Further Reading
(Partial Bibliography of Works Consulted)
Bailey, Martin. “Drama at Arles: New Light on Vincent van Gogh’s Self-Mutilation.” Apollo 162 (September 2005): 30–41.
Carrié-Ravoux, Adeline. “Les Souvenirs d’Adeline Ravoux sur le sujet de Vincent van Gogh à Auvers-sur-Oise.” Les Cahiers de Van Gogh (1956): 7–17.
Cooper, Douglas. Paul Gauguin: 45 Lettres à Vincent, Théo, et Jo van Gogh. La Bibliothèque des Arts, 1983.
Corbin, Alain. Women for Hire: Prostitution and Sexuality in France after 1850. Translated by A. Sheridan. Harvard University Press, 1990.
Distel, Anne, and Susan Alyson Stein. Cézanne to Van Gogh: The Collection of Doctor Gachet. Exhibition catalogue. The Metropolitan Museum of Art, 1999.
Dorn, Roland, et al. Van Gogh Face to Face: The Portraits. Exhibition catalogue. Thames and Hudson, 2000.
Druick, Douglas W., and Peter Kort Zegers. Van Gogh and Gauguin: The Studio of the South. Exhibition catalogue. Thames and Hudson, 2001.
Gayford, Martin. “Gauguin and a Brothel in Arles.” Apollo 163 (March 2006): 64–71.
——. The Yellow House: Van Gogh, Gauguin, and Nine Turbulent Weeks in Arles. Little, Brown & Co., 2006.
Gogh, Vincent van. The Complete Letters of Vincent van Gogh. Introduction by V. W. van Gogh. Preface and introduction by Johanna van Gogh-Bonger. 3rd ed. Bulfinch, 2000.
Harsin, Jill. Policing Prostitution in Nineteenth-Century Paris. Princeton University Press, 1985.
Homburg, Cornelia. Vincent van Gogh and the Painters of the Petit Boulevard. Exhibition catalogue. Saint Louis Art Museum, 2001.
Hulsker, Jan. “Critical days in the hospital at Arles: Unpublished letters from the postman Joseph Roulin and the Reverend Mr. Salles to Theo van Gogh.” Vincent 1, no. 1 (1970–71): 20–31.
——. Vincent and Theo van Gogh: A Dual Biography. Fuller Publications, 1985.
——. “Vincent’s stay in the hospitals of Arles and St-Rémy: Unpublished letters from the Reverend Mr. Salles and Doctor Peyron to Theo van Gogh.” Vincent 1, no. 2 (1970–71): 21–44.
——. “What Theo Really Thought of Vincent.” Vincent 3, no. 2 (1974): 2–28.
Ives, Colta, et al. Vincent van Gogh: The Drawings. Exhibition catalogue. The Metropolitan Museum of Art, 2005.
Jansen, Leo. Van Gogh and His Letters. Van Gogh Museum, 2007.
Jansen, Leo, Hans Luijten, and Nienke Bakker, eds., Vincent van Gogh—Painted with Words, The Letters to Émile Bernard. Rizzoli, in association with the Van Gogh Museum, 2007.
Jansen, Leo, and Jan Robert, eds. Brief Happiness: The Correspondence of Theo van Gogh and Johanna Bonger. Van Gogh Museum, 1999.
Jirat-Wasiutynski, Vojtech. “A Dutchman in the South of France: Van Gogh’s Romance of Arles.” Van Gogh Museum Journal (2002): 78–89.
Leaf, Alexandra, and Fred Leeman. Van Gogh’s Table at the Auberge Ravoux. Artisan, 2001.
Lister, Kristin Hoermann. “Tracing a Transformation: Madame Roulin into La Berceuse.” Van Gogh Museum Journal (2001): 63–83.
Luijten, Hans. Van Gogh and Love. Van Gogh Museum, 2007.
Pickvance, Ronald. Van Gogh in Arles. Exhibition catalogue. The Metropolitan Museum of Art, 1984.
——. Van Gogh in Saint Rémy and Auvers. Exhibition catalogue. The Metropolitan Museum of Art, 1986.
——. ‘A Great Artist is Dead’: Letters of Condolence on Vincent van Gogh’s Death. Edited by S. van Heugten and F. Pabst. Van Gogh Museum, 1992.
Silverman, Debora. Van Gogh and Gauguin: The Search for Sacred Art. Farrar, Strauss and Giroux, 2000.
Stolwijk, Chris, and Richard Thomson. Theo van Gogh, 1857–1891. Van Gogh Museum, 1999.
Sund, Judy. “The Sower and the Sheaf: Biblical Metaphor in the Art of Vincent van Gogh.” Art Bulletin 70 (December 1988): 660–76.
——. True to Temperament: Van Gogh and French Naturalist Literature. Cambridge University Press, 1992.
———. Van Gogh. Phaidon, 2002.
Tilborgh, Louis van. Van Gogh and the Sunflowers. Van Gogh Museum, 2008.
Veen, Wouter van der. “En tant que quant à moi’: Vincent van Gogh and the French Language.” Van Gogh Museum Journal (2002): 64–77.
Vellekoop, Marije, and Roelie Zwikker. Vincent van Gogh Drawings, vol. 4: Arles, Saint-Rémy, and Auvers-sur-Oise, 1889–1890. Van Gogh Museum, 2007.
Walther, Ingo F., and Rainer Metzger. Van Gogh: The Complete Paintings. Taschen, 2006.
Welsh-Ovcharov, Bogomila. Van Gogh à Paris. Exhibition catalogue. Musée d’Orsay, 1988.
——. “The Ownership of Vincent Van Gogh’s ‘Sunflowers.’” Burlington Magazine 140, no. 1140 (March 1998): 184–92.
Whitney, Charles. “The Skies of Vincent van Gogh.” Art History 9 (1986): 351–62.
Wolk, Johannes van der. The Seven Sketchbooks of Vincent van Gogh. Thames and Hudson, 1987.
Zemel, Carol. Van Gogh’s Progress: Utopia, Modernity, and Late Nineteenth-Century Art. University of California Press, 1997.
About the Author
SHERAMY BUNDRICK is an art historian and professor at the University of South Florida St. Petersburg. Sunflowers is her first novel.
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By Sheramy Bundrick
SUNFLOWERS
Copyright
This book is a work of fiction. The characters, incidents, and dialogue are drawn from the author’s imagination and are not to be construed as real. Any resemblance to actual events or persons, living or dead, is entirely coincidental.
SUNFLOWERS. Copyright © 2009 by Sheramy Bundrick. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.
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