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by Stephen Lawhead




  The iron lance

  ( Celtic Crusades - 1 )

  Stephen Lawhead

  Stephen Lawhead

  The iron lance

  January 6, 1899: Edinburgh, Scotland

  My name is of no importance.

  It is enough to know that three nights ago I obtained to the Seventh Degree Initiation. Perforce, and I am now a member of the Inner Temple, and therefore privy to the secrets I am about to reveal.

  Do not think for a moment that I intend to betray the trust which has been placed in me. I would gladly die before endangering the Brotherhood or its work. As it happens, much of what I shall set forth is already known; at least, any reasonably intelligent reader with an ounce of curiosity and a half-decent library can obtain it with patience and perseverance. The rest, however, is beyond all recovery, save by the methods which have been employed on my behalf. Those methods, like the knowledge so derived, is arcane beyond belief.

  Indeed, were I not now among the chosen few, I would not believe it myself, nor would I be writing this at all. As to that, I have put it off long enough. The time has come to order the confusion of my thoughts and the extraordinary, nay fantastic, experiences of the last days. Perhaps in the writing I will begin to reassure myself that I am not insane. The events which I shall tell did happen, believe me.

  I begin.

  The summons came as it usually does-a single rap on the door of my study, and a note bearing neither seal nor signature, nor any message save the solitary word: Tonight.

  Needless to say, I spent the rest of the day disengaging myself from my various commitments and, at the appropriate time, made my way to the appointed place of rendezvous. Forgive me if I do not divulge the location of our meeting place. Suffice to say that it is a simple church no great distance from the city, easily reached by hansom cab. As always, I paid the driver for his trouble, delivered instructions for his return, and proceeded the last two or so miles on foot. Like my fellows, I vary the route each time, as well as the driver, so as not to arouse undue interest or suspicion.

  Although the church appears nondescript-all sombre grey stone and suitably traditional appointments-‘I assure you it is quite ancient, and anything but traditional. Upon entering, I paused to pray in one of the chapel pews before retrieving my grey robe from the rack in the vestry, and making my way down the hidden steps behind the altar to the crypt where our more intimate convocations take place.

  The lower room smells faintly of dust and dry decay. It is dark. We rely on candlelight alone, and that sparingly. I am not afraid; I have participated in many such gatherings of the Brotherhood for several years now, and am well acquainted with the various forms and functions of our group. Ordinarily, I am one of the first to arrive. Tonight, however, I can sense the others waiting for me as I stoop nearly double to enter the inner room. I make some small excuse for being late, but am reassured by Genotti (I should state here that all names encountered in this narrative have been altered to protect the anonymity of the members of the Brotherhood)-who tells me that I am not late, but that tonight's meeting is a special affair.

  'We began our colloquy last night,' Genotti tells me. 'You were not required until this moment.'

  'I see.'

  Another voice speaks. 'You have been a faithful member of the Council of Brothers for six years, I believe.' It is Evans, our number two, or Second Principal. 'In that time, we have watched you ceaselessly for any hint or sign of impropriety, however small.'

  'I hope I have not disappointed you.'

  'On the contrary. You have impressed us greatly. Our admiration has only increased.'

  A third voice speaks from the darkness. 'Many have been called to the Brotherhood before you.' It is Kutch; his Austrian accent is all his own. 'However, no one has proven worthy of higher honour… until now.'

  At his use of the word 'honour', my senses prick. That word was used only once before on such an occasion-the night I was asked to join the Brotherhood.

  'I was not aware any higher honour existed,' I reply.

  'Martyrdom was an honour,' Zaccaria informs me calmly, ‘to those who embraced it.'

  'Am I to be a martyr?'

  It is De Cardou who answers. 'We are all martyrs, my friend. It is only the cause which distinguishes one from another.'

  I do not know what to say to this, so the silence stretches long. I have the sense that they are watching me, that they can see me in the dark even though I cannot see them.

  It is Pemberton who speaks at last. This surprises me, for I expected one of the others-Evans, perhaps, or De Cardou. But, no, I know now that the unassuming Pemberton is our superior, our First Principal. 'If you would suffer martyrdom, as we have suffered it before you,' he says gently, 'you have but to step forward.'

  I do so, and without a moment's hesitation. I have seen enough of the Brotherhood and its works to trust these men implicitly. I need no second invitation, and in any event I would not have received one. Thus, I accept, stepping forward the prescribed single step; and thus, the initiation begins.

  At once I am seized by two members of the Inner Temple, one on either side; they stretch out my arms horizontally, while a third fastens a thick, padded band around my waist. I am led forward to a small table which has been set up in the centre of the crypt.

  A solitary candle is lit, and in its glow I see that the table is covered with a spotless white cloth upon which a selection of objects has been assembled: a silver bowl of liquid, a white clay pipe of the kind used to smoke tobacco, a communion chalice, a golden plate containing something which looks like dried figs, a folded black cloth of a material which I assume to be silk, or satin, and lastly, a crude wooden cross set on a pedestal of gold.

  I am brought to stand before the table, and my six initiators take their places on the other side, opposite me; they have covered their heads with their cowls so I may not see their faces. It does not matter, I know their voices like I know my own. Even so, the effect is unsettling.

  'Seeker, stretch forth your hands.' The command is delivered by Pemberton, and I do as I am told. He picks up the silver bowl and places it on my palms. 'Take and drink.'

  I raise the bowl to my lips and sip the liquid. It is sweet, tasting vaguely herbal, like a mixture of roses and anise; yet, there is strength in it, too. I feel the burn in my throat as I swallow. I lower the bowl and it is removed from me, only to be offered once more. 'Seeker, take and drink.'

  I drink again, and feel an uncanny warmth spreading through my gullet and stomach. I lower the bowl once more, and once more I am instructed to drink. The strange warmth is filling me from the inside out, spreading from the pit of my stomach to my limbs.

  After the third drink of the heady potion, I am allowed to replace the bowl, whereupon the cross is raised and offered to me. 'Seeker,' it is De Cardou, 'venerate the cross.'

  At this, the cross is elevated and placed before my face for me to kiss. This I do, and the cross is replaced. De Cardou takes up the clay pipe and turns away. When he turns back, the pipe is lit and smoking – although this happens so quickly I do not see how he could have struck a match, let alone lit the pipe. 'Seeker, imbibe the Incense of Heaven.'

  I take the end of the pipe into my mouth and draw upon it. The smoke is fragrant and fills my mouth. I blow it out, and draw again on the wonderful fragrance. After the third such puff, the pipe is, like the bowl, withdrawn and replaced on the table.

  Genotti speaks next. 'Seeker,' he says in his soft Italian tones, raising the golden plate, 'take and eat.'

  I choose one of the shrivelled brown objects from the offered plate. I put it into my mouth and chew. The flesh is soft and somewhat leathery – like that of dried fruit-but the taste is acrid, bitter. Tears
start to my eyes, and I am overwhelmed by a desire to spit out this strange substance. The bitterness is so intense it seems to burn, and then to numb my mouth. My tongue loses all sensation, becoming an unfeeling lump of useless tissue which, unaccountably, seems to swell in my mouth. I fear I will choke. I cannot breathe.

  Gasping, gagging, somehow I keep chewing the awful stuff, and am at last able to swallow it down. A new fear overtakes me: I will be made to eat from the plate again… but no, Genotti replaces the plate, and takes up the chalice. This is offered without a word, and I accept. I drink; it seems to be a cordial of some kind. I can detect no particular aroma or taste, but instantly feel my tongue and teeth and lips and the soft tissues of my throat begin to throb with a tingling sensation. I know not whether this comes from the dried fruit I have ingested, or from the cordial, but the tingling does not abate.

  I am suddenly taken with a curious desire to laugh. I feel as if a bubble is rising inside me, growing larger as it ascends, and that I must give birth to this bubble with a gale of laughter, otherwise I will burst. It is all I can do to keep from laughing out loud.

  'Seeker,' says Genotti once more, 'imbibe the Incense of Heaven.'

  The smoke calms me, and though my mouth still tingles I am no longer afflicted by the mad desire to laugh. Evans speaks next. 'Seeker, answer me: how sees a child of God?' he asks, his Welsh lilt falling easily on the ear.

  'With the eyes of faith,' I reply. The question is a standard query posed to initiates at every degree.

  'Then open your eyes, Seeker, and you shall see,' Evans commands. He takes up the folded cloth of black silk and, stepping around the table, raises the cloth to my face. He quickly binds my eyes, and, blindfolded, I am led by my right hand to another part of the room and made to lie down on my back on the floor.

  I compose myself for whatever will happen next, and I hear a low scraping sound, like chalk dragging slowly across a blackboard. This goes on for a time, and then I feel cold air on the left side of my face-as if a door has opened to the draught. At the same time, ropes are attached to either side of the padded band around my waist, and then I am securely tied. The others are standing around me now, towering over me.

  Suddenly, my feet are grasped and I am spun like a terrapin on my back. When my feet are released once more, I feel that there is nothing beneath them-my feet dangle over open space. I am allowed no time to reflect on this, for at almost the same instant I am gently pulled forward, allowing my feet, ankles, and legs to slide down into emptiness. My arms are taken up, the ropes pulled taut, and I feel myself slipping into the hole which has been opened in the floor.

  Slowly, I descend into the void, dangling at the end of my ropes like a puppet.

  The chamber into which I am lowered is immense. I cannot say how I know this-perhaps the size is suggested by the chill of the air and the sound of my breathing echoing back from unseen walls. My eyes are bound; I see nothing. Down and down I go.

  At last, my feet touch solid ground once more; I gather my legs under me and stand. I cannot tell how far I have descended. The voice falling down to me from directly overhead reaches me as an echo merely: 'Seeker…' it is Pemberton, 'with the eyes of faith, I bid you seek… and may you truly find.'

  At this, the ropes go slack as they are thrown in after me. This puppet's strings have been cut, as it were, and it is for me to find my own way, to seek. But what… what am I seeking? What am I meant to find? None of my previous experiences with the Brotherhood have prepared me for this test. I will stand or fall by my own efforts.

  As I am a seeker, I decide, I will do as I am told. Although the object of my search remains a mystery, I will have faith enough to believe that I shall recognize the prize when I find it.

  Thus resolved, I take my first faltering steps into the cave-for that is how I think of it, an immense subterranean cavern, a vast hollow chamber of stone deep under the earth. I take three steps into the clinging darkness, and I stop. I am no longer steady on my feet. I feel light-headed, as if I am floating.

  Nevertheless, I take a deep breath and proceed.

  I turn slowly, first left, then right. I seem to feel the faintest breath of air on my cheek when I face the right, and so I decide to pursue the search in this direction. It is a whim, nothing more, but it is rewarded by the fact that after a dozen or so measured paces, I reach a step.

  I stoop and feel the edge of the step with my hands; it rises to others behind it. I mount the first three, then three more, then another, and I am arrived upon a platform, which I take to be cut into the cavern wall.

  I speak a word and judge by the reverberation of the sound that I have entered a smaller chamber, open to the larger-a vestibule of sorts. Stretching my hands before me like a blind man-truly, I am a blind man-I shuffle forward to explore the chamber to which I have ascended.

  My head is spinning now. I have passed giddy and am actually growing dizzy. My senses remain acute. I feel as if I am glowing in the dark, giving off sparks. My hearing is sharp, but there is nothing to hear, save my own breathing. Since I have not been instructed otherwise, I decide to remove the blindfold.

  As expected, there is no light. The subterranean darkness is complete. It covers me like a second skin, so close as to be part of me. Though I am blind still, my senses are alive and tingling with anticipation – or, more probably, the strange substances I have imbibed are beginning to work in me somehow. I feel as if I am flying.

  I continue with my inspection. The walls of the vestibule, I discover, are rounded and smooth, cut, as I have surmised, into the walls of the cave. There is no impediment to my movement as I work my way around what I perceive to be the back wall of the vestibule, feeling with my hands. And then…

  I brush the edge of the opening with my fingers. I feel the curved lip of a ledge, and quickly trace the opening in the wall with my hands. It is a niche, wider than it is high, and with a slightly projecting shelf. I reach in. It is not deep. I feel the back of the niche, and then begin running my fingers along the shelf.

  My fingertips brush something cold and hard.

  The object has been placed in the niche precisely. Indeed, I presume the niche and shelf have been constructed especial to hold the object it contains. Could this be what I was meant to find?

  I continue my investigation of the object. It is long and thin, with a hardness and coldness that can only be metal. I take it into my hand and carefully remove it from its resting place, holding it lengthwise across my palms to judge its heft. From the weight, I suspect bronze, or iron; and from the length and shape, I imagine a rake handle. But no, it is too thin-the circumference is too small for any common tool or implement of that sort-and it is too heavy. The surface is rough, pitted, and without marking or ornamentation that I can discern.

  Running my hand along the length of the metal rod, I perceive that it is not entirely straight-the metal bows and turns slightly as it gradually thickens towards its blunt, rounded end. I turn my attention to the opposite end, and find that the cylindrical shaft thins as it nears what I imagine to be the top, its roundness squared beneath a short, triangular-shaped head. There are three-what shall I call them? protrusions?-on the head: small vanes, if you will. These vanes are thin, and…

  As I stand puzzling over the nature of the object I have found, I hear the whoosh of air, great volumes of air moving, yet I feel not the slightest movement on my skin. Sweat breaks out on my forehead.

  All at once, it seems as if the floor beneath me is tilting. I reel forwards, clutching the metal rod. With my free hand, I grab for the edge of the niche, miss, and lurch awkwardly into the wall. The cavern is booming now, and I realize the sound is in my head-it is the rush of blood through my ears. Bracing myself against the wall, I try to turn, but find I can no longer stand.

  I am panting like a dog. My breath comes in quick bursts and gasps, as if I have run ten miles. Sweat is pouring from my face. I hold to the wall, leaning against it, afraid to move lest I fall from the rais
ed vestibule to the floor. Instead, keeping my back to the wall, I slide down slowly into a sitting position, clutching the metal rod, and gulping air like a fish caught on dry land.

  The floor beneath me trembles; I feel the vibration seeping up through the stone floor and into my bones. My mouth is dry and tastes of sour milk. The sweat is pouring from me now. I press my head back against the solid rock and feel my poor heart thumping away wildly in my chest.

  This is how I will die, I think.

  There are dancing spots before my eyes-like fireflies, these errant beams glint and fade, appearing and reappearing in the vast emptiness of the cavern. Unlike fireflies, however, they are swarming, growing larger, gathering more substance. I see colours: bold, vibrant, shocking in their intensity. The light is growing stronger, coalescing into spheres.

  It must be the last eruption of a dying brain, but no… I can see some of the cavern chamber illuminated in the light of the ever-shifting spheres. One of them drifts close to me, shedding a gentle glow of light over me. What is more, I can see something moving inside the sphere: the dim shapes of human figures.

  The images inside the sphere are shifting, changing, filling my vision. It is all I can see now, and the light is growing stronger. Without warning the vision breaks over me. A sudden burst of light, and all at once, the cavern is ablaze with sparkling images. They fly past my dazzled eyes in a flurry of beams, a veritable blizzard of brilliance, each image a burning spark striking deep into the soft tissue of my brain. Each blazing particle is part of a greater whole, merging and coalescing as they accumulate in my mind.

  Individual fragments are swallowed in the gradually emerging whole, and I begin to see-not broken images now, but a portrait entire. With the crystalline clarity of a dream, I see it all. More, I behold. I have become part of the dream, living it even as it is played out in my mind.

  Still, the dazzling fragments, these scintillating shards of dream, fly at me, piercing my senses, embedding themselves deep in my perception. I am defenceless before the onslaught. I can but gape and surrender to the dizzying torrent. But there is so much! The scenes cascade into my consciousness, and I am a man drowning in the onrushing flood.

 

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