by Various
"'Before the old hom'cide can get to launderin' the fam'ly honor in my blood, however, Sarah Ann has interposed. "Don't go to blazing away at my Dickey, pop," she sings out, "or I'll shore burn every improvement you got, an' leave you an' maw an' me roofless in the midst of the wilderness."
"'This goes a long way towards soberin' down old Bender, because he knows my Sarah Ann's the Cumberland hollyhock to put them menaces into execootion. He lowers the muzzle of his old 8-squar', an' allows if I promises to marry the girl I can swim ashore an' be forgiven.
"'Thus the matter ends mighty amic'ble. We'all goes trackin' up to the house, a preacher is rushed to the scene from Pineknot, an' them nuptials between Sarah Ann an' me is sol'mnized. Shore, Jenks an' Ben is thar. They're found by a committee of their friends scattered about at the foot of the hollow, an' is collected an' brought up to the weddin' in blankets. Dave Daniels, who surveys the scene next day, says you could plant corn whar they fit, it's that plowed up.
"'Followin' the cer'mony Marm Bender an' the old gent takes me into their hearts an' cabin like I'm their own an' only son. He's a great old daddy-in-law, old Bender is, an' is ven'rated for forty miles about Gingham Mountain, as deevoted heart an' soul to baldface, seven-up an' sin in any shape.
"'That match-makin' catamount?
"'We hives him. Me an' my new daddy-in-law tracks him to his reetreat, an' when we're through he's plumb used up. I confers the pelt on my Sarah Ann; an' she spreads it on the floor over by her side of the bed, so as to put her little number sevens on it when she boils out of a winter's mornin' to light the fire, an' rustle me my matoot'nal buckwheat cakes an' sa'sage.'"
Contents
OLD MONTE, OFFICIAL DRUNKARD
By Alfred Henry Lewis
"Shore; Monte's the offishul drunkard of Arizona." The old cattleman was answering my question. "Or, seein' that mebby Wolfville's joorisdiction won't be held none to reach beyond, let's say the offishul drunkard of Cochise County. That's Monte's civic designation; offishul drunkard, an' meant to fix his social place.
"Does he resent it?
"Which he proudly w'ars that title like it's a kingly crown! It's as good as even money that to ondertake to sep'rate him from it, or deny the same, is the one single thing he bristles up at an' give you a battle over.
"Which this yere last should mean a heap, since Monte's plumb pacific by nacher, an' abhors war to the mean confines of bein' timid. To be shore, he'll steam at the nose, an' paw the sod, an' act like he's out to spread rooin far an' wide--that he's doo to leave everything in front of him on both sides of the road. But in them perfervid man'festations he don't reely intend nothin' either high or heenious, or more'n jest to give his se'f-respect an outing that a-way. Let the opp'sition call him down, an' the crafty old cimmaron'll go to the diskyard instanter.
"Which at that, Monte ain't without his interestin' side. When onder the inflooence of nosepaint, which last is constant, he has three distinct moods. About the fo'th drink, let a stranger show up, an'--all aff'ble an' garyoolous--Monte's right thar to do the honors. When the stranger, gettin' weary, kicks Monte off him, the same bein' shore to happen final since no one formed in the image of his Maker can put up with them verbal imbecil'ties of his beyond a given len'th of time, he'll arch his back an'--apparently--wax that f'rocious a wronged grizzly to him is as meek as milk. An' yet, as I tells you, it's simply a blazer; an' the moment the exasperated stranger begins betrayin' symptoms of goin' to a showdown, Monte lapses into his third mood of haughty silence, an' struts off like it's beneath him to bandy words.
"That's the savin' clause in Monte's constitootion; he may get drunk, but he never gets injoodicious. Thar's a sport from some'ers over 'round Shakespear in the dance hall one evenin', whose patience has been plenty treespassed on by Monte. By way of bringin' matters to a deecisive head, this yere Shakespear party tells Monte he's a liar. Do you reckon Monte hooks up with him? Not a chance! He simply casts on that maligner from Shakespear a look of disparagement, an' with nose held high, as markin' his contempt, moves away with the remark.
"'That's something I refooses to discuss with you.'
"Which thar's no more real p'isin in Monte than in a hired girl.
"We has the chance once to try some experiments on Monte, an' it's the mistake of our lives we don't. Peets, whose regrets is scientific, feels speshully acoote. Thar's a partic'lar bar'l of nosepaint gets trundled into camp, which is nothin' short of bein' the condensed essence of hostility. Black Jack, after years as barkeep, says himse'f he never sees nothin' like it. On the hocks of two drinks, folks gets that ornery Enright has it freighted back to Tucson in alarm, fearin' for the peace of the camp. At the time, none of us thinks of it; but later it's a subject of gen'ral regret that some of it ain't saved to try on Monte. Mebby that speshul brand of licker turns out to be the missin' ingreedient, an' keys him up to deeds of heroism.
"Jest to show you some of the milder workin's of that licker. Boggs files away four inches of it onder his belt, an' next, when he's walkin' by the corral an' meets a Mexican, he reaches out in a casyooal an' abstracted way, collars that Greaser an' hefts him over a six-foot 'dobe fence, same as if he's a bag of bran; an' all apropos of nothin'. Boggs says himse'f he don't know why none. He's thinkin' of something else at the time, he declar's, an' the eepisode don't leave no partic'lar traces on his mem'ry. The trooth is, it's that veehement an' onmuzzled nosepaint, incitin' him to voylence.
"Is the Mexican hurt?
"Which, if I remembers rightly, Peets does mention about a busted collarbone. But it don't create no interest--him bein' a Mexican. You see, thar's a feelin', amountin' fa'rly to a onwritten law, that Mexicans ain't got no rightful call to be seen in public no how; an' when one does go pirootin' round permiscus, in voylation of this yere tenet, nacherally he takes his chances. You-all can gamble, though, that Boggs shore never would have reached for him, only he's actchooated by that whiskey.
"As modest an' retirin' a sperit as Cherokee, to whom any form of boastful bluff is plumb reepellant, subscribes to a mod'rate snifter of that licker; an' in less time than it takes to rope a pony, he's out in front of the Red Light, onbucklin' in a display of pistol shootin'. Thar's a brace of towerists in camp, an' Cherokee let's on he'll show 'em. Which he shore shows 'em! He tosses two tomatter cans on high, an' with a gun in each hand keeps 'em dancin' an' jumpin' about in the atmosphere ontil thar's six bullets through each. It's a heap satisfyin' as a performance, as far as them pop-eyed towerists is concerned, an' both leaves town that evenin' by speshul buckboard.
"Onaffected by that licker, Cherokee wouldn't have no more gone an' made sech a spectacle of himse'f, though urged tharunto by the yoonanimous voice of the outfit. When he so far recovers as to 'ppreeciate what Faro Nell has to say of them exploits--an', while tender, she's plenty explicit--he comes mighty clost to blushin' himse'f to death.
"It's after we notes what it does to Cherokee, an' hears of them exhibitions of broote force by Boggs, that we gets timid about this yere whisky, an' Enright orders the bar'l sent back. An' right he is! S'ppose them Red Dogs was to have come prancin' over for a social call, an' s'ppose in entertainin' 'em we all inadvertent has recourse to that partic'lar licker, whatever do you-all reckon 'd have been the finish? Son, thar'd have been one of them things they calls a catyclism, an' nothin' short.
"It's shore a fightin' form of licker. Tutt reeserves out a tin cup of it, an' sets it down by a prairie dog's hole. Accordin' to Tutt, the dog comes out, laps it once, an' starts back same as if he's been shot with a '45. Thar he squats, battin' his eyes, wrinklin' up his nose, an' cogitatin'. After thinkin' the thing over, the dog approaches, mighty gingerly, an' takes three or four more laps. Then he r'ars back, an' considers for quite a spell. It looks final like he gets his mind made up, an' with that he capers over, an' he'ps himse'f to what for a prairie dog is shore a big drink.
"Two minutes later, ha'r bristlin', whiskers standin' out like wire, eyes full of determination, th
at dog crosses over to another dog who's livin' neighbor to him, an' says--accordin' to Tutt:
"'Wharever can I locate that coyote who's been domineerin' round yere for mebby it's a month, harassin' folks into their holes? Whar's that coyote at?'
"Peets allers allows Tutt exaggerates, but havin' sampled that licker some myse'f, I'm a long ride from bein' so shore.
"That lack of war instinct in Monte ain't no speecific drawback. Him drivin' stage that a-way, he ain't expected none to fight. The hold-ups onderstands it, the company onderstands it, everybody onderstands it. It's the law of the trail. That's why, when the stage is stopped, the driver's never downed. Which if thar's money aboard, an' the express outfit wants it defended, they slams on some sport to ride shotgun that trip. It's for this shotgun speshulist to give the route agents an argyooment. Which they're licensed to go bombardin' each other ontil the goin' down of the sun. As for the driver, however, the etikette simply calls for him to set his brake, an' all peaceful hold his hands above his head. It's inside his rights, too, accordin' to the rooles, for him to cuss out the hold-ups, an' call 'em all the hard names of which he's cap'ble; an' stage drivers, who loves their art, spends their time between drinks practisin' new cuss words, an' inventin' onheard of epithets, so as to be ready when dooty an' o'casion calls. Havin' downed or driven off the shotgun sport, an' seen the bottom of the express box, the hold-ups tells the stage driver to pull his freight. Wharupon he picks up the reins, kicks free the brake, lets fly a loorid an' final broadside of vitooperation--he havin' carefully reeserved the same, by way of peroration--an' goes his windin' way.
"Wolfville's been on the map for most a year, when Monte first shows up. In the beginnin', an' ontil we-all gets adjusted to him, he's something of a bore. Leastwise, he ain't what you'd go so far as to call a boon companion. When it dawns on us that he's plottin' to make himse'f a permanency, it certainly does look for a spell that, what with his consumption of nosepaint an' what with his turrific genius for snorin', he's goin' to be a trifle more'n we can stand.
"Does Monte snore?
"Not to create ondoo excitement, the bar'foot onclothed trooth is that his snorin' falls nothin' short of bein' sinful. Boggs has plenty of countenance when he brings them snores to the attention of Enright.
"'Thar's shore a limit somewhar, Sam,' Boggs says, 'to this yere drunkard's right to snore. Which he's simply keepin' everybody over to the O. K. House settin' up. Onless something's done to check him, thar'll be a epidemic of St. Vitus dance. You ask Doc Peets; he'll tell you that this yere Monte with his snorin' is a scourge.'
"It's not alone their volume, but their quality, which makes them snores of Monte so ondesir'ble. Some folks snores a heap deprecatory, an' like they're apol'gizin' for it as they goes along. Others snores in a manner ca'mly confident, an' all as though the idee that any gent objects would astonish 'em to death. Still others snores plumb deefiant, an' like they ain't snorin' so much for comfort, that a-way, as to show their contempt for mankind. It's to this yere latter hostile school that drunkard, Monte, belongs.
"After Boggs lodges complaint, Enright takes a corrective peek into the sityooation. Thar's two rooms over the O. K. kitchen, sort o' off by themselves. Upon Enright's hint, Missis Rucker beds down Monte in one, an' Deef Andy, who mends harness for the stage company an' can't hear nothin', in the other.
"'It's for the safety of your excellent car'vansary, Ma'am,' Enright explains. 'Which Dan's mighty easy moved; an' some mornin', onless you adopts them improvements, that somnolent sot you're harborin' 'll go too far with Dan. I takes it you-all don't want the shack all smoked up with Dan's six-shooter? In which event you'll put that reverberant drunkard in the far-corner room, with Andy next.'
"Peets once mentions a long-ago poet party, named Johnson, who, speakin' of a fellow poet after he's dead an' down onder the grass-roots, lets on that he teches nothin' he don't adorn. You can go your ultimate simoleon that ain't Monte's style. The only things he don't upset is bottles; the only flooid he never spills is licker. This yere last would be ag'inst his religion. Wharever he goes, he's otherwise draggin' his rope, an' half the time he's steppin' on it.
"It's him that coaxes that onhappy Polish picture painter our way. This yere is long after he's drivin' stage, an' as Wolfville's offishul drunkard becomes a tol'rated feachure of the camp. This Polish artist person is as much out o' place in Arizona as a faro lay-out at a Sunday school picnic. Monte crosses up with him over at Tucson in the Oriental S'loon, an' while thar's no ties between 'em, more'n what nacherally forms between two gents who sets drinkin' together all night long, before ever they're through with each other that inspired inebriate lands the locoed artist party on our hands. Enright shore does go the limit in rebookin' Monte.
"'Why, Sam,' says Monte, an' he's that depreecatory he whines, 'I allows you'll look on him as a acquisition.'
"'All the same,' returns Enright, an' I never knows him more forbiddin', 'yereafter please confine your annoyin' assidooities to drivin' stage, an' don't go tryin' to improve the outlook of this camp.'
"Monte, with this, gets that dismal he sheds tears. 'Which it shore looks like I can't do nothin' right,' he sobs.
"'Then don't,' says Enright.
"From the start, Monte graves himse'f upon the mem'ry of folk as the first sport, to onroll his blankets in Cochise County, who consoomes normal over twenty drinks a day. Upon festal occasions like Noo Year's, an' Christmas, an' Fo'th of Jooly, an' Thanksgivin', no gent who calls himse'f a gent thinks of keepin' tabs on a fellow gent, no matter how freequent he signs up to Black Jack. On gala o'casions, sech as them noted, the bridle is plumb off the hoss, an' even though you drinks to your capac'ty an' some beyond, no one's that vulgar as to go makin' remarks. But that ain't Monte; he's different a heap. It looks like every day is Fo'th of Jooly with him, he's that inveterate in his reemorseless hankerin' for nosepaint.
"Also, regyarded as to his social side, Monte, as I states former, is a nooisance. Knowin' folks, too, is his fad. Only so you give him licker enough, he'll go surgin' round accostin' every gent he sees. No matter how austere a stranger is, Monte'll tackle him. An' at that he never says nothin' worth hearin', an' in its total absence of direction his conversation resembles nothin' so much as a dog chasin' its tail.
"An' then thar's them footile bluffs he's allers tryin' to run. He's been pesterin' in an' out of the Red Light one evenin' ontil he's got Black Jack incensed. As he comes squanderin' along, for say the twentieth time, Black Jack groans, an' murmurs,
"'Yere's that booze-soaked old hoss-thief ag'in!'
"Monte gets the echo of it, same as folks allers does when it ain't wanted, but he's onable to say who. So he stands thar by the bar, glarin' 'round an' snortin'. Final, he roars:
"'Who cuts loose that personal'ty?'
"Thar ain't no answer, an' Monte ag'in takes to pitchin' on his rope.
"'Show me the galoot who insults me,' he roars; 'let him no longer dog it, but p'int himse'f out as the gent.'
"'All right,' says Black Jack, whose indignation gets the best of his reespons'bilities as barkeep, 'which I'm the party who alloodes to you as a booze-soaked old hoss-thief.'
"'An' so you're the gent,' says Monte, castin' a witherin' glance at Black Jack; 'so you're the would-be sooicide who calls me a booze-soaked old hoss-thief?'
"'Which I'm the identical stingin' lizard. Now what is it you're so plumb eager to say?'
"'What am I eager to say? I merely wants to remark that you ain't done nothin' to swell up over. You-all needn't go thinkin' you're the first barkeep who calls me a booze-soaked old hoss-thief.'
"Havin' la'nched this yere, Monte turns off as stiffly pompous as though he ain't left a grease-spot of Black Jack.
"When folks won't listen to him no longer, Monte goes bulgin' forth into the highways an' the byways, an' holds long an' important discussions with signs, an' dry-goods boxes, an' sim'lar inan'mate elements of the landscape. Also, to mules an' burros. I remarks him myse
'f, whisperin' in the onregyardful y'ear of a burro, an' said anamile as sound asleep as a tree. When that drunkard's through his confidences, he backs off, an' wavin' his paw plumb myster'ous at the burro says:
"'Remember, now; I'm givin' you this yere p'inter as a friend.'
"That time Black Jack offends Monte, after the latter hits the sidewalk followin' what he clar'ly considers is his crushin' come-back on Black Jack, he gets the feelin' that Jack's ha'ntin' along on his trail. Before he's gone fifty foot, he w'irls about, an' shouts:
"'Don't you-all follow me! Which, if you crowds me, them places that has knowed you won't know you no more forever.'
"When Monte gets off this menace, it seems like the Black Jack specter becomes intim'dated, an' tries to squar' itse'f.
"'What's that?' Monte asks, after listenin' mighty dignified to the spook's excuses; 'you begs my pardon? Not another word. If you-all keeps on talkin' now you'll sp'ile it. Thar's my hand,' givin' the fingers of the phantom a mighty earnest squeeze. 'I'm your friend, an' that goes.'
"Havin' established a peace, Monte insists that the Black Jack phantom b'ar him company to the O. K. Restauraw. In spite of all Missis Rucker can say or do, he plants the spook at the table, feeds it on the best that's in the kitchen, an' all as confident as if it's shorely troo. Also, he insists on payin' for two.
"When Missis Rucker tries to show him he's down wrong, he refooses to have it that way.
"'Do you-all reckon, Ma'am, that I can't trust my eyes none?' he demands. 'Which you'll tell me next that them airtights I tops of with is figments.'
"'But thar's only one of you-all,' Missis Rucker persists.
"'Ma'am,' returns Monte, his manner plumb s'picious, 'I don't jest quite sense your little game. Whatever it is, however, you-all can't play it on old Monte. You write back to my fam'ly an' the neighbors, an' the least flatterin' among 'em'll tell you that I'm as cunnin' as a squinch owl. Thar's two of us who feeds, an' for two of us I settles. Bein' a woman, you're too feeble-witted for reason, too mendacious for trooth.'