He laid the binoculars aside, and was glad that she’d become more distant. But even the sight of her trudging in miniature troubled him. In her eyes he had seen that she didn’t want to do what she was doing.
She was crossing the roadway, advancing toward his gate. For a moment, unreasonably and with a sour uprush of dread, he was sure she intended to come in. But she was staring at the hedge. Her hands fluttered, warding off a fear; her eyes and her mouth were stretched wide. She stood quivering, then she stumbled toward her street, almost running.
He made himself go down. Each leaf of the hedge held an orange-sodium glow, like wet paint. But there was nothing among the leaves, and nothing could have struggled out, for the twigs were intricately bound by spiderwebs, gleaming like gold wire.
The next day was Sunday. He rode a train beneath the Mersey and went tramping the Wirral Way nature trail. Red-faced men, and women who had paralyzed their hair with spray, stared as though he’d invaded their garden. A few butterflies perched on flowers; their wings settled together delicately, then they flickered away above the banks of the abandoned railway cutting. They were too quick for him to enjoy, even with his binoculars; he kept remembering how near death their species were. His moping had slowed him, he felt barred from his surroundings by his inability to confront the old woman. He couldn’t speak to her, there were no words he could use, but meanwhile her animals might be suffering. He dreaded going home to another night of helpless watching.
Could he look into the house while she was wandering? She might leave the door unlocked. At some time he had become intuitively sure that her companion was dead. Twilight gained on him, urging him back to Liverpool.
He gazed nervously down at the lamps. Anything was preferable to his impotence. But his feelings had trapped him into committing himself before he was ready. Could he really go down when she emerged? Suppose the other woman was still alive, and screamed? Good God, he needn’t go in if he didn’t want to. On the gravel, light lay bare as a row of plates on a shelf. He found himself thinking, with a secret eagerness, that she might already have had her wander.
As he made dinner, he kept hurrying irritably to the front window. Television failed to engross him; he watched the avenue instead. Discs of light dwindled away, impaled by their lamps. Below the kitchen window stood a block of night and silence. Eventually he went to bed, but heard fluttering – flights of litter in the derelict streets, no doubt. His dreams gave the litter a human face.
Throughout Monday he was on edge, anxious to hurry home and be done; he was distracted. Oh poor Chubbles, is the man hurting you! He managed to leave early. Day was trailing down the sky as he reached the avenue. Swiftly he brewed coffee and sat sipping, watching.
The caravan of cars faltered, interrupted by gaps. The last home-comers hurried away, clearing the stage. But the woman failed to take her cue. His cooking of dinner was fragmented; he hurried repeatedly back to the window. Where was the bloody woman, was she on strike? Not until the following night, when she had still not appeared, did he begin to suspect he’d seen the last of her.
His intense relief was short-lived. If she had died of whatever had been shrinking her, what would happen to her animals? Should he find out what was wrong? But there was no reason to think she’d died. Probably she, and her friend before her, had gone to stay with relatives. No doubt the animals had escaped long before – he’d never seen or heard any of them since she had taken them in. Darkness stood hushed and bulky beneath his kitchen window.
For several days the back streets were quiet, except for the flapping of litter or birds. It became easier to glance at the dark house. Soon they’d demolish it; already children had shattered all the windows. Now, when he lay awaiting sleep, the thought of the vague house soothed him, weighed his mind down gently.
That night he awoke twice. He’d left the kitchen window ajar, hoping to lose some of the unseasonable heat. Drifting through the window came a man’s low moaning. Was he trying to form words? His voice was muffled, blurred as a dying radio. He must be drunk; perhaps he had fallen, for there was a faint scrape of rubble. Blackband hid within his eyelids, courting sleep. At last the shapeless moaning faded. There was silence, except for the feeble, stony scraping. Blackband lay and grumbled, until sleep led him to a face that crept over heaps of rubble.
Some hours later he woke again. The lifelessness of four o’clock surrounded him, the dim air seemed sluggish and ponderous. Had he dreamed the new sound? It returned, and made him flinch: a chorus of thin, piteous wailing, reaching weakly upward toward the kitchen. For a moment, on the edge of dream, it sounded like babies. How could babies be crying in an abandoned house? The voices were too thin. They were kittens.
He lay in the heavy dark, hemmed in by shapes that the night deformed. He willed the sounds to cease, and eventually they did. When he awoke again, belatedly, he had time only to hurry to work.
In the evening the house was silent as a draped cage. Someone must have rescued the kittens. But in the early hours the crying woke him: fretful, bewildered, famished. He couldn’t go down now, he had no light. The crying was muffled, as though beneath stone. Again it kept him awake, again he was late for work.
His loss of sleep nagged him. His smile sagged impatiently, his nods were contemptuous twitches. “Yes,” he agreed with a woman who said she’d been careless to slam her dog’s paw in a door, and when she raised her eyebrows haughtily: “Yes, I can see that.” He could see her deciding to find another vet. Let her, let someone else suffer her. He had problems of his own.
He borrowed the office flashlight, to placate his anxiety. Surely he wouldn’t need to enter the house, surely someone else – He walked home, toward the darker sky. Night thickened like soot on the buildings.
He prepared dinner quickly. No need to dawdle in the kitchen, no point in staring down. He was hurrying; he dropped a spoon, which reverberated shrilly in his mind, nerve-racking. Slow down, slow down. A breeze piped incessantly outside, in the rubble. No, not a breeze. When he made himself raise the sash he heard the crying, thin as wind in crevices.
It seemed weaker now, dismal and desperate: intolerable. Could nobody else hear it, did nobody care? He gripped the windowsill; a breeze tried feebly to tug at his fingers. Suddenly, compelled by vague anger, he grabbed the flashlight and trudged reluctantly downstairs.
A pigeon hobbled on the avenue, dangling the stump of one leg, twitching clogged wings; cars brisked by. The back street was scattered with debris, as though a herd had moved on, leaving its refuse to manure the paving stones. His flashlight groped over the heaped pavement, trying to determine which house had been troubling him.
Only by standing back to align his own window with the house could he decide, and even then he was unsure. How could the old woman have clambered over the jagged pile that blocked the doorway? The front door sprawled splintered in the hall, on a heap of the fallen ceiling, amid peelings of wallpaper. He must be mistaken. But as his flashlight dodged about the hall, picking up debris then letting it drop back into the dark, he heard the crying, faint and muffled. It was somewhere within.
He ventured forward, treading carefully. He had to drag the door into the street before he could proceed. Beyond the door the floorboards were cobbled with rubble. Plaster swayed about him, glistening. His light wobbled ahead of him, then led him toward a gaping doorway on the right. The light spread into the room, dimming.
A door lay on its back. Boards poked like exposed ribs through the plaster of the ceiling; torn paper dangled. There was no carton full of starving kittens; in fact, the room was bare. Moist stains engulfed the walls.
He groped along the hall, to the kitchen. The stove was fat with grime. The wallpaper had collapsed entirely, draping indistinguishable shapes that stirred as the flashlight glanced at them. Through the furred window, he made out the light in his own kitchen, orange-shaded, blurred. How could two women have survived here?
At once he regretted that thought. The old woman
’s face loomed behind him: eyes still as metal, skin the colour of pale bone. He turned nervously; the light capered. Of course there was only the quivering mouth of the hall. But the face was present now, peering from behind the draped shapes around him.
He was about to give up – he was already full of the gasp of relief he would give when he reached the avenue – when he heard the crying. It was almost breathless, as though close to death: a shrill feeble wheezing. He couldn’t bear it. He hurried into the hall.
Might the creatures be upstairs? His light showed splintered holes in most of the stairs; through them he glimpsed a huge symmetrical stain on the wall. Surely the woman could never have climbed up there – but that left only the cellar.
The door was beside him. The flashlight, followed by his hand, groped for the knob. The face was near him in the shadows; its fixed eyes gleamed. He dreaded finding her fallen on the cellar steps. But the crying pleaded. He dragged the door open; it scraped over rubble. He thrust the flashlight into the dank opening. He stood gaping, bewildered.
Beneath him lay a low stone room. Its walls glistened darkly. The place was full of debris: bricks, planks, broken lengths of wood. Draping the debris, or tangled beneath it, were numerous old clothes. Threads of a white substance were tethered to everything, and drifted feebly now the door was opened.
In one corner loomed a large pale bulk. His light twitched toward it. It was a white bag of some material, not cloth. It had been torn open; except for a sifting of rubble, and a tangle of what might have been fragments of dully painted cardboard, it was empty.
The crying wailed, somewhere beneath the planks. Several sweeps of the light showed that the cellar was otherwise deserted. Though the face mouthed behind him, he ventured down. For God’s sake, get it over with; he knew he would never dare return. A swath had been cleared through the dust on the steps, as though something had dragged itself out of the cellar, or had been dragged in.
His movements disturbed the tethered threads; they rose like feelers, fluttering delicately. The white bag stirred, its torn mouth worked. Without knowing why, he stayed as far from that corner as he could.
The crying had come from the far end of the cellar. As he picked his way hurriedly over the rubble he caught sight of a group of clothes. They were violently coloured sweaters, which the Rainbow Man had worn. They slumped over planks; they nestled inside one another, as though the man had withered or had been sucked out.
Staring uneasily about, Blackband saw that all the clothes were stained. There was blood on all of them, though not a great deal on any. The ceiling hung close to him, oppressive and vague. Darkness had blotted out the steps and the door. He caught at them with the light, and stumbled toward them.
The crying made him falter. Surely there were fewer voices, and they seemed to sob. He was nearer the voices than the steps. If he could find the creatures at once, snatch them up and flee – He clambered over the treacherous debris, toward a gap in the rubble. The bag mouthed emptily; threads plucked at him, almost impalpably. As he thrust the flashlight’s beam into the gap, darkness rushed to surround him.
Beneath the debris a pit had been dug. Parts of its earth walls had collapsed, but protruding from the fallen soil he could see bones. They looked too large for an animal’s. In the centre of the pit, sprinkled with earth, lay a cat. Little of it remained, except for its skin and bones; its skin was covered with deep pock-marks. But its eyes seemed to move feebly.
Appalled, he stooped. He had no idea what to do. He never knew, for the walls of the pit were shifting. Soil trickled scattering as a face the size of his fist emerged. There were several; their limbless mouths, their sharp tongues flickered out toward the cat. As he fled they began wailing dreadfully.
He chased the light toward the steps. He fell, cutting his knees. He thought the face with its gleaming eyes would meet him in the hall. He ran from the cellar, flailing his flashlight at the air. As he stumbled down the street he could still see the faces that had crawled from the soil: rudimentary beneath translucent skin, but beginning to be human.
He leaned against his gatepost in the lamplight, retching. Images and memories tumbled disordered through his mind. The face crawling over the roofs. Only seen at night. Vampire. The fluttering at the window. Her terror at the hedge full of spiders. Calyptra, what was it, Calyptra eustrigata. Vampire moth.
Vague though they were, the implications terrified him. He fled into his building, but halted fearfully on the stairs. The things must be destroyed: to delay would be insane. Suppose their hunger brought them crawling out of the cellar tonight, toward his flat – Absurd though it must be, he couldn’t forget that they might have seen his face.
He stood giggling, dismayed. Whom did you call in these circumstances? The police, an exterminator? Nothing would relieve his horror until he saw the brood destroyed, and the only way to see that was to do the job himself. Burn. Petrol. He dawdled on the stairs, delaying, thinking he knew none of the other tenants from whom to borrow the fuel.
He ran to the nearby garage. “Have you got any petrol?”
The man glared at him, suspecting a joke. “You’d be surprised. How much do you want?”
How much indeed! He restrained his giggling. Perhaps he should ask the man’s advice! Excuse me, how much petrol do you need for – “A gallon,” he stammered.
As soon as he reached the back street he switched on his flashlight. Crowds of rubble lined the pavements. Far above the dark house he saw his orange light. He stepped over the debris into the hall. The swaying light brought the face forward to meet him. Of course the hall was empty.
He forced himself forward. Plucked by the flashlight, the cellar door flapped soundlessly. Couldn’t he just set fire to the house? But that might leave the brood untouched. Don’t think, go down quickly. Above the stairs the stain loomed.
In the cellar nothing had changed. The bag gaped, the clothes lay emptied. Struggling to unscrew the cap of the petrol can, he almost dropped the flashlight. He kicked wood into the pit and began to pour the petrol. At once he heard the wailing beneath him. “Shut up!” he screamed, to drown out the sound. “Shut up! Shut up!”
The can took its time in gulping itself empty; the petrol seemed thick as oil. He hurled the can clattering away, and ran to the steps. He fumbled with matches, gripping the flashlight between his knees. As he threw them, the lit matches went out. Not until he ventured back to the pit, clutching a ball of paper from his pocket, did he succeed in making a flame that reached his goal. There was a whoof of fire, and a chorus of interminable feeble shrieking.
As he clambered sickened toward the hall, he heard a fluttering above him. Wallpaper, stirring in a wind: it sounded moist. But there was no wind, for the air clung clammily to him. He slithered over the rubble into the hall, darting his light about. Something white bulked at the top of the stairs.
It was another torn bag. He hadn’t been able to see it before. It slumped emptily. Beside it the stain spread over the wall. That stain was too symmetrical; it resembled an inverted coat. Momentarily he thought the paper was drooping, tugged perhaps by his unsteady light, for the stain had begun to creep down toward him. Eyes glared at him from its dangling face. Though the face was upside down he knew it at once. From its gargoyle mouth a tongue reached for him.
He whirled to flee. But the darkness that filled the front door was more than night, for it was advancing audibly. He stumbled, panicking, and rubble slipped from beneath his feet. He fell from the cellar steps, onto piled stone. Though he felt almost no pain, he heard his spine break.
His mind writhed helplessly. His body refused to heed it in anyway, and lay on the rubble, trapping him. He could hear cars on the avenue, radio sets and the sounds of cutlery in flats, distant and indifferent. The cries were petering out now. He tried to scream, but only his eyes could move. As they struggled, he glimpsed through a slit in the cellar wall the orange light in his kitchen.
His flashlight lay on the steps, dimmed by
its fall. Before long a rustling darkness came slowly down the steps, blotting out the light. He heard sounds in the dark, and something that was not flesh nestled against him. His throat managed a choked shriek that was almost inaudible, even to him. Eventually the face crawled away toward the hall, and the light returned. From the corner of his eye he could see what surrounded him. They were round, still, practically featureless: as yet, hardly even alive.
NANCY KILPATRICK
Root Cellar
AWARD-WINNING AUTHOR NANCY KILPATRICK has published in the fantasy, horror and mystery genres. Her twenty-six books include fourteen novels (the popular “Power of the Blood” vampire series, amongst others), five collections of her more than 150 published short stories, and seven anthologies she has edited, including In the Shadow of the Gargoyle and Graven Images.
She has recently completed The Goth Bible for St. Martin’s Press, a non-fiction book on the Gothic lifestyle, and is co-editing a new Goth anthology with Nancy Holder.
Kilpatrick lives in a Gothically decorated apartment in Montréal, Canada, with her black cat Bella. When not writing, her favourite activity is travelling the world and visiting cemeteries, ossuaries and mummies with her photographer companion, Hugues Leblanc.
“I once lived for almost a year in a farmhouse exactly like the one in ‘Root Cellar’,” explains the author. “It was located in the small town of Napannee, Ontario. Many of the oddities in the story were in that house. The items found in the basement were actually discovered in the attic, and the windowsills were indeed found as in the story.
“The old part of the house always felt creepy to me and, in fact, we ended up not using it much. It was small, dark, and led to the dirt-floor basement, with the jars along the walls of the stairway, and that door . . . Living there, especially in fall and winter, really gave me a clear understanding of how a place could be haunted, by ghosts, and by memories . . .”
The Mammoth Book of Vampires: New edition (Mammoth Books) Page 15