A Mayflower moving van was parked across the street from Valerie's bungalow. That was convenient for Spencer, because the large truck blocked those neighbors' view. No men were working at the van; the move-in or move-out must be scheduled for the morning.
Spencer followed the front walkway and climbed three Steps to the porch. The trellises at both ends supported not bougainvillea but night-blooming jasmine. Though it wasn't at its seasonal peak, the jasmine sweetened the air with its singular fragrance.
The shadows on the porch were deep. He doubted that he could even be seen from the street.
In the gloom, he had to feel along the door frame to find the button. He could hear the doorbell ringing softly inside the house.
He waited. No lights came on.
The flesh creped on the back of his neck, and he sensed that he was being watched.
Two windows flanked the front door and looked onto the porch. As far as he could discern, the dimly visible folds of the draperies on the other side of the glass were without any gaps through which an observer could have been studying him.
He looked back at the street. Sodium-yellow light transformed the downpour into glittering skeins of molten gold. At the far curb, the moving van stood half in shadows, half in the glow of the streetlamps. A late-model Honda and an older Pontiac were parked at the nearer curb. No pedestrians. No passing traffic. The night was silent except for the incessant rataplan of the rain.
He rang the bell once more.
The crawling feeling on the nape of his neck didn't subside. He put a hand back there, half convinced that he would find a spider negotiating his rain-slick skin. No spider.
As he turned to the street again, he thought that he saw furtive movement from the corner of his eye, near the back of the Mayflower van. He stared for half a minute, but nothing moved in the windless night except torrents of golden rain falling to the pavement as straight as if they were, in fact, heavy droplets of precious metal.
He knew why he was jumpy. He didn't belong here. Guilt was twisting his nerves.
Facing the door again, he slipped his wallet out of his right hip pocket and removed his MasterCard.
Though he could not have admitted it to himself until now, he would have been disappointed if he had found lights on and Valerie at home. He was concerned about her, but he doubted that she was lying, either injured or dead, in her darkened house. He was not psychic: The image of her bloodstained face, which he'd conjured in his mind's eye, was only an excuse to make the trip here from The Red Door.
His need to know everything about Valerie was perilously close to an adolescent longing. At the moment, his judgment was not sound.
He frightened himself. But he couldn't turn back.
By inserting the MasterCard between the door and jamb, he could pop the spring latch. He assumed there would be a deadbolt as well, because Santa Monica was as crime-ridden as any town in or around Los Angeles, but maybe he would get lucky.
He was luckier than he hoped: The front door was unlocked. Even the spring latch wasn't fully engaged. When he twisted the knob, the door clicked open.
Surprised, stricken by another tremor of guilt, he glanced back at the street again. The Indian laurels. The moving van. The cars. The rain, rain, rain.
He went inside. He closed the door and stood with his back against it, dripping on the carpet, shivering.
At first the room in front of him was unrelievedly black. After a while, his vision adjusted enough for him to make out a drapery-covered window—and then a second and a third—illuminated only by the faint gray ambient light of the night beyond.
For all that he could see, the blackness before him might have harbored a crowd, but he knew that he was alone. The house felt not merely unoccupied but deserted, abandoned.
Spencer took the flashlight from his jacket pocket. He hooded the beam with his left hand to ensure, as much as possible, that it would not be noticed by anyone outside.
The beam revealed an unfurnished living room, barren from wall to wall. The carpet was milk-chocolate brown. The unlined draperies were beige. The two-bulb light fixture in the ceiling could probably be operated by one of the three switches beside the front door, but he didn't try them.
His soaked athletic shoes and socks squished as he crossed the living room. He stepped through an archway into a small and equally empty dining room.
Spencer thought of the Mayflower van across the street, but he didn't believe that Valerie's belongings were in it or that she had moved out of the bungalow since four-thirty the previous morning, when he'd left his watch post in front of her house and returned to his own bed. Instead, he suspected that she had never actually moved in. The carpet was not marked by the pressure lines and foot indentations of furniture; no tables, chairs, cabinets, credenzas, or floor lamps had stood on it recently. If Valerie had lived in the bungalow during the two months that she had worked at The Red Door, she evidently hadn't furnished it and hadn't intended to call it home for any great length of time.
To the left of the dining room, through an archway half the size of the first, he found a small kitchen with knotty pine cabinets and red Formica countertops. Unavoidably, he left wet shoe prints on the gray tile floor.
Stacked beside the two-basin sink were a single dinner plate, a bread plate, a soup bowl, a saucer, and a cup—all clean and ready for use. One drinking glass stood with the dinnerware. Next to the glass lay a dinner fork, a knife, and a spoon, which were also clean.
He shifted the flashlight in his right hand, splaying a couple of fingers across the lens to partly suppress the beam, thus freeing his left hand to touch the drinking glass. He traced the rim with his fingertips. Even if the glass had been washed since Valerie had taken a drink from it, her lips had once touched the rim.
He had never kissed her. Perhaps he never would.
That thought embarrassed him, made him feel foolish, and forced him to consider, yet again, the impropriety of his obsession with this woman. He didn't belong here. He was trespassing not merely in her home but in her life. Until now, he had lived an honest life, if not always with undeviating respect for the law. Upon entering her house, however, he had crossed a sharp line that had scaled away his innocence, and what he had lost couldn't be regained.
Nevertheless, he did not leave the bungalow.
When he opened kitchen drawers and cabinets, he found them empty except for a combination bottle-and-can opener. The woman owned no plates or utensils other than those stacked beside the sink.
Most of the shelves in the narrow pantry were bare. Her stock of food was limited to three cans of peaches, two cans of pears, two cans of pineapple rings, one box of a sugar substitute in small blue packets, two boxes of cereal, and a jar of instant coffee.
The refrigerator was nearly empty, but the freezer compartment was well stocked with gourmet microwave dinners.
By the refrigerator was a door with a mullioned window. The four panes were covered by a yellow curtain, which he pushed aside far enough to see a side porch and a dark yard hammered by rain.
He allowed the curtain to fall back into place. He wasn't interested in the outside world, only in the interior spaces where Valerie had breathed the air, taken her meals, and slept.
As Spencer left the kitchen, the rubber soles of his shoes squeaked on the wet tiles. Shadows retreated before him and huddled in the corners while darkness crowded his back again.
He could not stop shivering. The damp chill in the house was as penetrating as that of the February air outside. The heat must have been off all day, which meant that Valerie had left early.
On his cold face, the scar burned.
A closed door was centered in the back wall of the dining room. He opened it and discovered a narrow hallway that led about fifteen feet to the left and fifteen to the right. Directly across the hall, another door stood half open; beyond, he glimpsed a white tile floor and a bathroom sink.
As he was about to enter the hall, he heard sounds other than the mono
tonous and hollow drumming of the rain on the roof. A thump and a soft scrape.
He immediately switched off the flashlight. The darkness was as perfect as that in any carnival fun house just before flickering strobe lights revealed a leering, mechanical corpse.
At first the sounds had seemed stealthy, as if a prowler outside had slipped on the wet grass and bumped against the house. However, the longer Spencer listened, the more he became convinced that the source of noise might have been distant rather than nearby, and that he might have heard nothing more than a car door slamming shut, out on the street or in a neighbor's driveway.
He switched on the flashlight and continued his search in the bathroom. A bath towel, a hand towel, and a washcloth hung on the rack. A half-used bar of Ivory lay in the plastic soap dish, but the medicine cabinet was empty.
To the right of the bathroom was a small bedroom, as unfurnished as the rest of the house. The closet was empty.
The second bedroom, to the left of the bath, was larger than the first, and it was obviously where she had slept. An inflated air mattress lay on the floor. Atop the mattress were a tangle of sheets, a single wool blanket, and a pillow. The bifold closet doors stood open, revealing wire hangers dangling from an unpainted wooden pole.
Although the rest of the bungalow was unadorned by artwork or decoration, something was fixed to the center of the longest wall in that bedroom. Spencer approached it, directed the light at it, and saw a full-color, closeup photograph of a cockroach. It seemed to be a page from a book, perhaps an entomology text, because the caption under the photograph was in dry academic English. In closeup, the roach was about six inches long. It had been fixed to the wall with a single large nail that had been driven through the center of the beetle's carapace. On the floor, directly below the photograph, lay the hammer with which the spike had been pounded into the plaster.
The photograph had not been decoration. Surely, no one would hang a picture of a cockroach with the intention of beautifying a bedroom. Furthermore, the use of a nail—rather than pushpins or staples or Scotch tape—implied that the person wielding the hammer had done so in considerable anger.
Clearly, the roach was meant to be a symbol for something else.
Spencer wondered uneasily if Valerie had nailed it there. That seemed unlikely. The woman with whom he'd talked the previous evening at The Red Door had seemed uncommonly gentle, kind, and all but incapable of serious anger.
If not Valerie—who?
As Spencer moved the flashlight beam across the glossy paper, the roach's carapace glistened as if wet. The shadows of his fingers, which half blocked the lens, created the illusion that the beetle's spindly legs and antennae jittered briefly.
Sometimes, serial killers left behind signatures at the scenes of their crimes to identify their work. In Spencer's experience, that could be anything from a specific playing card, to a Satanic symbol carved in some part of the victim's anatomy, to a single word or a line of poetry scrawled in blood upon a wall. The nailed photo had the feeling of such a signature, although it was stranger than anything he had seen or about which he had read in the hundreds of case studies with which he was familiar.
A faint nausea rippled through him. He had encountered no signs of violence in the house, but he had not yet looked in the attached single-car garage. Perhaps he would find Valerie on that cold slab of concrete, as he had seen her earlier in his mind's eye: lying with one side of her face pressed to the floor, unblinking eyes open wide, a scrollwork of blood obscuring some of her features.
He knew that he was jumping to conclusions. These days, the average American routinely lived in anticipation of sudden, mindless violence, but Spencer was more sensitized to the dark possibilities of modern life than were most people. He had endured pain and terror that had marked him in many ways, and his tendency now was to expect savagery as surely as sunrises and sunsets.
As he turned away from the photograph of the roach, wondering if he dared to investigate the garage, the bedroom window shattered inward, and a small black object hurtled through the draperies. At a glimpse, tumbling and airborne, it resembled a grenade.
Reflexively, he switched off the flashlight even as broken glass was still falling. In the gloom, the grenade thumped softly against the carpet.
Before Spencer could turn away, he was hit by the explosion. No flash of light accompanied it, only ear-shattering sound—and hard shrapnel snapping into him from his shins to his forehead. He cried out. Fell. Twisted. Writhed. Pain in his legs, hands, face. His torso was protected by his denim jacket. But his hands, God, his hands. He wrung his burning hands. Hot pain. Pure torment. How many fingers lost, bones shattered? Jesus, Jesus, his hands were spastic with pain yet half numb, so he couldn't assess the damage.
The worst of it was the fiery agony in his forehead, cheeks, the left corner of his mouth. Excruciating. Desperate to quell the pain, he pressed his hands to his face. He was afraid of what he would find, of the damage he would feel, but his hands throbbed so fiercely that his sense of touch wasn't trustworthy.
How many new scars if he survived—how many pale and puckered cicatricial welts or red keloid monstrosities from hairline to chin?
Get out, get away, find help.
He kicked-crawled-clawed-twitched like a wounded crab through the darkness. Disoriented and terrified, he nevertheless scrambled in the right direction, across a floor now littered with what seemed to be small marbles, into the bedroom doorway. He clambered to his feet.
He figured he was caught in a gang war over disputed turf. Los Angeles in the nineties was more violent than Chicago during Prohibition. Modern youth gangs were more savage and better armed than the Mafia, pumped up with drugs and their own brand of racism, as cold-blooded and merciless as snakes.
Gasping for breath, feeling blindly with aching hands, he stumbled into the hall. Pain coruscated through his legs, weakening him and testing his balance. Staying on his feet was as difficult as it would have been in a revolving fun-house barrel.
Windows shattered in other rooms, followed by a few muffled explosions. The hallway was windowless, so he wasn't hit again.
In spite of his confusion and fear, Spencer realized he didn't smell blood. Didn't taste it. In fact, he wasn't bleeding.
Suddenly he understood what was happening. Not a gang war. The shrapnel hadn't cut him, so it wasn't actually shrapnel. Not marbles, either, littering the floor. Hard rubber pellets. From a sting grenade. Only law-enforcement agencies had sting grenades. He had used them himself. Seconds ago a SWAT team of some kind must have initiated an assault on the bungalow, launching the grenades to disable any occupants.
The moving van had no doubt been covert transport for the assault force. The movement he had seen at the back of it, out of the corner of his eye, hadn't been imaginary after all.
He should have been relieved. The assault was an action of the local police, the Drug Enforcement Administration, the FBI, or another law-enforcement organization. Apparently he had stumbled into one of their operations. He knew the drill. If he dropped to the floor, facedown, arms extended over his head, hands spread to prove they were empty, he would be fine; he wouldn't be shot; they would handcuff him, question him, but they wouldn't harm him further.
Except that he had a big problem: He didn't belong in that bungalow. He was a trespasser. From their point of view, he might even be a burglar. To them, his explanation for being there would seem lame at best. Hell, they would think it was crazy. He didn't really understand it himself—why he was so stricken with Valerie, why he had needed to know about her, why he had been bold enough and stupid enough to enter her house.
He didn't drop to the floor. On wobbly legs, he staggered through the tunnel-black hall, sliding one hand along the wall.
The woman was mixed up in something illegal, and at first the authorities would think that he was involved as well. He would be taken into custody, detained for questioning, maybe even booked on suspicion of aiding and abetting
Valerie in whatever she had done.
They would find out who he was.
The news media would dredge up his past. His face would be on television, in newspapers and magazines. He had lived many years in blessed anonymity, his new name unknown, his appearance altered by time, no longer recognizable. But his privacy was about to be stolen. He would be center ring at the circus again, harassed by reporters, whispered about every time he went out in public.
No. Intolerable. He couldn't go through that again. He would rather die.
They were cops of some kind, and he was innocent of any serious offense; but they were not on his side right now. Without meaning to destroy him, they would do so simply by exposing him to the press.
More shattering glass. Two explosions.
The officers on the SWAT team were taking no chances, as if they thought they were up against people crazed on PCP or something worse.
Spencer had reached the midpoint of the hall, where he stood between two doorways. A dim grayness beyond the right-hand door: the dining room. On his left: the bathroom.
He stepped into the bathroom, closed the door, hoping to buy time to think.
The stinging in his face, hands, and legs was slowly subsiding. Rapidly, repeatedly, he clenched his hands, then relaxed them, trying to improve the circulation and work off the numbness.
From the far end of the house came a wood-splintering crash, hard enough to make the walls shudder. It was probably the front door slamming open or going down.
Another crash. The kitchen door.
They were in the house.
They were coming.
No time to think. He had to move, relying on instinct and on military training that was, he hoped, at least as extensive as that of the men who were hunting him.
In the back wall of the cramped room, above the bathtub, the blackness was broken by a rectangle of faint gray light. He stepped into the tub and, with both hands, quickly explored the frame of that small window. He wasn't convinced that it was big enough to provide a way out, but it was the only possible route of escape.
Koontz, Dean - Dark Rivers of the Heart Page 3