When they had plodded on for some time nigh the river, Riah asked the way to a certain tavern called the Six Jolly Fellowship Porters. Following the directions he received, they arrived, after two or three puzzled stoppages for consideration, and some uncertain looking about them, at the door of Miss Abbey Potterson's dominions. A peep through the glass portion of the door revealed to them the glories of the bar, and Miss Abbey herself seated in state on her snug throne, reading the newspaper. To whom, with deference, they presented themselves.
Taking her eyes off her newspaper, and pausing with a suspended expression of countenance, as if she must finish the paragraph in hand before undertaking any other business whatever, Miss Abbey demanded, with some slight asperity: 'Now then, what's for you?'
'Could we see Miss Potterson?' asked the old man, uncovering his head.
'You not only could, but you can and you do,' replied the hostess.
'Might we speak with you, madam?'
By this time Miss Abbey's eyes had possessed themselves of the small figure of Miss Jenny Wren. For the closer observation of which, Miss Abbey laid aside her newspaper, rose, and looked over the half-door of the bar. The crutch-stick seemed to entreat for its owner leave to come in and rest by the fire; so, Miss Abbey opened the half-door, and said, as though replying to the crutch-stick:
'Yes, come in and rest by the fire.'
'My name is Riah,' said the old man, with courteous action, 'and my avocation is in London city. This, my young companion--'
'Stop a bit,' interposed Miss Wren. 'I'll give the lady my card.' She produced it from her pocket with an air, after struggling with the gigantic door-key which had got upon the top of it and kept it down. Miss Abbey, with manifest tokens of astonishment, took the diminutive document, and found it to run concisely thus:--
MISS JENNY WREN
DOLLS' DRESSMAKER.
Dolls attended at their own residences.
'Lud!' exclaimed Miss Potterson, staring. And dropped the card.
'We take the liberty of coming, my young companion and I, madam,' said Riah, 'on behalf of Lizzie Hexam.'
Miss Potterson was stooping to loosen the bonnet-strings of the dolls' dressmaker. She looked round rather angrily, and said: 'Lizzie Hexam is a very proud young woman.'
'She would be so proud,' returned Riah, dexterously, 'to stand well in your good opinion, that before she quitted London for--'
'For where, in the name of the Cape of Good Hope?' asked Miss Potterson, as though supposing her to have emigrated.
'For the country,' was the cautious answer,--'she made us promise to come and show you a paper, which she left in our hands for that special purpose. I am an unserviceable friend of hers, who began to know her after her departure from this neighbourhood. She has been for some time living with my young companion, and has been a helpful and a comfortable friend to her. Much needed, madam,' he added, in a lower voice. 'Believe me; if you knew all, much needed.'
'I can believe that,' said Miss Abbey, with a softening glance at the little creature.
'And if it's proud to have a heart that never hardens, and a temper that never tires, and a touch that never hurts,' Miss Jenny struck in, flushed, 'she is proud. And if it's not, she is NOT.'
Her set purpose of contradicting Miss Abbey point blank, was so far from offending that dread authority, as to elicit a gracious smile. 'You do right, child,' said Miss Abbey, 'to speak well of those who deserve well of you.'
'Right or wrong,' muttered Miss Wren, inaudibly, with a visible hitch of her chin, 'I mean to do it, and you may make up your mind to THAT, old lady.'
'Here is the paper, madam,' said the Jew, delivering into Miss Potterson's hands the original document drawn up by Rokesmith, and signed by Riderhood. 'Will you please to read it?'
'But first of all,' said Miss Abbey, '--did you ever taste shrub, child?'
Miss Wren shook her head.
'Should you like to?'
'Should if it's good,' returned Miss Wren.
'You shall try. And, if you find it good, I'll mix some for you with hot water. Put your poor little feet on the fender. It's a cold, cold night, and the fog clings so.' As Miss Abbey helped her to turn her chair, her loosened bonnet dropped on the floor. 'Why, what lovely hair!' cried Miss Abbey. 'And enough to make wigs for all the dolls in the world. What a quantity!'
'Call THAT a quantity?' returned Miss Wren. 'Poof! What do you say to the rest of it?' As she spoke, she untied a band, and the golden stream fell over herself and over the chair, and flowed down to the ground. Miss Abbey's admiration seemed to increase her perplexity. She beckoned the Jew towards her, as she reached down the shrub-bottle from its niche, and whispered:
'Child, or woman?'
'Child in years,' was the answer; 'woman in self-reliance and trial.'
'You are talking about Me, good people,' thought Miss Jenny, sitting in her golden bower, warming her feet. 'I can't hear what you say, but I know your tricks and your manners!'
The shrub, when tasted from a spoon, perfectly harmonizing with Miss Jenny's palate, a judicious amount was mixed by Miss Potterson's skilful hands, whereof Riah too partook. After this preliminary, Miss Abbey read the document; and, as often as she raised her eyebrows in so doing, the watchful Miss Jenny accompanied the action with an expressive and emphatic sip of the shrub and water.
'As far as this goes,' said Miss Abbey Potterson, when she had read it several times, and thought about it, 'it proves (what didn't much need proving) that Rogue Riderhood is a villain. I have my doubts whether he is not the villain who solely did the deed; but I have no expectation of those doubts ever being cleared up now. I believe I did Lizzie's father wrong, but never Lizzie's self; because when things were at the worst I trusted her, had perfect confidence in her, and tried to persuade her to come to me for a refuge. I am very sorry to have done a man wrong, particularly when it can't be undone. Be kind enough to let Lizzie know what I say; not forgetting that if she will come to the Porters, after all, bygones being bygones, she will find a home at the Porters, and a friend at the Porters. She knows Miss Abbey of old, remind her, and she knows what-like the home, and what-like the friend, is likely to turn out. I am generally short and sweet--or short and sour, according as it may be and as opinions vary--' remarked Miss Abbey, 'and that's about all I have got to say, and enough too.'
But before the shrub and water was sipped out, Miss Abbey bethought herself that she would like to keep a copy of the paper by her. 'It's not long, sir,' said she to Riah, 'and perhaps you wouldn't mind just jotting it down.' The old man willingly put on his spectacles, and, standing at the little desk in the corner where Miss Abbey filed her receipts and kept her sample phials (customers' scores were interdicted by the strict administration of the Porters), wrote out the copy in a fair round character. As he stood there, doing his methodical penmanship, his ancient scribelike figure intent upon the work, and the little dolls' dressmaker sitting in her golden bower before the fire, Miss Abbey had her doubts whether she had not dreamed those two rare figures into the bar of the Six Jolly Fellowships, and might not wake with a nod next moment and find them gone.
Miss Abbey had twice made the experiment of shutting her eyes and opening them again, still finding the figures there, when, dreamlike, a confused hubbub arose in the public room. As she started up, and they all three looked at one another, it became a noise of clamouring voices and of the stir of feet; then all the windows were heard to be hastily thrown up, and shouts and cries came floating into the house from the river. A moment more, and Bob Gliddery came clattering along the passage, with the noise of all the nails in his boots condensed into every separate nail.
'What is it?' asked Miss Abbey.
'It's summut run down in the fog, ma'am,' answered Bob. 'There's ever so many people in the river.'
'Tell 'em to put on all the kettles!' cried Miss Abbey. 'See that the boiler's full. Get a bath out. Hang some blankets to the fire. Heat some stone bottles. Have your senses abou
t you, you girls down stairs, and use 'em.'
While Miss Abbey partly delivered these directions to Bob--whom she seized by the hair, and whose head she knocked against the wall, as a general injunction to vigilance and presence of mind--and partly hailed the kitchen with them--the company in the public room, jostling one another, rushed out to the causeway, and the outer noise increased.
'Come and look,' said Miss Abbey to her visitors. They all three hurried to the vacated public room, and passed by one of the windows into the wooden verandah overhanging the river.
'Does anybody down there know what has happened?' demanded Miss Abbey, in her voice of authority.
'It's a steamer, Miss Abbey,' cried one blurred figure in the fog.
'It always IS a steamer, Miss Abbey,' cried another.
'Them's her lights, Miss Abbey, wot you see a-blinking yonder,' cried another.
'She's a-blowing off her steam, Miss Abbey, and that's what makes the fog and the noise worse, don't you see?' explained another.
Boats were putting off, torches were lighting up, people were rushing tumultuously to the water's edge. Some man fell in with a splash, and was pulled out again with a roar of laughter. The drags were called for. A cry for the life-buoy passed from mouth to mouth. It was impossible to make out what was going on upon the river, for every boat that put off sculled into the fog and was lost to view at a boat's length. Nothing was clear but that the unpopular steamer was assailed with reproaches on all sides. She was the Murderer, bound for Gallows Bay; she was the Manslaughterer, bound for Penal Settlement; her captain ought to be tried for his life; her crew ran down men in row-boats with a relish; she mashed up Thames lightermen with her paddles; she fired property with her funnels; she always was, and she always would be, wreaking destruction upon somebody or something, after the manner of all her kind. The whole bulk of the fog teemed with such taunts, uttered in tones of universal hoarseness. All the while, the steamer's lights moved spectrally a very little, as she lay-to, waiting the upshot of whatever accident had happened. Now, she began burning blue-lights. These made a luminous patch about her, as if she had set the fog on fire, and in the patch--the cries changing their note, and becoming more fitful and more excited--shadows of men and boats could be seen moving, while voices shouted: 'There!' 'There again!' 'A couple more strokes a-head!' 'Hurrah!' 'Look out!' 'Hold on!' 'Haul in!' and the like. Lastly, with a few tumbling clots of blue fire, the night closed in dark again, the wheels of the steamer were heard revolving, and her lights glided smoothly away in the direction of the sea.
It appeared to Miss Abbey and her two companions that a considerable time had been thus occupied. There was now as eager a set towards the shore beneath the house as there had been from it; and it was only on the first boat of the rush coming in that it was known what had occurred.
'If that's Tom Tootle,' Miss Abbey made proclamation, in her most commanding tones, 'let him instantly come underneath here.'
The submissive Tom complied, attended by a crowd.
'What is it, Tootle?' demanded Miss Abbey.
'It's a foreign steamer, miss, run down a wherry.'
'How many in the wherry?'
'One man, Miss Abbey.'
'Found?'
'Yes. He's been under water a long time, Miss; but they've grappled up the body.'
'Let 'em bring it here. You, Bob Gliddery, shut the house-door and stand by it on the inside, and don't you open till I tell you. Any police down there?'
'Here, Miss Abbey,' was official rejoinder.
'After they have brought the body in, keep the crowd out, will you? And help Bob Gliddery to shut 'em out.'
'All right, Miss Abbey.'
The autocratic landlady withdrew into the house with Riah and Miss Jenny, and disposed those forces, one on either side of her, within the half-door of the bar, as behind a breastwork.
'You two stand close here,' said Miss Abbey, 'and you'll come to no hurt, and see it brought in. Bob, you stand by the door.'
That sentinel, smartly giving his rolled shirt-sleeves an extra and a final tuck on his shoulders, obeyed.
Sound of advancing voices, sound of advancing steps. Shuffle and talk without. Momentary pause. Two peculiarly blunt knocks or pokes at the door, as if the dead man arriving on his back were striking at it with the soles of his motionless feet.
'That's the stretcher, or the shutter, whichever of the two they are carrying,' said Miss Abbey, with experienced ear. 'Open, you Bob!'
Door opened. Heavy tread of laden men. A halt. A rush. Stoppage of rush. Door shut. Baffled boots from the vexed souls of disappointed outsiders.
'Come on, men!' said Miss Abbey; for so potent was she with her subjects that even then the bearers awaited her permission. 'First floor.'
The entry being low, and the staircase being low, they so took up the burden they had set down, as to carry that low. The recumbent figure, in passing, lay hardly as high as the half door.
Miss Abbey started back at sight of it. 'Why, good God!' said she, turning to her two companions, 'that's the very man who made the declaration we have just had in our hands. That's Riderhood!'
Chapter 3
THE SAME RESPECTED FRIEND IN MORE ASPECTS THAN ONE
In sooth, it is Riderhood and no other, or it is the outer husk and shell of Riderhood and no other, that is borne into Miss Abbey's first-floor bedroom. Supple to twist and turn as the Rogue has ever been, he is sufficiently rigid now; and not without much shuffling of attendant feet, and tilting of his bier this way and that way, and peril even of his sliding off it and being tumbled in a heap over the balustrades, can he be got up stairs.
'Fetch a doctor,' quoth Miss Abbey. And then, 'Fetch his daughter.' On both of which errands, quick messengers depart.
The doctor-seeking messenger meets the doctor halfway, coming under convoy of police. Doctor examines the dank carcase, and pronounces, not hopefully, that it is worth while trying to reanimate the same. All the best means are at once in action, and everybody present lends a hand, and a heart and soul. No one has the least regard for the man; with them all, he has been an object of avoidance, suspicion, and aversion; but the spark of life within him is curiously separable from himself now, and they have a deep interest in it, probably because it IS life, and they are living and must die.
In answer to the doctor's inquiry how did it happen, and was anyone to blame, Tom Tootle gives in his verdict, unavoidable accident and no one to blame but the sufferer. 'He was slinking about in his boat,' says Tom, 'which slinking were, not to speak ill of the dead, the manner of the man, when he come right athwart the steamer's bows and she cut him in two.' Mr Tootle is so far figurative, touching the dismemberment, as that he means the boat, and not the man. For, the man lies whole before them.
Captain Joey, the bottle-nosed regular customer in the glazed hat, is a pupil of the much-respected old school, and (having insinuated himself into the chamber, in the execution of the important service of carrying the drowned man's neck-kerchief) favours the doctor with a sagacious old-scholastic suggestion that the body should be hung up by the heels, 'sim'lar', says Captain Joey, 'to mutton in a butcher's shop,' and should then, as a particularly choice manoeuvre for promoting easy respiration, be rolled upon casks. These scraps of the wisdom of the captain's ancestors are received with such speechless indignation by Miss Abbey, that she instantly seizes the Captain by the collar, and without a single word ejects him, not presuming to remonstrate, from the scene.
There then remain, to assist the doctor and Tom, only those three other regular customers, Bob Glamour, William Williams, and Jonathan (family name of the latter, if any, unknown to man-kind), who are quite enough. Miss Abbey having looked in to make sure that nothing is wanted, descends to the bar, and there awaits the result, with the gentle Jew and Miss Jenny Wren.
If you are not gone for good, Mr Riderhood, it would be something to know where you are hiding at present. This flabby lump of mortality that we work so hard at with such
patient perseverance, yields no sign of you. If you are gone for good, Rogue, it is very solemn, and if you are coming back, it is hardly less so. Nay, in the suspense and mystery of the latter question, involving that of where you may be now, there is a solemnity even added to that of death, making us who are in attendance alike afraid to look on you and to look off you, and making those below start at the least sound of a creaking plank in the floor.
Stay! Did that eyelid tremble? So the doctor, breathing low, and closely watching, asks himself.
No.
Did that nostril twitch?
No.
This artificial respiration ceasing, do I feel any faint flutter under my hand upon the chest?
No.
Over and over again No. No. But try over and over again, nevertheless.
See! A token of life! An indubitable token of life! The spark may smoulder and go out, or it may glow and expand, but see! The four rough fellows, seeing, shed tears. Neither Riderhood in this world, nor Riderhood in the other, could draw tears from them; but a striving human soul between the two can do it easily.
He is struggling to come back. Now, he is almost here, now he is far away again. Now he is struggling harder to get back. And yet--like us all, when we swoon--like us all, every day of our lives when we wake--he is instinctively unwilling to be restored to the consciousness of this existence, and would be left dormant, if he could.
Bob Gliddery returns with Pleasant Riderhood, who was out when sought for, and hard to find. She has a shawl over her head, and her first action, when she takes it off weeping, and curtseys to Miss Abbey, is to wind her hair up.
'Thank you, Miss Abbey, for having father here.'
'I am bound to say, girl, I didn't know who it was,' returns Miss Abbey; 'but I hope it would have been pretty much the same if I had known.'
Poor Pleasant, fortified with a sip of brandy, is ushered into the first-floor chamber. She could not express much sentiment about her father if she were called upon to pronounce his funeral oration, but she has a greater tenderness for him than he ever had for her, and crying bitterly when she sees him stretched unconscious, asks the doctor, with clasped hands: 'Is there no hope, sir? O poor father! Is poor father dead?'
Works of Charles Dickens (200+ Works) The Adventures of Oliver Twist, Great Expectations, A Christmas Carol, A Tale of Two Cities, Bleak House, David Copperfield & more (mobi) Page 1182