by John Gardner
   of the snake
   were malevolent. Her face was radiant with life,
   seductive,
   as sensuous as the brow of Zeus was intellectual. The thrones were joined by an arm of gold, and on
   that arm
   Zeus rested his own. The queen’s arm lay on the king’s, and their fingers were interlaced. On Zeus’s shoulder,
   a prodigious
   birdlike creature perched, half-lion, half-eagle, watching the snake. “What can all this mean?” I asked. My guide
   touched her lips.
   Suddenly the hall was filled with a teeming sea of gods. Some were like monsters, some had the shapes of trees
   or waterfalls;
   some were like bulls, others like panthers, elephants,
   monkeys,
   and some were like men—like kings, queens, beggars,
   saintly hermits.
   One came in on a litter of finely wrought ebony set with centaurs of ivory and silver—a beautiful goddess
   in a robe
   of scarlet, open at the front to reveal great pendulous
   breasts.
   The mortals, her slaves, wore flowers in their hair—
   the white hair tangled,
   matted like the hair of mad women. They wept and
   moaned
   as they walked, limping, half-naked, ragged. Their
   ankles
   clinked and jangled with tarnished jewelry; the perfume they
   wore
   yellowed the air like woodsmoke. Their chalkgray feet
   were crooked,
   their eyes were dim, and beneath the stiffening paint,
   their faces
   were cities destroyed by fire. But whether the bearers
   were women
   or men, I could not guess. Quick fluttering sparrows flew like swirling leaves in a graveyard, screeching. My
   shadowy guide
   smiled and inclined her head.
   “Not all gods here are wise,”
   she said. “They have all their will, all that a creature
   can desire:
   They feel no hunger, no thirst, no weariness, no fear of
   death,
   no pain or sorrow or lonely old age. But the grinding
   force
   of life still burns in them, endlessly restless, driving,
   devouring—
   the force that blazes in the eyes of the half-starved lion
   or swells
   the veins of the terrified deer. They can never be rid
   of it.
   Some, desiring in a state where nothing is left to desire, sink to the sickness of ennui and wallow in vast self-pity like hogs in mire. Some puff up their power, and delight in smashing the will of the weak. A few, like Zeus, grow
   wise.
   But very few. Observe how the rest crawl through their
   days.
   At times, to break the tedium, the gods feast.
   At times, to break the tedium, the gods fast.
   At times they quarrel like dogs. At times they smile and
   kiss.
   At times they sue to the king with cantankerous
   demands. Watch.”
   The goddess in scarlet approached the throne of Zeus
   and, descending
   from her litter, kneeled before him. “O mighty Lord,”
   she said,
   “hear the prayer of your sorrowful Aphrodite! Cruelly the Queen of Olympos mocks me and makes me a
   laughingstock!
   I’m ashamed to be seen among gods. They smirk and
   ogle, point at me,
   whisper behind my back. I filled Medeia’s heart with love, stirred Jason to manly desire, arranged a
   pairing
   fit to be remembered through endless time and to the
   farthest poles
   of space. But Hera has overwhelmed me with her
   treachery,
   cluttering his heart with desires more base, so that all
   I’ve done
   is nothing, a cloud dispersed! O Great God, Lord of
   Thunder,
   make him shake off this wickedness!” Her cheeks were
   bright
   with anger, her dark eyes flashed; her flowing black
   hair gleamed
   as if even that were in a rage. Yet out of respect for
   Hera,
   or remembering that Hera was Zeus’s wife, she
   controlled herself.
   She stretched out her white left arm, her right hand
   daintily pressed
   to her breast, just over the roseate nipple, as if to quell the terrible quopping of her heart. “Have I ever denied
   her power—
   her supreme rule over all things physical: ships, rivers, forests, banquets, marriage beds? She fills the world with beauty, goodness, the excitements of danger. At
   her command
   Ares stirs up the terrors and joys of war. At a word from her, the gods lure men to the highest pinnacles
   of feeling—
   treasure-hunting, kingdom-snatching. By her pale light alchemists pawn away all they own to untomb the gold in lead, the wolf hunts the lamb, the shepherd attacks
   the wolf,
   the adder joyfully strikes at the shepherd’s heel. But
   Lord,
   O holy father of gods and men, I’ve earned some place in all that hungry rush! Imagine her kingdom with all my power shut down—no joy in the world but the
   shoddy glint
   of wealth, stern labor, knowledge-grubbing—no gentle
   eyes
   to drip their sweetness on rich men’s rings, no loving
   hands
   to smooth the pain from the farmer’s back when his
   long day ends,
   no dazzled maiden to flood the alchemist’s sulphurous
   rooms
   with the light of her music, her rainsoft fingers on his
   arm! If my work
   is meaningless, say so. I’ll trouble your halls no morel”
   Bright tears
   welled in her eyes and her bosom heaved. Her lips were
   taut.
   The ghastly creatures attending her gave out goatish
   wails.
   Hera’s face turned slowly to the king’s. “Beautiful
   performance,”
   she said, and smiled. The king said nothing. Dark
   Aphrodite
   glared, her glance like a dart of fire, and the muscles of
   her face
   trembled like the face of the plains when earthquakes
   crack their beams.
   A gentler goddess came forward then, a gray-eyed
   goddess
   with a crown like a city on a shining silver hill. At her
   side
   philosophers stood, their lean backs bent under thick,
   smudged scrolls,
   their eyes rolled up out of sight; behind her, nervous
   kings,
   each with his own set of tics (quick lip-jerks, twists,
   winks, nods,
   features overcome from time to time by a sudden
   widening
   of the eyes, like shocked recognition); then fat
   merchants, wiping
   their foreheads, clucking, wincing with distaste, their
   tongues in motion
   ceaseless as the sea, wetting their thick, chapped lips;
   behind
   the merchants, poets and musicians, all looking wry at
   the smell
   of the merchants, making ingenious jokes at the
   merchants’ garish
   or grandly funereal dress. —But when, from time to
   time,
   a merchant, philosopher, or king keeled over, slain by
   the light
   or brushed by a careless god, the poets and musicians
   would praise
   the nature of man, abstracted to green, magnificent
   song,
 &nb
sp; their eyes like waterfalls.
   The gray-eyed goddess kneeled
   at Zeus’s feet and, speaking softly, eyes cast down, she said, “My Lord, Almighty Ruler of the Universe, most just, most wise, I pray you, do not forget the needs of Corinth, Queen of Cities. I have tended her lovingly, cherished her, guided her gently through stunning
   catastrophes.
   Throne after throne I have watched kicked down
   through the whimsical will
   of malicious, barbarous gods—gods who amuse
   themselves
   like boys pulling wings off butterflies. Yet I’ve kept her
   pillars,
   shrine of the arts, seat of all taste and nobility. Preserve my work! Give Jason the throne—for the
   city’s sake.
   Surely a city means more in your sight than one mere
   woman!
   Pity Athena as she’d have you pity our beloved
   Aphrodite!
   Grant my request, and grant Aphrodite some other gift still dearer to her.”
   Hera smiled, but the gray-eyed Athena
   maintained her mask of innocence. Those who
   attended her
   bowed, heavy with solemnity, and tapped their scrolls, their money-boxes, crowns, and harps. Aphrodite’s cheek burned dark red. Zeus said nothing.
   Her head bent
   as if in supplication to the Father of the Gods,
   Aphrodite
   rolled her eyes toward her sister. “Don’t play games
   with me,”
   she whispered, “immortal bitch! How wonderfully
   reasonable
   you always make your desires sound! Do you think
   they’re fooled,
   these gods you play to? They know what you’re after.
   Power, goddess!
   You want your way no matter what—no matter who
   you walk on.
   But you can’t come right out and say it, can you? That
   wouldn’t be civil,
   and the lovely Athena is nothing if not civil!—Well,
   so are
   sewers! indoor toilets!” She trembled with rage. Athena smiled, as calm and serene as the moon above roiling,
   passionate
   seas. Suddenly the goddess of love burst into tears, wept like a shepherdess betrayed. The gray-eyed goddess
   of cities,
   magnificent queen of mind, shot a quick glance at Zeus,
   then widened
   her eyes as if in amazement. “Why Aphrodite!” she
   exclaimed,
   “my poor, poor love!” She gathered her sister goddess
   gently
   in her arms like a child, and Aphrodite cried on
   Athena’s breast.
   Hera smiled.
   But the brow of Zeus was troubled. He looked
   from the love-goddess to Athena. “Enough!” he said.
   The hall
   grew still. The stillness expanded. The eyes of the
   Father God
   were like thunderheads. After some minutes had passed,
   he said,
   “You’re clever, Athena. You’d outfox a gryphon. Yet
   even so,
   you may be wrong, and Aphrodite right. You talk of cities, of how they’re more important than a single
   life.
   But the city in which that’s true would be not worth
   living in.
   I’ve known such cities. One by one I’ve ground them
   underfoot,
   slaughtered their poets and priests and planted their
   vineyards to salt.
   You pleaded against such a city yourself for Antigone,
   goddess!
   Has it slipped your mind? ‘Where the dead are left
   to the crows,’ you said,
   ‘where a life means nothing, let the whole white hovel
   be crows’ fodder.’
   Justice demands that I grant Aphrodite’s wish.” He
   was silent.
   Then Hera turned to him. Her eyes flamed. “And my
   wish, sir?”
   she hissed. “I knew I was a fool to leave my business
   to Athena!
   How can mere reason compete with that?” She pointed.
   Aphrodite
   covered her bosom, blushing. “I agree, it’s wrong to make cities more important than the
   people who live in them.
   Cities exist to make possible the splendid life—the life of mind and sense in harmony, fulfilled to the utmost.
   Good!
   But what of Jason’s life? But that doesn’t matter, of
   course. Not to you!
   Not with her there, pleading with her big pink boobs!
   What counts with you,
   O mixed-up Master Planner? You reason by whim, like
   the rest of us,
   for all your pompous, grandiose pretensions. Fact! You purse your lips, you muse in beatific silence, you
   nod,
   and you do what you damn well please! Well not to me,
   husband!
   I want what I want, and I’m not putting elegant names
   on it.”
   Hardly moving, Zeus glanced at her. The queen’s lips
   closed.
   Then no one spoke for a long time. The attendant
   gods
   shifted uncomfortably, sullen, from leg to leg. Yet more than a few in that hall, I thought, would have backed
   her if they dared. Athena
   gazed demurely at the floor, as if checking a smile.
   Zeus sat
   with one hand over his eyes.
   At length, as if contrite,
   Athena said softly, “It’s fair and just that you
   upbraid me, Lord.
   But my heart spoke truer than my tongue. I gave you,
   foolishly,
   the reasons I thought expedient. But it was not the
   survival
   of the city—not that alone—that I meant to beg of you. I plead for a good and patient man, a long-suffering
   man,
   one who merits what I ask for him. Aphrodite’s madness has chained him too long. Without the assistance of
   any god,
   he’s seen through it. O kind, wise Lord, don’t frustrate
   the climb
   of a virtuous man on the rising scale of Good! I claim no special virtues for cities, but this much, surely,
   is true:
   Virtue tested on rocky islands, country fields, however noble we call it, is virtue of a lesser kind— the virtue that governs the hermit, the honest shepherd.
   The common
   bee, droning from flower to flower in his garden, can
   choose
   what’s best for him and for his lowborn, pastoral clan.
   The common
   horse can be diligent at work, if his hide depends on it. The lion can settle his mind to fight, if necessary, but his virtue, for all his slickness, the speed of his
   paws, is no more
   than the snarling mongrel dog’s. It’s by what his mind
   can do
   that a man must be tested: how subtly, wisely he
   manipulates
   the world: objects, potentials, traditions of his race.
   In sunlit
   fields a man may learn about gentleness, humility— the glories of a sheep—or, again, learn craft and
   violence—
   the glories of a wolf. But the mind of man needs more
   to work on
   than stones, hedges, pastoral cloudscapes. Poets are
   made
   not by beautiful shepherdesses and soft, white sheep: they’re made by the shock of dead poets’ words, and
   the shock of complex
   life: philosophers’ ideas, strange faces, antic relics, powerful men and women, mysterious cultures. Cities are not mere mausoleums, sanctuaries for mind. They’re the raw grit that the finest minds are made of,
   th
e power
   that pains man’s soul into life, the creative word that
   overthrows
   brute objectness and redeems it, teaches it to sing.”
   The goddess
   bowed, an ikon of humility, and turned to the queen, stretching an arm in earnest supplication: “O Hera, Queen of Heaven, center of the world’s insatiable will, support my plea! Speak gently, allure as only you can allure great Zeus to the good he would wish,
   himself.” She bowed,
   and the dew on a fern at dawn could not rival the
   beauty of the dew
   on Athena’s delicate lashes. Aphrodite wept aloud, shamelessly, melted by Athena’s words. Even Hera was
   softened.
   As the sea whispers in the quiet of the night when
   gentle waves
   lap sandy shores, so the great hall whispered with the
   sniffling of immortal gods.
   But Zeus sat still as a mountain, unimpressed, his hand
   covering
   his eyes. The gods stood waiting.
   At last, with a terrible sigh,
   he lowered the hand. From the sadness in his eyes,
   the crushed-down shoulders,
   you’d have thought he’d heard nothing the beautiful
   Athena said. He frowned,
   then, darkly, spoke:
   “All of you shall have your will,” he said.
   “Aphrodite, your cruel and selfish wish is that Jason
   and Medeia
   be remembered forever as the truest, most pitiful of
   lovers, saints
   of Aphrodite. It shall be so, in the end. As for you,
   Athena,
   dearest of my children for the quickness of your mind—
   and most troublesome—
   you ask that Jason be granted the throne of Corinth,
   glittering
   jewel in your vain array. So he will, for a time, at least. No king gets more. And as for you, my docile queen— seductress, source of all earthly growth, terrible
   destroyer—
   you ask that he have all his wish. That he shall, and
   more. It’s done.”
   With that word, casting away the darkness which
   he alone knew,
   he called for Apollo and his harp. Apollo came, as
   brilliant
   as the sun on the mirroring sea. He stroked his harp
   and sang.
   The gods put their hands to their ears, listening. He
   seemed to ignore them.
   He looked at Zeus alone, when he looked at anyone, and Zeus gazed back at him, solemn as the night
   where mountains tower,
   dark and majestic, casting their cold, indifferent shade on trees and glens, old bridges, lonely peasant huts, travellers hurrying home. It seemed to me they shared some secret between them, as if they saw the whole
   world’s grief
   as plain as a single star in a winter’s sky.