A sound, as if the bell had suddenly tolled, and the shape of loneliness, greenly iridescent, whitely indefinite, seemed to rise from the garden, and Joel, as though following a kite, bent back his head: clouds were coming over the sun: he waited for them to pass, thinking that when they had, when he looked back, some magic would have taken place: perhaps he would find himself sitting on the curb of St. Deval Street, or studying next week's attractions outside the Nemo: why not? it was possible, for everywhere the sky is the same and it is down that things are different. The clouds traveled slower than a clock's hands, and, as he waited, became thunder-dark, became John Brown and horrid boys in panama hats and the Cloud Hotel and Idabel's old hound, and when they were gone, Mr. Sansom was the sun. He looked down. No magic had happened; yet something had happened; or was about to. And he sat numb with apprehension. Before him stood a rose stalk throwing shadow like a sundial: an hour traced itself, another, the line of dark dissolved, all the garden began to mingle, move.
It was as if he had been counting in his head and, arriving at a number, decided through certain intuitions, thought: now. For, quite abruptly, he stood up and raised his eyes level with the Landing's windows.
His mind was absolutely clear. He was like a camera waiting for its subject to enter focus. The wall yellowed in the meticulous setting of the October sun, and the windows were rippling mirrors of cold, seasonal color. Beyond one, someone was watching him. All of him was dumb except his eyes. They knew. And it was Randolph's window. Gradually the blinding sunset drained from the glass, darkened, and it was as if snow were falling there, flakes shaping snow-eyes, hair: a face trembled like a white beautiful moth, smiled. She beckoned to him, shining and silver, and he knew he must go: unafraid, not hesitating, he paused only at the garden's edge where, as though he'd forgotten something, he stopped and looked back at the bloomless, descending blue, at the boy he had left behind.
The End
New Orleans-born TRUMAN CAPOTE achieved international success at the age of twenty-three with the publication of this brilliant novel. Two of his works, THE GRASS HARP and HOUSE OF FLOWERS, became Broadway productions and his bestselling novel, BREAKFAST AT TIFFANY'S, a major motion picture.
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