The relief of discovering that the nightmare was nothing but a dream soon evaporated, for she realised that something else had woken her: the close sound of splintering wood. Someone was breaking into the house.
She shook her sister. ‘Catherine, wake up.’
Anne jumped up and began pulling her two younger sisters from the bed they all shared. She shouted out for Thomas and the boys. Not for the first time it dawned on her how vulnerable they were in this house since the death of their father a year ago, and the departure of her brother Bartholomew to farm land to the east of Stratford. Anne was the eldest now and must not only run Hewlands Farm but care for her two young sisters and three small brothers. Only Catherine, now nineteen, was of an age to be of real help. Bartholomew would surely have to return soon, for he was needed here.
She shouted again and then there was a crash as though a heavy cabinet had toppled over. Clutching little Joan and Margaret to her, she shepherded them into hiding behind the bed. ‘Stay with them, Catherine. I will go and see what is happening.’ She feared she knew already, for she had seen the horror visited upon the home of Florence and Audrey. She moved towards the doorway. Before she could lift the latch, the door flew open.
There was no time to saddle horses. Shakespeare and his brother ran through the dark streets of Stratford, their way lit by guttering torches of pitch. Ahead of them ran Thomas Hathaway, desperate with panic. He had managed to slip out of a window and fled to seek their help: Anne and the children were being held at Hewlands Farm by pursuivants. On the path between the orchards on the outskirts of town, Will stumbled in a ditch and yelped. Shakespeare caught his arm and prevented him from falling further.
Five minutes earlier, Will had beaten his fist on the door to Shakespeare’s chamber, waking him from a deep sleep. Bleary-eyed and a little dazed, Shakespeare had woken quickly and opened the door.
‘John, get dressed. You must come instantly.’
‘What is it, Will?’
‘Thomas Hathaway is outside. The pursuivants have come to Hewlands Farm and are running rampage through the house. He managed to get away, but Anne and the others are all held by the men.’
By the time they reached the farm, the pursuivants had gone, leaving behind a scene of weeping children and distraught women. Anne and Catherine tried to comfort the little ones, but they were shaking and could barely contain their tears. The house itself had not suffered much damage, and certainly nothing like the destruction wreaked on the home of the Angel family. The front door had been battered open, but was still on its hinges. A dresser had been cast down to the floor. Earthenware pots, pewter platters and jugs had been scattered, many of them shattered or cracked.
The entrance hall was lit by candles and rushlights. The children were collecting up broken pieces from the floor. Young Richard Hathaway, a sturdy seven-year-old, was weeping with frustration as he attempted vainly to lift the dresser back into position.
Anne came forward, holding Joan and Margaret by the hand, and Will folded them all in his arms.
‘Was this Rench?’ he said, spitting the name.
‘Will, it was terrifying. They came into our chamber like ravening wolves.’
‘I will kill him.’
She disengaged herself from his arms. ‘Don’t say that, Will.’ She indicated the small children in earshot. ‘There has been more than enough violence in this place.’
‘No, I won’t kill him. But I should do.’
‘I beg you, Anne, tell us exactly what happened.’ Shakespeare walked around the room, examining the chaos and disarray. ‘What was their strength?’
‘There were a dozen of them, all dressed in black leather doublets, emblazoned with the Lucy crest. Rench was among them, but he was not their leader. I thought it would never end. They were turning out coffers, rifling through linen and clothing, scattering food in the pantry. It seemed like hours but it was no more than ten or twenty minutes. Everything was emptied, all cupboards searched, but little damage was done. No one was harmed, thank the Lord.’
Shakespeare stopped. ‘If not Rench, then who was their leader, Anne?’
‘I know not. He was a man I have never seen before. Rench obeyed him like a pet dog.’
‘Did he wear a coloured doublet, like a harlequin? A slender fellow with a foul tongue.’
‘No, he was attired like the others and I would call him squat, not slender. He scared me, John. He scared me much more than Badger Rench ever did. He was older – perhaps fifty – and he had white hair. He knew I was with child and he mocked me and called me—’
‘What? What did he call you?’
She lowered her voice so that the children could not hear. ‘He called me Shakespeare’s whore. I could not bear the smell of him. He stank so and smacked his blackthorn stick into his hand.’
Shakespeare felt his hands curl into fists and a horrible sensation churned in his stomach. How could Richard Topcliffe be here in Shottery in the heart of the Midlands? And yet, the white hair, the fear he engendered, the foul insults, the stench, the blackthorn – was there any other man in England who fitted such a description? Why was Topcliffe in Warwickshire? And what was he looking for at Hewlands Farm?
‘What else did he say?’
‘He said this was but the beginning. He told me I would never sleep sound again.’ Anne hesitated, then lowered her voice. ‘He tried to touch me, most lewdly.’
Will’s hand went straight to his dagger. Shakespeare restrained him. ‘Did you hear his name, Anne? Did anyone call him Topcliffe?’
‘No. Why, John, do you know him?’
‘I fear I do. If I am right, then you have had the misfortune of encountering Richard Topcliffe. He is a rabid priest-hunter. I met him in Sheffield and travelled with him as far as Tutbury Castle in Staffordshire on orders of Mr Secretary. We parted there and I thought he had gone on to the royal court. I had hoped never to cross his path again, for there is darkness and cruelty in his soul. If he is here, it is bad news. And if he is working with Badger Rench, it is even worse . . .’
Will looked away, avoiding his brother’s gaze yet again. Shakespeare watched him a few moments, and then suddenly gripped his younger brother by the shoulders and made him meet his eyes. ‘Will, if there is anything you are holding back from me, anything at all, now is the time to speak your mind. We must have no secrets between us. Anne is right to be afraid. There is grave danger here.’
Chapter Twenty-Three
AN HOUR LATER, as the sun was rising, and the children were back in their beds, the truth finally came out.
‘Florence gave me a letter for safekeeping,’ Anne said. ‘I was consumed with fear when I saw it, but I did not know what to do. Florence herself was scared. She could not hide it in her own home, for the pursuivants would have found it.’
‘What letter? Show me.’
‘I no longer have it.’
‘Well, where is it? Have you destroyed it?’
Anne was silent. She gripped Will’s hand.
Shakespeare stared at his brother and waited.
At last Will let out a long sigh. ‘Very well, John. I insisted Anne give it to me. I understood the peril.’
‘Will, get to the heart of the matter! You still haven’t told me what this letter is. Who wrote the thing? To whom is it addressed? What is its content?’
‘It is in cipher, but the mark at the end is clear enough. It is signed by Mary Stuart. I have no idea of the intended recipient.’
Shakespeare thought his blood would run cold in his veins. A secret letter from the Scots Queen? God in heaven, the import and peril of this would be obvious to anyone. Mere possession of such a document was tantamount to treason. No one but a conspirator would conceal such an object. How had such an item surfaced here in the sleepy Warwickshire countryside? And why was it now in the possession of his brother?
‘Give it to me.’ He held out his hand. ‘You could hang for this.’
‘It’s not here. I hid it.’
<
br /> ‘Then let us go and fetch it now and burn it. Where did you put it?’
‘Is this necessary, John? You are acting like a law officer, treating me like a criminal. Am I not your brother?’
‘You are my brother, but you are also a subject of the Queen of England and are liable to be held accountable before the law. So believe me, this is necessary. Where is it?’
‘I have it at home, concealed within a book.’
‘God’s blood, Will, I had thought you a young man of wit!’ Shakespeare exploded. ‘I now think you are totally insane. You hid it within a book! Did you think they would not look there? Did you not see how they tore the widow Angel’s house to pieces? How could you think that the Shakespeare house was safer than Hewlands Farm? Perhaps the pursuivants are there even now. And Will, if what you say is true – and I still cannot believe it – then you have brought your own mother and father into peril. How could you do such a thing? You must realise you could both be hanged for this, and worse.’
‘Worse?’
‘Tortured by rack for the names of your accomplices, bowelled and quartered. Tell me you understand the danger, for pity’s sake.’
‘I am sorry. Anne was scared. Would you have not helped your betrothed in any way necessary?’
‘But Anne, what possessed you to accept this thing from Florence? You must have had doubts.’
‘I was worried for her. I wished to help a friend. What else was I supposed to do?’
‘Who else knows about this letter? Who knows that Florence gave it to you, Anne?’
‘No one. Not that I know of.’
‘And yet Topcliffe and his pursuivants come here. That is a mighty coincidence, is it not? They have no notion that there is a letter, nor that it was given to you – and yet they come beating at your door at dead of night. Anne . . . Anne . . . of course they know something.’ A hideous thought was taking shape. What if Benedict Angel had been captured by Richard Topcliffe before his death? Topcliffe had already told Shakespeare that he was not averse to the use of torture. Was it not possible that Topcliffe and his men had used pain or threats to obtain information incriminating Anne and Will? ‘Where do you suppose they will go next, Will?’
Will’s face was pale. He was shivering. ‘Are you thinking of our home?’
‘Yes, I am. They will go as certain as night follows day and death follows life. They will go to Henley Street and rip our home apart. Come, Will, we have no time to lose.’
Shakespeare stood by the window in the chamber that he had once shared with Will and Gilbert. He could not believe Will had been so reckless and foolhardy. He clenched his fists and hissed through his teeth with rage and fought the instinct to club his brother to the ground.
‘Do you know what you have done?’ he repeated. ‘You have endangered this whole family. Your mother, your father, your brothers and sisters.’
Will was chastened. ‘You have made the point forcibly. And yet still all I can say is that I am sorry.’ He removed a large book from the bottom of a pile near the bed. He held it up and tried to lighten the mood. ‘It is called A Brief Discourse of the Late Murder of Master G. Saunders. It is a poor thing concerning the death of a London merchant. Even a pursuivant would find no entertainment there.’
‘God damn you, Will. There is no mirth to be had this day and I have no interest in your book. Give me the letter.’
Will placed the tome on the bed and flicked through the pages. Somewhere in the middle, he found what he was looking for: a letter with the seal broken. ‘Here, John, take it. I never wish to see the thing again. It will give me many sleepless nights as it is.’
Shakespeare studied it closely. It was scraped in a small, neat hand, filled from top left to bottom right, with no margin space. The only thing fathomable was the name, Marie R. He held it up to the window light. It certainly looked like her hand. He had seen her letters before, in plain script and in cipher, but none encrypted in this manner, with a strange mixture of letters, numerals and Greek symbols.
‘Will you burn it now?’
He did not reply. Every instinct told him to tear it up and throw the pieces on to the fire until each shred was utterly consumed and then take out the ashes and throw them to the wind. But he could not do it without knowing what the letter said. Not while the Duke of Guise prepared his invasion fleet in the ports of Normandy and while François Leloup was on the loose in England.
Angrily, he folded the letter, thrust it into his doublet, and stalked from the room. He could not bear to speak to Will, nor even look at him.
The coroner observed the state of Widow Angel’s house and refused to go inside. ‘We will hold the inquest at the alehouse.’ He beckoned two witnesses, the farrier Humfrey Ironsmith and Constable Nason. ‘You two, bring the dead man to the alehouse. Quickly.’ He spotted Joshua Peace. ‘Who are you?’
‘I am the Searcher of the Dead, sir. Joshua Peace.’
‘Help them, and then be on your way. I have no need for a searcher. From what I am told, this case is cut, dried and in the jar.’
‘I have been commanded to stay by John Shakespeare, who is an officer of the crown.’
‘Well, he has no authority here. This is my court. Carry the body and be gone with you.’
Joshua Peace walked into the ruins of the house with Ironsmith and Nason.
Ananias Nason put a hand to his face. ‘Too sweet for me. Smells like last month’s pork in here.’
Peace looked at him with disdain. ‘Have some respect in the company of the departed, Constable.’
‘You tell me to have respect? I’ve heard how you prod and cut bodies. You’ve learnt your mother’s witchcraft, so folks say. And one day you’ll have your neck stretched for it. Now get carrying, you and Ironsmith.’
‘The coroner told us all to carry the corpse.’
‘That was outside. Now we’re inside and I’m in charge, so what I say goes. And what I say is that you two worms can shift the cadaver.’
‘We’ll need a cart.’
‘No, you’ll need your hands and the strength God gave you.’
A light rain was falling. Boltfoot reined in his horse on the edge of town and slumped his shoulders.
‘I do believe we are here, Mr Cooper.’
She was smiling at him. A smile that said, Here we are and I have got you to do just what I wanted.
Boltfoot patted his horse’s neck. He had an uncomfortable feeling that he and Kat were not going to be at all welcome here in Stratford-upon-Avon. Most likely, he would be dismissed from Mr Shakespeare’s employment by day’s end and be reduced to scouring London docks for a berth by Saturday.
‘Why, Mr Cooper, you do not look at all happy. Now that we are here, you can be rid of me. I had thought you would be glad to see the back of me.’
‘Where is he, then? Buchan Ord? You said he was here.’
‘Patience, Mr Cooper. First let us find an inn where we can feed ourselves and the horses and wash this dust from our mouths and eyes. Then we can seek out your master, and all will be revealed.’
The inquest was under way by the time Shakespeare arrived at the alehouse. He was surprised to see Joshua Peace standing outside in the drizzle.
‘What is going on here, Mr Peace? Why was I not informed of the inquest – and why are you not participating?’
‘The coroner does not want me. He has made up his mind already, or someone else has made it up for him. He will not allow me in there.’
‘I know whose work this is. Sir Thomas Lucy.’ Shakespeare spat the name. ‘Follow me, Mr Peace.’ He pushed open the alehouse door and felt the eyes of twenty or so men looking at him. A group of them – perhaps fifteen – were jurors; only two were witnesses – Humfrey Ironsmith and Ananias Nason. At a table, dominating the small room, was the coroner, with a clerk at his side.
The coroner was a slight man with red hair, cheerless eyes and grim lips. In any other setting, no man would note him. Yet here, as master of his court, he had a stern pr
esence that cowed the men ranged before him. He was accustomed to being obeyed when he held an inquest.
In front of the table, laid out on a sheet on the floor, was the corpse of Benedict Angel. The smell of beer and woodsmoke could not quite conceal the early waft of a decomposing body. Two of the jurors were standing looking down at it, having been ordered to examine the dead man.
The coroner pointed a long, slender finger at Joshua Peace. ‘Mr Searcher, what are you doing here? I ordered you to go away. If you do not do so now, you will be arrested and held in contempt until such time as the justice orders you clamped into the pillory.’
‘No, he stays.’ Shakespeare strode forward to the coroner’s table. ‘I am John Shakespeare and I am in charge of the investigation into Mr Angel’s death – murder, as it seems to me. What is your name, Mr Coroner?’
‘No, damn you, I am in charge of this investigation. And you have no need of my name, for you, too, are leaving this hearing.’
Shakespeare turned to the clerk. ‘What is your master’s name? I need it, for it will be reported to Sir Francis Walsingham, as will yours. The Privy Council will hear how you have interfered in the inquiries of an officer engaged on Queen’s business.’
The clerk looked to his master for guidance. Suddenly, the coroner hammered his fist on the table, making his Bible and several papers jump. ‘Rot in hell, Shakespeare. My name is Bagot. Henry Bagot. Stay if you must with your necromancer. Stand by the wall and be silent, for this is a solemn proceeding and I will brook no interruption.’
Shakespeare stayed at the hearing for one reason alone: so that the coroner should know that his corrupt justice was noted, and that it would be reported.
‘You mentioned a broken branch not three feet from the body, Mr Nason,’ the coroner said.
‘That is so, sir. It was a main lower branch of an oak.’
‘Would it have been high enough to suspend him? Is it possible that the dead man hanged himself from that branch and that it broke away from his weight after he had died?’
The Queen's Man: A John Shakespeare Mystery Page 19