a skinner's knife hidden in the drawer where she kept her underwear, I was going to let her keep it. But I was handling it and Big Joe said he'd like to have a knife like that, and I gave it to him. That's the last I seen it or even thought about it until you showed it to me here on that desk and said it was the knife that killed Val, and that the preacher had said he'd seen Chink when he gave it to her."
"You don't know what Big Joe did with it?" Brody asked.
"No, he never said. All he ever said was that if he carried it around he was scared he might get mad some day and cut somebody with it, and it was the kind of knife that would cut a man's head off when all you were trying to do was mark him."
"Did you ever see another knife like it?" Brody asked.
"Not exactly like it," Johnny said. "I've seen knives what look kind of like it, but none what look exactly like it."
Brody took the knife from the desk drawer as he had done the first time and pushed it across the desk.
"Is this the knife?"
Johnny leaned forward and picked it up.
"Yeah, but how it got stuck into Val, I couldn't say."
"This one wasn't stuck into Val," Brody said. "This one was found on a shelf in your kitchen cabinet less than a half hour ago." He then put the duplicate knife on the desk top. "This was the one found stuck in Val."
Johnny looked from one knife to the other without speaking.
"How do you account for that?" Brody asked.
"I don't know," Johnny said, without expression.
"Could Big Joe have left it in the house at some time, and somebody have put it on the shelf?" Brody asked.
"If he did, I don't know about it," Johnny said.
"All right, that's your story," Brody said. "Let's get back to Val. When was the last time you saw him?"
"It was about ten minutes of four when I came down from the club," Johnny said. "I'd been winning and the players didn't want me to quit, so I was late. Val was setting in the car waiting for me."
"Wasn't that unusual?" Brody interrupted.
Johnny looked at him.
"Why didn't he come up to the club?" Brody asked.
"Wasn't nothing strange 'bout that," Johnny said. "He liked to set in my car and play the radio. He had a set of keys, him and her both, just for emergency 'cause I never let him drive. And he's set in it by the hour. I suppose it made him feel like a big shot. I don't know how long he'd been setting there. I didn't ask him. He'd said he'd come from talking to Reverend Short and he had something to tell me. But we were late and I was afraid the wake would break up before we got there-"
"He said he'd been talking with Reverend Short?" Brody interrupted again. "At that time of night-morning, rather?"
"Yeah, but I didn't think anything about it at the time," Johnny replied. "I told him to stow it and tell me later, but just before we got to Seventh Avenue he said he didn't feel like going to the wake. He said he was going away, he was going to catch an early train to Chicago and he didn't know where he was going from there and I'd better listen to what he had to say 'cause it was important. I pulled up to the corner and parked. He said he'd been up to the preacher's church-if you call it a church; he'd met him there 'bout two o'clock that morning and they'd had a long talk. But before he'd got to say any more I saw a stud slipping along beside the parked cars across the street and I knew he was going to try to steal the A and P store manager's change poke. I said, wait a minute, let's watch this little play. There was a colored cop named Harris standing beside the manager while he unlocked the door, and there was some stud leaning out Big Joe's bedroom window watching the play, too. This stud lifted the poke from the car seat and took off, but the manager saw him, and he and the cop took off after him-"
Brody cut him off. "We know about that. What happened after Reverend Short got up?"
"I didn't know it was the preacher until he got up out of that breadbasket," Johnny said. "Funniest thing you ever saw. He got up and began shaking himself like a cat what's fell in a pile of dung. When
I made out who he was I figured he was full of that wild cherry brandy and opium juice he drinks, then he took another drink from his bottle and went back into the house, tiptoeing and shaking himself like a wet-footed cat. Val was laughing, too. He said you can't hurt a drunk. Then all of a sudden I thought of how we could pull a good gag. I told Val to go across the street and lie down in the breadbasket where the preacher had fallen and I'd go around to Hamfat's all night joint and telephone Mamie and tell here there was a dead man there who'd fallen out of her window. Hamfat's place is on 135th and Lenox, and it wouldn't have taken me longer than five minutes to make the call. But some chick was using the phone and I figured by the time I got the call through somebody would have already found Val and the gag would have been lost-"
"How did you go to Hamfat's?" Brody interrupted.
"I drove," Johnny said. "I turned up Seventh Avenue to 135th Street and crossed over. I didn't know he'd been stabbed until Mamie told me on the phone."
"Did you see anyone coming from the house, or anyone at all on the street when you drove up Seventh Avenue?" Brody asked.
"Not a soul."
"Did you tell Mamie who you were?"
"No, I tried to disguise my voice. I knew she'd know it was a gag if she recognized my voice."
"You don't think she recognized it?" Brody insisted.
"I don't think so," Johnny said. "But I couldn't say."
"Okay, that's your story," Brody said. "Now what did you go to Chicago for?"
"I was trying to find out what it was Val wanted to tell me before he got himself killed," Johnny admitted. "After Doll Baby came to my house that afternoon right after the funeral and claimed that Val was going to get ten grand from me to open up a liquor store, I wanted to know what it was I was going to give him ten grand for to know. He never had a chance to tell me, and I had to find out for myself."
"Did you find out?" Brody asked, leaning forward slightly.
Grave Digger bent over from the waist as though to hear better, and Coffin Ed stepped forward from the shadows.
"Yeah," Johnny said in his toneless voice, his face remaining without expression. "He was her husband. I figure he was going to ask me for ten grand so he could go away. I figure he was going to take Doll Baby with him."
The crazy kill (coffin johnson and grave digger jones) Page 15