Works of Sax Rohmer

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by Sax Rohmer


  And as I shrank, she opened her eyes, moaning feebly, and groping with claw-like hands as if darkness surrounded her. Furthermore I saw a new pain, and a keener pain, light up those aged eyes. She had detected my involuntary movement of loathing.

  Those who knew me will bear testimony to the fact that I was not an emotional man or one readily impressionable by any kind of human appeal. Therefore they will wonder the more to learn that this pathetic light in the old woman’s eyes changed my revulsion to a poignant sorrow. I had roughly knocked her from her feet and now hesitated to assist her to rise again! Truly, she was scorned and rejected by all. A wave of tenderness, that cannot be described, that could not be resisted, swept over me. My eyes grew misty and a great remorse claimed me.

  “Poor old soul!” I whispered.

  Stooping, I gently raised the shrivelled, ape-like head, resting it against my knee; and, bending down, I kissed the old woman on the brow!

  I record the fact, but even now, looking back upon its happening, and seeking to recapture the cold, solitary Saville Grainger who has left the world, I realise the wonder of it. That I should have given rein to such an impulse! That such an impulse should have stirred me! Which phenomenon was the more remarkable?

  The result of my act — regretted as soon as performed — was singular. The aged, hideous creature sighed in a manner I can never forget, and an expression that almost lent comeliness to her features momentarily crept over her face. Then she rose to her feet with difficulty, raised her hands as if blessing me, and muttering something in Arabic went shuffling along the deserted street, stooping as she walked.

  Apparently the episode had passed unnoticed. Certainly if anyone witnessed it he was well concealed. But, conscious of a strange embarrassment, with which were mingled other tumultuous emotions, I turned out of the Street of the Silversmiths and found myself amid the normal activities of the quarter again. The memory of the Kiss was repugnant, I wanted to wipe my lips — but something seemed to forbid the act; a lingering compassion that was almost a yearning.

  For once in my life I desired to find myself among normal, healthy, moderately brainless Europeans. I longed for the smell of cigar-smoke, for the rattle of the cocktail-maker and the sight of a pretty face. I hurried to Shepheard’s.

  II

  The same night, after dinner, I walked out of Mena House to look for Hassan Abd-el-Kebîr, the dragoman with whom I had contracted for a journey, by camel, to Sakhâra on the following day. He had promised to attend at half-past eight in order to arrange the time of starting in the morning, together with some other details.

  I failed to find him, however, among the dragomans and other natives seated outside the hotel, and to kill time I strolled leisurely down the road toward the electric-tram terminus. I had taken no more than ten paces, I suppose, when a tall native, muffled to the tip of his nose in white and wearing a white turban, appeared out of the darkness beside me, thrust a small package into my hand, and, touching his brow, his lips and his breast with both hands, bowed and departed. I saw him no more!

  Standing there in the road, I stared at the little package stupidly. It consisted of a piece of fine white silk fastened about some small, hard object. Evidently, I thought, there had been a mistake. The package could not have been intended for me.

  Returning to the hotel, I stood near a lamp and unfastened the silk, which was delicately perfumed. It contained a piece of lapis-lazuli carved in the form of a heart, beautifully mounted in gold and bearing three Arabic letters, inlaid in some way, also in gold!

  At this singular ornament I stared harder than ever. Certainly the muffled native had made a strange mistake. This was a love-token — and emphatically not for me!

  I was standing there lost in wonderment, the heart of lapis-lazuli in my palm, when the voice of Hassan disturbed my stupor.

  “Ah, my gentleman, I am sorry to be late but — —”

  The voice ceased. I looked up.

  “Well?” I said.

  Then I, too, said no more. Hassan Abd-el-Kebîr was glaring at the ornament in my hand as though I had held, not a very choice example of native jewellery, but an adder or a scorpion!

  “What’s the matter?” I asked, recovering from my surprise. “Do you know to whom this amulet belongs?”

  He muttered something in guttural Arabic ere replying to my question. Then:

  “It is the heart of lapis,” he said, in a strange voice. “It is the heart of lapis!”

  “So much is evident,” I cried, laughing. “But does it alarm you?”

  “Please,” he said softly, and held out a brown hand— “I will see.”

  I placed the thing in his open palm and he gazed at it as one might imagine an orchid hunter would gaze at a new species of Odontoglossum.

  “What do the figures mean?” I asked.

  “They form the word alf,” he replied.

  “Alf? Somebody’s name!” I said, still laughing.

  “In Arab it mean ten hundred,” he whispered.

  “A thousand?”

  “Yes — one thousand.”

  “Well?”

  Hassan returned the ornament to me, and his expression was so strange that I began to grow really annoyed. He was looking at me with a mingling of envy and compassion which I found to be quite insufferable.

  “Hassan,” I said sternly, “you will tell me all you know about this matter. One would imagine that you suspected me of stealing the thing!”

  “Ah, no, my gentleman!” he protested earnestly. “But I will tell you, yes, only you will not believe me.”

  “Never mind. Tell me.”

  Thereupon Hassan Abd-el-Kebîr told me the most improbable story to which I had ever listened. Since to reproduce it in his imperfect English, with my own frequent interjections, would be tedious, I will give it in brief. Some of the historical details, imperfectly related by Hassan as I learned later, I have corrected.

  In the reign of the Khalîf El-Mamûn — a son of Hárûn er-Rashîd and brother of the prototype of Beckford’s Vathek — one Shâwar was Governor of Egypt, and the daughter of the Governor, Scheherazade, was famed throughout the domains of the Khalîf as the most beautiful maiden in the land. Wazîrs and princes sought her hand in vain. Her heart was given to a handsome young merchant of Cairo, Ahmad er-Mâdi, who was also the wealthiest man in the city. Shâwar, although an indulgent father, would not hear of such a union, however, but he hesitated to destroy his daughter’s happiness by forcing her into an unwelcome marriage. Finally, passion conquered reason in the breasts of the lovers and they fled, Scheherazade escaping from the palace of her father by means of a rope-ladder smuggled into the harêm apartments by a slave whom Ahmad’s gold had tempted, and meeting Ahmad outside the gardens where he waited with a fleet horse.

  Even the guard at the city gate had been bought by the wealthy merchant, and the pair succeeded in escaping from Cairo.

  The extensive possessions of Ahmad were confiscated by the enraged father and a sentence of death was passed upon the absent man — to be instantly put into execution in the event of his arrest anywhere within the domain of the Khalîf.

  Exiled in a distant oasis, the Sheikh of which was bound to Ahmad by ties of ancient friendship, the prospect which had seemed so alluring to Scheherazade became clouded. Recognising this change in her attitude, Ahmad er-Mâdi racked his brains for some scheme whereby he might recover his lost wealth and surround his beautiful wife with the luxury to which she had been accustomed. In this extremity he had recourse to a certain recluse who resided in a solitary spot in the desert far from the haunts of men and who was widely credited with magical powers.

  It was a whole week’s journey to the abode of the wizard, and, unknown to Ahmad, during his absence a son of the Khalîf, visiting Egypt, chanced to lose his way on a hunting expedition, and came upon the secret oasis in which Scheherazade was hiding. This prince had been one of her most persistent suitors.

  The ancient magician consented to recei
ve Ahmad, and the first boon which the enamoured young man craved of him was that he might grant him a sight of Scheherazade. The student of dark arts consented. Bidding Ahmad to look into a mirror, he burned the secret perfumes and uttered the prescribed incantation. At first mistily, and then quite clearly, Ahmad saw Scheherazade, standing in the moonlight beneath a tall palm tree — her lips raised to those of her former suitor!

  At that the world grew black before the eyes of Ahmad. And he, who had come a long and arduous journey at the behest of love, now experienced an equally passionate hatred. Acquainting the magician with what he had seen, he demanded that he should exercise his art in visiting upon the false Scheherazade the most terrible curse that it lay within his power to invoke!

  The learned man refused; whereupon Ahmad, insane with sorrow and anger, drew his sword and gave the magician choice of compliance or instant death. The threat sufficed. The wizard performed a ghastly conjuration, calling down upon Scheherazade the curse of an ugliness beyond that of humanity, and which should remain with her not for the ordinary span of a lifetime but for incalculable years, during which she should continue to live in the flesh, loathed, despised, and shunned of all!

  “Until one thousand compassionate men, unasked and of their own free will, shall each have bestowed a kiss upon thee,” was the exact text of the curse. “Then thou shalt regain thy beauty, thy love — and death.”

  Ahmad er-Mâdi staggered out from the cavern, blinded by a hundred emotions — already sick with remorse; and one night’s stage on his return journey dropped dead from his saddle ... stricken by the malignant will of the awful being whose power he had invoked! I will conclude this wild romance in the words of Hassan, the dragoman, as nearly as I can recall them.

  “And so,” he said, his voice lowered in awe, “Scheherazade, who was stricken with age and ugliness in the very hour that the curse was spoken, went out into the world, my gentleman. She begged her way from place to place, and as the years passed by accumulated much wealth in that manner. Finally, it is said, she returned to Cairo, her native city, and there remained. To each man who bestowed a kiss upon her — and such men were rare — she caused a heart of lapis to be sent, and upon the heart was engraved in gold the number of the kiss! It is said that these gifts ensured to those upon whom they were bestowed the certain possession of their beloved! Once before, when I was a small child, I saw such an amulet, and the number upon it was nine hundred and ninety-nine.”

  The thing was utterly incredible, of course; merely a picturesque example of Eastern imagination; but just to see what effect it would have upon him, I told Hassan about the old woman in the Mûski. I had to do so. Frankly, the coincidence was so extraordinary that it worried me. When I had finished:

  “It was she — Scheherazade,” he said fearfully. “And it was the last kiss!”

  “What then?” I asked.

  “Nothing, my gentleman. I do not know!”

  III

  Throughout the expedition to Sakhâra on the following day I could not fail to note that Hassan was covertly watching me — and his expression annoyed me intensely. It was that compound of compassion and resignation which one might bestow upon a condemned man.

  I charged him with it, but of course he denied any such sentiment. Nevertheless, I knew that he entertained it, and, what was worse, I began, in an uncomfortable degree, to share it with him! I cannot make myself clearer. But I simply felt the normal world to be slipping from under my feet, and, no longer experiencing a desire to clutch at modernity as I had done after my meeting with the old woman, I found myself to be reconciled to my fate!

  To my fate? ... to what fate? I did not know; but I realised, beyond any shade of doubt, that something tremendous, inevitable, and ultimate was about to happen to me. I caught myself unconsciously raising the heart of lapis-lazuli to my lips! Why I did so I had no idea; I seemed to have lost identity. I no longer knew myself.

  When Hassan parted from me at Mena House that evening he could not disguise the fact that he regarded the parting as final; yet my plans were made for several weeks ahead. Nor did I quarrel with the man’s curious attitude. I regarded the parting as final, also!

  In a word I was becoming reconciled — to something. It is difficult, all but impossible, to render such a frame of mind comprehensible, and I shall not even attempt the task, but leave the events of the night to speak for themselves.

  After dinner I lighted a cigarette, and avoiding a particularly persistent and very pretty widow who was waiting to waylay me in the lounge, I came out of the hotel and strolled along in the direction of the Pyramid. Once I looked back — bidding a silent farewell to Mena House! Then I took out the heart of lapis-lazuli from my pocket and kissed it rapturously — kissed it as I had never kissed any object or any person in the whole course of my life!

  And why I did so I had no idea.

  All who read my story will be prepared to learn that in this placid and apparently feeble frame of mind I slipped from life, from the world. It was not so. The modern man, the Saville Grainger once known in Fleet Street, came to life again for one terrible, strenuous moment ... and then passed out of life for ever.

  Just before I reached the Pyramid, and at a lonely spot in the path — for this was not a “Sphinx and Pyramid night” — that is to say, the moon was not at the full — a tall, muffled native appeared at my elbow. He was the same man who had brought me the heart of lapis-lazuli, or his double. I started.

  He touched me lightly on the arm.

  “Follow,” he said — and pointed ahead into the darkness below the plateau.

  I moved off obediently. Then — suddenly, swiftly, came revolt. The modern man within me flared into angry life. I stopped dead, and

  “Who are you? Where are you leading me?” I cried.

  I received no reply.

  A silk scarf was slipped over my head by some one who, silently, must have been following me, and drawn tight enough to prevent any loud outcry but not so as to endanger my breathing. I fought like a madman. I knew, and the knowledge appalled me, that I was fighting for life. Arms like bands of steel grasped me; I was lifted, bound and carried — I knew not where....

  Placed in some kind of softly padded saddle, or, as I have since learned, into a shibrîyeh or covered litter on a camel’s back, I felt the animal rise to its ungainly height and move off swiftly. As suddenly as revolt had flamed up, resignation returned. I was contented. My bonds were unnecessary; my rebellion was ended. I yearned, wildly, for the end of the desert journey! Some one was calling me and all my soul replied.

  For hours, as it seemed, the camel raced ceaselessly on. Absolute silence reigned about me. Then, in the distance I heard voices, and the gait of the camel changed. Finally the animal stood still. Came a word of guttural command, and the camel dropped to its knees. Pillowed among a pile of scented cushions, I experienced no discomfort from this usually painful operation.

  I was lifted out of my perfumed couch and set upon my feet. Having been allowed to stand for a while until the effects of remaining so long in a constrained position had worn off, I was led forward into some extensive building. Marble pavements were beneath my feet, fountains played, and the air was heavy with burning ambergris.

  I was placed with my back to a pillar and bound there, but not harshly. The bandage about my head was removed. I stared around me.

  A magnificent Eastern apartment met my gaze — a great hall open on one side to the desert. Out upon the sands I could see a group of men who had evidently been my captors and my guards. The one who had unfastened the silk scarf I could not see, but I heard him moving away behind the pillar to which I was bound.

  Stretched upon a luxurious couch before me was a woman.

  If I were to seek to describe her I should inevitably fail, for her loveliness surpassed everything which I had ever beheld — of which I had ever dreamed. I found myself looking into her eyes, and in their depths I found all that I had missed in life, and lost all that
I had found.

  She smiled, rose, and taking a jewelled dagger from a little table beside her, approached me. My heart beat until I felt almost suffocated as she came near. And when she bent and cut the silken lashing which bound me, I knew such rapture as I had hitherto counted an invention of Arabian poets. I was raised above the joys of common humanity and tasted the joy of the gods. She placed the dagger in my hand.

  “My life is thine,” she said. “Take it.”

  And clutching at the silken raiment draping her beautiful bosom, she invited me to plunge the blade into her heart!

  The knife dropped, clattering upon the marble pavement. For one instant I hesitated, watching her, devouring her with my eyes; then I swept her to me and pressed upon her sweet lips the thousand and first kiss....

  (Note. — The manuscript of Saville Grainger finishes here.)

  The Turquoise Necklace

  I

  “He is the lord of the desert, Effendi,” declared Mohammed the dragoman. “From the Valley of Zered to Damascus he is known and loved, but feared. They say” — he lowered his voice— “that he is a great welee, and that he is often seen in the street of the attars, having the appearance of a simple old man; but in the desert he is like a bitter apple, a viper and a calamity! Overlord is he of the Bedouins, and all the sons of the desert bow to Ben Azreem, Sheikh of the Ibn-Rawallah.”

  “What is a welee, exactly?” asked Graham.

  “A man of God, Effendi, favoured beyond other men.”

  “And this Arab Sheikh is a welee?”

  “So it is said. He goes about secretly aiding the poor and afflicted, when he may be known by his white beard — —”

  “There are many white beards in Egypt,” said Graham.

  But the other continued, ignoring the interruption:

  “And in the desert, Ben Azreem, a horseman unrivalled, may be known by the snow-white horse which he rides, or if he is not so mounted, by his white camel, swifter than the glance of envy, more surefooted than the eager lover who climbs to his enslaver’s window.”

 

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