by Marc Olden
The gas smell was overpowering. The room was filled with it.
Poe staggered forward, grabbed the washbasin and hurled it through the window. Cold air hit him with force, a most welcomed force. He coughed, his eyes watered and he saw everything in the dark room as though viewing it all through a pinhole. His lungs burned and he yearned for air. Air.
Poe flopped across Figg’s bed. “Get up, damn you, get up! He tugged at the boxer, pulled his arm. Figg didn’t move. Violence. This you’ll understand. Poe slapped Figg’s face and fell to the floor himself. On his knees, he slapped Figg’s face again, again, and lifting his arm to do so was the hardest thing Poe had ever done in his life. His arm seemed to weigh a ton and the hand came down in slow motion, as if this were all a dream.
Figg groaned.
“Damn you, get up!”
Poe pulled at him. Figg moved.
Now they were both on the floor. Figg had fallen out of bed.
Poe sat on the floor, mouth open, his lungs burning, his brain whirling and threatening to disintegrate as he gripped Figg’s upper arm and pulled. The open door was behind him, light from the hallway beckoning them to safety.
He pulled. Figg inched himself forward towards the light, towards the sound of Poe’s voice. To the boxer, the voice seemed to be life itself, warning him away from death, pulling him back from something hideous, something horrible and unknown.
Poe shouted, not knowing what he shouted and he pulled at Figg and he scraped himself towards the door, towards light, towards air, towards life.
Both men collapsed in the hallway, Poe on his back and feeling himself sink into that blackness which always seemed to be reaching out for him. He heard footsteps running towards him and then he could hear no more.
TWENTY-FOUR
JONATHAN, DRESSED IN the white robe and beard of Paracelsus, handed Mrs. Viola Sontag a highly polished piece of steel exactly the size of a saucer.
“The mirror of Solomon,” he said to the horse-faced woman, who wore a black veil to hide skin pitted by smallpox. “With it you can divine the future.”
She took it from him gently, using both hands, inhaling softly and seeing her reflection in it with brown eyes kept fashionably bright by squeezing orange juice into them nightly before going to bed. This beauty custom, long favored by Spanish women, was now popular among certain wealthy and well-travelled New York women. Jonathan found it idiotic, since the juice burned the eyes and stained the pillowcase. But then, so much about the widow Sontag was idiotic.
Caught up in the enthusiasm for spiritualism now sweeping New York, and also to amuse her friends during dinner parties, Mrs. Sontag, forty-nine and as rich as she was thin and ugly, wanted to learn to read the future. Jonathan had agreed to accept her for a series of sittings, all of which had been lucrative for him while filling Mrs. Sontag’s boring life with something of interest. She was his first sitting this morning and as usual, paid in gold, in advance.
Jonathan slowly placed his white-gloved hands down on the black marble table. “You must slice the throat of a white pigeon and with its blood write the names Jehovah, Adonay, Metatron and Eloym at the four corners of the mirror.”
“Yessss.” Mrs. Sontag hissed through loose false teeth, as pleased with the piece of steel as if it had been a new Christmas toy.
“Keep it in a clean white cloth.”
“Oh yessss. Yessss.”
“Daily gaze upon the sky the first hour after sunset and when you see a new moon, repeat the chant I have written out for you. It commands the spirits to obey and aid you in reading the future from the mirror you now hold.”
He could see her large teeth through the veil like marble columns dimly visible in the night. The woman was hideous, insisting upon wearing crinolines everywhere, those corded petticoats lined with horsehair and reinforced with straw. From her servants Jonathan had learned that she also wore several muslin petticoats over that, meaning from the hips down she was several yards wide. Fortunately Jonathan’s home had large doors. During the sitting, Mrs. Sontag sat alone on a couch, covering it with her tentlike skirt and petticoats.
She clutched the steel mirror to her flat chest. “Oh Dr. Paracelsus, I cannot tell you the excitement that I feel! I cannot wait to follow your instructions.”
“Follow them carefully. The prayer, the perfume I have given you—”
“To be sprinkled upon burning coals as I say the prayer, yesss?”
“Yes. Then breathe upon the mirror, uttering that name you are never to reveal but are to speak only as so instructed.”
“Yesssss.”
“Make the sign of the cross upon the mirror for the next forty-five days without missing a single day.”
“Oh yessss. Will Solomon himself appear to me?”
He has not as yet appeared to me, you brainless bitch. Why should he reveal himself to you? Jonathan folded his hands and closed his eyes. “Who can say.”
“May I continue my sittings with you during those forty-five days?”
He nodded. And keep the gold flowing from your bony hands.
Later, Jonathan spoke to Sarah Clannon. “Five hundred in gold for aiding that ridiculous woman to become even more of a fool than she is. Well, to business. You will not appear to Lorenzo Ballou in a dream tonight. He is to be denied your body, which so far he has lustfully accepted as that of his sluttish dead wife. I want you to become Virginia Poe once more. Dear Eddy needs another jab from the sharp needle of personal agony.”
Sarah Clannon spooned strawberries and champagne into her small, sensuous mouth. She had no questions. If Jonathan felt she should know the reason for the change, he would tell her.
He did. “Rachel Coltman is more drawn to Mr. E. A. Poe than she is willing to admit.”
“Love?”
“Perhaps the dawn of it. Perhaps not. Her feelings for her dead husband reflect as much guilt as affection. Survivors often feel guilty at merely being alive when a loved one has died. Guilt or imagined love, both are enough to create a state of mind in which she sees herself as passionately involved with her dead husband when in truth she is not. It would not take too much prodding from Mr. Poe to get Rachel to place herself more in his camp than mine. Neither of them know this. However I know and I cannot afford to have it happen. Find Mr. Poe and appear to him as darling Sissy. Let it be one more reason for him to believe that the dead do indeed live. Damage his mind a little more so that he aids me in obtaining the Throne of Solomon.”
Sarah Clannon, in black corset, black stockings and lace boots, bit a strawberry in half. “It is enjoyable to disturb the mind of Poe. It is such an easy task.”
Jonathan stood naked in front of a long mirror, shaving with a straight razor but without soap or water. “His life has not been a joy. Father deserted the family when Poe was a babe. Odd man, dear pater. Lawyer turned actor. Bad lawyer, worse actor. Could never accept criticism, much of which was deservedly negative. Always threatening violence to his critics, a trait continued somewhat in dear Eddy.”
Jonathan shaved gently under his nose. “Mother dies when Edgar is two. Then there was brother William Henry, eventually to become an alcoholic and die of it, while sister Rosalie still exists in the prison of insanity, a fear our Poe is never without. When mother dies, he is sent to the household of John Allan, a rather cold and penny-pinching foster father. Eddie and John will not like each other and throughout his life Eddy will avoid using the name Allan, preferring the initial A.”
Jonathan leaned back to admire himself, running a hand over his smooth cheeks. “John Allan, businessman, wanted to be a writer. No talent. Possibly jealous of Edgar who did have talent and intelligence. Takes Edgar to England for five years, where the lad is exposed to culture, history, esthetics of one sort of another. Back in America, dear Eddy with high opinion of himself, attends school in Richmond, Virginia, where he has to defend himself against southern aristocrats who insult him upon learning his natural parents were travelling players.”
&nb
sp; Jonathan snapped his razor shut and continued to stare at himself in the mirror. “Death, desertion, snobbery, criticism, a stone-hearted Scotsman for a foster father and a brother and sister who were of questionable mental health. His sadness started early. Allan beat the boy once or twice, never an endearing trait in a parent and I speak from experience.”
He walked across the room, kissed Sarah Clannon, removing a champagne soaked strawberry from her mouth. “Poe was born sad, has lived most sadly. He has appeared on stage himself, you know. Fairly skilled. He has fought a duel, been buried alive, that by mistake and it is a most horrid story which I shall tell you at another time. In college he gambled, lost, and father Allan refused to pay his debts. For that reason, Poe left college and existed in the army as Edgar A. Perry. Made sergeant major. Was good.”
Jonathan picked up a strawberry with his fingers. “He is something of a liar, sad to say. Lied about going to Europe to fight in the Greek revolution. On occasion, he has stolen the work of other men and used it in his own and one can only look with narrowed eyes upon his having married his first cousin Virginia when she was merely twelve and he twenty-six. But for all of that he is a hard working poet, newspaperman, critic and writer of highly imaginative short pieces. He is ever in need of love and sympathy and his drunkenness is easily caused by as little as a half glass of spirits. His reputation as a guzzler is undeserved. I am familiar with him because he is important to me in my quest for the Throne of Solomon. I also find him interesting in a bizarre way.
“He has failed, primarily because he is a man out of time. This is a barbaric, uncultured nation with no use for talent such as Poe’s. He has fought the good fight, as the bible says, with nothing to show for it except monumental bitterness. Rachel is his last chance and I fear that once she becomes fully aware of this, she may succumb to pity, which when combined with her growing affection would give Poe total power over her and I must assume this would mean the end of my securing Justin Coltman’s body.”
Sarah Clannon licked a strawberry, then placed it in Jonathan’s mouth. “I shall touch his mind once more. Virginia will come to him tonight.”
“Always in darkness, my love. Always, always in darkness. Meager light aids mystery and prevents precise identification. I killed my father in darkness, you know.”
“Yes.” She’d heard the story before, but no matter. Let Jonathan tell it once more. At times he told it so intensely that he frightened her.
Jonathan sat down, his eyes staring at nothing. “He was a travelling player, merely passing through Rouen on his way to Cherbourg and the ship that would take him from France to his native England. My father. A magician, a sorcerer, a madman. He raped my mother and went away. She was only fifteen.”
He opened the razor, gently laying the flat of the blade against his throat. “Raped her and went away. I was ten when I finally found him and he never knew who I was. For three years I travelled Europe with him, learning the black arts from him, finally surpassing him as I was destined to do. It pleased me that he was aware of my knowing more about the world of darkness than did he. My mother. When he, when he … ”
Jonathan looked at Sarah Clannon. “He had destroyed her mind, though he never knew it. His pleasure was all that mattered, nothing more. Once we spoke of France and of Rouen and he told me that it was the town in which Joan of Arc was burned at the stake for witchcraft. An illiterate mystic who died for the political ends of men more mad than she could ever have become.
“In my mother’s madness, she knew me. Knew me. And she was all I ever loved and I killed my father because of her. In darkness. Killed him in darkness and I never told him that my mother, in her insanity, had also burned to death in Rouen, as had Joan the mystic maid.”
Sarah Clannon took his hands in hers, as he said, “I have travelled the world over and I have done more than the mind of man can imagine or dread, but I have not shed tears since that dark night when I killed him.”
He held up his hands. “Not even when these were cut off as offerings.”
She looked at the spaces where his fingers should have been.
Quickly, he grabbed her wrists, jerking her closer to him. His grip was painful and she was frightened.
“I did not weep for him, you know. I wept for her, for my mother.”
Sarah Clannon nodded.
Jonathan said, “Evil be thou my good.” His eyes pleaded with her. “I have nothing else in my life now but evil.”
She took him in her arms. Jonathan her obsession. Jonathan be thou my good, my all.
She held him close to her and they stayed that way for a time.
TWENTY-FIVE
“I HAD INTENDED to contact the police, Mr. Figg, regarding your mission here in New York and what occurred at the boarding house last night. But in the light of what I now know, I offer you my apologies for summoning you here this morning and I extend my hand to you, sir. I would feel honored if you accept it.”
Figg shook hands with Phineas Taylor Barnum, who was dressed in a pale lavender suit, yellow silk waistcoat and brown cravat. The squeaky voiced showman looked as though he’d selected his wardrobe in the dark with his eyes closed.
“Mr. Barnum, sir, I pledge to you that I ‘ad nothin’ to do with settin’ no fire. Ain’t never set no fire in me life.”
“I concur, sir. To begin with, two men were seen fleeing the premises shortly after the blaze got underway and there is the matter of the landlady having seen late night visitors, also two men, walk past her open door and go upstairs. May I add that those Europeans in my employ tell me you are known in England as an honest prizefighter and friend to nobility. I am told that Pierce James Figg stands for respect and fair play, something I admire much in the English.”
Figg, top hat in his hands, looked down at the floor. “Does me best, sir.”
“Sir, you are too modest, a virtue I do not covet but admire from afar. I seem to remember the other day that you did possess a letter of introduction from Charles Dickens.”
“Yes sir. To Mr. Poe.” Little Mr. Poe who saved me life. Comes back drunk as a lord, he does, and heaves a washbasin through the window to give me air to breathe and he slaps me bleedin’ face to wake me up. And somehow the little man gets me out of bed and into the bleedin’ hallway. Somebody turned on the gas last night. Damn thing was shut off before I closed me eyes. Jonathan. Who else wants to kill me?
Except Figg wasn’t so sure it was Jonathan. Jonathan preferred blood sacrifices. Offerings to his demons. But if it wasn’t him, then who the bloody hell was it? What’s more Figg’s leg ached from being kicked last night by Black Turtle.
Barnum, eyes still on Figg, fingered a new poster on his desk. He and Figg were in Barnum’s office at the American Museum, a room bright with posters from past attractions. People rushed by in the hall and from everywhere Figg heard the sounds of crowds. Not much past eleven in the morning and Mr. Barnum’s place of business was packed.
“Mr. Poe,” said Barnum. “Is he—”
“Waitin’ outside in a cab. A bit under the weather, ‘e is.”
“Yes. I understand.”
You sure as bloody hell don’t, thought Figg, suddenly feeling defensive about the man who’d saved his life. He ain’t drunk. He’s sick from two glasses of wine and from seeing people burn to death and from swallowing gas while trying to save my hide.
Figg said, “Takin’ ’im home to Fordham, which ‘e’s asked me to do. He wants to rest, get some air.” Owe him that much, I do. Who the hell is dear Muddy he keeps on about. He ain’t but half alive now, sitting out there wrapped in a blanket I nicked from John Jacob Astor’s fine hotel. Mr. Astor won’t miss it. Mr. Bootham says Mr. Astor is almost eighty-five years old and dying and so blind that a colored stands behind his chair and guides the spoon to ‘is mouth. What’s Mr. Astor goin’ to do with his twenty million dollars now and him owning half of the land in stinkin’ New York City.
“I take it, Mr. Figg, that Mr. Poe has been of some assis
tance to you.”
“You might say so, yes.”
“Peculiar man, Mr. Poe. Has his problems in getting along with people. One hears stories of his bad temper, constant arguments, his unwillingness to compromise.”
“Probably thinks ‘e’s correct in some things, sir. Like you do, I would imagine.”
Barnum grinned. “Point well taken, Mr. Figg.”
Figg shifted. He wanted to leave. Get Poe out in the country, then back to New York to continue the hunt.
“Well, Mr. Barnum, I won’t be takin’ up anymore of yer time, sir. You must be a most busy man.”
Barnum smiled, picking up the poster from his desk. “A sensational new act, Mr. Figg, and I invite you and Mr. Poe to enjoy it as my guest. Ethiopian Delineators, sir. Black minstrels. The most popular entertainment on the modern scene. White men in blackface, singing the catchiest of darky tunes and by God, your toe will be tapping from the moment they strike that first note. These are ‘the Dixie Melodeers,’ whom I expect to draw joyous crowds for me and well they should for what I am paying them.”
Barnum beamed at the poster. “Banjos twanging, tambourines, the clackety-clack of the bones. Total pleasure, sir. Total pleasure.”
The poster—“The Dixie Melodeers In Melodies For You”—showed drawings of five men in blackface, battered top hats and ragged clothes, each one seated and grinning while holding either a banjo, fiddle, tambourine or dry bones. Each man’s name was beneath the drawing. Further down was a full-length drawing of each man standing erect, well dressed and minus burnt cork, wigs, rags. Barnum wanted to make sure his audiences knew that the Dixie Melodeers were actually white men.
Barnum said, “A new composer, Stephen Foster, has written some of the tunes the Dixie Melodeers will perform. Young Foster is a bookkeeper, but I feel he has talent and the ability to capture the true darky spirit. I tell you, Mr. Figg, the minstrel show is the American national opera and has many long years ahead of it. I cannot convey to you how heated is the craze for this sort of show at the moment.