American Science Fiction
FOUR CLASSIC NOVELS 1953–1956
Gary K. Wolfe, editor
Volume compilation, notes, and chronology copyright © 2012 by Literary Classics of the United States, Inc., New York, N.Y. All rights reserved.
No part of the book may be reproduced commercially by offset-lithographic or equivalent copying devices without the permission of the publisher.
The Space Merchants copyright © 1953 by Frederik Pohl and Cyril M. Kornbluth. Copyright renewed © 1981 by Frederik Pohl, John Kornbluth and David Kornbluth. Reprinted by arrangement with Frederik Pohl.
More Than Human copyright © 1953 by Theodore Sturgeon. Copyright renewed © 1981 by Theodore Sturgeon. Reprinted by arrangement with Farrar, Straus and Giroux.
The Long Tomorrow copyright © 1955 by Leigh Brackett. Copyright renewed © 1983 by the Huntington National Bank for the Estate of Leigh Brackett Hamilton. Reprinted by arrangement with Phoenix Pick, the science fiction and fantasy imprint of Arc Manor Publishers, Rockville, Maryland.
The Shrinking Man copyright © 1956 by Richard Matheson. Copyright renewed © 1984 by Richard Matheson. Introduction to The Shrinking Man copyright © 2001 Richard Matheson. Reprinted by arrangement with Richard Matheson and Don Congdon Associates, Inc.
The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ansi z39.48—1984.
Distributed to the trade in the United States by Penguin Group (USA) Inc. and in Canada by Penguin Books Canada Ltd.
Library of Congress Control Number: 2011937585 isbn 978–1–59853–158–9
First Printing
The Library of America—227 Manufactured in the United States of America
Contents
Cover
Title
Table of Contents
Companion
THE SPACE MERCHANTS
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
MORE THAN HUMAN
Part 1 - the fabulous idiot
Part 2 - baby is three
Part 3 - morality
THE LONG TOMORROW
Book One
1
2
3
4
5
6
7
Book Two
8
9
10
11
12
13
14
15
16
17
18
Book Three
19
10
21
22
23
24
25
26
27
28
29
30
THE SHRINKING MAN
Chapter One
Chapter Two
Chapter Three
Chapter Four
Chapter Five
Chapter Six
Chapter Seven
Chapter Eight
Chapter Nine
Chapter Ten
Chapter Eleven
Chapter Twelve
Chapter Thirteen
Chapter Fourteen
Chapter Fifteen
Chapter Sixteen
Chapter Seventeen
Biographical Notes
Note on the Texts
Notes
Hardcopy Page Numbers
The Space Merchants by Frederik Pohl and C. M. Kornbluth . . . . 1
More Than Human by Theodore Sturgeon . . . . . . . . . . . . . . . . .. . . 157
The Long Tomorrow by Leigh Brackett . . . . . . . . . . . . . . . . . . . . . . 367
The Shrinking Man by Richard Matheson . . . . . . . . . . . . . . . . . . . . 585
Online Companion
The Library of America has created an online companion to this volume. For more on 1950s science fiction and these works and writers, including jacket art and photographs, additional stories, author interviews, new appreciations of the novels by Michael Dirda, Neil Gaiman, William Gibson, Nicola Griffith, James Morrow, Tim Powers, Kit Reed, Peter Straub, and Connie Willis, and more, go to loa.org/ sciencefiction.
THE SPACE MERCHANTS
Frederik Pohl and C. M. Kornbluth
1
As I dressed that morning I ran over in my mind the long list of statistics, evasions, and exaggerations that they would expect in my report. My section—Production—had been plagued with a long series of illnesses and resignations, and you can’t get work done without people to do it. But the Board wasn’t likely to take that as an excuse.
I rubbed depilatory soap over my face and rinsed it with the trickle from the fresh-water tap. Wasteful, of course, but I pay taxes and salt water always leaves my face itchy. Before the last of the greasy stubble was quite washed away the trickle stopped and didn’t start again. I swore a little and finished rinsing with salt. It had been happening lately; some people blamed Consie saboteurs. Loyalty raids were being held throughout the New York Water Supply Corporation; so far they hadn’t done any good.
The morning newscast above the shaving mirror caught me for a moment . . . the President’s speech of last night, a brief glimpse of the Venus rocket squat and silvery on the Arizona sand, rioting in Panama . . . I switched it off when the quarter-hour time signal chimed over the audio band.
It looked as though I was going to be late again. Which certainly would not help mollify the Board.
I saved five minutes by wearing yesterday’s shirt instead of studding a clean one and by leaving my breakfast juice to grow warm and sticky on the table. But I lost the five minutes again by trying to call Kathy. She didn’t answer the phone and I was late getting into the office.
Fortunately—and unprecedentedly—Fowler Schocken was late too.
In our office it is Fowler’s custom to hold the weekly Board conference fifteen minutes before the regular opening of the business day. It keeps the clerks and stenos on their toes, and it’s no hardship to Fowler. He spends every morning in the office anyway, and “morning” to him begins with the rising of the sun.
Today, though, I had time to get my secretary’s summary off my desk before the meeting. When Fowler Schocken walked in with a courteous apology for his tardiness I was sitting in my place at the foot of the table, reasonably relaxed and as sure of myself as a Fowler Schocken Associate is ever likely to be.
“Good morning,” Fowler said, and the eleven of us made the usual idiot murmur. He didn’t sit down; he stood gazing paternally at us for about a minute and a half. Then, with the air of a day-tripper in Xanadu, he looked carefully and delightedly about the room.
“I’ve been thinking about our conference room,” he said, and we all looked around at it. The room isn’t big, it isn’t small: say ten by twelve. But it’s cool, well-lighted, and most imposingly furnished. The air recirculators are cleverly hidden behind animated friezes; the carpeting is thick and soft; and every piece of furniture is constructed from top to bottom of authentic, expertized, genuine tree-grown wood.
Fowler Schocken said: “We have a nice conference room here, men. As we should have, since Fowler Schocken Associates is the largest advertising agency in the city. We bill a
megabuck a year more than anybody else around. And—” he looked around at all of us, “I think you’ll agree that we all find it worth while. I don’t think there’s a person in this room who has less than a two-room apartment.” He twinkled at me. “Even the bachelors. Speaking for myself, I’ve done well. My summer place looks right over one of the largest parks on Long Island. I haven’t tasted any protein but new meat for years, and when I go out for a spin I pedal a Cadillac. The wolf is a long way from my door. And I think any one of you can say the same. Right?” The hand of our Director of Market Research shot up and Fowler nodded at him: “Yes, Matthew?”
Matt Runstead knows which side his bread is oiled on. He glared belligerently around the table. “I just want to go on record as agreeing with Mr. Schocken—one hundred per cent—all the way!” he snapped.
Fowler Schocken inclined his head. “Thank you, Matthew.” And he meant it. It took him a moment before he could go on. “We all know,” he said, “what put us where we are. We remember the Starrzelius Verily account, and how we put Indiastries on the map. The first spherical trust. Merging a whole subcontinent into a single manufacturing complex. Schocken Associates pioneered on both of them. Nobody can say we were floating with the tide. But that’s behind us.
“Men! I want to know something. You can tell me truthfully —are we getting soft?” He took time to look at each of our faces searchingly, ignoring the forest of hands in the air. God help me, mine was right up there too. Then he waved to the man at his right. “You first, Ben,” he said.
Ben Winston stood up and baritoned: “Speaking for Industrial Anthropology, no! Listen to today’s progress report— you’ll get it in the noon bulletin, but let me brief you now: according to the midnight indices, all primary schools east of the Mississippi are now using our packaging recommendation for the school lunch program. Soyaburgers and regenerated steak”—there wasn’t a man around the table who didn’t shudder at the thought of soyaburgers and regenerated steak—“are packed in containers the same shade of green as the Universal products. But the candy, ice cream, and Kiddiebutt cigarette ration are wrapped in colorful Starrzelius red. When those kids grow up . . .” he lifted his eyes exultantly from his notes. “According to our extrapolation, fifteen years from now Universal products will be broke, bankrupt, and off the market entirely!”
He sat down in a wave of applause. Schocken clapped too, and looked brightly at the rest of us. I leaned forward with Expression One—eagerness, intelligence, competence—all over my face. But I needn’t have bothered. Fowler pointed to the lean man next to Winston. Harvey Bruner.
“I don’t have to tell you men that Point-of-Sale has its special problems,” Harvey said, puffing his thin cheeks. “I swear, the whole damned Government must be infiltrated with Consies! You know what they’ve done. They outlawed compulsive subsonics in our aural advertising—but we’ve bounced back with a list of semantic cue words that tie in with every basic trauma and neurosis in American life today. They listened to the safety cranks and stopped us from projecting our messages on aircar windows—but we bounced back. Lab tells me,” he nodded to our Director of Research across the table, “that soon we’ll be testing a system that projects direct on the retina of the eye.
“And not only that, but we’re going forward. As an example I want to mention the Coffiest pro—” He broke off. “Excuse me, Mr. Schocken,” he whispered. “Has Security checked this room?”
Fowler Schocken nodded. “Absolutely clean. Nothing but the usual State Department and House of Representatives spymikes. And of course we’re feeding a canned playback into them.”
Harvey relaxed again. “Well, about this Coffiest,” he said. “We’re sampling it in fifteen key cities. It’s the usual offer—a thirteen-week supply of Coffiest, one thousand dollars in cash, and a week-end vacation on the Ligurian Riviera to everybody who comes in. But—and here’s what makes this campaign truly great, in my estimation—each sample of Coffiest contains three milligrams of a simple alkaloid. Nothing harmful. But definitely habit-forming. After ten weeks the customer is hooked for life. It would cost him at least five thousand dollars for a cure, so it’s simpler for him to go right on drinking Coffiest—three cups with every meal and a pot beside his bed at night, just as it says on the jar.”
Fowler Schocken beamed, and I braced myself into Expression One again. Next to Harvey sat Tildy Mathis, Chief of Personnel and hand-picked by Schocken himself. But he didn’t ask women to speak at Board sessions, and next to Tildy sat me.
I was composing my opening remarks in my head as Fowler Schocken let me down with a smile. He said: “I won’t ask every section to report. We haven’t the time. But you’ve given me your answer, gentlemen. It’s the answer I like. You’ve met every challenge up to now. And so now—I want to give you a new challenge.”
He pressed a button on his monitor panel and swiveled his chair around. The lights went down in the room; the projected Picasso that hung behind Schocken’s chair faded and revealed the mottled surface of the screen. On it another picture began to form.
I had seen the subject of that picture once before that day, in my news screen over my shaving mirror.
It was the Venus rocket, a thousand-foot monster, the bloated child of the slim V-2’s and stubby Moon rockets of the past. Around it was a scaffolding of steel and aluminum, acrawl with tiny figures that manipulated minute, blue-white welding flames. The picture was obviously recorded; it showed the rocket as it had been weeks or months ago in an earlier stage of construction, not poised as if ready for take-off, as I had seen it earlier.
A voice from the screen said triumphantly and inaccurately: “This is the ship that spans the stars!” I recognized the voice as belonging to one of the organ-toned commentators in Aural Effects and expertized the scripts without effort as emanating from one of Tildy’s girl copywriters. The talented slovenliness that would confuse Venus with a star had to come from somebody on Tildy’s staff.
“This is the ship that a modern Columbus will drive through the void,” said the voice. “Six and a half million tons of trapped lightning and steel—an ark for eighteen hundred men and women, and everything to make a new world for their home. Who will man it? What fortunate pioneers will tear an empire from the rich, fresh soil of another world? Let me introduce you to them—a man and his wife, two of the intrepid . . .”
The voice kept on going. On the screen the picture dissolved to a spacious suburban roomette in early morning. On the screen the husband folding the bed into the wall and taking down the partition to the children’s nook; the wife dialing breakfast and erecting the table. Over the breakfast juices and the children’s pablum (with a steaming mug of Coffiest for each, of course) they spoke persuasively to each other about how wise and brave they had been to apply for passage in the Venus rocket. And the closing question of their youngest babbler (“Mommy, when I grow up kin I take my littul boys and girls to a place as nice as Venus?”) cued the switch to a highly imaginative series of shots of Venus as it would be when the child grew up—verdant valleys, crystal lakes, brilliant mountain vistas.
The commentary did not exactly deny, and neither did it dwell on, the decades of hydroponics and life in hermetically sealed cabins that the pioneers would have to endure while working on Venus’ unbreathable atmosphere and waterless chemistry.
Instinctively I had set the timer button on my watch when the picture started. When it was over I read the dial: nine minutes! Three times as long as any commercial could legally run. One full minute more than we were accustomed to get.
It was only after the lights were on again, the cigarettes lit, and Fowler Schocken well into his pep talk for the day that I began to see how that was possible.
He began in the dithering, circumlocutory way that has become a part of the flavor of our business. He called our attention to the history of advertising—from the simple handmaiden task of selling already-manufactured goods to its present role of creating industries and redesigning a
world’s folkways to meet the needs of commerce. He touched once more on what we ourselves, Fowler Schocken Associates, had done with our own expansive career. And then he said:
“There’s an old saying, men. ‘The world is our oyster.’ We’ve made it come true. But we’ve eaten that oyster.” He crushed out his cigarette carefully. “We’ve eaten it,” he repeated. “We’ve actually and literally conquered the world. Like Alexander, we weep for new worlds to conquer. And there—” he waved at the screen behind him, “there you have just seen the first of those worlds.”
American Science Fiction Four Classic Novels 1953-56 Page 1