by Tom Cain
She didn’t seem to mind. Maybe he was making progress.
Another three days had passed, and they were taking their places in the magnificent white-and-gold horseshoe of boxes that rings the auditorium of the State Opera House, Vienna. The performance that night was Mozart’s Don Giovanni. Vermulen, however, hadn’t come for the music.
Vienna was the city where Pavel Novak conducted his business, trading people, weapons, and information. It was no coincidence at all that Vermulen and Alix happened to bump into Novak and his wife, Ludmilla, in the bar before the performance. After introductions had been made, while the ladies were complimenting each other on their dresses, Novak stepped close to Vermulen and spoke into his ear, the way you do when you’re middle-aged and it’s getting harder to make out what someone’s saying over a background roar of conversation. Or when you’re passing on secrets about weapons of mass destruction.
“The sale of documents has been confirmed. The vendor is a Georgian, Bagrat Baladze. He is paranoid, out of his depth. He refuses to put his goods in a bank, insists on having them in his possession at all times. He is also terrified that another, bigger gangster will find out what he has and take it from him. So I have arranged for him to go into hiding at a series of locations while the sale is arranged. In four weeks’ time, he will arrive at a converted farmhouse in the South of France. That will be your best opportunity. I will give you exact details nearer the time. . . .”
Novak glanced back at the ladies with a smile on his face and a twinkle in his eye.
“You are a lucky man, Kurt. I love my Ludmilla, of course. But to have a woman like that in my bed, well . . . I envy you.”
Vermulen shook his head.
“No need—she’s not in my bed.”
“You’re joking!”
“Kid you not . . .”
He gave Novak a hearty pat on the back.
“But believe me, pal, I’m working on it.”
In the first interval, Alix walked to the nearest ladies’ room. A line had already formed. In front of Alix stood a silver-haired Viennese matron, plumped up by a lifetime of chocolate cakes and whipped cream. Alix gave her a polite smile, then took up her position, idly looking around at the operagoers in their dinner jackets and evening gowns.
She was wearing a simple, floor-length column of pearl-colored satin, with a matching sequined evening purse in her hand. Suddenly, something or someone caught her eye. Her eyes lit up and she turned to wave, lifting the hand that held the purse, just at the exact moment that a slender brunette in her early forties, her cheeks hollow with dieting and nervous energy, arrived in the line behind her. Alix’s arm swept into the woman, whose own bag, a silver metallic-leather clutch, was knocked to the floor. It was a total accident, but Alix was overwhelmed by embarrassment. As the other woman hissed with irritation, she dropped to the red carpet, picked up the clutch, which had fallen open, and, having snapped it shut, returned it to its infuriated owner.
“I’m so sorry,” Alix said, her eyes pleading for forgiveness. “I really didn’t mean to—”
She was met by a volley of incomprehensible German insults that had the portly matron, her ears burning, barely suppressing a squeal of delighted horror: Here was a story to tell her companions when she got back to her seat! Then the brunette turned on her stiletto heel and stalked off in search of a more civilized place to pee.
But Maria Rostova, whose diplomatic accreditation listed her as a first secretary in the trade and investment section of the Russian Federation Embassy, Vienna, did not stop when she came to the next facility. Instead, she went down the stairs and out through the magnificent arched loggia to the Opernring outside. A car pulled up as she reached the side of the road. Rostova got in and, as the car moved away, opened her bag. She rummaged around inside it and removed a small tube of rolled-up paper, about the size of a cigarette, stuck in place by a small square of adhesive tape. She prized open the tape and unrolled the tube, which revealed a page torn from a onetime code pad, covered in rows of numbers written in three-digit groups.
Rostova put the paper back in her bag, then took out a mobile phone and dialed a Moscow number. When she got through she simply said, “I have this week’s delivery.”
31
It was shortly before five-thirty in the afternoon and Clément Marchand was about to leave his office at the Montagny-Dumas Clinic when he received a call from a man with a Russian accent. Marchand was informed that his wife was being held hostage. By way of confirmation, the receiver was held up to her face just long enough for him to be certain that the few sobbed words he heard had come from his Marianne.
“Please, don’t hurt her,” he stammered. And then, “What do you want?”
Marchand was given a very simple set of instructions. First, he was assured that this was not a conventional kidnapping. His wife’s captors did not want any money. As a consequence, they had no incentive to keep her alive. If he refused to do as they told him, at exactly the specified time, or made any attempt to contact the authorities, they would kill her.
“Anything!” he pleaded. “Just tell me what I must do.”
“Work late,” said the voice on the other end of the line. “Invent an excuse. At precisely half past eleven tonight, you will call the duty nurse on the third floor of your clinic. You will tell her that you need to see her. If she protests, you will insist. Say that you have uncovered an irregularity in the records of drugs administered to patients. Say anything you like. All that matters is this: The nurse must be in your office, in your presence, away from her station, between eleven-thirty and eleven forty-five. After that time, she can return to her post. At midnight, you may leave the clinic and drive home. If all goes well, your wife will be waiting for you, unharmed.”
“Thank you, thank you.” Marchand was almost weeping with relief.
“Do not thank us until you have completed your task,” said the voice. “And one more thing. If you should ever decide to tell anyone about this conversation, or what has happened to your wife, we will know. And you will both be killed.”
Marchand put down the phone, wiped the sweat off his brow, and told his secretary he would be working late. She, however, was free to go home at the normal hour.
Carver’s recovery had not gone unnoticed in Moscow, nor its possible consequences. Deputy Director Olga Zhukovskaya had made it plain to her staff that she wanted the matter dealt with at once. Now they were obeying her orders.
32
Carver awoke and found to his surprise that he had not been asleep for half the night, as he’d imagined. The clock by his bedside read 23:35—he’d been out for less than an hour. He rubbed his eyes and then frowned. Something was wrong, something out of place, but he couldn’t work out what it was.
Then it struck him. He couldn’t hear the TV. The night nurse on duty this week was a kid called Sandrine, and she always had a late-night movie on in the staff room when she thought the patients were asleep. So why would tonight be any different?
Carver got out of bed and, keeping the light off, padded across his room to the door. He opened it a fraction and paused, listening for any unusual sounds outside. He thought he could hear footsteps down at the far end of the floor. Very slowly, he eased the door open another few degrees, just enough for him to lean around and catch a glimpse down the corridor. He saw the shape of a man, bending over the nurses’ reception desk, running his finger down the top sheet on a clipboard. He was checking the list of rooms and their occupants.
He might have been looking for someone else, but Carver wasn’t going to take that chance. He closed the door and looked around the room, giving himself no more than a couple of seconds to make his decision. Then he went to the bathroom, switched on the light, and turned on the tap, letting it run in a steady dribble that sounded like a man taking a leak. When he quit the bathroom, he left the light on and the door half open, before going to stand to one side of the bedroom door, his back to the wall between him and the corridor.
Steps came pacing down the corridor. The man’s rubber soles squeaked against the vinyl tiled floor. They paused outside the door to Carver’s room and he saw the handle move as it was twisted from outside. The door opened. It was now between Carver and the other man, whoever he was, blocking each of them from seeing the other.
Carver’s bathrobe was hanging on a hook on the back of the door, a cord strung around its waist. Carver gently slid the cord from the robe, then held it in both hands, forming a loop like a lasso. He knew he had only meager reserves of strength and stamina. Whatever he did, it would have to be fast.
The man closed the door behind him. His attention was focused on the bathroom, unaware of Carver behind him. There was something in his right hand, a thin tube that protruded a few inches from his fist. At first glance Carver thought it might be a small flashlight, but then the man’s hand moved and caught the light from the bathroom door. The tube was a plastic injector pen, the kind used by diabetics for their daily doses of insulin.
Now he understood. An overdose of insulin, given to a sleeping patient, would swiftly induce hypoglycemic coma as the neurons in the brain were starved of glucose. Death would follow if the condition was left untreated, and if the injection site itself were not spotted, there’d be no reason to suspect foul play. Insulin was one of the most effective murder weapons a hospital could offer.
Carver had no intention of being its latest victim. He came up behind the intruder, slipped the bathrobe cord over his head, and pulled it tight around the neck.
The man reacted instantly. He brought his left hand up to the cord, trying to pull it away from his throat. At the same time he jerked his head back, hard, hoping to catch Carver on the face.
Carver anticipated the move and swayed back, his own movement adding to the tension on the cord. But now he had another problem to deal with—the man swung his right arm around behind him, jabbing the injector pen at Carver like a deadly snake, with insulin as its venom.
Carver twisted to one side to avoid the pen. The movement shifted his balance and gave his opponent the chance to push backward. Carver was sent crashing into the wall between his room and the one next door. The breath was knocked from him by the impact, but he forced himself to hold on to the cord. Ten or fifteen seconds’ pressure on the carotid artery would be enough to bring on unconsciousness, but fifteen seconds was an eternity when two men were fighting to the death.
They lurched around the room, their bodies linked like two drunken dance partners as they collided with a chair, knocking it over; then the bed; then a side table, sending a glass of water flying. And all the while the injector was jabbing at Carver, searching for his flesh and the moment when it could finally release its deadly cargo.
Groggy calls of complaint started coming from the patients on either side of Carver’s room. One of them started banging on the wall and calling for a nurse. It would not be long before someone came to see what was happening.
As the seconds passed, the fight was becoming a test of endurance between Carver’s enfeebled muscles, desperately hanging on to his improvised noose, and his enemy’s oxygen-starved brain. Whoever gave in first would die. And then came a stroke of luck. The assassin’s flailing hand struck against the iron frame of Carver’s bed and the injector was knocked from his grasp. Desperately, he tried to bend down to pick it up, but that only gave Carver the opportunity to plant his feet and give one last heave of the cord.
He felt the other man slump into unconsciousness and let the cord play out through his hands, lowering the lifeless body to the floor.
Suddenly there was a hammering on the door.
Carver dragged the body into the bathroom, then opened the door. Christophe, the crack-addicted son of a prominent local banker, was standing in the corridor in shorts and an old T-shirt, his usually pallid features inflamed with indignation.
“What the hell have you been doing in there?” he whined, making no attempt to keep his voice down.
Other heads began peering out of doors up and down the corridor.
“It’s okay—I’m sorry,” said Carver, turning to one side and then the other, holding his hands up in apology and surrender.
“I must have been sleepwalking or something. I had one of my nightmares, then I woke up and I was in the middle of my room and it was all smashed up. I don’t know what happened. But I’m really sorry if I woke you guys up, okay?”
He looked around in feigned bewilderment. “Has anyone seen a nurse? I could really use some meds. . . .”
The others shook their heads and retreated back into their rooms, like crabs scuttling back into holes, not wanting to get involved. Carver watched them disappear, then went back into his room. Wherever the nurse had got to, she’d be back at any second. He heard a groan from the bathroom. His assailant was coming to.
Carver’s eyes darted around his room until he found the injector lying on the floor by his bed. He picked it up, strode into the bathroom, sat astride the man’s body, forced his head down with one hand, then jabbed the injector at his carotid artery with the other. As soon as the plastic tube hit skin, Carver pushed the trigger button, sending a dose of insulin straight into the bloodstream. Then he pressed it again, twice more, just to make sure the maximum possible dose had been administered and the injector was completely empty. The man gave a barely audible moan. He wasn’t dead yet. But he was heading that way fast.
Now that the fight was over and his adrenaline levels were plummeting, Carver felt shattered, but he couldn’t afford to let up. He righted the bedside table and put the chair back in its place. Somehow, he found the strength to drag the comatose body back out of the bathroom and across the floor to the bed.
The man had been wearing a heavy overcoat. Carver pulled his arms from the sleeves, then heaved him up onto the mattress and covered him with a blanket and top sheet, leaving just the top of his head exposed on the pillow. The subterfuge would survive only the most cursory look into the room. But it might buy Carver time to get out.
He put on some clothes and shoes, followed by the dying man’s overcoat. There were car keys in one of the side pockets, along with a phone. The inside pocket held a wallet. Carver opened it. He found money, credit cards, and an I.D. in the name of Dr. Jean Du Cann, consultant psychiatrist. That would have got the would-be killer past the guard at the gate. He must have used it again at the front desk or slipped in through a service entrance. Those doors were all locked, but they wouldn’t pose any barrier to a professional. They wouldn’t stop Carver getting out, either.
He was about to leave the room when he heard more footsteps: the slightly sharper patter of a nurse’s footsteps. Sandrine had returned. There was a distinct, familiar pattern to the noise she was making: a few paces, then a pause as she looked into the patients’ rooms, through the windows in the doors, just a routine check to make sure they were all okay.
Carver rolled under the bed as her footsteps drew near. He held his breath and remained perfectly still as she stopped outside his room, then exhaled in blessed relief as she walked on. A couple of minutes later, he heard one last, uninterrupted walk down the corridor, followed by the sound of the TV being turned on again. He waited a few minutes, giving the nurse time to fix herself a cup of coffee, kick off her shoes, and relax in front of the box.
He used the time to sort out the dying man’s possessions. Carver kept the coat, the phone, the car keys, and the cash. The wallet, with the doctor’s I.D. still inside, he placed on the bedside table, along with the injector. That would give the police plenty of material to go on when they tried to figure out what had happened—material that should make it obvious that the victim was far from innocent. Finally, Carver slipped out through his door, turned away from the nurses’ room, crept down the corridor, and made his way to the emergency staircase.
Less than a minute later, he was sitting behind the wheel of his attacker’s car. He turned up the collar of his overcoat, then drove toward the barrier, giving the guard a little wave
of thanks as he passed. As the barrier closed behind him, he pressed the accelerator to the floor and sped away toward Geneva.
At a quarter past midnight, Clément Marchand came through his front door, an eager, expectant look on his face. “Marianne? Chérie? ” he called out.
Then blood blossomed on his shirt front and spattered his forehead as he died just as his wife had.
The killer let himself out of the apartment without any fuss. As he drove away he called his boss, reporting the situation at the apartment and requesting his next instructions.
33
Carver kept checking the rearview mirror to see if he was being followed. He found himself getting jittery if he saw the same set of lights for more than a mile or two. Whenever a car behind turned off the main road, or overtook him without incident, his shoulders slumped with relief and gratitude, only to tighten up again when another vehicle pulled into view.
He told himself not to be so stupid. He had almost always worked alone. Why shouldn’t the man now lying on his bed have done the same? But his head was filled with fears of pursuit. His body, meanwhile, was exhausted. He’d forgotten how draining a fight could be. It might only have lasted a few seconds, but the fear and tension that preceded it, the intense physical strain of the battle itself, and the release that came with survival had overwhelmed him. His muscles ached. His brain felt sluggish and unfocused. He had reached the outskirts of Geneva when another thought hit him: What if the car had been fitted with a tracking device?
He cursed his sloppiness. It should have been automatic: Check an unknown car for a tracker or booby traps. But that hadn’t even crossed his mind until it was far too late. No wonder he wasn’t being followed. They didn’t need to bother. They already knew where he was.
Then he thought of the killer’s phone, still sitting in his coat pocket. As long as it was on, anyone with access to the local networks could use that to locate him, too. He reached inside the coat and switched off the phone. After one last look in the mirror, he pulled over to the side of the road, stopped the car, got out, and looked around. He was somewhere in the ribbon of suburbs and small towns that sprawled northeast from the city and ran right around the northern shore of the lake to Lausanne and on to Montreux. The road he was on ran parallel to a railway line. Up ahead he could see a sign for a station, barely more than a halt on the line, called Creux-de-Genthod. The name rang a bell. He’d been there before.