Think of the Bushmen. Think of the two men and the two women who have been exhibited about England for some years. Are the majority of persons - who remember the horrid little leader of that party in his festering bundle of hides, with his filth and his antipathy to water, and his straddled legs, and his odious eyes shaded by his brutal hand, and his cry of 'Qu-u-u-u-aaa!' (Bosjesman for something desperately insulting I have no doubt) - conscious of an affectionate yearning towards that noble savage, or is it idiosyncratic in me to abhor, detest, abominate, and abjure him? I have no reserve on this subject, and will frankly state that, setting aside that stage of the entertainment when he counterfeited the death of some creature he had shot, by laying his head on his hand and shaking his left leg - at which time I think it would have been justifiable homicide to slay him - I have never seen that group sleeping, smoking, and expectorating round their brazier, but I have sincerely desired that something might happen to the charcoal smouldering therein, which would cause the immediate suffocation of the whole of the noble strangers.
There is at present a party of Zulu Kaffirs exhibiting at the St. George's Gallery, Hyde Park Corner, London. These noble savages are represented in a most agreeable manner; they are seen in an elegant theatre, fitted with appropriate scenery of great beauty, and they are described in a very sensible and unpretending lecture, delivered with a modesty which is quite a pattern to all similar exponents. Though extremely ugly, they are much better shaped than such of their predecessors as I have referred to; and they are rather picturesque to the eye, though far from odoriferous to the nose. What a visitor left to his own interpretings and imaginings might suppose these noblemen to be about, when they give vent to that pantomimic expression which is quite settled to be the natural gift of the noble savage, I cannot possibly conceive; for it is so much too luminous for my personal civilisation that it conveys no idea to my mind beyond a general stamping, ramping, and raving, remarkable (as everything in savage life is) for its dire uniformity. But let us - with the interpreter's assistance, of which I for one stand so much in need - see what the noble savage does in Zulu Kaffirland.
The noble savage sets a king to reign over him, to whom he submits his life and limbs without a murmur or question, and whose whole life is passed chin deep in a lake of blood; but who, after killing incessantly, is in his turn killed by his relations and friends, the moment a grey hair appears on his head. All the noble savage's wars with his fellow-savages (and he takes no pleasure in anything else) are wars of extermination - which is the best thing I know of him, and the most comfortable to my mind when I look at him. He has no moral feelings of any kind, sort, or description; and his 'mission' may be summed up as simply diabolical.
The ceremonies with which he faintly diversifies his life are, of course, of a kindred nature. If he wants a wife he appears before the kennel of the gentleman whom he has selected for his father-in- law, attended by a party of male friends of a very strong flavour, who screech and whistle and stamp an offer of so many cows for the young lady's hand. The chosen father-in-law - also supported by a high-flavoured party of male friends - screeches, whistles, and yells (being seated on the ground, he can't stamp) that there never was such a daughter in the market as his daughter, and that he must have six more cows. The son-in-law and his select circle of backers screech, whistle, stamp, and yell in reply, that they will give three more cows. The father-in-law (an old deluder, overpaid at the beginning) accepts four, and rises to bind the bargain. The whole party, the young lady included, then falling into epileptic convulsions, and screeching, whistling, stamping, and yelling together - and nobody taking any notice of the young lady (whose charms are not to be thought of without a shudder) - the noble savage is considered married, and his friends make demoniacal leaps at him by way of congratulation.
When the noble savage finds himself a little unwell, and mentions the circumstance to his friends, it is immediately perceived that he is under the influence of witchcraft. A learned personage, called an Imyanger or Witch Doctor, is immediately sent for to Nooker the Umtargartie, or smell out the witch. The male inhabitants of the kraal being seated on the ground, the learned doctor, got up like a grizzly bear, appears, and administers a dance of a most terrific nature, during the exhibition of which remedy he incessantly gnashes his teeth, and howls:- 'I am the original physician to Nooker the Umtargartie. Yow yow yow! No connexion with any other establishment. Till till till! All other Umtargarties are feigned Umtargarties, Boroo Boroo! but I perceive here a genuine and real Umtargartie, Hoosh Hoosh Hoosh! in whose blood I, the original Imyanger and Nookerer, Blizzerum Boo! will wash these bear's claws of mine. O yow yow yow!' All this time the learned physician is looking out among the attentive faces for some unfortunate man who owes him a cow, or who has given him any small offence, or against whom, without offence, he has conceived a spite. Him he never fails to Nooker as the Umtargartie, and he is instantly killed. In the absence of such an individual, the usual practice is to Nooker the quietest and most gentlemanly person in company. But the nookering is invariably followed on the spot by the butchering.
Some of the noble savages in whom Mr. Catlin was so strongly interested, and the diminution of whose numbers, by rum and smallpox, greatly affected him, had a custom not unlike this, though much more appalling and disgusting in its odious details.
The women being at work in the fields, hoeing the Indian corn, and the noble savage being asleep in the shade, the chief has sometimes the condescension to come forth, and lighten the labour by looking at it. On these occasions, he seats himself in his own savage chair, and is attended by his shield-bearer: who holds over his head a shield of cowhide - in shape like an immense mussel shell - fearfully and wonderfully, after the manner of a theatrical supernumerary. But lest the great man should forget his greatness in the contemplation of the humble works of agriculture, there suddenly rushes in a poet, retained for the purpose, called a Praiser. This literary gentleman wears a leopard's head over his own, and a dress of tigers' tails; he has the appearance of having come express on his hind legs from the Zoological Gardens; and he incontinently strikes up the chief's praises, plunging and tearing all the while. There is a frantic wickedness in this brute's manner of worrying the air, and gnashing out, 'O what a delightful chief he is! O what a delicious quantity of blood he sheds! O how majestically he laps it up! O how charmingly cruel he is! O how he tears the flesh of his enemies and crunches the bones! O how like the tiger and the leopard and the wolf and the bear he is! O, row row row row, how fond I am of him!' which might tempt the Society of Friends to charge at a hand-gallop into the Swartz-Kop location and exterminate the whole kraal.
When war is afoot among the noble savages - which is always - the chief holds a council to ascertain whether it is the opinion of his brothers and friends in general that the enemy shall be exterminated. On this occasion, after the performance of an Umsebeuza, or war song, - which is exactly like all the other songs, - the chief makes a speech to his brothers and friends, arranged in single file. No particular order is observed during the delivery of this address, but every gentleman who finds himself excited by the subject, instead of crying 'Hear, hear!' as is the custom with us, darts from the rank and tramples out the life, or crushes the skull, or mashes the face, or scoops out the eyes, or breaks the limbs, or performs a whirlwind of atrocities on the body, of an imaginary enemy. Several gentlemen becoming thus excited at once, and pounding away without the least regard to the orator, that illustrious person is rather in the position of an orator in an Irish House of Commons. But, several of these scenes of savage life bear a strong generic resemblance to an Irish election, and I think would be extremely well received and understood at Cork.
In all these ceremonies the noble savage holds forth to the utmost possible extent about himself; from which (to turn him to some civilised account) we may learn, I think, that as egotism is one of the most offensive and contemptible littlenesses a civilised man can exhibit, so it is really incompa
tible with the interchange of ideas; inasmuch as if we all talked about ourselves we should soon have no listeners, and must be all yelling and screeching at once on our own separate accounts: making society hideous. It is my opinion that if we retained in us anything of the noble savage, we could not get rid of it too soon. But the fact is clearly otherwise. Upon the wife and dowry question, substituting coin for cows, we have assuredly nothing of the Zulu Kaffir left. The endurance of despotism is one great distinguishing mark of a savage always. The improving world has quite got the better of that too. In like manner, Paris is a civilised city, and the Theatre Francais a highly civilised theatre; and we shall never hear, and never have heard in these later days (of course) of the Praiser THERE. No, no, civilised poets have better work to do. As to Nookering Umtargarties, there are no pretended Umtargarties in Europe, and no European powers to Nooker them; that would be mere spydom, subordination, small malice, superstition, and false pretence. And as to private Umtargarties, are we not in the year eighteen hundred and fifty-three, with spirits rapping at our doors?
To conclude as I began. My position is, that if we have anything to learn from the Noble Savage, it is what to avoid. His virtues are a fable; his happiness is a delusion; his nobility, nonsense.
We have no greater justification for being cruel to the miserable object, than for being cruel to a WILLIAM SHAKESPEARE or an ISAAC NEWTON; but he passes away before an immeasurably better and higher power than ever ran wild in any earthly woods, and the world will be all the better when his place knows him no more.
A FLIGHT
WHEN Don Diego de - I forget his name - the inventor of the last new Flying Machines, price so many francs for ladies, so many more for gentlemen - when Don Diego, by permission of Deputy Chaff-wax and his noble band, shall have taken out a Patent for the Queen's dominions, and shall have opened a commodious Warehouse in an airy situation; and when all persons of any gentility will keep at least a pair of wings, and be seen skimming about in every direction; I shall take a flight to Paris (as I soar round the world) in a cheap and independent manner. At present, my reliance is on the South- Eastern Railway Company, in whose Express Train here I sit, at eight of the clock on a very hot morning, under the very hot roof of the Terminus at London Bridge, in danger of being 'forced' like a cucumber or a melon, or a pine-apple. And talking of pine- apples, I suppose there never were so many pine-apples in a Train as there appear to be in this Train.
Whew! The hot-house air is faint with pine-apples. Every French citizen or citizeness is carrying pine-apples home. The compact little Enchantress in the corner of my carriage (French actress, to whom I yielded up my heart under the auspices of that brave child, 'MEAT-CHELL,' at the St. James's Theatre the night before last) has a pine-apple in her lap. Compact Enchantress's friend, confidante, mother, mystery, Heaven knows what, has two pine-apples in her lap, and a bundle of them under the seat. Tobacco-smoky Frenchman in Algerine wrapper, with peaked hood behind, who might be Abd-el- Kader dyed rifle-green, and who seems to be dressed entirely in dirt and braid, carries pine-apples in a covered basket. Tall, grave, melancholy Frenchman, with black Vandyke beard, and hair close-cropped, with expansive chest to waistcoat, and compressive waist to coat: saturnine as to his pantaloons, calm as to his feminine boots, precious as to his jewellery, smooth and white as to his linen: dark-eyed, high-foreheaded, hawk-nosed - got up, one thinks, like Lucifer or Mephistopheles, or Zamiel, transformed into a highly genteel Parisian - has the green end of a pine-apple sticking out of his neat valise.
Whew! If I were to be kept here long, under this forcing-frame, I wonder what would become of me - whether I should be forced into a giant, or should sprout or blow into some other phenomenon! Compact Enchantress is not ruffled by the heat - she is always composed, always compact. O look at her little ribbons, frills, and edges, at her shawl, at her gloves, at her hair, at her bracelets, at her bonnet, at everything about her! How is it accomplished? What does she do to be so neat? How is it that every trifle she wears belongs to her, and cannot choose but be a part of her? And even Mystery, look at HER! A model. Mystery is not young, not pretty, though still of an average candle-light passability; but she does such miracles in her own behalf, that, one of these days, when she dies, they'll be amazed to find an old woman in her bed, distantly like her. She was an actress once, I shouldn't wonder, and had a Mystery attendant on herself. Perhaps, Compact Enchantress will live to be a Mystery, and to wait with a shawl at the side-scenes, and to sit opposite to Mademoiselle in railway carriages, and smile and talk subserviently, as Mystery does now. That's hard to believe!
Two Englishmen, and now our carriage is full. First Englishman, in the monied interest - flushed, highly respectable - Stock Exchange, perhaps - City, certainly. Faculties of second Englishman entirely absorbed in hurry. Plunges into the carriage, blind. Calls out of window concerning his luggage, deaf. Suffocates himself under pillows of great-coats, for no reason, and in a demented manner. Will receive no assurance from any porter whatsoever. Is stout and hot, and wipes his head, and makes himself hotter by breathing so hard. Is totally incredulous respecting assurance of Collected Guard, that 'there's no hurry.' No hurry! And a flight to Paris in eleven hours!
It is all one to me in this drowsy corner, hurry or no hurry. Until Don Diego shall send home my wings, my flight is with the South-Eastern Company. I can fly with the South-Eastern, more lazily, at all events, than in the upper air. I have but to sit here thinking as idly as I please, and be whisked away. I am not accountable to anybody for the idleness of my thoughts in such an idle summer flight; my flight is provided for by the South-Eastern and is no business of mine.
The bell! With all my heart. It does not require me to do so much as even to flap my wings. Something snorts for me, something shrieks for me, something proclaims to everything else that it had better keep out of my way, - and away I go.
Ah! The fresh air is pleasant after the forcing-frame, though it does blow over these interminable streets, and scatter the smoke of this vast wilderness of chimneys. Here we are - no, I mean there we were, for it has darted far into the rear - in Bermondsey where the tanners live. Flash! The distant shipping in the Thames is gone. Whirr! The little streets of new brick and red tile, with here and there a flagstaff growing like a tall weed out of the scarlet beans, and, everywhere, plenty of open sewer and ditch for the promotion of the public health, have been fired off in a volley. Whizz! Dust-heaps, market-gardens, and waste grounds. Rattle! New Cross Station. Shock! There we were at Croydon. Bur-r-r-r! The tunnel.
I wonder why it is that when I shut my eyes in a tunnel I begin to feel as if I were going at an Express pace the other way. I am clearly going back to London now. Compact Enchantress must have forgotten something, and reversed the engine. No! After long darkness, pale fitful streaks of light appear. I am still flying on for Folkestone. The streaks grow stronger - become continuous - become the ghost of day - become the living day - became I mean - the tunnel is miles and miles away, and here I fly through sunlight, all among the harvest and the Kentish hops.
There is a dreamy pleasure in this flying. I wonder where it was, and when it was, that we exploded, blew into space somehow, a Parliamentary Train, with a crowd of heads and faces looking at us out of cages, and some hats waving. Monied Interest says it was at Reigate Station. Expounds to Mystery how Reigate Station is so many miles from London, which Mystery again develops to Compact Enchantress. There might be neither a Reigate nor a London for me, as I fly away among the Kentish hops and harvest. What do I care?
Bang! We have let another Station off, and fly away regardless. Everything is flying. The hop-gardens turn gracefully towards me, presenting regular avenues of hops in rapid flight, then whirl away. So do the pools and rushes, haystacks, sheep, clover in full bloom delicious to the sight and smell, corn-sheaves, cherry- orchards, apple-orchards, reapers, gleaners, hedges, gates, fields that taper off into little angular corners, cottages, gardens, now and then a church. Bang, ban
g! A double-barrelled Station! Now a wood, now a bridge, now a landscape, now a cutting, now a - Bang! a single-barrelled Station - there was a cricket-match somewhere with two white tents, and then four flying cows, then turnips - now the wires of the electric telegraph are all alive, and spin, and blurr their edges, and go up and down, and make the intervals between each other most irregular: contracting and expanding in the strangest manner. Now we slacken. With a screwing, and a grinding, and a smell of water thrown on ashes, now we stop!
Demented Traveller, who has been for two or three minutes watchful, clutches his great-coats, plunges at the door, rattles it, cries 'Hi!' eager to embark on board of impossible packets, far inland. Collected Guard appears. 'Are you for Tunbridge, sir?' 'Tunbridge? No. Paris.' 'Plenty of time, sir. No hurry. Five minutes here, sir, for refreshment.' I am so blest (anticipating Zamiel, by half a second) as to procure a glass of water for Compact Enchantress.
Who would suppose we had been flying at such a rate, and shall take wing again directly? Refreshment-room full, platform full, porter with watering-pot deliberately cooling a hot wheel, another porter with equal deliberation helping the rest of the wheels bountifully to ice cream. Monied Interest and I re-entering the carriage first, and being there alone, he intimates to me that the French are 'no go' as a Nation. I ask why? He says, that Reign of Terror of theirs was quite enough. I ventured to inquire whether he remembers anything that preceded said Reign of Terror? He says not particularly. 'Because,' I remark, 'the harvest that is reaped, has sometimes been sown.' Monied Interest repeats, as quite enough for him, that the French are revolutionary, - 'and always at it.'
Works of Charles Dickens (200+ Works) The Adventures of Oliver Twist, Great Expectations, A Christmas Carol, A Tale of Two Cities, Bleak House, David Copperfield & more (mobi) Page 1357