by Эмиль Золя
But Father Barillot's tinkling bell approached along the passage. At the door of the dressing room he stood amazed when he caught sight of the three actors still clad in the costumes which they had worn in the second act.
"Gentlemen, gentlemen," he stammered, "do please make haste. They've just rung the bell in the public foyer."
"Bah, the public will have to wait!" said Bordenave placidly.
However, as the bottles were now empty, the comedians went upstairs to dress after yet another interchange of civilities. Bosc, having dipped his beard in the champagne, had taken it off, and under his venerable disguise the drunkard had suddenly reappeared. His was the haggard, empurpled face of the old actor who has taken to drink. At the foot of the stairs he was heard remarking to Fontan in his boozy voice:
"I pulverized him, eh?"
He was alluding to the prince.
In Nana's dressing room none now remained save His Highness, the count and the marquis. Bordenave had withdrawn with Barillot, whom he advised not to knock without first letting Madame know.
"You will excuse me, gentlemen?" asked Nana, again setting to work to make up her arms and face, of which she was now particularly careful, owing to her nude appearance in the third act.
The prince seated himself by the Marquis de Chouard on the divan, and Count Muffat alone remained standing. In that suffocating heat the two glasses of champagne they had drunk had increased their intoxication. Satin, when she saw the gentlemen thus closeting themselves with her friend, had deemed it discreet to vanish behind the curtain, where she sat waiting on a trunk, much annoyed at being compelled to remain motionless, while Mme Jules came and went quietly without word or look.
"You sang your numbers marvelously," said the prince.
And with that they began a conversation, but their sentences were short and their pauses frequent. Nana, indeed, was not always able to reply. After rubbing cold cream over her arms and face with the palm of her hand she laid on the grease paint with the corner of a towel. For one second only she ceased looking in the glass and smilingly stole a glance at the prince.
"His Highness is spoiling me," she murmured without putting down the grease paint.
Her task was a complicated one, and the Marquis de Chouard followed it with an expression of devout enjoyment. He spoke in his turn.
"Could not the band accompany you more softly?" he said. "It drowns your voice, and that's an unpardonable crime."
This time Nana did not turn round. She had taken up the hare's-foot and was lightly manipulating it. All her attention was concentrated on this action, and she bent forward over her toilet table so very far that the white round contour of her drawers and the little patch of chemise stood out with the unwonted tension. But she was anxious to prove that she appreciated the old man's compliment and therefore made a little swinging movement with her hips.
Silence reigned. Mme Jules had noticed a tear in the right leg of her drawers. She took a pin from over her heart and for a second or so knelt on the ground, busily at work about Nana's leg, while the young woman, without seeming to notice her presence, applied the rice powder, taking extreme pains as she did so, to avoid putting any on the upper part of her cheeks. But when the prince remarked that if she were to come and sing in London all England would want to applaud her, she laughed amiably and turned round for a moment with her left cheek looking very white amid a perfect cloud of powder. Then she became suddenly serious, for she had come to the operation of rouging. And with her face once more close to the mirror, she dipped her finger in a jar and began applying the rouge below her eyes and gently spreading it back toward her temples. The gentlemen maintained a respectful silence.
Count Muffat, indeed, had not yet opened his lips. He was thinking perforce of his own youth. The bedroom of his childish days had been quite cold, and later, when he had reached the age of sixteen and would give his mother a good-night kiss every evening, he used to carry the icy feeling of the embrace into the world of dreams. One day in passing a half-open door he had caught sight of a maidservant washing herself, and that was the solitary recollection which had in any way troubled his peace of mind from the days of puberty till the time of marriage. Afterward he had found his wife strictly obedient to her conjugal duties but had himself felt a species of religious dislike to them. He had grown to man's estate and was now aging, in ignorance of the flesh, in the humble observance of rigid devotional practices and in obedience to a rule of life full of precepts and moral laws. And now suddenly he was dropped down in this actress's dressing room in the presence of this undraped courtesan.
He, who had never seen the Countess Muffat putting on her garters, was witnessing, amid that wild disarray of jars and basins and that strong, sweet perfume, the intimate details of a woman's toilet. His whole being was in turmoil; he was terrified by the stealthy, all-pervading influence which for some time past Nana's presence had been exercising over him, and he recalled to mind the pious accounts of diabolic possession which had amused his early years. He was a believer in the devil, and, in a confused kind of way, Nana was he, with her laughter and her bosom and her hips, which seemed swollen with many vices. But he promised himself that he would be strong-- nay, he would know how to defend himself.
"Well then, it's agreed," said the prince, lounging quite comfortably on the divan. "You will come to London next year, and we shall receive you so cordially that you will never return to France again. Ah, my dear Count, you don't value your pretty women enough. We shall take them all from you!"
"That won't make much odds to him," murmured the Marquis de Chouard wickedly, for he occasionally said a risky thing among friends. "The count is virtue itself."
Hearing his virtue mentioned, Nana looked at him so comically that Muffat felt a keen twinge of annoyance. But directly afterward he was surprised and angry with himself. Why, in the presence of this courtesan, should the idea of being virtuous embarrass him? He could have struck her. But in attempting to take up a brush Nana had just let it drop on the ground, and as she stooped to pick it up he rushed forward. Their breath mingled for one moment, and the loosened tresses of Venus flowed over his hands. But remorse mingled with his enjoyment, a kind of enjoyment, moreover, peculiar to good Catholics, whom the fear of hell torments in the midst of their sin.
At this moment Father Barillot's voice was heard outside the door.
"May I give the knocks, madame? The house is growing impatient."
"All in good time," answered Nana quietly.
She had dipped her paint brush in a pot of kohl, and with the point of her nose close to the glass and her left eye closed she passed it delicately along between her eyelashes. Muffat stood behind her, looking on. He saw her reflection in the mirror, with her rounded shoulders and her bosom half hidden by a rosy shadow. And despite all his endeavors he could not turn away his gaze from that face so merry with dimples and so worn with desire, which the closed eye rendered more seductive. When she shut her right eye and passed the brush along it he understood that he belonged to her.
"They are stamping their feet, madame," the callboy once more cried. "They'll end by smashing the seats. May I give the knocks?"
"Oh, bother!" said Nana impatiently. "Knock away; I don't care! If I'm not ready, well, they'll have to wait for me!"
She grew calm again and, turning to the gentlemen, added with a smile:
"It's true: we've only got a minute left for our talk."
Her face and arms were now finished, and with her fingers she put two large dabs of carmine on her lips. Count Muffat felt more excited than ever. He was ravished by the perverse transformation wrought by powders and paints and filled by a lawless yearning for those young painted charms, for the too-red mouth and the too-white face and the exaggerated eyes, ringed round with black and burning and dying for very love. Meanwhile Nana went behind the curtain for a second or two in order to take off her drawers and slip on Venus' tights. After which, with tranquil immodesty, she came out and undid h
er little linen stays and held out her arms to Mme Jules, who drew the short-sleeved tunic over them.
"Make haste; they're growing angry!" she muttered.
The prince with half-closed eyes marked the swelling lines of her bosom with an air of connoisseurship, while the Marquis de Chouard wagged his head involuntarily. Muffat gazed at the carpet in order not to see any more. At length Venus, with only her gauze veil over her shoulders, was ready to go on the stage. Mme Jules, with vacant, unconcerned eyes and an expression suggestive of a little elderly wooden doll, still kept circling round her. With brisk movements she took pins out of the inexhaustible pincushion over her heart and pinned up Venus' tunic, but as she ran over all those plump nude charms with her shriveled hands, nothing was suggested to her. She was as one whom her sex does not concern.
"There!" said the young woman, taking a final look at herself in the mirror.
Bordenave was back again. He was anxious and said the third act had begun.
"Very well! I'm coming," replied Nana. "Here's a pretty fuss! Why, it's usually I that waits for the others."
The gentlemen left the dressing room, but they did not say good-by, for the prince had expressed a desire to assist behind the scenes at the performance of the third act. Left alone, Nana seemed greatly surprised and looked round her in all directions.
"Where can she be?" she queried.
She was searching for Satin. When she had found her again, waiting on her trunk behind the curtain, Satin quietly replied:
"Certainly I didn't want to be in your way with all those men there!"
And she added further that she was going now. But Nana held her back. What a silly girl she was! Now that Bordenave had agreed to take her on! Why, the bargain was to be struck after the play was over! Satin hesitated. There were too many bothers; she was out of her element! Nevertheless, she stayed.
As the prince was coming down the little wooden staircase a strange sound of smothered oaths and stamping, scuffling feet became audible on the other side of the theater. The actors waiting for their cues were being scared by quite a serious episode. For some seconds past Mignon had been renewing his jokes and smothering Fauchery with caresses. He had at last invented a little game of a novel kind and had begun flicking the other's nose in order, as he phrased it, to keep the flies off him. This kind of game naturally diverted the actors to any extent.
But success had suddenly thrown Mignon off his balance. He had launched forth into extravagant courses and had given the journalist a box on the ear, an actual, a vigorous, box on the ear. This time he had gone too far: in the presence of so many spectators it was impossible for Fauchery to pocket such a blow with laughing equanimity. Whereupon the two men had desisted from their farce, had sprung at one another's throats, their faces livid with hate, and were now rolling over and over behind a set of side lights, pounding away at each other as though they weren't breakable.
"Monsieur Bordenave, Monsieur Bordenave!" said the stage manager, coming up in a terrible flutter.
Bordenave made his excuses to the prince and followed him. When he recognized Fauchery and Mignon in the men on the floor he gave vent to an expression of annoyance. They had chosen a nice time, certainly, with His Highness on the other side of the scenery and all that houseful of people who might have overheard the row! To make matters worse, Rose Mignon arrived out of breath at the very moment she was due on the stage. Vulcan, indeed, was giving her the cue, but Rose stood rooted to the ground, marveling at sight of her husband and her lover as they lay wallowing at her feet, strangling one another, kicking, tearing their hair out and whitening their coats with dust. They barred the way. A sceneshifter had even stopped Fauchery's hat just when the devilish thing was going to bound onto the stage in the middle of the struggle. Meanwhile Vulcan, who had been gagging away to amuse the audience, gave Rose her cue a second time. But she stood motionless, still gazing at the two men.
"Oh, don't look at THEM!" Bordenave furiously whispered to her. "Go on the stage; go on, do! It's no business of yours! Why, you're missing your cue!"
And with a push from the manager, Rose stepped over the prostrate bodies and found herself in the flare of the footlights and in the presence of the audience. She had quite failed to understand why they were fighting on the floor behind her. Trembling from head to foot and with a humming in her ears, she came down to the footlights, Diana's sweet, amorous smile on her lips, and attacked the opening lines of her duet with so feeling a voice that the public gave her a veritable ovation.
Behind the scenery she could hear the dull thuds caused by the two men. They had rolled down to the wings, but fortunately the music covered the noise made by their feet as they kicked against them.
"By God!" yelled Bordenave in exasperation when at last he had succeeded in separating them. "Why couldn't you fight at home? You know as well as I do that I don't like this sort of thing. You, Mignon, you'll do me the pleasure of staying over here on the prompt side, and you, Fauchery, if you leave the O.P. side I'll chuck you out of the theater. You understand, eh? Prompt side and O.P. side or I forbid Rose to bring you here at all."
When he returned to the prince's presence the latter asked what was the matter.
"Oh, nothing at all," he murmured quietly.
Nana was standing wrapped in furs, talking to these gentlemen while awaiting her cue. As Count Muffat was coming up in order to peep between two of the wings at the stage, he understood from a sign made him by the stage manager that he was to step softly. Drowsy warmth was streaming down from the flies, and in the wings, which were lit by vivid patches of light, only a few people remained, talking in low voices or making off on tiptoe. The gasman was at his post amid an intricate arrangement of cocks; a fireman, leaning against the side lights, was craning forward, trying to catch a glimpse of things, while on his seat, high up, the curtain man was watching with resigned expression, careless of the play, constantly on the alert for the bell to ring him to his duty among the ropes. And amid the close air and the shuffling of feet and the sound of whispering, the voices of the actors on the stage sounded strange, deadened, surprisingly discordant. Farther off again, above the confused noises of the band, a vast breathing sound was audible. It was the breath of the house, which sometimes swelled up till it burst in vague rumors, in laughter, in applause. Though invisible, the presence of the public could be felt, even in the silences.
"There's something open," said Nana sharply, and with that she tightened the folds of her fur cloak. "Do look, Barillot. I bet they've just opened a window. Why, one might catch one's death of cold here!"
Barillot swore that he had closed every window himself but suggested that possibly there were broken panes about. The actors were always complaining of drafts. Through the heavy warmth of that gaslit region blasts of cold air were constantly passing--it was a regular influenza trap, as Fontan phrased it.
"I should like to see YOU in a low-cut dress," continued Nana, growing annoyed.
"Hush!" murmured Bordenave.
On the stage Rose rendered a phrase in her duet so cleverly that the stalls burst into universal applause. Nana was silent at this, and her face grew grave. Meanwhile the count was venturing down a passage when Barillot stopped him and said he would make a discovery there. Indeed, he obtained an oblique back view of the scenery and of the wings which had been strengthened, as it were, by a thick layer of old posters. Then he caught sight of a corner of the stage, of the Etna cave hollowed out in a silver mine and of Vulcan's forge in the background. Battens, lowered from above, lit up a sparkling substance which had been laid on with large dabs of the brush. Side lights with red glasses and blue were so placed as to produce the appearance of a fiery brazier, while on the floor of the stage, in the far background, long lines of gaslight had been laid down in order to throw a wall of dark rocks into sharp relief. Hard by on a gentle, "practicable" incline, amid little points of light resembling the illumination lamps scattered about in the grass on the night of a public holid
ay, old Mme Drouard, who played Juno, was sitting dazed and sleepy, waiting for her cue.
Presently there was a commotion, for Simonne, while listening to a story Clarisse was telling her, cried out:
"My! It's the Tricon!"
It was indeed the Tricon, wearing the same old curls and looking as like a litigious great lady as ever.
When she saw Nana she went straight up to her.
"No," said the latter after some rapid phrases had been exchanged, "not now." The old lady looked grave. Just then Prulliere passed by and shook hands with her, while two little chorus girls stood gazing at her with looks of deep emotion. For a moment she seemed to hesitate. Then she beckoned to Simonne, and the rapid exchange of sentences began again.
"Yes," said Simonne at last. "In half an hour."
But as she was going upstairs again to her dressing room, Mme Bron, who was once more going the rounds with letters, presented one to her. Bordenave lowered his voice and furiously reproached the portress for having allowed the Tricon to come in. That woman! And on such an evening of all others! It made him so angry because His Highness was there! Mme Bron, who had been thirty years in the theater, replied quite sourly. How was she to know? she asked. The Tricon did business with all the ladies--M. le Directeur had met her a score of times without making remarks. And while Bordenave was muttering oaths the Tricon stood quietly by, scrutinizing the prince as became a woman who weighs a man at a glance. A smile lit up her yellow face. Presently she paced slowly off through the crowd of deeply deferential little women.
"Immediately, eh?" she queried, turning round again to Simonne.
Simonne seemed much worried. The letter was from a young man to whom she had engaged herself for that evening. She gave Mme Bron a scribbled note in which were the words, "Impossible tonight, darling--I'm booked." But she was still apprehensive; the young man might possibly wait for her in spite of everything. As she was not playing in the third act, she had a mind to be off at once and accordingly begged Clarisse to go and see if the man were there. Clarisse was only due on the stage toward the end of the act, and so she went downstairs while Simonne ran up for a minute to their common dressing room.