The Forest of Hands and Teeth Book 1

by Carrie Ryan

After a while I say, “Cass, do you believe in the ocean? Do you think it's still out there?” I'm watching the way the light plays off the tops of the trees in the Forest, the way everything in sight undulates.

  “Remind me what your mother used to say about the ocean again?” she asks. Her voice is soft and kind.

  “Nothing but water,” I remind her. Cass has always indulged my fancies, has always listened as I repeated the stories of life before the Return that have been passed down by the women of my family. Once, her mother forbade her to speak with me because she said I was filling Cass's head with lies and blasphemy. But our village is too small for such an edict to ever take hold.

  “I just don't see how there could ever be that much water in the world, Mary,” she tells me. She has told me this many times before. Her eyes are bright as she turns from the sunset to look at me. “I cannot imagine a place out there without Unconsecrated.” She knots her eyebrows together. “Because why would we be here rather than there?”

  A tear gathers in the corner of her eye, the fading sun glinting off it as it bulges and spills down her cheek, the image of my mother in her pen too much for her to bear. I pull Cass close and let her lay her head in my lap, her face turned away from the Forest, and stroke her hair the way my mother used to stroke my own. We watch as the lanterns come on in the village. My mother used to tell me about the times when she was a child when the Sisters would crank up the old generator on Christmas Eve. It's one of the stories I have never shared with my friend and I think about telling Cass this—about how once a year this little village used to outshine the sky.

  But she is snuffling now, her weeping over, and I don't want to fill her head with more fancies tonight.

  When she leaves she begs me to come with her. But I cannot. I tell her that I must be here when it happens and she raises her hands to her mouth as if the horror is too much and then she turns and runs back to the safety of the village.

  I want to run with her, to escape from where I am and forget this day. But I stay, my fingers trembling and the air thick in my throat. I need to face what my mother becomes. I owe her this much after this morning, after leaving her to wander alone.

  I return to staring at the fence. Watching the light slide down the sky, casting crisscrossed shadows on the ground at my feet. I blur my eyes, throwing my surroundings out of focus. The fence does not exist when I do this. As if we are all one world.

  “Mother?” I whisper at daybreak. There was a new moon last night and I spent the hours in the darkness listening to the rustling of dry leaves behind the fence, my mind imagining the worst possible scenarios. Every creak I heard was the fence breaking, every scratching the Unconsecrated finally finding weakness in the metal.

  Now the air is gray and moist and I crawl on my hands and knees closer to the pen that holds my mother. She is there, in the middle on the ground and she is so still that for a moment I think she has died and is about to Return. Bile and terror rise in my throat but are trapped. I feel the need to scream but I am utterly silent with my mouth open and my teeth bared.

  My legs tangle in my skirts and I claw at the ground and am almost to the fence when I hear the Guardian behind me. I look back at him, pleading with him. “She is still alive,” I tell him, because I just know that she is. He looks over his shoulder into the mist and, seeing that we are alone, he nods as if giving me permission and I lace my fingers around the thin rusted metal of the fence, feeling its sharp cold edges bite into my palms.

  “The ocean,” my mother murmurs. Sharp as a crack she whips her head around and I see that her eyes are wide and unfocused but lucid. She crawls toward me until our hands are linked together through the fence.

  “The ocean, Mary, the ocean!” She is speaking so urgently now, her mouth moving rapidly. I am afraid that the Guardian will think she is crazy and has turned and that he will kill me but I can't pull my hands back because my mother's grip is too tight.

  “So beautiful, the ocean.” She repeats the words over and over again, her eyes becoming bright with unshed tears. “The water, the waves, the sand, the salt!” She is shaking the fence now and it causes undulations to ripple outward to either side, the metal swaying back and forth. I am amazed that she has this strength; she has been dying for so many hours.

  “It consumes me,” she says, her voice only a whisper. She reaches one finger through the wire and strokes my wrist. “My little girl,” she tells me. “Do not forget my little girl.” Tears slip out of her eyes and I hear the Guardian shout behind me and then my mother slumps to the ground, her fingers slipping away from mine.

  In the moment between my mother's death and her Return, I stop believing in God.

  The Guardian quickly grabs the end of the rope tied to my mother's left ankle as I scoot away from the fence. It is anchored over a system of pulleys lashed to branches high above and he heaves against it, the other end of the rope dragging my mother to the edge of her pen. The Guardian pulls a lever, a gate rises and her lifeless body slides into the Forest of Hands and Teeth. He cuts the rope, reverses the lever and the gates grind shut. For a heartbeat the world is silent around us, the sound of our own breathing muffled by the mist.

  His duty complete, my mother's body given fully over to the Unconsecrated, the Guardian places a hand on my shoulder. Whether it is to comfort me or to hold me back does not matter. I imagine that I can feel his pulse through his fingertips. We are both so alive in that moment surrounded by so much death.

  I can't decide if I want to watch my mother Return. If I can bear to see it. But I can't help but wonder what that moment is like. Is there a spark or an instant where she will remember me? Where she will remember her old life from before?

  My mother used to tell me stories about how, long before the Return, the living used to wonder what happened after death. She said that whole religions were born and evolved around this one simple uncertainty.

  Now that we know what happens after death, a new question has risen up to take the place of the old: why?

  Suddenly, regret screams through me. I wonder if I should have dressed her in something different. If I should have put her in warmer clothes or better shoes. If I should have pinned a note to the inside of her dress telling her that I love her. I wonder how long it will take for her to find my father and if she will recognize him. An image of the two of them holding hands at the fence line flits across my mind.

  She is on her feet before I even know what's happening. She stares at me and for a moment all I can think is Mother and then she opens her mouth and my world shatters with her screams that fall off into moans as her vocal cords give way.

  I cannot bear it and I start to move toward her, struggling under the weight of the Guardian's hand, but then I hear my name being called out in warning.

  It is Jed. I didn't hear him approach but I can smell him now, the scent of woods and work and the smoke from our house. I don't bother to look at him, I just know that he is behind me and I sag back against him. He's home from his rotation on the fence line just in time to see our mother die and Return.

  Later, the Guardian in him will question me and chastise me. Because I allowed my mother to make this choice and because I failed both him and her by dallying near the stream. Because I was too selfish to understand that my mother would go to the Forest without me and because I was not there to stop her.

  But for now he is my brother and both our parents are gone and we are all we have left.

  The first thing the Sisters do when Jed walks me back to the Cathedral is strip off my clothes and half-drown me in the sacred well. I wait to see if the water will burn off my flesh now that I no longer believe in God but nothing happens as the Sisters chant prayers and scrub my body. Through the water and past the arms of the Sisters, I see Jed being escorted from the Cathedral.

  They pull me out of the holy water, my eyes stinging and my long hair like a spiderweb over my face so that I sputter and cough. “You will stay here within the Cathedral walls,”
the Sisters tell me. “We cannot have you going back to the fence line.”

  I understand this and I know that no amount of protesting will change their minds. But still, it irritates me that they think I would be so stupid as to go after my mother.

  She no longer exists.

  A blanket finds its way to my shoulders and I am led along a hallway I never noticed before, down a set of stairs and into a room with stone walls, a stone floor, a cot and a window that looks out past the graveyard toward the Forest. I want to laugh; if they are so afraid of my doing something drastic after facing my mother's death why do they place me in a room that overlooks the site where she turned? I can clearly see the series of gates through which she was dragged and I can even see a few Unconsecrated pressing against the fence line. Their moans slip lightly through the open window.

  “Why can't I go home?” I ask as they close the door behind me.

  The oldest, Sister Tabitha, pauses on the threshold. “It is better that you stay here.”

  “But what about my brother?” I cross my arms over my chest, cupping my elbows in my hands and folding in on myself.

  She doesn't answer. Then the door closes and I can hear the lock slide into place. I am alone with the sound of the Unconsecrated.

  For a while I watch the sun travel across the sky. I notice that in the heat of the day the Unconsecrated abandon their post at the fence and wander back into the woods, shuffling away to down themselves in a sort of eternal hibernation that is only broken when they sense human flesh nearby.

  I watch the fences for a glimpse of my mother that never comes.

  There is no moon that night and I watch as stars fill the dark emptiness. Clouds creep in heavy and low so that there is nothing more to see outside and so I move to my cot and sit down, not bothering to light the candle placed on a small table by the door.

  I want to sleep, I want dreams to pull me from this world and make me forget. To stop the memories from swirling around me. To put an end to this ache that consumes me.

  A thin sliver of light infiltrates the bottom sill of the wooden door and I can just see the walls surrounding me. A cricket chirrups somewhere. I wrap the blanket around my shoulders and over my head and pull my knees up to my chest and silently heave for my mother.

  The next day my eyes burn from lack of sleep. I trace the sun as it creeps across my floor, paying attention to nothing else but the light slipping slowly away from me. Someone brings in food and a jug of water but I don't bother with either. Later, Sister Tabitha comes and says she is there to check on me but I know she's there to judge my mental state. To see if I have broken under the weight of my parents' deaths. The day continues like this: food, Sister Tabitha, water, Sister Tabitha and so on and so on.

  A small part of me craves to rebel, to break free of this room. To run and grieve with my brother. But I am too exhausted, my body unwilling to move. Here I'm warm and fed and alone and don't have to answer anyone's accusing questions or stares. I don't have to explain why my mother was alone, why I was not with her.

  Instead, I can spend the between time remembering. I lie on the floor with my eyes closed and body limp, trying to feel my mother's hands in my hair as I repeat the stories she used to tell me over and over again in my mind. I refuse to forget any details and I am terrified that I already have. I go over each story again—seemingly impossible stories about oceans and buildings that soared into the heavens and men who touched the moon. I want them to beingrained in my head, to become a part of me that I cannot lose as I have lost my parents.

  My brother doesn't visit and I hear no news of him from the Sisters. I wonder if he thinks of me. I want to be angry at him, to revel in any emotion other than shock and pain, but I understand that this is the way he grieves.

  And finally, after a week has passed, Sister Tabitha comes to me and hands me a black tunic to change into and says that I am free to go and that I should thank God for the strength He has given me to move forward with my life.

  I nod, unwilling to tell her now that God does not enter into it, and walk slowly back to my family's house where just weeks before we lived together happy and safe. My brother's house now that my mother has passed away and he, as the only son, has inherited. I can't help but ache inside as I approach, knowing my mother is not there. Will never be there. I think about all of the memories trapped in the rough log walls, all of the warmth and laughter and dreams.

  I feel as if I can almost see these things leaking out, slipping away into the sunlight. As if the house is cleansing itself of our history. Forgetting my mother and her stories and our childhood. Without thinking, I place a hand against the wall to the right of the door. As with every building in our village there is a line of Scripture there, carved into the wood by the Sisterhood. It is our habit and duty to press a hand against these words every time we cross a threshold, to remind us of God and His words.

  I wait for them to calm me, to infuse me with light and grace. But it does not come, does not fill the hollow ache inside me. I wonder if I will ever feel whole again now that I no longer believe in God.

  The wood under my fingertips is smooth from generations of villagers pressing their hands in this one spot. This one spot my mother will never touch again.

  As if he knew I would be coming today my brother opens the door, causing me to yank my hand from the Scripture verse. Seeing him fills me with memories and fresh pain. He doesn't allow me inside and I wonder if Beth can overhear us talking.

  I am surprised at my skittishness around my own brother. Once, he and I were friends and shared everything. But he was always my father's son and I my mother's daughter. Losing our father to the Unconsecrated was too much for him and I have watched him harden over the past months. He has thrown himself into his role as Guardian, rapidly rising several notches in their ranks. I twist my fingers together in front of me as I search his face for the tenderness I once knew but all I find is sharp edges.

  “Why did you let her go?” he asks me. He holds a hand over his eyes to block out the sun coming over my shoulder, and his stance reminds me of the way our mother would stand and scan the Forest looking for our father.

  I have expected this question and yet I still don't know what he wants to hear. “It was her choice,” I tell him.

  He spits on the ground near my feet and some of the spit catches in the short black hairs on his chin. “It was not her choice.” His voice is strained and even and I know that he would prefer to be yelling but does not want to cause a scene in the village. “She was insane, she was sick.”

  I can feel his rage and pain wash over me and I want to take his emotions onto myself, to help him carry this burden. But my own feelings are too much, they swirl and overwhelm me such that I am helpless to comfort my brother.

  “I couldn't kill her, Jed. I couldn't let them do that.” I resist the urge to look down at my hands as I speak.

  “What do you think throwing her to the Unconsecrated was, Mary?” He reaches out and grabs my shoulder so hard that his fingers dig in around the bone. “Don't you realize that I will have to kill her now? When I'm out on patrol, what do you think will happen if I see her? Do you think I can let her go on”—he waves his hand past me, past the fields and toward the fence line—”like that? That is not life. That is not natural. It is sick and horrid and evil and I can't believe you would do this to me. That you would make me be the one to kill our mother because you weren't strong enough to do it.”

  I see now that he wanted me to be the one to kill her so that he wouldn't have to make his own choice.

  “I'm sorry, Jed,” I say, because I don't know how else to make it right between us. He is a Guardian, one of the few whose only duty is to protect the village, to mend the fence line, to kill the Infected. I don't know how to force him to see that it was her choice and not mine. That in making that choice she must have known that it could come to her own son having to kill her later. I don't know how to make him understand that sometimes love and devo
tion can overpower a person to the point where she wants to join her spouse in the Forest. Even if it means throwing everything else in life away.

  I move forward to give him a hug but he keeps his arm stiff, his hand still on my shoulder so that I cannot come any closer.

  “I am the man of the house now, Mary,” he tells me.

  I try a smile, to remind him that he will always be my brother. “That doesn't mean you can't hug your own sister,” I tell him.

  He doesn't laugh as I hoped. “I hear you are to join the Sisterhood,” he says. His words hit me like a slap. I don't know what I was expecting—anger, pain, regret, but not for him to turn me away. Not for him to cast me out and leave me to the Sisters before I've even had a chance to speak with him. To plead my case. This is why he didn't come to me at the Cathedral—in his mind I already belonged to them, I was already a Sister.

  A part of me always knew that it would come to this, that this scene was inevitable in our lives. Walking toward the house today I knew somehow that I would not even be allowed inside to gather my mother's meager belongings. Jed would take it all.

  “No one has spoken for you, Mary. No one has asked for you. No one will be courting you this winter.” His fingers still bite into my arm.

  “But Harry,” I say, gesturing uselessly over my shoulder toward the hill that hides the stream where only a week ago Harry asked me to the Harvest Celebration. I struggle to remember if I ever answered him.

  Jed begins to shake his head even before I can sort through the confused roar in my mind. I open my mouth but he cuts me off.

  “He did not ask for you, Mary.”

  I stare at him, feeling as if everything that I ever was is draining out of my body and leaving me. In my village an unmarried woman has three choices. She may live with her family; a man may speak for her, court her through the winter and marry her in the spring ceremonies; or she may join the Sisterhood. Our village has been isolated since soon after the Return and while we have grown strong and populous over the years, it is still imperative that every healthy young man and woman wed and breed if possible.