The Word for Woman is Wilderness

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The Word for Woman is Wilderness Page 6

by Abi Andrews


  The noise took me back home to the cul-de-sac between the two lamp-posts that marked the boundary of where I was allowed to play when I was little, where Mum could still see me from the living room as she did the polishing and listened to Boyzone. There is a wall, the side of Marge and Graham’s house, where Charlotte from next door was sat facing it, making the noise, crack crack crack, that the snails made when we would throw them against it if we were bored so their shells burst and their guts spilled out. We would have to kick them down the drain in time before Graham would come out to shout at us when he guessed what we were doing to his wall. Down into the underground sewage, plop plop plop.

  When I was little I was fascinated by the sewage system. To get rid of anything all you had to do was flush it down a drain. In the garden there was a drain lid, and if you lifted it you could watch all the things coming through the drains in the house on the way off to wherever they were going. We used to put the dog poo in it then flush the downstairs toilet to send it away. If there was ever any evidence of something bad I had done I would lift up the drain lid, put it inside, run in to flush, then run back, in time to see it being washed into oblivion.

  One day I sat on the toilet and I jumped up because something had tickled my leg. A snail was sliming its way out of the sparkly white basin. It had come from this elsewhere place and made its way through the plumbing inside our house to the top-floor toilet. This changed something fundamental about how I saw the drains from then on, my own miniature Copernican Revolution. Suddenly the philosophical implications of flushing into the black-hole-void needed to be scrutinised because drains were now not the portal to the place-of-no-return I had thought them, a bit like how Jerry R. Ehman who got the Wow! Signal must have felt, like, ‘I am not alone something has come out of the void to me wow!’

  Maybe in the dream of the glaciologists on the ice sheet I am realising the similar always-there-but-not-appreciated thing that haunted Rachel Carson. That sometimes there are things that need to be spotlit against a stark white backdrop for you to perceive them because when ever present you do not interrogate them.

  The Eskimos did not invent the invisible death. We did. The ice sheet is not-so-pure wilderness. You and I can’t see it but the glaciologists can. They can read the core samples like testimonies to our guilt as geomorphic agents, as ushers of the Anthropocene. And of all the corruptions we will leave behind us there is one that will outlive them all. We are the first civilisation on this planet to have made an invisible death that will outlive all relics of all civilisations ever. We made nuclear waste.

  With this comes a responsibility, but how to convey invisible death to the future is a problem unique to our age. Larus told me that some of the guys from the Order of the Dolphin and the Golden Records also worked as part of the Human Interference Task Force. The Task Force was set up to solve the Forever Problem, the problem of relaying warnings at nuclear waste sights to possible future civilisations, possibly as far away as the half-life of plutonium 239, some 24,000 years into the future.

  They could not use a single language because language is always dying, so they tried to come up with universal symbols: a monolith with warnings in multiple languages, cats that glowed when they got close to nuclear waste sites, invented fables for the future, majorly complex booby traps, and an Atomic Priesthood cult who would pass down the dark secrets to each new generation within their elite.

  The waste will survive us. It is our most enduring time capsule, our ugly baby. What does it say about us? What did we do when we discovered its power? Of course we went and made a superweapon.

  Since the Cold War the world has existed in equilibrium and this equilibrium is still enough for us to have almost forgotten that it is holding us up. The Nash Equilibrium is the concept that once all sides are armed with nuclear weapons, none has the incentive to disarm or to use their weapons, based on the premise of MUTUAL ASSURED DESTRUCTION, the idea being we are at a point where if one country attacked another, we would all be fucked, so it benefits nobody to do so. But to keep the equilibrium each side’s defences must be taken into account. If one side has more fallout shelters than another, and more of the population could theoretically be spared, then they are unfairly favoured, and the balance is tipped. Because of this there could not be nationwide plans for fallout shelters built by the government during the Cold War. Covert shelters were built, under town halls, in people’s gardens. There are secret underground time capsules all over the Western world. What would a future archaeologist make of them?

  For the Nash Equilibrium to work each country has to look as though it would blow the shit out of its enemy in retaliation for an attack on the homeland. America has adopted the policy that any attack on America would be responded to with all-out retaliation under any circumstance. Russia take this one step further with their ‘Dead Hand’, which automatically releases all their warheads as soon as an attack is detected by seismic sensors.

  I was on Skype talking to Larus about this and told him that Britain has a peculiar response. We have the Letters of Last Resort, to be opened and read at the end of a chain of events. The British government has been destroyed and the prime minister and the ‘second person’ to the prime minister have been killed. Our submarines float deep in the Atlantic and almost no one on board knows where they are at any given time. The submarines presume the homeland to have been destroyed if a) there have been no naval broadcasts in four hours or b) BBC Radio 4 has stopped broadcasting. In this event the four submarine commanders open the safe inside the safe and read the four handwritten letters from the now-dead prime minister, written the very day that she/he assumed office. Then they have to follow the instructions, which will be one of three things:

  1. blow the shit out of the buggers

  2. spare the blighters

  3. your call, commander

  The letters are destroyed when each prime minister leaves office, so history will never know what was written by them. Larus said that is the most British thing he has ever heard.

  I think given our colonial record the submarines probably have on board their own carefully designed time capsules, for the preservation of the nation, something that says WE ARE NOT NUMINOUS OR ERASABLE. Our submarines are called Vanguard, Victorious, Vigilant and Vengeance. (And who came up with those names?) So, floating portentously in the Atlantic right now, the decision has already been made.

  A paradox: what is the point of retaliation if you are dead and gone already and have no way of knowing any better? What is the point of causing immense suffering to the innocent civilians of the enemy?

  The point is, apparently, you can’t exist when we do not. It is we will be remembered. It is WRATH OF THE EMPIRE.

  I asked Urla if she knew about the Letters of Last Resort and she said no so I told her. She just looked a little confused.

  ‘Didn’t Uncle Larus ask to talk to me?’

  I paused to think about it, and said no, he didn’t mention it, although he went in a rush, which when I thought about it then did seem a little unusual. She looked at me strangely and changed the subject.

  WOMEN INTERESTED IN TOPPLING CONSUMER HOLIDAYS

  I stood at the bow of the ferry watching the water and eating very Continental-tasting biscuits. It became surreal if you watched it long enough with your chin on the handrail. Like a glassy Rorschach Test, all the icebergs twinned in the water, which was a sky itself, obscured only when a floe passed, or when ice fell from one of the cliff sides and shattered the mirror. There was a cracking sound when this happened, like the noise an ice cube makes when it cracks in a tepid drink.

  NUUK: a surreal city. Like Kulusuk but bigger and denser. Buildings are still toy houses but multi-storey and apartment style, set at angles to each other so that they sit in the rock like a doggedly arranged model village, a Playmobil city. Slate grey is the base of everything, it is the colour of the cliffs and the colour of the boulders and the pebbles. Everything in blocks of colour, as if cut and stuck
from sugar paper. For the first hour or so in I could not put my finger on what was missing. There are nearly no trees or plants apart from the wiry grass.

  There is a new mall, apparently a point of contention for people, usually dividing the old and the young. Some of the older people see it as Nuuk becoming too ‘European’. Greenland is a country in the midst of change, not least because global warming is melting the ice sheet. Complete melt would mean that resources that were hidden by the ice before are revealed to be reaped. If they could be more self-reliant then they would be able to manage independently from Denmark, which would make them the only Inuit country in the world. But looking further ahead in time there is a chance that the amount of water it would create could turn Greenland into an archipelago. Their Inuit culture would have to change beyond recognition. Could they then be called Inuit?

  Of Urla’s family friends: the daughter, Naaja, is about Umik’s age, she speaks quite good Danish, is a bit shy with me but she looks at Urla with adoration whenever she talks. The dad, Klas, is Danish and the mum, Kalistiina, is Inuit. The inside of their house is interesting because it is like a museum for their hybrid cultures. Lots of fish- and whale-based ornaments, and a cupboard full of weird votive figures that Naaja tells us are made by the family when they have bad feelings, to dispel the feelings. They are eerie, but apparently customary. Some of them are made out of bones and teeth, and what looks like Kinder Egg toy parts. I also keep noticing extravagant fake flower vases in the windows of houses we pass, I suppose because the flora in Greenland is so limited and this makes them a novelty.

  MANKIND’S MOST NOBLE GOAL: THE SEARCH FOR TRUTH AND UNDERSTANDING

  From Nuuk, Klas drove me, Urla and Naaja twenty miles into the tundra with a tent, some of Kalistiina’s seal-fur blankets, a gas stove, our bags, canned food and lots of bottled water, and will return to pick us up in four days’ time. Some Danish hikers found Naaja on the tundra already. She went off from camp on a walk on her own just because she likes to do that. She took her phone in case she twisted her ankle or anything. She came on in the afternoon and said she was with two men. She asked Urla to talk to them and tell them she was camping out with older friends and that she was okay because the men would not take her word for it.

  They walked Naaja back to the tent even though it took them an hour or so. They must have been bored with their afternoon of dramatic hardship, so bored that they were ready to transcend it already and instruct us on how to be in communion with it successfully (as many Mountain Men are prone to). When we came out to meet them, they conferred conspicuously out of the sides of their mouths, and told us we were too young to be camping out alone. They said it was very dangerous to be out because a polar bear had been spotted in the area and that the ranger had told them this on their way out. As though by avoiding this abstract and likely nonexistent danger they had already conquered wilderness and were in a position of authority on the subject by now.

  Naaja would not believe them, and asked them what they were doing out without guns or flares if they knew there was a bear. Naaja has spent her whole young life knowing this place, but these men on a walking holiday of course boasted superior knowledge just by virtue of being older and being men.

  They asked us to pack up and walk back with them and we declined as politely as we could. They were pissed off and said they would tell the ranger we were out, and that the ranger would be angry that we wasted his time in worrying over us. We promised them we had the number for the ranger saved in our phones and we would call him if we needed rescue. I got this all on camera without them seeing. They walked away, disappointed that their damsels had repudiated them.

  Naaja assured us when they had gone that polar bears rarely ever come this far south, and besides we were too far inland. The hikers were either too stupid to realise their lie was almost impossible, or else they did not know what they were talking about and would believe anything they heard from any wise Greenlandic tundra man with a sense of humour that they might have met.

  TWILIGHT THIS MORNING: I went to sit outside for a bit because I was feeling restless. It was probably about two but I am finding it difficult to sleep. The light through the tent is like a red lamp and gives me headaches, makes everything inside strange colours. The tundra was waking up with all the subtly hopeful colours of a new day: rust and pink from the tiny coarse flowers that blanketed the soil but still shadowless, the sun still just below the horizon and no stamp of cloud shadow, no elongation to the small and lonely trees. It all just stood, luminous and itemised like a child’s non-dimensional painting. I walked away a little to sit on a rise so that the tent was below and chalky red in the half-light. My home that will shape-shift into each new space I stop to sleep. A compact and portable idea of home. It was so pretty that I cried a little bit.

  THE PILL REFUGEE FORUM

  Urla got an interview with Naaja where she told us that lots of her friends (Naaja included) had had abortions. It was in Danish, of course, so Urla had to explain. She asked and Naaja did not mind at all, did not seem fazed by it as long as I promised to cut it out of the film. Of course I promised to, but I struggled a bit with coming to terms with it. I managed to convince myself that it would be dishonest of me as a documentary maker to cut it out, mostly because it would have been such an interesting and relevant sequence.

  I asked if they did not have the pill in Greenland. She said no one ever talked about the pill or sex or anything, so no one really thought to use it. Her sex education at school was to have a doll that had a chip inside and could tell at the end of the week if it would have stayed alive, had it been a real baby. She said that mostly it just made her classmates think it would be fun to have a baby. They were thirteen when they did the exercise.

  From what she said they seem stuck between two cultures. The Inuit leaners go back to the villages and have babies, but there are fewer and fewer of them, and the modernisers abort their babies and stay in the towns. But still living with traditional myths of transmigrating souls means the soul of the dead fetus can go on into a tree or a rock or an animal or another baby. So what is there to moralise about?

  Naaja’s grandmother, her mother’s mother, teaches her Inuit myth. I wanted to know about the transmigration. It is a concept that underpins the myths of Inuits through Siberia, Alaska, Canada and Greenland. It holds that not only animals and plants but also inanimate objects and landscapes can have souls. Anything can be viewed as ‘spiritually charged’. The souls transmigrate between vessels. When such radically different vessels can be chosen by any soul, and a male vessel can take on a female soul and vice versa, is there as much of a concept of gender? Are they a queer culture?

  They do not see humans as different from the animals; there are not separate taxonomical categories of being. A person can become a man or a woman, a tree or a stone. All life is a continuum and a horizontal one. For Inuit all soul vessels are equally important no matter if they talk or not: dolphins, rocks, women. In fact they are all talking, they have something to say, just maybe not in words.

  Naaja’s dad is a Christian. She told us he came to her mother’s town with the town planning service, to talk to the council about telling the village people the benefits of moving to the city. The government wanted the villagers to move out because it was costing them too much money to send supplies, it being the only village for miles around. They knew if they could get the young to leave the old would eventually die out and the village would not need to exist.

  We told Naaja how the pill is handed out like sweets in Britain. I told her it is great that not many of my friends got pregnant but it is not so great that it makes lots of girls numb. That it makes some of us so numb sometimes it is countered with antidepressants. That it can stop you menstruating, the feeling of which is like an ever-absent something that I could only compare to displacement, to homesickness, as though homesick for a body. But it does not make you as sad as having a baby would. For this we must be grateful. The pill is progress.<
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  Naaja’s mother followed her dad to Nuuk because she loved him. They married two years later. Naaja’s mother’s parents did not come to the wedding. They stayed in the village until they had to be evicted. They will not talk to Naaja’s dad, but she goes with her mother to visit them in their new, bigger village on the coast. When her dad hears her mother talking to her about myth, he tells her to stop telling fairy stories. Mostly they talk with her grandmother. Her dad wants Greenland to melt so that the resources can be got at and it can be rich like Denmark.

  What do you want Naaja?

  I want what you want, of course. I want to see the world and make a life for myself. I want to leave Greenland and its small way of life.

  But somebody has to stay and be Inuit!

  Why should we stay when others do not? Where does it come from, this obligation? Where is yours?

  We aren’t so different. You could come with me.

  But we are very different. You are so free.

  DO PELICANS LOVE TO SOAR?

  The others are sleeping. Outside, the tundra is putting itself together for us. Yesterday we spent the day walking and filming, trying to find something for the documentary. We walked inland through the mountains against the meltwater of the glacier as it found its way to the sea. It was urgent, dense and grey; panicked like a jar of paintbrush water knocked onto a meticulous landscape.

  I’m looking for something but I am not sure what. An idea, perhaps, that I had of the place before I was here. Of the trip before I was on it. I am actually here now, I have arrived. But where am I really? It is hard enough to actually be there, let alone convey it with a hand-held camera.

  In the morning we startled a herd of reindeer. Must have smelled us and bolted. They ran fast, even the tiny babies and the heavily pregnant ones. A unified movement like a cloud of starlings, all the more magical for its silence. All of our mouths made O’s and we let out a kind of wistful sigh, simultaneously. And after we laughed disbelievingly about where we were and what had just happened and how awake we were.

 

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