The Executor

Home > Other > The Executor > Page 29
The Executor Page 29

by Blake Morrison


  Vodka

  I captured a girl! (2.12)

  And then there was Jess, a lesbian so they told me:

  black leather, tattoos, an Olympiad of nose- and ear-rings.

  We had flown to Murmansk, where it was twenty below

  and an icebreaker had carved a narrow channel.

  Her job was to mind me, mine to read poems from elsewhere,

  like an Arctic convoy bringing relief. After the reading,

  the reception, the dinner of grilled sturgeon, a crowd of us

  drank vodka in my room, then three, then Jess and me.

  We perched on the bed, watching ships follow the thread of moving water,

  their lights like the shiny beads on her jumper. ‘I’m hot in this,’

  she said, pulling it over her head, then turned (‘Down the hatch’)

  to chink glasses, our rims clacking clumsily, like teeth, as we drank

  to the moon, the future, the icebreaker ploughing a watery furrow.

  Wardrobe

  There’s magic in poetry, its power/Can pull down the moon (2.1)

  The place was a side street near the station,

  our room scarcely bigger than the wardrobe,

  but a bed with eider pillows had been made

  and we lay together in the darkness

  rubbing each other’s bodies like lamps

  till the wardrobe door swung open

  and next thing we were in and through the back,

  alone on a beach by the Aegean,

  thyme blowing from the cliffs

  and waves gently lapping our feet,

  till the wardrobe door swung shut again

  to the noise of trains uncoupling

  and the swish of traffic on wet tarmac,

  before we left next morning in the rain.

  X-rated

  … this fickle obsession (3.11)

  There was always the Internet to gorge on.

  Daytime meant work, and I worked like a Trojan,

  but at six I’d pour a drink and turn the screen on.

  Watch a bitch take a load! Hear the screams of a slut getting her

  ass destroyed! See a milf with big tits meet the cock doctor!

  It was like watching executions in the amphitheatre

  at Pompeii. Sex is supposed to mean desire, but how could I feel it

  when the girl on the screen, however exquisite,

  had a cock down her throat that was (a) another man’s, and (b) a damn sight

  bigger than mine? Gagged, chained and corseted,

  slapped about the face while doubly penetrated,

  the women were lambs to the slaughter, paid

  to feign euphoria even when some brute was pissing

  on them. Whatever turns you on, yeah, but who could find this exciting?

  I thought Caligula had plumbed the depths till I watched fisting.

  Still, I too had a favourite website, www.classicalbeauties.com,

  featuring goddesses like Juno and Venus

  with their breasts naked and a fig leaf hiding the pubis.

  They were all mine to imagine. And not a single penis.

  Yo-yo

  For the hunter, pursuit is all (2.9)

  It was always the same.

  After sex they’d ask to see me again

  whereas for me the thrill had gone.

  All I wanted was to be alone

  savouring our time together,

  which – as I tried to explain

  (though they never seemed to hear) –

  was impossible with them there.

  Then the reverie would fade

  and I’d need to share my solitude.

  You’re gorgeous, I’d go,

  though in bed they could be anyone

  and I’d be out of there, pronto.

  leaving nothing of myself

  and never mind the search for

  some elusive other half.

  Zero

  Though flint itself will perish, poetry lives (1.15)

  These women I’ve written about – were they just bodies to me?

  Had I no interest in their thoughts and feelings? Didn’t I love them?

  Of course, while I was with them. But then I went back to my life,

  my room, my writing (my writing about them!) and I loved that more.

  If I’d been free to be with them, they’d not have loved me as much.

  If I’d loved them more, I’d not have been free to write.

  It wasn’t a deal we shook hands on, but for a time it suited us

  and afterwards there were no hard feelings: they found a new man,

  and I had my writing, not erotic now but elegiac.

  Yes, I loved those women. But remembering, I love them more.

  @vintagebooks

  penguin.co.uk/vintage

  This ebook is copyright material and must not be copied, reproduced, transferred, distributed, leased, licensed or publicly performed or used in any way except as specifically permitted in writing by the publishers, as allowed under the terms and conditions under which it was purchased or as strictly permitted by applicable copyright law. Any unauthorized distribution or use of this text may be a direct infringement of the author’s and publisher’s rights and those responsible may be liable in law accordingly.

  Epub ISBN: 9781473549401

  Version 1.0

  1 3 5 7 9 10 8 6 4 2

  VINTAGE

  20 Vauxhall Bridge Road,

  London SW1V 2SA

  Vintage is part of the Penguin Random House group of companies whose addresses can be found at global.penguinrandomhouse.com

  Copyright © Blake Morrison 2018

  Blake Morrison has asserted his right to be identified as the author of this Work in accordance with the Copyright, Designs and Patents Act 1988

  First published by Chatto & Windus in 2018

  www.penguin.co.uk/vintage

  A CIP catalogue record for this book is available from the British Library

 

 

 


‹ Prev