by David Gunn
The same dark eyes as Debro and the same intense gaze, her cheekbones high and her lips full; looking at her is like seeing Debro made young again. She’s wearing white, as befits a bride, and her hair is up, braided and folded around her skull in a complicated pattern held in place with pins.
She’s young, just not as young as her inexperience suggests.
And she’s beautiful.
A perfect body and a perfect face, probably matched to a keen and inquiring mind. Her dress is expensive, her jewelry beyond price. There are diamonds the size of quail eggs in the handle of the fan she carries as she exits blinking into the sunlight and is led toward her wedding vehicle.
I’m not sure what kind of hover it is, because the thing is buried under frills and bows, but from what I can see the vehicle is new. And the driver keeps it completely still, so that it barely rocks as a step unfolds and Aptitude climbs into the backseat, doing her best to smile.
Her eyes flick across my face and I’m forgotten.
Just one of a dozen men called in at the last minute to provide security. A precaution, Senator Thomassi tells Aptitude, not specifying against what. I’m there when he says it, as invisible to him as I am to her.
We line up on both sides of the vehicle, which moves away at a speed that allows us to keep her safe. On its way here, the hover contained only Aptitude; now it contains both Aptitude and the senator, who holds her hand tightly. Aptitude has tears in her eyes, and they don’t look like tears of happiness to me.
The veil is back from her face and her eyes are skimming the streets as if seeing them for the last time.
I should have done this last night.
It would have been cleaner and kinder to spare the kid the trauma of finding herself married to a man who’s outlived three wives and is ancient enough to be her grandfather, if not far older than that. The high clans of Farlight live longer than normal people. Well, what I call normal people, who are probably not what the Thomassis call people at all…
“You want to take your pay or do another shift?”
I’m tempted to take the shift. It’s a neat way to get into Villa Thomassi—maybe too neat, and something warns me to play it straight. So I pocket the cash, which comes to a handful of silver pieces, and walk back to the bar where I first got news that jobs were on offer. Most of the others follow.
A group of us order beers, and two of the men go upstairs with a dark-skinned girl. The others begin to drift away as darkness creeps across the huge square. Music comes from a café nearby. So the owner of our bar responds with some music of his own.
Obviously enough, the songs clash.
A thin woman is cooking lamb in the yard behind our bar, fat falling into the flames and turning the night air greasy with the smell of griddled meat.
I keep looking for Farlight’s famed elegance and failing to find it. Zabo Square is vast. So vast, in fact, you could fit the whole of Fort Libidad into one corner and barely use a quarter of the space. I wouldn’t be surprised if you could fit the whole city of Karbonne into Zabo Square as well.
“Something out there?”
It’s one of the men. He’s watching me watch the square.
“Just thinking how big it is.”
“You new here?”
I listen for criticism in his words, but the question is exactly that, a simple question…So I nod, and he tells me his name is Pietro, and he’s been in Farlight for five years, and it took him a while to get used to the noise and crowds. Pietro warns me against pickpockets and swindlers, and tells me to be careful of people who want to be my friend. He smiles as he says this, and offers to buy me another beer, leaving me wondering if he can see the incongruity in his own words.
Incongruity?
Stumbling over the term brings a scowl to my face. Explaining quickly that I was remembering an old sergeant, we both agree they’re fuckers and best forgotten. Then I buy another round, although I haven’t yet drunk the beer he bought me, and Pietro says he’s going upstairs to see if his friends have finished with the dark-skinned girl.
He asks if I’m interested in taking a turn.
So I thank him for his offer, and tell him I have stuff to do.
CHAPTER 22
ZABO SQUARE is in darkness. An edging of light filters from the cafés and cantinas around its perimeter, while its black center stretches away beneath my feet. Villa Thomassi is on the far side, three streets back and hidden behind wrought-iron gates and a thick canopy of trees. I’ve memorized its position for this moment.
A man comes to the gate as I rattle it. He’s one of the few who stayed on to take a second shift and I want to apologize and say it’s nothing personal, but I’m already lowering him to the ground, and the edge of my laser has cauterized the wound to his throat, sealing its edges.
Dragging him close, I lift keys from his belt.
I ask you.
Heavy brass keys, with curiously cut end bits that turn out to be the Thomassi arms. I know this, because the same arms are carved into the gateposts and welded in steel to the wrought iron of the gate.
There’s confidence and there’s arrogance, and then there’s blind stupidity, which is closer to the previous two than most people imagine. The Thomassis have computer security, but its eye is a single lenz discreetly positioned in a tree to one side of the entrance so as not to spoil the look of the gates.
By the time the lenz is on me I’m inside the gate, the dead man is in a bush, and I’m wearing his jacket and standing in his position. The lenz swings past me and then stops, locking on to something in the street beyond.
One gun, five clips, a dagger, and a laser blade, plus the pistol I’ve just taken from the man in the bush. Killing Thomassi’s people is not going to be a problem; burning down his villa afterward might take a little more ingenuity.
I hear the crunch of feet on gravel behind me.
“Everything okay?”
The split second it takes the man to realize he doesn’t recognize me is all the time I need to drive a spike under his chin and into his brain. Shock dies as the light goes out of his eyes, and I lower him gently to the ground.
These are ex-soldiers, men who are paid to face death. Essentially, they’re me in another life. Maybe that’s why I’m finding killing them unexpectedly hard.
Get over it, I tell myself.
Thomassi’s head of security comes next and killing him proves no problem at all, nor does dumping his body into shadow beside the main steps. A lenz in the portico catches me, but no alarms trigger. The camera just reaches the end of its travel, then begins to swing back, sliding over me a second time. Either the software is useless or the family have a human on the other end, in which case their security is more useless still.
Three steps, a quick check behind me, and I’m through the front door.
A rich and sickly scent of flowers fills the hall. Huge tapestries line one wall. A heavy light fitting hangs above my head, supporting several dozen candles. It’s held in place by a fat chain and worked by a rusty-looking winch in a far corner. If the winch is rusty, then it’s meant to be rusty, because everything else in the hall is in perfect condition.
This is what money looks like.
A huge portrait of a heroic-looking officer stares down at me. His chest is bedecked with medals, and an Order of Merit hangs from a ribbon around his neck. It takes me a second to recognize the man as Senator Thomassi, and the silver ship behind him as an in-system battle cruiser. At which point irritation kicks in, because the man is no more a soldier than Aptitude is, and at least she doesn’t pretend.
Anger and music carry me across the hall. An altogether different sort of music from that of Zabo Square. This is elegant and made mostly of silences between the notes. It fills my mind and I find my feet taking steps in time to its rhythm, my sudden halts and sideways flicks making me grin, anger forgotten.
A gun sits in my hand.
Fifty people wait for me beyond that door.
Twisting sideways, I s
lide myself into Senator Thomassi’s dining room and scan the table. Thomassi dies before he has time to realize I’m not one of his men. Both his bodyguards go down, guns undrawn. The first dies with his brains redecorating a wall behind him, the second trying to scream through a hole in his throat.
Aptitude just stands there.
This is the moment that counts, understand that.
Everything I am or want to be comes together in a single shot, as the girl spins around and drops to the tiles.
“Murderer,” screams a woman.
I nod.
Three of Thomassi’s hired muscle die in the space of three bullets, the last one diving behind a wooden chair, only to be killed by a blizzard of splinters. Wherever the old woman found my gun, it packs a punch.
“Party’s over,” I shout.
When no one moves, I empty a clip into the ceiling. Stucco falls like snow and the dining room empties in its turn. A guard with a pistol pops his head around the door and loses half his skull while still looking for the source of the gunfire.
Ceramic over bonded core, with polymer tip and steel expansion ring: Can’t beat it for punch. The slugs achieve 300 percent spread while retaining 97 percent of their weight at fifty paces, which has to be worth every credit of someone else’s money.
A tiny velvet purse sits beside most table settings. A few have been taken by fleeing guests, the rest abandoned. When I check, each purse contains ten gold coins. Thanking whichever god the Thomassis believed in for establishing such sensible traditions, I pocket the lot, deciding it’s worth carrying the extra weight.
This just leaves burning the villa.
Pouring brandy, vodka, and something sweet and sticky onto the table, I knock over an ornate silver candelabrum and watch blue flame run its way along a white linen cloth. For good luck, I splash vodka onto a brain-splattered tapestry, but there isn’t really enough left to make a difference.
Another face, another dead body.
Grabbing Aptitude by the waist, I hoist her over my shoulder and head for the hall with its long flight of marble stairs. Every NCO in existence will tell you don’t climb stairs in a fire, and don’t ever retreat to the top of a house unless someone with a copter is waiting to collect you. But I skimmed the skyline on my way in, and at least three trees touch the villa’s roof, with another five within jumping distance.
What comes next is nasty.
A woman stands at the top of the stairs. She has a gun and it’s held in front of her, pointing squarely at my face. She’s somewhere in her twenties, clear-eyed and determined. She might be biting her lips, but her hands are rock-steady and she looks like she’s handled a weapon before.
Not a member of the family then.
“Stop where you are,” she says.
I shake my head.
My coat’s been discarded, I have guns in both hands, and my metal arm is glinting in the half-light from a chandelier above. Holsters hang under both arms, and my throwing spikes are visible. It’s obvious what I am.
But the woman’s brave. She just stands there, raises her gun a little more, and begins to tighten her finger on the trigger. As she does, I drop Aptitude and the woman loses her concentration as Aptitude’s head hits a marble step.
She fires all the same.
And it’s a good shot, just not good enough.
I might be on my knees, knocked back, and something cracked in my shoulder, but I’m still alive and the guard’s eyes are on Aptitude. She’s transfixed by the wound to the kid’s skull and the black stickiness in Aptitude’s elaborate braid. By the time she gets her attention back to me I’m on my feet, and my gun is locked on her head.
“Drop it,” I tell her.
“No,” she says, raising her own weapon.
“I’ll kill you.”
She shrugs, the most magnificent shrug. One that says, I don’t care, and Fuck off, and Why don’t you die while you’re at it.
She goes down a second ahead of pulling her own trigger. Chunks fall from the roof as her final shot blows apart a stucco ceiling rose and exposes beams above. She has her clip loaded with alternate ballistic and explosive. I’m glad I didn’t know that.
Picking up her gun, I realize it’s a SIG diabolo, shaped for a hand far bigger than her own. It fits me perfectly.
“Lock and load,” the SIG announces.
I look at it.
“Imprinting new information. Genotype human equivalent. Status DH class three, override…”
That’s when I realize it wasn’t my coat the general had chipped with a dinky little transponder, it was me; and I’ve got honorary Death’s Head status, albeit at the lowest level. I’m still trying to work out how this fits with his threat to disown me if the mission goes wrong when splintering wall flicks my attention back to the present.
Two security guards are heading upstairs from the floor below.
“Missed,” I tell them.
A second shot pinpoints the first guard for me, and he drops with a bullet through his head, fragments of bone half blinding the man behind. Wiping his face, the second man is just in time to see the SIG buck in my hand. Where he was standing becomes a fireball. My gun’s just wasted an incendiary and I’m shocked, because you can hire a legion brigade for a week for what it costs to buy a box of those.
“Overkill,” I say.
“He’s dead, isn’t he?” The SIG sounds crosser than I am.
For a moment I consider leaving it behind. But intelligent guns have to be valuable, and although I’ve heard of them before I half thought they were a myth. “Two men,” it warns me. “Mounting the stairs.”
I decide to keep the gun.
Having killed more men in the last half an hour than in the first twenty-eight years of my life, I add another couple to the list before hoisting Aptitude back onto my shoulder, and then hesitating. The woman at my feet is about Aptitude’s size, older by a few years and harder-faced even in death, but similar in build.
She’s the answer to a problem I didn’t know I had.
Beneath her clothes lies body armor. It’s slick and formfitting and looks expensive. For a second I’m tempted to take it, but the thought of stripping a corpse turns my stomach and the fastenings look complicated and I’ve talked myself into leaving the armor in place when I realize that doing so will defeat everything I’m trying to achieve.
The body armor unfastens at the back.
It’s thin and seems to be made of spun silk that tenses according to how it’s treated: Scrunch the stuff hard enough and it will probably cut your hands. The default coloring is whatever is underneath. As I strip the corpse her armor goes transparent and then takes on the white and black of the tiles.
I’m in the process of unbuttoning Aptitude’s chemise when she opens her eyes. A split second later she opens her mouth to scream, and tries to bite my hand as it fastens across her face.
“Shut it,” I tell Aptitude.
She’s fighting so hard to roll herself away from me that I give up being nice and put a gun to her head.
“I’m trying to save you.”
Aptitude spits.
“Strip,” I tell her.
She knows a lot of bad words for someone so well brought up.
“Change into this.” I toss her the body armor, then the clothes that the dead woman was wearing. Seeing them is enough to make Aptitude’s face crumple. We’re seconds away from a full-blown meltdown, and those are spare seconds that we don’t have.
“Change,” I tell her.
She looks at the dead woman, then the clothes in her own hands. My guns are taking half of Aptitude’s attention, but there are too many questions and no obvious answers. Outside in the street there are sirens and a chopper is hovering overhead and that’s not good, either. We need a clean getaway, no lenz and definitely no witnesses.
“Aptitude,” I say.
She looks at me, wondering why I’m using her name.
“Your mother sent me…”
It
’s not true, but it’s not quite a lie.
“Believe it or not,” I tell her, “I’m trying to save your life.”
Her eyes flick to the dead woman and I can tell the kid wants to say she doesn’t believe me for a minute. But why is she alive if I want her dead? And why would I drag her mother into it anyway?
“Listen,” I say.
She waits.
“I met your ma in Paradise, Anton, too…”
“You know Dad?”
“Tall man, used to be a soldier. Loves your mother, even if they’re divorced and she drives him a bit nuts.”
Aptitude’s crying. “They’re still alive?”
“Yeah,” I say. “Both still alive. We need to get you out of here.”
“But you killed Sophie.”
My gaze flicks to the dead woman. “Your bodyguard?”
The kid nods. “Sophie.”
“Sophie tried to kill me. She died doing her job.” Maybe that means more to me than it means to Aptitude, because she doesn’t seem to regard it as much consolation.
“Change your clothes,” I tell Aptitude. “Please. Do it now.”
“Turn your back,” she orders.
“Already turned.”
At the bottom of the stairs flames are already beginning to eat the portrait of Senator Thomassi. That’s good in one way and bad in another. Fire locks us off from the hall and keeps us safe for the moment, but it also means we can’t go back that way.
“You done?” I ask, glancing around to catch a flash of naked shoulder. Body armor rustles as it fits itself to its new owner and begins to adopt her skin coloring.
“Hey,” says Aptitude. “You’re not allowed to look.”
“I’m not.”
The kid glares at me.
“You done here?” I ask her.
She nods, struggling into a combat jacket that doesn’t quite fit. The trousers are better.
“And the boots.”
Aptitude does what she’s told.
It takes longer than I’d like to get Sophie into Aptitude’s wedding dress. Although first I have to get her into that silk chemise.
“Not my choice of clothing,” says Aptitude.
“The senator?”