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______. From Continuity to Contiguity: Toward a New Jewish Literary Thinking, especially chapter 11: “How Kafka and Sholem Aleichem Are Contiguous,” 351–402. Stanford, CA: Stanford Studies in Jewish History and Culture, Stanford University Press, 2010.
______. The Image of the Shtetl and Other Studies of Modern Jewish Literary Imagination. Syracuse, NY: Syracuse University Press, 2000.
______. “The Literary Image of the Shtetl.” Jewish Social Studies, n.s., 1:3 (Spring 1995): 1–43.
______. A Traveler Disguised: The Rise of Modern Yiddish Fiction in the Nineteenth Century. Syracuse, NY: Syracuse University Press, 1996.
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Nahshon, Edna. From the Ghetto to the Melting Pot: Israel Zangwill’s Jewish Plays. Detroit, MI: Wayne State University Press, 2006.
______. Yiddish Proletarian Theatre: The Art and Politics of the Artef, 1925–1940. Westport, CT: Greenwood Press, 1998.
Nasaw, David. Going Out: The Rise and Fall of Public Amusements. Cambridge, MA: Harvard University Press, 1999.
Navasky, Victor. Naming Names. New York: Viking Press, 1980.
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Perl, Arnold. “The Empty Noose.” Hollywood Quarterly 2:2 (January 1947): 145–52.
______. Tevya and His Daughters. New York: Dramatists Play Service, 1958.
______. “To Secure These Rights.” Hollywood Quarterly 3:3 (April 1948): 267–77.
______. The World of Sholem Aleichem. New York: Dramatists Play Service, 1953.
Pilbrow, Richard. A Theatre Project: An Autobiographical Story. With David Collison. New York: PLASA Media, 2011, digital edition.
Piro, Richard. Black Fiddler. New York: William Morrow, 1971.
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Prideaux, Tom. American Musicals: Bock and Harnick. Notes to Time-Life Records, 4TL-AM14, Alexandria, VA, 1982.
Prince, Harold. Contradictions: Notes on Twenty-Six Years in the Theatre. New York: Dodd, Mead, 1974.
Pritchett, Wendell. Brownsville, Brooklyn: Blacks, Jews, and the Changing Face of the Ghetto. Chicago: University of Chicago Press, 2002.
Ravitch, Diane. The Great School Wars: A History of the New York City Public Schools. Baltimore and London: Johns Hopkins University Press, 2000.
Rich, Frank. Ghost Light: A Memoir. New York: Random House, 2001.
Rich, Frank, and Lisa Aronson. The Theater Art of Boris Aronson. New York: Alfred A. Knopf, 1987.
Rieder, Jonathan. Canarsie: The Jews and Italians of Brooklyn against Liberalism. Cambridge, MA: Harvard University Press, 1985.
Rosenfeld, Lulla Adler. Bright Star of Exile: Jacob Adler and the Yiddish Theatre. New York: Thomas Y. Crowell Company, 1977.
Rosenthal, Jean. The Magic of Light. New York: Little, Brown, 1972.
Rosenthal, Steven T. Irreconcilable Differences?: The Waning of the American Jewish Love Affair with Israel. Brandeis Series in American Jewish History, Culture and Life. Hanover, NH: Brandeis University Press, 2001.
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______. Bridge of Longing: The Lost Art of Yiddish Storytelling. Cambridge, MA: Harvard University Press, 1996.
______. The Jewish Search for a Usable Past. Bloomington: Indiana University Press, 1999.
______. “Sholem Aleichem: Mythologist of the Mundane.” AJS Review 13:1/2 (Autumn 1988): 27–46.
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______. A History of the Jews in America. New York: Vintage Books/Random House, 1993.
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Samuel, Maurice. Blood Accusation: The Strange History of the Beiliss Case. New York: Alfred A. Knopf, 1966.
______. The Gentleman and the Jew. New York: Alfred A. Knopf, 1950.
______. I, the Jew. New York: Harcourt Brace, 1927.
______. Little Did I Know. New York: Alfred A. Knopf, 1963.
______. Prince of the Ghetto. New York: Alfred A. Knopf, 1948.
______. The World of Sholom Aleichem. New York: Alfred A. Knopf, 1945.
______. The Worlds of Maurice Samuel: Selected Writings. Edited by Milton Hindus. Philadelphia: Jewish Publication Society of America, 1977.
Sandrow, Nahma. Vagabond Stars: A World History of Yiddish Theater. New York: Harper and Row, 1977.
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Schulman, Elihu. “Sholem-aleykhems stzenisher debyut in amerike.” Yivo bleter 4 (August–December 1923): 419–31.
Schwartz, Maurice. “Is New York Ready for a New Yiddish Theater?” Forverts, March 2, 1918 (translated by Adrienne Cooper and Jenny Romaine).
Sefer-zikaron li-khehilot shts’uts’in, vasilishki, ostrin, novidvor, roz’anke / ha-‘orekh, l. losh. Rozhanka section (in Yiddish) edited by Avraham Lis. Tel Aviv: Hotsa’ah meshutefet shel yots’e ha-kehilot ha-n.l. be-yiśra’el, 1966. Rozhanka portion translated into English as “Community of Rozhanka” by William Cohen for jewishgen.org, http://www.jewishgen.org/yizkor/szczuczyn-belarus/szc435.html.
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______. The Seventh Million: The Israelis and the Holocaust. Translated by Haim Watzman. New York: Hill and Wang, 1993.
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______. “Reading Sholem Aleichem from Left to Right.” In Deborah Dash Moore, ed., YIVO Annual 20 (Evanston, IL: Northwestern University Press and the YIVO Institute for Jewish Research, 1991), 305–32.
______. “‘The Time of Vishniac’: Photographs of Pre-War East European Jewry in Post-War Contexts.” In Michael Steinlauf and Anthony Polansky, eds., Polin: Studies in Polish Jewry, vol. 16 (Oxford, UK, and Portland, OR: Littman Library of Jewish Civilization, 2003), 313–33.
______. Wh
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Sholem-Aleichem. The Bloody Hoax. Translated by Aliza Sherrin. Bloomington: Indiana University Press, 1991.
______. Briv fun sholem-aleichem 1879–1916 . Tel Aviv: Y. L. Perets farlag, 1995.
______. Funem yarid. Warsaw: Yidishbukh, 1966; National Yiddish Book Center electronic edition, Steven Spielberg Digital Yiddish Library, No. 10435.
______. Gantz tevye der milkhiker, ale verk fun sholem-aleykhem 8. New York: Sholem-aleykhem foksfond oysgabe, 1925.
______. The Great Fair: Scenes from My Childhood. Translated by Tamara Kahana. New York: Noonday Press, 1955.
______. It’s Hard to Be a Jew. Translated by Mark Schweid, in Sholem Aleichem Panorama, ed. Melech Grafstein. London, ON: Jewish Observer, 1948.
______. The Old Country. Translated by Frances and Julius Butwin. New York: Crown, 1946.
______. Oysgeveylte briv. Edited by I. Mitlman and Khatski Nadel. Moscow: 1941.
______. Stempenyu. The play script used by Thomashefsky can be found in the Boris Thomashefsky papers at YIVO: a handwritten bound notebook titled Yidishe tekhter oder Stempenyu, transcribed February 3, 1907.
______. Stempenyu: A Jewish Romance. Translated by Hannah Berman. Hoboken, NJ: Melville House, 2007.
______. Tevye der milkhiker: A drame. In Ale verk fun sholem-aleykhem, xxv: 167–235. New York: Sholem-aleykem folksfont oysgabe, 1923.
______. Tevye the Dairyman and Motl the Cantor’s Son. Translated by Aliza Shevrin. New York: Penguin classics, 2009.
______. Tevye the Milkman and the Railroad Stories. Translated by Hillel Halkin. New York: Schocken Books, 1987. All quotations from the Tevye stories come from this volume.
______. Tevye’s Daughters. Translated by Frances Butwin. New York: Crown, 1949.
______. Tsezeyt un tseshpreyt, ale verk fun sholem-aleykehm. Vol. 4: Dramatishe shriftn. New York: Sholem-aleykhem foksfond oysgabe, 1925.
______. Wandering Stars. Translated by Aliza Shevrin. New York: Viking, 2009.
______. Di yudishe folks-bibliotek: A bukh fir literatur, kritik un vissenshaft. Kiev: Sholem-Aleichem, 1888; National Yiddish Book Center electronic edition, Steven Spielberg Digital Yiddish Library, No. 02379.
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Sklare, Marshall. Jewish Identity on the Suburban Frontier: A Study of Group Survival in the Open Society. New York: Basic Books, 1967.
______. Observing America’s Jews. Edited and with a foreword by Jonathan D. Sarna. Hanover, NH: Brandeis University Press, 1993.
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Sponberg, Arvid F. Broadway Talks: What Professionals Think about Commercial Theater in America. Westport, CT: Greenwood Press, 1991.
Staub, Michael E., ed. The Jewish 1960s: An American Sourcebook. Lebanon, NH: Brandeis University Press, 2004.
Stein, Joseph. Juno. New York: Samuel French, 1959.
Stein, Joseph, Jerry Bock, and Sheldon Harnick. Fiddler on the Roof. New York: Limelight Editions, 2002. Tenth printing. Originally published by Crown, 1964. Music and lyrics © Sunbeam Music Corp.
Stein, Joseph, and Will Glickman, with lyrics by Arnold B. Horwitt and music by Albert Hague. Plain and Fancy. New York: Random House, 1955.
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______. “Jewish Theater in Poland.” In Michael Steinlauf and Anthony Polansky, eds., Polin: Studies in Polish Jewry, vol. 16 (Oxford, UK, and Portland, OR: Littman Library of Jewish Civilization, 2003), 71–91.
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Szajnik, Grzegorz. Stosunki polsko—ukrainsko—zydowskie w miescie I gminie Dynow. Dubiecko: Przedsiebiorstwo Budowlano, 2008. (“Polish, Ukrainian, Jewish Communities in the Municipality of Dynów”). Unpublished translation: Ursula Kudelski.
Taylor, Clarence. Knocking at Our Own Door: Milton A. Galamison and the Struggle to Integrate New York City Schools. Lanham, MD: Rowman and Littlefield, 2001.
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Thomashefsky, Boris. Mayn lebens geshikhte. New York: Trio Press, 1937.
Tokarska-Bakir, Joanna. “Sandomierz Blood-Libel Myths: Final Report 2006.” Unpublished manuscript kindly shared by the author.
Topol. Topol by Topol. London: Weidenfeld and Nicolson, 1981.
Uris, Leon. Exodus. Garden City, NY: Doubleday, 1958.
Urofsky, Melvin I. American Zionism from Herzl to the Holocaust. Lincoln: University of Nebraska Press, Bison Book Edition, 1995; previously published Garden City, NY: Anchor Press/Doubleday, 1975.
Vaill, Amanda. Somewhere: The Life of Jerome Robbins. New York: Broadway Books, 2006.
Veidlinger, Jeffrey. The Moscow State Yiddish Theater: Jewish Culture on the Soviet Stage. Bloomington: Indiana University Press, 2000.
Vishniac, Roman. Di farshvundene velt—The Vanished World. Edited by Raphael Abramovitch. New York: Forward Association, 1947.
______. Polish Jews: A Pictorial Record. New York: Schocken Books, 1988; originally published 1947.
Waife-Goldberg, Marie. My Father, Sholom Aleichem. New York: Simon and Schuster, 1968.
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______. “Of Plays and Politics: Sholem Aleichem’s First Visit to America.” In Deborah Dash Moore, ed., YIVO Annual 20 (Evanston, IL: Northwestern University Press and the YIVO Institute for Jewish Research, 1991), 239–76.
Wasserstein, Bernard. Vanishing Diaspora: The Jews in Europe since 1945. Cambridge, MA: Harvard University Press, 1996.
Weidman, Jerome, George Abbott, Jerry Bock, and Sheldon Harnick. Fiorello! New York: Random House, 1960.
Weitzner, Jacob. Sholem Aleichem in the Theater. Madison, NJ: Fairleigh Dickinson University Press, 1994.
Wenig, Larry. From Nazi Inferno to Soviet Hell. Hoboken, NJ: Ktav Publishing House, 2000. Memoir, beginning in Dynów.
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YIVO Institute for Jewish Research. “Sholem Aleichem in America: The Story of a Culture Her
o.” Catalog for exhibition at YIVO, May 17, 1990–March 15, 1991. My thanks to curator Jeffrey Shandler for sharing source materials from this catalog with me.
Zangwill, Israel. The Melting Pot. New York: Macmillan, 1914.
Zborowski, Mark, and Elizabeth Herzog. Life Is with People: The Culture of the Shtetl. New York: Schocken Books, 1995; originally published by International Universities Press in 1952.
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______. “Underground Man: The Curious Case of Mark Zborowski and the Writing of a Modern Jewish Classic.” Jewish Review of Books, no. 2 (Summer 2010): 38–42.
Zylbercweig, Zalmen. Leksikon fun yidishn teatr. 6 volumes, published over the period 1931 to 1969 in New York, Mexico, and Warsaw. National Yiddish Book Center electronic edition, Steven Spielberg Digital Yiddish Library, numbers 01089 to 01094.
Most of the material on Sholem-Aleichem can be found in volume 4: 3309 to 3578. This extraordinary compendium of biographical material, plot summaries, production descriptions, and quotations from reviews has been rendered user-friendly by the librarian Faith Jones, who indexed it at the Dorot Jewish Division at the New York Public Library.
______. Yidisher kunst-teatr in amerike. At the time of his death in 1972, Zylbercweig was working on a book about Maurice Schwartz’s Yiddish Art Theater and on a seventh volume of the Leksikon fun yidishn teatr. The latter, including a 371-page section on Schwartz, covering the Yiddish Art Theater from 1918 to 1924, was in galleys that were never published, until, that is, 2011, when Steve Lasky of the Museum of Family History digitized and posted it online at http://www.museu moffamilyhistory.com/yt/yata.htm.
ARCHIVAL AUDIO/VIDEO
Jerry Bock collection of audiovisual recordings. *L (Special) 03-01. Rodgers and Hammerstein Archive, New York Public Library.
Jerry Bock and Sheldon Harnick Dialogue. Videotaped by the New York Public Library’s Theatre on Film and Tape Archive at the New York Public Library for the Performing Arts, New York, NY, May 12, 1975.
Fiddler on the Roof. Videotape of performance starring Zero Mostel. 1976. TOFT. Thank you to the Jerome Robbins Trust for permission to view it.
Wonder of Wonders: A Cultural History of Fiddler on the Roof Page 51