by Dean Ing
"They nearly bagged an FCC man, you mean," Charlie prodded.
"No. Yes! That too. I can't deny personal feelings; but I was thinking of ENG people from three networks, casually hashed like ants under a heel. That's why network execs care. That's why your iron is hot. But so far I don't hear evidence of any broad scope in your plans."
The comedian bit off an angry reply and Everett realized, too late, that he teetered on the brink of a lecture that none of them needed. Charlie and Althouse had broached the idea months earlier, looking for outside support that he represented. This group comprised, not problem, but solution.
Althouse rubbed his jaw to hide a twitch in it. "You came in late," he said softly. "You didn't hear us planning to expand this thing into news and commentary. If you've ever tried to apply a little torque to a network commentator, you know it's like trying to evict a moray by hand. I think morning news and editorializing are a good place to start; more folksy."
"Start what? Boil it down to essentials."
"It boils down to two points: we turn every act of terrorism into a joke at the terrorist's expense; and we absolutely must refuse, ever again, to do a straight report on their motives in connection with an act of terrorism."
Everett sat rigidly upright at the last phrases, ignoring the pain in his side. "Good God, Althouse, that really is censorship!"
"De facto, yes; I won't duck that one. But legally it's a case of each network freely choosing to go along with a policy in the public interest. Wartime restrictions beyond what the government demands are a precedent, if we need one. When countries go to war, their media generally follow that model. Why can't a medium go to war on its own?
"American television has already seen its Pearl Harbor in Pueblo, Mr. Everett. It just hasn't declared war yet. And the National Association of Broadcasters could publish guidelines for independent stations. The NAB is an ideal go-between."
The issue lay open between them now like a doubly discovered chess game. Everett saw in Althouse a formidable player who had studied his moves and his opponent. "It's unworkable," Everett said. "What'll you do when some Quebec separatist gang tortures a prime minister? Sit on the news?"
"Of course not, if it's a legitimate story. The medium can give coverage to the event, sympathetic to the victims—but we must deride the gang as a bunch of charlies, and refuse to advertise their motives in connection with an atrocity.”
"While you let newspapers scoop you on those details?"
"Probably—until they get an attack of conscience."
Everett's snort implied the extravagance of that notion. "A couple of Southern Cal people did in-depth surveys that suggest there's no 'probably' to it, Althouse. Editors will print assassination attempts as front-page stuff even if they know it brings out more assassinations. They admit it."
"Hey; the Allen-Piland study," Althouse breathed, new respect in his face. "You get around."
"I've been known to read hard research," Everett replied.
"And newsmen have been known to modify their ethics," Charlie George responded. "If this amounts to censorship, Maury, it'll be entirely self-imposed. Nothing very new in that."
"I'm sure this sounds like an odd stance for me to take," Everett smiled sadly, "but I tend to balk at social control. Hell, Rhone, you've studied Schramm and his apostles."
"Funny you should mention that; I remember something you don't, apparently. Most media philosophers claim that, between simple-minded total liberty to slander and hard-nosed total control over the message, there's something we always move toward when we confront a common enemy. It's called Social Responsibility Theory. We used it to advantage in 1917 and 1942. It's time we used it again."
That the issue would arise in the Commission seemed certain. It was equally certain that Everett must select a principle to override others sooner or later. He had a vivid flash of recollection: a willowy girl with gooseflesh and a baton, bravely smiling after an hour of parading, ten seconds before her obliteration. "I don't like it," he said slowly, measuring his words, "but I don't like wars on children either. You make God-damned sure this social responsibility doesn't go beyond the terrorism thing." His promise of support, and of its limitation, were implicit.
"I don't like it either," D'Este spat. "I seem to be part of a media conspiracy I never asked for. Charlie, you didn't ask me here just for graphics. What, then?"
"Commitment," Charlie said evenly.
"I'm working CBS specials! How I'm expected to collar newsmen, writers, producers, who knows who else, is beyond me; regular programming is out of my line."
"Nothing in television is out of your line," Rhone Althouse began, laying stress on each word. As he proceeded, Everett noted the up-swing in tempo, the appeal to D'Este's vanity, the loaded phrases, and he was glad Althouse did not write speeches for politicians. "You're independent, Dahl; you work for all the nets, you know everybody in key committees all over the Industry, and when you lift an idea you pick a winner.
"Charlie can sweet-talk NBN news into using your logo when there's a place for it—we think—while he develops his satire. You know the old dictum in showbiz; if it succeeds, beat it to death. I'll start working the same shtick in ABC comedy Christ, I'm doing three shows!—and I can drop the hint that this lovely logo is public domain. With any luck, the idea can sweep NBN and ABC both. News, commentary, comedy."
Althouse watched D'Este gnawing a thumbnail, fixed him with a hard stare. "And you, Dahl? Will CBS keep out of the fun for some asinine inscrutable reason? Or will one of its most active—" he paused, the word homosexuals hanging inaudibly in the air like an echo without an antecedent, "—free spirits, champion the idea from the inside? That's really the only question, Dahl. Not whether you can do it, but whether you will."
Intending support, Everett put in, "It'll take guts, in a milieu that hasn't shown many," and immediately wished he hadn't.
"No one corporation owns me, Mr. E," D'Este flung the words like ice cubes. "I don't have to stroke your armor."
"That's not what I meant. None of you have considered asking the next question," Everett replied.
Charlie George misunderstood, too. "Ask yourself if it's worth some trouble to keep the Industry from being a flack for maniacs, Dahl. If we don't start soon, ask yourself if you'd like to see the FCC license networks themselves when Congress considers tighter government control."
An even longer silence. "Madness," D'Este said at last, "but in this crazy business—I have misgivings, but I'll go along." He folded his arms in challenge and stared back at Everett. "Licensing? Is that the sword you were brandishing over us, the next question you meant?"
Everett took a long pull at his beer, then set it down. His smile was bleak. "That never crossed my mind, I think Charlie overstated. Here's what I meant: if this idea takes hold, the idea men could be spotlighted, and that means to people like Hakim Arif. I had a brush with their rhetoric, and they weren't even after me. See what it bought me." He peeled his shirt up to reveal the tape that bound the bandage to his right side. Angry stripes, the paths of debris in human flesh, marked his belly and pectorals beyond the tape.
He hauled the fabric down, regarded the sobered media men. "We have a lot of questions to thrash out, but none of you can afford to ignore the next one: if you take them all on—Palestinians, IRA, Chileans, Japanese extremists —what are the chances they'll come after you personally?"
For once, he noted with satisfaction, Rhone Althouse sat unprepared, openmouthed. Preparation would not be simple. Everett made a mental note to talk again with Dave Engels. Surely Engels could recommend someone as a bodyguard. Not a woman; certainly not anyone like Gina Vercours...
MONDAY, 10 NOVEMBER, 1980:
Hakim's feet were light on the steps as he hurried from the bank. The sheer weight of bank notes in his briefcase tugged at his left arm but failed to slow his stride. Fourteen minutes to rendezvous; plenty of time unless he were followed. His quick pace was perf
ectly normal in metropolitan New York City. He checked his timing again before entering the cafeteria. No one followed or seemed to loiter outside the place. He bought a chocolate bar to tempt, but not to entertain, his empty stomach. Slipping the candy into a pocket of his silk shirt away from the newly extended armpit holster, he thought of the pleasures of self-denial. He salivated for the chocolate. Later he would watch Talith eat it. He surveyed the cafeteria's glass front through reflective sunglasses. Twelve minutes; time to burn. He left by a different exit, moving unobtrusively down the street.
It was sheerest luck that the antique store was placed just so, and boasted a mirror angled just so. Hakim spotted the glance from a stroller to the unmarked green Camaro, both moving behind him and in his direction. The stroller drifted into another shop. A tall sandy-haired man emerged from the Camaro, and in a hurry. Hakim's body braced for action.
He continued his brisk pace. Instead of converging on him they had exchanged tails, which meant he was expected to lead them—whoever they were. They did not move like divinity students. Federals, probably, judging from the cut of their suits. He tested the notion of the Jewish Defense League, a distinct danger in Manhattan, and felt perspiration leap at his scalp. But their methods were usually more direct, and the tail he had picked up must have mooched around the bank for days. And that meant inefficiency, which implied government. He cursed the over-coat that impeded his legs in November cold, then saw the third-rate hotel.
The sandy-haired man entered the lobby as Hakim was leaving the stair onto the filthy mezzanine and wasted seconds on two other pas-sages; seconds that saved him. Hakim found the fire exit, burst the door seal, and slithered past the metal grating to drop into the alley. He sprinted for the street, adjusted his breathing again as he slowed to a walk, then turned another corner and risked a peek over his shoulder. The Camaro was following with its lone driver.
Hakim had nine minutes and needed seven. He wanted that rendezvous, not relishing the alternative risks of public transportation to Long Island. Nearing the next corner he noted the lack of pedestrians and made his decision. He broke into a run, turned sharply, ran a few steps, then turned back and melted into a doorway. He did not want the driver to pursue him on foot and knew this would be the next option.
A small girl sat on the stair in his doorway at Hakim's eye level, licking fingers sticky with candy, watching silent and serious as he fumbled in his coat. The silencer slowed his draw. He flashed the little girl a smile and a wink. The Camaro squalled around the corner. Hakim gauged his move to coincide with commitment to the turn, made five leaping paces, and fired as many times. The parabellum rounds pierced glass, cloth, flesh, bone, upholstery, and body panels in that order, each round making no more noise than a great book suddenly closed.
The Camaro's inertia carried it into a forlornly stripped foreign sedan. Hakim held the sidearm in his coat and retraced his steps, winking again at the little girl just before he shot her. Then he reseated the pistol, careful to keep the hot silencer muzzle away from the expensive shirt.
Seven minutes later Hakim hurried up another alley, squirmed into a delivery van, and nodded at the sturdy Guerrero who lazed behind the wheel in coveralls as the engine idled.
The van's engine was mounted between front seats with an upholstered cover. Bernal Guerrero had built an extension toward the rear just long enough to accommodate a small Iraqi; the makeshift upholstery would pass casual inspection. Kneeling with the extension cover up, reluctant to relinquish control to the latino, Hakim urged caution. "Drive south first; I was followed." He did not elaborate.
For a time, Guerrero attended strictly to driving as Hakim directed him to the bridge approach. Once over the East River, in heavy traffic, Hakim began to relax but did not stir from his position. Guerrero adjusted an inside rearview. "The funds were on hand, then."
Hakim met his eyes in the mirror. "Was that a question?"
"Deduction, Hakim. The briefcase seems heavy—and you are smiling."
"A wise man smiles in adversity," Hakim quoted, reloading six rounds into the clip.
"I trust Rashid was smiling at the last," Guerrero said obliquely. "We shall miss him."
"Rashid was a fool. You cannot load down an underpowered aircraft and maneuver it, too."
"A fool, then," Guerrero shrugged. "I agree that a satchel charge would have been simpler."
Hakim's irritation was balanced by the utility of the sinewy Guerrero. The Panamanian's suggestions were good, and he did not press them. Yet his conversation always provoked broader answers than Hakim cared to give. "You agree with whom? Have you toured the Statue of Liberty, Guerrero? A satchel charge might disfigure the torch; nothing more. The thing is full of steel girders inside. I planned to destroy it utterly. Think of the coverage," he breathed, and chuckled.
They were past Queens, halfway to the site of Farmingdale on Long Island, before Hakim spoke again. "The new funds," he said as if to himself, "will pour into accounts for Fat'ah exactly as long as our coverage is adequate. But our supporters may not enjoy last night's media sport at Fat'ah expense."
Guerrero nodded, remembering. But to prattle is to reveal, and this time Guerrero said nothing. Amateur films had caught the hapless Rashid, his handmade bomb shackles hopelessly jammed, as he veered away after his first pass over the great green statue, the previous day. The canister weighed nearly three hundred kilos and as it dangled swaying from the little Piper, Rashid must have seen and accepted his imminent death; must have known he could neither land, nor long maintain control. To his credit, he had fought the craft into a shallow turn and straightened again, many kilometers from his target but prepared for another and more suicidal assault. With any luck he might have completed his run, barely off the surface of the harbor, to crash directly into the Statue of Liberty. But the new fireboat hovercraft were very quick, faster under these circumstances than the Piper that careened along at all of ninety kilometers per hour.
Hakim sighed. What ignominy, to be downed by a stream of dirty salt water! Still, "The network commentator made Rashid a martyr," he asserted.
"To what? Idiot liberation, he said. And," Guerrero reminded him, "NBN news did not carry the story well. `A terrorist quenched with a water pistol,' indeed. It is la palabra, the word? Provocative."
"As you are," Hakim said shortly. "Let me worry about media, and let the Americans worry about our next demonstration."
"Our next demonstration," Guerrero echoed. It was not quite a question.
"Soon, Guerrero, soon! Be silent." Again Hakim felt moisture at his temples, forcing him to acknowledge a sensation of pressure. Harassment was the guerrilla's tool; when he himself felt harassed, it was better to cancel the operation. Yet he dared not. Something in Guerrero's attitude, indeed in Hakim's own response to the smug mockery of television, said that Hakim must choke that dark laughter under a pall of smoke.
He shifted his cramped legs to sit atop the briefcase as they skirted Mineola. Soon they would roll into the garage at Farmingdale, soon he would bear the briefcase inside with a show of indifference, reviewing the site again to assure its readiness for—for whatever; he did not know what.
Fat'ah must be ready with only four members now, and he could not easily muster more on short notice. The Syrian site would again be secure for a time, now that Hakim could furnish bribes; but Damascus is not Farmingdale, New York and Hakim knew that he was improvising. Fat'ah could not afford always to improvise. Nor could it afford to delay vengeance for the Rashid defeat.
The double-bind was adversity. Hakim forced himself to smile, thinking of smoke. Of black smoke and of media, and of Leah Talith who would be warm against him in the chill Long Island night. He vowed to deny himself the third, which facilitated the smile, and knew that he could now concentrate on the first two.
* * *
Forty kilometers away in an office of The Tombs, Manhattan, Assistant Chief Inspector Dolby was slavering into his tel
ephone. "Because it doesn't make any goddam sense, that's why," he snarled. "If you were gonna heist a Zee Twenty-Eight Camaro, why pick one that'd just tried to hump a stripped Volkswagen? And when you figure that one out, tell me why you'd take the Volks too. I mean, where's he gonna fence fresh junkers, Damico?"
He listened for long moments, nodding, tapping his teeth with a pencil. "Okay, I'll tell you what I think, I think the officer on duty is also on dago red." Listening again, he began to tap on his cheek. "I don't give a rat's ass how many eyewitnesses he claims, total strangers don't just rush up three minutes after a crash and bodily, BOD-i-ly, pick up two tons of crunched Camaro coupe and cram it into a truck."
Shorter pause. Then a yelp. "Twenty? You can't get twenty men around a Camaro. Well, belay that, maybe you could. But why would you want to?"
He began to experiment, tapping his cheek and moving his lantern jaw. Pause. "Oh, hell, poor little kid. She DOA? Well, at least there's definitely a crime, up 'til now I had serious doubts . . . For one thing, your alleged wreck and your alleged truck and your alleged twenty bad dudes are gone, right? And nobody's reported a theft of any green Camaro today."
Pause. "Look, I can roll when I get a report on the little girl, but you haven't convinced me there was any grand theft auto, much less two. Just some glass in the street, and what else is new? Whaddaya want from me, Damico?"
Listening again, he found the trick and happily tapped his cheek to a simple rhythm. Then sighing: "Okay, right. I will. Hey, my other phone's lit. Yeah—what? Uh, Mary Had A Little Lamb. Talent, huh? S'long."
He punched into the other line in time to take the call. "Dolby here . . . Can you rush it, Canfield? I'm about to go off shift." He started tapping again until his eyes glazed. "Hold it. Let me tell you: it's a green Zee Twenty-Eight, and the Volks ain't got any wheels at all." Pause "I'm psychic is how. Go on."