by Ian Fleming
Some tagliatelli verdi came, and the wine, and then a delicious escalope. ‘Oh it is so good,’ she said. ‘Since I came out of Russia I am all stomach.’ Her eyes widened. ‘You won’t let me get too fat, James. You won’t let me get so fat that I am no use for making love? You will have to be careful, or I shall just eat all day long and sleep. You will beat me if I eat too much?’
‘Certainly I will beat you.’
Tatiana wrinkled her nose. He felt the soft caress of her ankles. The wide eyes looked at him hard. The lashes came down demurely. ‘Please pay,’ she said. ‘I feel sleepy.’
The train was pulling into Maestre. There was the beginning of the canals. A cargo gondola full of vegetables was moving slowly along a straight sheet of water into the town.
‘But we shall be coming into Venice in a minute,’ protested Bond. ‘Don’t you want to see it?’
‘It will be just another station. And I can see Venice another day. Now I want you to love me. Please, James.’ Tatiana leaned forward. She put a hand over his. ‘Give me what I want. There is so little time.’
Then it was the little room again and the smell of the sea coming through the half-open window and the drawn blind fluttering with the wind of the train. Again there were the two piles of clothes on the floor, and the two whispering bodies on the banquette, and the slow searching hands. And the love-knot formed, and, as the train jolted over the points into the echoing station of Venice, there came the final lost despairing cry.
Outside the vacuum of the tiny room there sounded a confusion of echoing calls and metallic clanging and shuffling footsteps that slowly faded into sleep.
Padua came, and Vicenza, and a fabulous sunset over Verona flickered gold and red through the cracks of the blind. Again the little bell came tinkling down the corridor. They woke. Bond dressed and went into the corridor and leant against the guard rail. He looked out at the fading pink light over the Lombardy Plain and thought of Tatiana and of the future.
Nash’s face slid up alongside his in the dark glass. Nash came very close so that his elbow touched Bond’s. ‘I think I’ve spotted one of the oppo, old man,’ he said softly.
Bond was not surprised. He had assumed that, if it came, it would come tonight. Almost indifferently he said, ‘Who is he?’
‘Don’t know what his real name is, but he’s been through Trieste once or twice. Something to do with Albania. May be the Resident Director there. Now he’s on an American passport. “Wilbur Frank.” Calls himself a banker. In No. 9, right next to you. I don’t think I could be wrong about him, old man.’
Bond glanced at the eyes in the big brown face. Again the furnace door was ajar. The red glare shone out and was extinguished.
‘Good thing you spotted him. This may be a tough night. You’d better stick by us from now on. We mustn’t leave the girl alone.’
‘That’s what I thought, old man.’
They had dinner. It was a silent meal. Nash sat beside the girl and kept his eyes on his plate. He held his knife like a fountain pen and frequently wiped it on his fork. He was clumsy in his movements. Half way through the meal, he reached for the salt and knocked over Tatiana’s glass of Chianti. He apologized profusely. He made a great show of calling for another glass and filling it.
Coffee came. Now it was Tatiana who was clumsy. She knocked over her cup. She had gone very pale and her breath was coming quickly.
‘Tatiana!’ Bond half rose to his feet. But it was Captain Nash who jumped up and took charge.
‘Lady’s come over queer,’ he said shortly. ‘Allow me.’ He reached down and put an arm round the girl and lifted her to her feet. ‘I’ll take her back to the compartment. You’d better look after the bag. And there’s the bill. I can take care of her till you come.’
‘Is all right,’ protested Tatiana with the slack lips of deepening unconsciousness. ‘Don’ worry, James, I lie down.’ Her head lolled against Nash’s shoulder. Nash put one thick arm round her waist and manoeuvred her quickly and efficiently down the crowded aisle and out of the restaurant car.
Bond impatiently snapped his fingers for the waiter. Poor darling. She must be dead beat. Why hadn’t he thought of the strain she was going through? He cursed himself for his selfishness. Thank heavens for Nash. Efficient sort of chap, for all his uncouthness.
Bond paid the bill. He took up the heavy little bag and walked as quickly as he could down the crowded train.
He tapped softly on the door of No. 7. Nash opened the door. He came out with his finger on his lips. He closed the door behind him. ‘Threw a bit of a faint,’ he said. ‘She’s all right now. The beds were made up. She’s gone to sleep in the top one. Been a bit much for the girl I expect, old man.’
Bond nodded briefly. He went into the compartment. A hand hung palely down from under the sable coat. Bond stood on the bottom bunk and gently tucked the hand under the corner of the coat. The hand felt very cold. The girl made no sound.
Bond stepped softly down. Better let her sleep. He went into the corridor.
Nash looked at him with empty eyes. ‘Well, I suppose we’d better settle in for the night. I’ve got my book.’ He held it up. ‘War and Peace. Been trying to plough through it for years. You take the first sleep, old man. You look pretty flaked out yourself. I’ll wake you up when I can’t keep my eyes open any longer.’ He gestured with his head at the door of No. 9. ‘Hasn’t shown yet. Don’t suppose he will if he’s up to any monkey tricks.’ He paused. ‘By the way, you got a gun, old man?’
‘Yes. Why, haven’t you?’
Nash looked apologetic. ‘’Fraid not. Got a Luger at home, but it’s too bulky for this sort of job.’
‘Oh, well,’ said Bond reluctantly. ‘You’d better take mine. Come on in.’
They went in and Bond shut the door. He took out the Beretta and handed it over. ‘Eight shots,’ he said softly. ‘Semi-automatic. It’s on safe.’
Nash took the gun and weighed it professionally in his hand. He clicked the safe on and off.
Bond hated someone else touching his gun. He felt naked without it. He said gruffly, ‘Bit on the light side, but it’ll kill if you put the bullets in the right places.’
Nash nodded. He sat down near the window at the end of the bottom bunk. ‘I’ll take this end,’ he whispered. ‘Good field of fire.’ He put his book down on his lap and settled himself.
Bond took off his coat and tie and laid them on the bunk beside him. He leant back against the pillows and propped his feet on the bag with the Spektor that stood on the floor beside his attaché case. He picked up his Ambler and found his place and tried to read. After a few pages he found that his concentration was going. He was too tired. He laid the book down on his lap and closed his eyes. Could he afford to sleep? Was there any other precaution they could take?
The wedges! Bond felt for them in the pocket of his coat. He slipped off the bunk and knelt and forced them hard under the two doors. Then he settled himself again and switched off the reading light behind his head.
The violet eye of the nightlight shone softly down.
‘Thanks, old man,’ said Captain Nash softly.
The train gave a moan and crashed into a tunnel.
26 ....... THE KILLING BOTTLE
THE LIGHT nudge at his ankle woke Bond. He didn’t move. His senses came to life like an animal’s.
Nothing had changed. There were the noises of the train – the soft iron stride, pounding out the kilometres, the quiet creak of the woodwork, a tinkle from the cupboard over the washbasin where a toothglass was loose in its holder.
What had woken him? The spectral eye of the nightlight cast its deep velvet sheen over the little room. No sound came from the upper bunk. By the window, Captain Nash sat in his place, his book open on his lap, a flicker of moonlight from the edge of the blind showing white on the double page.
He was looking fixedly at Bond. Bond registered the intentness of the violet eyes. The black lips parted. There was a glint of teeth.
‘Sorry to disturb you, old man. I feel in the mood for a talk!’
What was there new in the voice? Bond put his feet softly down to the floor. He sat up straighter. Danger, like a third man, was standing in the room.
‘Fine,’ said Bond easily. What had there been in those few words that had set his spine tingling? Was it the note of authority in Nash’s voice? The idea came to Bond that Nash might have gone mad. Perhaps it was madness in the room, and not danger, that Bond could smell. His instincts about this man had been right. It would be a question of somehow getting rid of him at the next station. Where had they got to? When would the frontier come?
Bond lifted his wrist to look at the time. The violet light defeated the phosphorus numerals. Bond tilted the face towards the strip of moonlight from the window.
From the direction of Nash there came a sharp click. Bond felt a violent blow on his wrist. Splinters of glass hit him in the face. His arm was flung back against the door. He wondered if his wrist had been broken. He let his arm hang and flexed his fingers. They all moved.
The book was still open on Nash’s lap, but now a thin wisp of smoke was coming out of the hole at the top of its spine and there was a faint smell of fireworks in the room.
The saliva dried in Bond’s mouth as if he had swallowed alum.
So there had been a trap all along. And the trap had closed. Captain Nash had been sent to him by Moscow. Not by M. And the M.G.B. agent in No. 9, the man with an American passport, was a myth. And Bond had given Nash his gun. He had even put wedges under the doors so that Nash would feel more secure.
Bond shivered. Not with fear. With disgust.
Nash spoke. His voice was no longer a whisper, no longer oily. It was loud and confident.
‘That will save us a great deal of argument, old man. Just a little demonstration. They think I’m pretty good with this little bag of tricks. There are ten bullets in it – .25 dum-dum, fired by an electric battery. You must admit the Russians are wonderful chaps for dreaming these things up. Too bad that book of yours is only for reading, old man.’
‘For God’s sake stop calling me “old man”.’ When there was so much to know, so much to think about, this was Bond’s first reaction to utter catastrophe. It was the reaction of someone in a burning house who picks up the most trivial object to save from the flames.
‘Sorry, old man. It’s got to be a habit. Part of trying to be a bloody gentleman. Like these clothes. All from the wardrobe department. They said I’d get by like this. And I did, didn’t I, old man? But let’s get down to business. I expect you’d like to know what this is all about. Be glad to tell you. We’ve got about half an hour before you’re due to go. It’ll give me an extra kick telling the famous Mister Bond of the Secret Service what a bloody fool he is. You see, old man, you’re not so good as you think. You’re just a stuffed dummy and I’ve been given the job of letting the sawdust out of you.’ The voice was even and flat, the sentences trailing away on a dead note. It was as if Nash was bored by the act of speaking.
‘Yes,’ said Bond. ‘I’d like to know what it’s all about. I can spare you half an hour.’ Desperately he wondered: was there any way of putting this man off his stride? Upsetting his balance?
‘Don’t kid yourself, old man,’ the voice was uninterested in Bond, or in the threat of Bond. Bond didn’t exist except as a target. ‘You’re going to die in half an hour. No mistake about it. I’ve never made a mistake or I wouldn’t have my job.’
‘What is your job?’
‘Chief Executioner of SMERSH.’ There was a hint of life in the voice, a hint of pride. The voice went flat again. ‘You know the name I believe, old man.’
SMERSH. So that was the answer – the worst answer of all. And this was their chief killer. Bond remembered the red glare that flickered in the opaque eyes. A killer. A psychopath – manic depressive, probably. A man who really enjoyed it. What a useful man for SMERSH to have found! Bond suddenly remembered what Vavra had said. He tried a long shot. ‘Does the moon have any effect on you, Nash?’
The black lips writhed. ‘Clever aren’t you, Mister Secret Service. Think I’m barmy. Don’t worry. I wouldn’t be where I am if I was barmy.’
The angry sneer in the man’s voice told Bond that he had touched a nerve. But what could he achieve by getting the man out of control? Better humour him and gain some time. Perhaps Tatiana …
‘Where does the girl come into all this?’
‘Part of the bait,’ the voice was bored again. ‘Don’t worry. She won’t butt in on our talk. Fed her a pinch of chloral hydrate when I poured her that glass of wine. She’ll be out for the night. And then for every other night. She’s to go with you.’
‘Oh really.’ Bond slowly lifted his aching hand on to his lap, flexing the fingers to get the blood moving. ‘Well, let’s hear the story.’
‘Careful, old man. No tricks. No Bulldog Drummond stuff’ll get you out of this one. If I don’t like even the smell of a move, it’ll be just one bullet through the heart. Nothing more. That’s what you’ll be getting in the end. One through the centre of the heart. If you move it’ll come a bit quicker. And don’t forget who I am. Remember your wrist watch? I don’t miss. Not ever.’
‘Good show,’ said Bond carelessly. ‘But don’t be frightened. You’ve got my gun. Remember? Get on with your story.’
‘All right, old man, only don’t scratch your ear while I’m talking. Or I’ll shoot it off. See? Well, SMERSH decided to kill you – at least I gather it was decided even higher up, right at the top. Seems they want to take one good hard poke at the Secret Service – bring them down a peg or two. Follow me?’
‘Why choose me?’
‘Don’t ask me, old man. But they say you’ve got quite a reputation in your outfit. The way you’re going to be killed is going to bust up the whole show. It’s been three months cooking, this plan, and it’s a beaut. Got to be. SMERSH has made one or two mistakes lately. That Khoklov business for one. Remember the explosive cigarette case and all that? Gave the job to the wrong man. Should have given it to me. I wouldn’t have gone over to the Yanks. However, to get back. You see, old man, we’ve got quite a planner in SMERSH. Man called Kronsteen. Great chess player. He said vanity would get you and greed and a bit of craziness in the plot. He said you’d all fall for the craziness in London. And you did, didn’t you, old man?’
Had they? Bond remembered just how much the eccentric angles of the story had aroused their curiosity. And vanity? Yes, he had to admit that the idea of this Russian girl being in love with him had helped. And there had been the Spektor. That had decided the whole thing – plain greed for it. He said non-committally: ‘We were interested.’
‘Then came the operation. Our Head of Operations is quite a character. I’d say she’s killed more people than anyone in the world – or arranged for them to be killed. Yes, it’s a woman. Name of Klebb – Rosa Klebb. Real swine of a woman. But she certainly knows all the tricks.’
Rosa Klebb. So at the top of SMERSH there was a woman! If he could somehow survive this and get after her! The fingers of Bond’s right hand curled softly.
The flat voice in the corner went on: ‘Well, she found this Romanova girl. Trained her for the job. By the way, how was she in bed? Pretty good?’
No! Bond didn’t believe it. That first night must have been staged. But afterwards? No. Afterwards had been real. He took the opportunity to shrug his shoulders. It was an exaggerated shrug. To get the man accustomed to movement.
‘Oh, well. Not interested in that sort of thing myself. But they got some nice pictures of you two.’ Nash tapped his coat pocket. ‘Whole reel of 16 millimetre. That’s going into her handbag. It’ll look fine in the papers.’ Nash laughed – a harsh, metallic laugh. ‘They’ll have to cut some of the juiciest bits, of course.’
The change of rooms at the hotel. The honeymoon suite. The big mirror behind the bed. How well it all fitted! Bond felt his hands wet with perspiration. He wiped t
hem down his trousers.
‘Steady, old man. You nearly got it then. I told you not to move, remember?’
Bond put his hands back on the book in his lap. How much could he develop these small movements? How far could he go? ‘Get on with the story,’ he said. ‘Did the girl know these pictures were being taken? Did she know SMERSH was involved in all this?’
Nash snorted. ‘Of course she didn’t know about the pictures. Rosa didn’t trust her a yard. Too emotional. But I don’t know much about that side. We all worked in compartments. I’d never seen her until today. I only know what I picked up. Yes, of course the girl knew she was working for SMERSH. She was told she had to get to London and do a bit of spying there.’
The silly idiot, thought Bond. Why the hell hadn’t she told him that SMERSH was involved? She must have been frightened even to speak the name. Thought he would have her locked up or something. She had always said she would tell him everything when she got to England. That he must have faith and not be afraid. Faith! When she hadn’t the foggiest idea herself what was going on. Oh, well. Poor child. She had been as fooled as he had been. But any hint would have been enough – would have saved the life of Kerim, for instance. And what about hers and his own?
‘Then this Turk of yours had to be got rid of. I gather that took a bit of doing. Tough nut. I suppose it was his gang that blew up our Centre in Istanbul yesterday afternoon. That’s going to create a bit of a panic.’
‘Too bad.’
‘Doesn’t worry me, old man. My end of the job’s going to be easy.’ Nash took a quick glance at his wrist watch. ‘In about twenty minutes we go into the Simplon tunnel. That’s where they want it done. More drama for the papers. One bullet for you. As we go into the tunnel. Just one in the heart. The noise of the tunnel will help in case you’re a noisy dier – rattle and so forth. Then one in the back of the neck for her – with your gun – and out of the window she goes. Then one more for you with your gun. With your fingers wrapped round it, of course. Plenty of powder on your shirt. Suicide. That’s what it’ll look like at first. But there’ll be two bullets in your heart. That’ll come out later. More mystery! Search the Simplon again. Who was the man with the fair hair? They’ll find the film in her bag, and in your pocket there’ll be a long love letter from her to you–a bit threatening. It’s a good one. SMERSH wrote it. It says that she’ll give the film to the newspapers unless you marry her. That you promised to marry her if she stole the Spektor …’ Nash paused and added in parentheses, ‘As a matter of fact, old man, the Spektor’s booby-trapped. When your cipher experts start fiddling with it, it’s going to blow them all to glory. Not a bad dividend on the side.’ Nash chuckled dully. ‘And then the letter says that all she’s got to offer you is the machine and her body – and all about her body and what you did with it. Hot stuff, that part! Right? So what’s the story in the papers – the Left Wing ones that will be tipped off to meet the train? Old man, the story’s got everything. Orient Express. Beautiful Russian spy murdered in Simplon tunnel. Filthy pictures. Secret cipher machine. Handsome British spy with career ruined murders her and commits suicide. Sex, spies, luxury train, Mr. and Mrs. Somerset … ! Old man, it’ll run for months! Talk of the Khoklov case! This’ll knock spots off it. And what a poke in the eye for the famous Intelligence Service! Their best man, the famous James Bond. What a shambles. Then bang goes the cipher machine! What’s your chief going to think of you? What’s the public going to think? And the Government? And the Americans? Talk about security! No more atom secrets from the Yanks.’ Nash paused to let it all sink in. With a touch of pride he said, ‘Old man, this is going to be the story of the century!’