In Token
   Of My Admiration and Affection
   This Book Is Inscribed
   To
   John C. Morrison
   Contents
   List of Illustrations
   Extracts
   1 A Mild Blue Day
   2 The Dirge
   3 The Crossing
   4 Reverie
   5 The Window
   6 The Steamboat
   7 The Paddlewheel
   8 The Island
   9 A Difficult Farewell
   10 The Giant
   11 Winters, Summers
   12 New Bedford
   13 Boston
   14 The Petrel
   15 A Storm at Night
   16 The Brightness of Brightness
   17 A Rose
   18 Our Lady of the Rocks
   19 The Return of the Petrel, with Three Letters
   20 A Comb
   21 The Fourth Letter
   22 The Camel
   23 The Sea-Fancy Inn
   24 The Sussex
   25 The Cabin Boy
   26 The Companion
   27 Captain Coffin’s Story—Secondhand
   28 A Whaleboat by Moonlight
   29 Captain Morrell’s Story—Thirdhand
   30 Captain Ahab’s Story—My First Acquaintance with Him
   31 Aloft
   32 “Pardon Me”
   33 Reunion
   34 Revelation
   35 Sea Storms
   36 The Frost Wind
   37 Collision
   38 The Course
   39 The Distance of the Stars
   40 The Sentence
   41 What Do You Fetch for Your Mouth?
   42 The Beginning of the Debate
   43 Father and Son
   44 The Human Animal
   45 The Alba Albatross
   46 Ganglion
   47 Postscript on the Above
   48 Soaring
   49 Portrait of a Virgin Listening
   50 Icarus
   51 The Test
   52 The Funeral
   53 The Contest
   54 I Am Married
   55 Aboard the Pequod
   56 The Hurricane House
   57 Ahab’s Jottings
   58 Kit’s Ruminations
   59 Starbuck Introduces Himself
   60 Ahab Overheard
   61 A Letter to the Lighthouse
   62 Poor Kit’s a-Cold
   63 Arctic
   64 Ahab in His Cabin
   65 Aloft, the Pequod
   66 Starbuck: Ship’s Log
   67 Starbuck Communes with Mary, His Wife
   68 In the Steward's Pantry
   69 Ahab’s Comfort
   70 Nantucket—the Faraway Isle
   71 Ahab Prepares for the Next Voyage
   72 Breakfast
   73 Shame
   74 B’twixt
   75 Enter: The Gaoler and the Judge
   76 On the Moor
   77 A Slow Spring
   78 Churches
   79 Baptismal
   80 Fire
   81 Ahab Addresses the Flames
   82 Ahab’s Wife
   83 A Sky Full of Angels
   84 Resurrection
   85 The Purpose of Art
   86 The Office of a Friend
   87 Childhood as an Island
   88 The World of Rebekkah Swain
   89 Kentucky Seasons
   90 A Winter Tale
   91 The Burden
   92 The Lantern
   93 Shakespeare and Company
   94 The Guide
   95 Getting Started
   96 Forest Murmurs
   97 In the Cupola
   98 To Summer
   99 Wife
   100 The Mitchells
   101 Vestal Street
   102 Ahab
   103 From Cupola to Wharf
   104 Idyll
   105 The Comet
   106 Frannie’s Letter from an Inland Lighthouse
   107 An Angry Letter from Aunt Agatha
   108 Letter to an Inland Lighthouse
   109 The Minister in the Woods
   110 The History of Snow and Restlessness
   111 Altar Rock
   112 Mothering
   113 Chowder Swirls
   114 The Birthing Room
   115 The Leg
   116 Christmas Eve
   117 A Last Glimpse of the Pequod: Christmas Day
   118 The Jeroboam Returns
   119 The First Part of Ahab’s Third Voyage After His Marriage
   120 Moon Watch
   121 Letter from Susan
   122 The Samuel Enderby of London Puts in for Repairs at Nantucket
   123 The Distress of Justice
   124 To Siasconset
   125 The Hedge
   126 Journey Toward the Starry Sky, in Present Tense
   127 ’Sconset Morning
   128 More of Morning: T ashtego’s Feather Makes the Letter S
   129 The Neighbor Beyond the Hedge
   130 The Roar of Guilt
   131 The Return of the Delight
   132 The Perseid
   133 The Woolsack
   134 Letter from Margaret Fuller, from England
   135 Letter from David Poland, Virginia
   136 Letter to Beloved Kin
   137 Letter from Margaret Fuller, from Italy
   138 The Judge’s Invitation
   139 Mrs. Maynard’s Note
   140 Preparations
   141 Frannie
   142 Liberty and the Dolphins
   143 A Suitable Marriage
   144 What Has Proved to Be a Last Visit
   145 A Song
   146 A Squeeze of the Hand
   147 Una Preaches to the Waves
   148 The Great Fire: June 1846
   149 ReRections on a Wreck
   150 During the Pleasure Party
   151 Celestial
   152 A New Friend
   153 A Sermon Overheard
   154 Plans
   155 Recitation by Beach Fire
   156 Letter from Susan, Forwarded
   157 The Roof Walk
   Epilogue
   Acknowledgments
   E-Book Extras
   An Interview with Sena Jeter Naslund: “The Ship of My Book”
   Author’s Note: The Surprise and Pleasure of It
   Reading Group Guide: Discussion Points
   About Ahab’s Wife or, The Star Gazer
   Praise for Sena Jeter Naslund’s Ahab’s Wife or, The Star-Gazer
   About the Author
   By Sena Jeter Naslund
   Credits
   Copyright
   About the Publisher
   Illustrations
   Frontispiece
   “The Crossing”
   “The eagle was a flurry of feathers…”
   The Harbor of New Bedford
   “Aloft”
   “He rose in the vertical, jaw agape…”
   “All around us in the sea and the sky, there is a black glory we do not share.”
   The Hold
   “Ahab Addresses the flames”
   “Forest Murmurs”
   “The Comet”
   The Roof Walk and the Starry Sky
   The Woodcarver’s Studio
   “You want me to kill ’em?”
   Extracts
   Let them be sea-captains—if they will!
   —MARGARET FULLER, Woman in the Nineteenth Century (1845)
   It was now early spring, and the river was swollen and turbulent; great cakes of floating ice were swinging heavily to and from in the turbid water…. The huge green fragment of ice on which [Eliza] alighted pitched and creaked as her weight came on it, but she stayed there not a moment. With wild cries and desperate energy she leap
ed to another and still another cake:—stumbling—leaping—slipping—springing upwards again!
   “Yer a brave gal, now, whoever year!”
   —HARRIET BEECHER STOWE, Uncle Tom’s Cabin (1851)
   “My God! Mr. Chase, what is the matter?!”
   I answered, “We have been stove by a whale.”
   —OWEN CHASE, Narrative of the Shipwreck of the Whale Ship Essex of Nantucket (1821)
   "Mark ye, be forewarned; Ahab’s above the common; Ahab’s been in colleges, as well as ’mong the cannibals; been used to deeper wonders than the waves; fixed his fiery lance in mightier, stranger foes than whales…. Aye, aye, I know that he was never very jolly; and I know that on the passage home, he was a little out of his mind for a spell; but it was the sharp shooting pains in his bleeding stump that brought that about, as any one might see. I know, too, that ever since he lost his leg last voyage by that accursed whale, he’s been a kind of moody—desperate moody, and savage sometimes; but that will all pass off. And once for all, let me tell thee and assure thee, young man, it’s better to sail with a moody good captain than a laughing bad one….
   Besides, my boy, he has a wife—not three voyages wedded—a sweet, resigned girl. Think of that; by that sweet girl that old man had a child: hold ye then there can be any utter, hopeless harm in Ahab? No, no, my lad; stricken, blasted, if he be, Ahab has his humanities!”
   —CAPTAIN PELEG TO ISHMAEL, “The Ship,” Herman Melville, Moby-Dick (1851)
   [Starbuck, First Mate of the Pequod:] “Oh, my Captain! my Captain! noble soul! grand old heart, after all! why should any one give chase to that hated fish!…—this instant let me alter the course! How cheerily, how hilariously, O my Captain, would we bowl on our way to see old Nantucket again! I think, sir, they have some such mild blue days, even as this, in Nantucket.”
   [Ahab:] “They have, they have. I have seen them—some summer days in the morning. About this time—yes, it is his noon nap now—the boy vivaciously wakes; sits up in bed; and his mother tells him of me, of cannibal old me; how I am abroad upon the deep, but will yet come back to dance him again.”
   [Starbuck:] “…my Mary…promised that my boy, every morning, should be carried to the hill to catch the first glimpse of his father’s sail!…Come, my Captain, study out the course, and let us away! See, see! the boy’s face from the window! the boy’s hand on the hill!”
   But Ahab’s glance was averted…. “What is it, what nameless, inscrutable, unearthly thing is it: what cozening, hidden lord and master, and cruel, remorseless emperor commands me; that against all natural lovings and longings, I so keep pushing, and crowding, and jamming myself on all the time…? By heaven, man, we are turned round and round in this world, like yonder windlass, and Fate is the handspike…. But it is a mild, mild wind, and a mild looking sky; and the air smells now, as if it blew from a far-away meadow; they have been making hay somewhere under the slopes of the Andes, Starbuck, and the mowers are sleeping among the new-mown hay.”
   —STARBUCK AND AHAB, “The Symphony,” Moby-Dick
   I have fed upon dry salted fare—fit emblem of the dry nourishment of my soul!—when the poorest landsman has had fresh fruit to his daily hand, and broken the world’s fresh bread to my mouldy crusts—away, whole oceans away, from that young girl-wife I wedded past fifty, and sailed for Cape Horn the next day, leaving but one dent in my marriage pillow—wife? wife?—rather a widow with her husband alive! Aye, I widowed that poor girl when I married her, Starbuck; and then, the madness, the frenzy, the boiling blood and the smoking brow, with which, for a thousand lowerings old Ahab has furiously, foamingly chased his prey—more a demon than a man!—aye, aye!…Behold. Oh, Starbuck! is it not hard, that with this weary load I bear, one poor leg should have been snatched from under me? Here, brush this old hair aside; it blinds me, that I seem to weep. Locks so grey did never grow but from out some ashes!…I feel deadly faint, bowed, and humped, as though I were Adam, staggering beneath the piled centuries since Paradise. God! God! God!—crack my heart!—stave my brain!—mockery! mockery! bitter, biting mockery of grey hairs…Close! stand close to me, Starbuck; let me look into a human eye; it is better than to gaze into sea or sky; better than to gaze upon God. By the green land; by the bright hearth-stone! this is the magic glass, man; I see my wife and my child in thine eye.
   —AHAB, “The Symphony,” Molly-Dick
   “There she blows!—there she blows! A hump like a snow-hill! It is Moby Dick!”
   —AHAB, “The Chase—First Day,” Moby-Dick
   CHAPTER 1: A Mild Blue Day
   CAPTAIN AHAB WAS neither my first husband nor my last. Yet, looking up—into the clouds—I conjure him there: his gray-white hair; his gathered brow; and the zaggy mark (I saw it when lying with him by candlelight and, also, taking our bliss on the sunny moor among curly-cup gumweed and lamb’s ear). And I see a zaggy shadow now in the rifting clouds. That mark started like lightning at Ahab’s temple and ran not all the way to his heel (as some thought) but ended at Ahab’s heart.
   That pull of cloud—tapered and blunt at one end and frayed at the other—seems the cottony representation of his ivory leg. But I will not see him all dismembered and scattered in heaven’s blue—that would be no kind, reconstructive vision;no, intact, lofty and sailing, though his shape is changeable. Yesterday, when I tilted my face to the sky, I imaged not the full figure but only his cloudy head, a portrait, glancing back at me over his shoulder.
   What weather is in Ahab’s face?
   For me, now, as it ever was in life, at least when he was looking at me alone and had no other person in view, his visage is mild—with a brightness in it, even be it a wild, white, blown-about brightness. Now, as I look at those billowed clouds, I see the Pequod. I half raise my hand to bid good-bye, as it was that last day from the eastmost edge of Nantucket Island, when, with a wave and then a steadfast, longing look, till the sails were only a white dot, and then a blankness of ocean—then a glitter—I wished his ship and him Godspeed.
   
 
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