Works of Charles Dickens (200+ Works) The Adventures of Oliver Twist, Great Expectations, A Christmas Carol, A Tale of Two Cities, Bleak House, David Copperfield & more (mobi)

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Works of Charles Dickens (200+ Works) The Adventures of Oliver Twist, Great Expectations, A Christmas Carol, A Tale of Two Cities, Bleak House, David Copperfield & more (mobi) Page 1394

by Charles Dickens


  These were signs of the times, portentous omens of a coming change; and what was the result which they shadowed forth? Why, the master sweeps, influenced by a restless spirit of innovation, actually interposed their authority, in opposition to the dancing, and substituted a dinner--an anniversary dinner at White Conduit House- -where clean faces appeared in lieu of black ones smeared with rose pink; and knee cords and tops superseded nankeen drawers and rosetted shoes.

  Gentlemen who were in the habit of riding shy horses; and steady- going people who have no vagrancy in their souls, lauded this alteration to the skies, and the conduct of the master sweeps was described beyond the reach of praise. But how stands the real fact? Let any man deny, if he can, that when the cloth had been removed, fresh pots and pipes laid upon the table, and the customary loyal and patriotic toasts proposed, the celebrated Mr. Sluffen, of Adam-and-Eve-court, whose authority not the most malignant of our opponents can call in question, expressed himself in a manner following: 'That now he'd cotcht the cheerman's hi, he vished he might be jolly vell blessed, if he worn't a goin' to have his innings, vich he vould say these here obserwashuns--that how some mischeevus coves as know'd nuffin about the consarn, had tried to sit people agin the mas'r swips, and take the shine out o' their bis'nes, and the bread out o' the traps o' their preshus kids, by a makin' o' this here remark, as chimblies could be as vell svept by 'sheenery as by boys; and that the makin' use o' boys for that there purpuss vos barbareous; vereas, he 'ad been a chummy--he begged the cheerman's parding for usin' such a wulgar hexpression-- more nor thirty year--he might say he'd been born in a chimbley-- and he know'd uncommon vell as 'sheenery vos vus nor o' no use: and as to kerhewelty to the boys, everybody in the chimbley line know'd as vell as he did, that they liked the climbin' better nor nuffin as vos.' From this day, we date the total fall of the last lingering remnant of May-day dancing, among the elite of the profession: and from this period we commence a new era in that portion of our spring associations which relates to the first of May.

  We are aware that the unthinking part of the population will meet us here, with the assertion, that dancing on May-day still continues--that 'greens' are annually seen to roll along the streets--that youths in the garb of clowns, precede them, giving vent to the ebullitions of their sportive fancies; and that lords and ladies follow in their wake.

  Granted. We are ready to acknowledge that in outward show, these processions have greatly improved: we do not deny the introduction of solos on the drum; we will even go so far as to admit an occasional fantasia on the triangle, but here our admissions end. We positively deny that the sweeps have art or part in these proceedings. We distinctly charge the dustmen with throwing what they ought to clear away, into the eyes of the public. We accuse scavengers, brickmakers, and gentlemen who devote their energies to the costermongering line, with obtaining money once a-year, under false pretences. We cling with peculiar fondness to the custom of days gone by, and have shut out conviction as long as we could, but it has forced itself upon us; and we now proclaim to a deluded public, that the May-day dancers are NOT sweeps. The size of them, alone, is sufficient to repudiate the idea. It is a notorious fact that the widely-spread taste for register-stoves has materially increased the demand for small boys; whereas the men, who, under a fictitious character, dance about the streets on the first of May nowadays, would be a tight fit in a kitchen flue, to say nothing of the parlour. This is strong presumptive evidence, but we have positive proof--the evidence of our own senses. And here is our testimony.

  Upon the morning of the second of the merry month of May, in the year of our Lord one thousand eight hundred and thirty-six, we went out for a stroll, with a kind of forlorn hope of seeing something or other which might induce us to believe that it was really spring, and not Christmas. After wandering as far as Copenhagen House, without meeting anything calculated to dispel our impression that there was a mistake in the almanacks, we turned back down Maidenlane, with the intention of passing through the extensive colony lying between it and Battle-bridge, which is inhabited by proprietors of donkey-carts, boilers of horse-flesh, makers of tiles, and sifters of cinders; through which colony we should have passed, without stoppage or interruption, if a little crowd gathered round a shed had not attracted our attention, and induced us to pause.

  When we say a 'shed,' we do not mean the conservatory sort of building, which, according to the old song, Love tenanted when he was a young man, but a wooden house with windows stuffed with rags and paper, and a small yard at the side, with one dust-cart, two baskets, a few shovels, and little heaps of cinders, and fragments of china and tiles, scattered about it. Before this inviting spot we paused; and the longer we looked, the more we wondered what exciting circumstance it could be, that induced the foremost members of the crowd to flatten their noses against the parlour window, in the vain hope of catching a glimpse of what was going on inside. After staring vacantly about us for some minutes, we appealed, touching the cause of this assemblage, to a gentleman in a suit of tarpaulin, who was smoking his pipe on our right hand; but as the only answer we obtained was a playful inquiry whether our mother had disposed of her mangle, we determined to await the issue in silence.

  Judge of our virtuous indignation, when the street-door of the shed opened, and a party emerged therefrom, clad in the costume and emulating the appearance, of May-day sweeps!

  The first person who appeared was 'my lord,' habited in a blue coat and bright buttons, with gilt paper tacked over the seams, yellow knee-breeches, pink cotton stockings, and shoes; a cocked hat, ornamented with shreds of various-coloured paper, on his head, a bouquet the size of a prize cauliflower in his button-hole, a long Belcher handkerchief in his right hand, and a thin cane in his left. A murmur of applause ran through the crowd (which was chiefly composed of his lordship's personal friends), when this graceful figure made his appearance, which swelled into a burst of applause as his fair partner in the dance bounded forth to join him. Her ladyship was attired in pink crape over bed-furniture, with a low body and short sleeves. The symmetry of her ankles was partially concealed by a very perceptible pair of frilled trousers; and the inconvenience which might have resulted from the circumstance of her white satin shoes being a few sizes too large, was obviated by their being firmly attached to her legs with strong tape sandals.

  Her head was ornamented with a profusion of artificial flowers; and in her hand she bore a large brass ladle, wherein to receive what she figuratively denominated 'the tin.' The other characters were a young gentleman in girl's clothes and a widow's cap; two clowns who walked upon their hands in the mud, to the immeasurable delight of all the spectators; a man with a drum; another man with a flageolet; a dirty woman in a large shawl, with a box under her arm for the money,--and last, though not least, the 'green,' animated by no less a personage than our identical friend in the tarpaulin suit.

  The man hammered away at the drum, the flageolet squeaked, the shovels rattled, the 'green' rolled about, pitching first on one side and then on the other; my lady threw her right foot over her left ankle, and her left foot over her right ankle, alternately; my lord ran a few paces forward, and butted at the 'green,' and then a few paces backward upon the toes of the crowd, and then went to the right, and then to the left, and then dodged my lady round the 'green;' and finally drew her arm through his, and called upon the boys to shout, which they did lustily--for this was the dancing.

  We passed the same group, accidentally, in the evening. We never saw a 'green' so drunk, a lord so quarrelsome (no: not even in the house of peers after dinner), a pair of clowns so melancholy, a lady so muddy, or a party so miserable.

  How has May-day decayed!

  CHAPTER XXI--BROKERS' AND MARINE-STORE SHOPS

  When we affirm that brokers' shops are strange places, and that if an authentic history of their contents could be procured, it would furnish many a page of amusement, and many a melancholy tale, it is necessary to explain the class of shops to which we allude.
Perhaps when we make use of the term 'Brokers' Shop,' the minds of our readers will at once picture large, handsome warehouses, exhibiting a long perspective of French-polished dining-tables, rosewood chiffoniers, and mahogany wash-hand-stands, with an occasional vista of a four-post bedstead and hangings, and an appropriate foreground of dining-room chairs. Perhaps they will imagine that we mean an humble class of second-hand furniture repositories. Their imagination will then naturally lead them to that street at the back of Long-acre, which is composed almost entirely of brokers' shops; where you walk through groves of deceitful, showy-looking furniture, and where the prospect is occasionally enlivened by a bright red, blue, and yellow hearth- rug, embellished with the pleasing device of a mail-coach at full speed, or a strange animal, supposed to have been originally intended for a dog, with a mass of worsted-work in his mouth, which conjecture has likened to a basket of flowers.

  This, by-the-bye, is a tempting article to young wives in the humbler ranks of life, who have a first-floor front to furnish-- they are lost in admiration, and hardly know which to admire most. The dog is very beautiful, but they have a dog already on the best tea-tray, and two more on the mantel-piece. Then, there is something so genteel about that mail-coach; and the passengers outside (who are all hat) give it such an air of reality!

  The goods here are adapted to the taste, or rather to the means, of cheap purchasers. There are some of the most beautiful LOOKING Pembroke tables that were ever beheld: the wood as green as the trees in the Park, and the leaves almost as certain to fall off in the course of a year. There is also a most extensive assortment of tent and turn-up bedsteads, made of stained wood, and innumerable specimens of that base imposition on society--a sofa bedstead.

  A turn-up bedstead is a blunt, honest piece of furniture; it may be slightly disguised with a sham drawer; and sometimes a mad attempt is even made to pass it off for a book-case; ornament it as you will, however, the turn-up bedstead seems to defy disguise, and to insist on having it distinctly understood that he is a turn-up bedstead, and nothing else--that he is indispensably necessary, and that being so useful, he disdains to be ornamental.

  How different is the demeanour of a sofa bedstead! Ashamed of its real use, it strives to appear an article of luxury and gentility-- an attempt in which it miserably fails. It has neither the respectability of a sofa, nor the virtues of a bed; every man who keeps a sofa bedstead in his house, becomes a party to a wilful and designing fraud--we question whether you could insult him more, than by insinuating that you entertain the least suspicion of its real use.

  To return from this digression, we beg to say, that neither of these classes of brokers' shops, forms the subject of this sketch. The shops to which we advert, are immeasurably inferior to those on whose outward appearance we have slightly touched. Our readers must often have observed in some by-street, in a poor neighbourhood, a small dirty shop, exposing for sale the most extraordinary and confused jumble of old, worn-out, wretched articles, that can well be imagined. Our wonder at their ever having been bought, is only to be equalled by our astonishment at the idea of their ever being sold again. On a board, at the side of the door, are placed about twenty books--all odd volumes; and as many wine-glasses--all different patterns; several locks, an old earthenware pan, full of rusty keys; two or three gaudy chimney- ornaments--cracked, of course; the remains of a lustre, without any drops; a round frame like a capital O, which has once held a mirror; a flute, complete with the exception of the middle joint; a pair of curling-irons; and a tinder-box. In front of the shop- window, are ranged some half-dozen high-backed chairs, with spinal complaints and wasted legs; a corner cupboard; two or three very dark mahogany tables with flaps like mathematical problems; some pickle-jars, some surgeons' ditto, with gilt labels and without stoppers; an unframed portrait of some lady who flourished about the beginning of the thirteenth century, by an artist who never flourished at all; an incalculable host of miscellanies of every description, including bottles and cabinets, rags and bones, fenders and street-door knockers, fire-irons, wearing apparel and bedding, a hall-lamp, and a room-door. Imagine, in addition to this incongruous mass, a black doll in a white frock, with two faces--one looking up the street, and the other looking down, swinging over the door; a board with the squeezed-up inscription 'Dealer in marine stores,' in lanky white letters, whose height is strangely out of proportion to their width; and you have before you precisely the kind of shop to which we wish to direct your attention.

  Although the same heterogeneous mixture of things will be found at all these places, it is curious to observe how truly and accurately some of the minor articles which are exposed for sale--articles of wearing apparel, for instance--mark the character of the neighbourhood. Take Drury-Lane and Covent-garden for example.

  This is essentially a theatrical neighbourhood. There is not a potboy in the vicinity who is not, to a greater or less extent, a dramatic character. The errand-boys and chandler's-shop-keepers' sons, are all stage-struck: they 'gets up' plays in back kitchens hired for the purpose, and will stand before a shop-window for hours, contemplating a great staring portrait of Mr. Somebody or other, of the Royal Coburg Theatre, 'as he appeared in the character of Tongo the Denounced.' The consequence is, that there is not a marine-store shop in the neighbourhood, which does not exhibit for sale some faded articles of dramatic finery, such as three or four pairs of soiled buff boots with turn-over red tops, heretofore worn by a 'fourth robber,' or 'fifth mob;' a pair of rusty broadswords, a few gauntlets, and certain resplendent ornaments, which, if they were yellow instead of white, might be taken for insurance plates of the Sun Fire-office. There are several of these shops in the narrow streets and dirty courts, of which there are so many near the national theatres, and they all have tempting goods of this description, with the addition, perhaps, of a lady's pink dress covered with spangles; white wreaths, stage shoes, and a tiara like a tin lamp reflector. They have been purchased of some wretched supernumeraries, or sixth-rate actors, and are now offered for the benefit of the rising generation, who, on condition of making certain weekly payments, amounting in the whole to about ten times their value, may avail themselves of such desirable bargains.

  Let us take a very different quarter, and apply it to the same test. Look at a marine-store dealer's, in that reservoir of dirt, drunkenness, and drabs: thieves, oysters, baked potatoes, and pickled salmon--Ratcliff-highway. Here, the wearing apparel is all nautical. Rough blue jackets, with mother-of-pearl buttons, oil- skin hats, coarse checked shirts, and large canvas trousers that look as if they were made for a pair of bodies instead of a pair of legs, are the staple commodities. Then, there are large bunches of cotton pocket-handkerchiefs, in colour and pattern unlike any one ever saw before, with the exception of those on the backs of the three young ladies without bonnets who passed just now. The furniture is much the same as elsewhere, with the addition of one or two models of ships, and some old prints of naval engagements in still older frames. In the window, are a few compasses, a small tray containing silver watches in clumsy thick cases; and tobacco- boxes, the lid of each ornamented with a ship, or an anchor, or some such trophy. A sailor generally pawns or sells all he has before he has been long ashore, and if he does not, some favoured companion kindly saves him the trouble. In either case, it is an even chance that he afterwards unconsciously repurchases the same things at a higher price than he gave for them at first.

  Again: pay a visit with a similar object, to a part of London, as unlike both of these as they are to each other. Cross over to the Surrey side, and look at such shops of this description as are to be found near the King's Bench prison, and in 'the Rules.' How different, and how strikingly illustrative of the decay of some of the unfortunate residents in this part of the metropolis! Imprisonment and neglect have done their work. There is contamination in the profligate denizens of a debtor's prison; old friends have fallen off; the recollection of former prosperity has passed away; and with it all thoughts for the past, all ca
re for the future. First, watches and rings, then cloaks, coats, and all the more expensive articles of dress, have found their way to the pawnbroker's. That miserable resource has failed at last, and the sale of some trifling article at one of these shops, has been the only mode left of raising a shilling or two, to meet the urgent demands of the moment. Dressing-cases and writing-desks, too old to pawn but too good to keep; guns, fishing-rods, musical instruments, all in the same condition; have first been sold, and the sacrifice has been but slightly felt. But hunger must be allayed, and what has already become a habit, is easily resorted to, when an emergency arises. Light articles of clothing, first of the ruined man, then of his wife, at last of their children, even of the youngest, have been parted with, piecemeal. There they are, thrown carelessly together until a purchaser presents himself, old, and patched and repaired, it is true; but the make and materials tell of better days; and the older they are, the greater the misery and destitution of those whom they once adorned.

  CHAPTER XXII--GIN-SHOPS

  It is a remarkable circumstance, that different trades appear to partake of the disease to which elephants and dogs are especially liable, and to run stark, staring, raving mad, periodically. The great distinction between the animals and the trades, is, that the former run mad with a certain degree of propriety--they are very regular in their irregularities. We know the period at which the emergency will arise, and provide against it accordingly. If an elephant run mad, we are all ready for him--kill or cure--pills or bullets, calomel in conserve of roses, or lead in a musket-barrel. If a dog happen to look unpleasantly warm in the summer months, and to trot about the shady side of the streets with a quarter of a yard of tongue hanging out of his mouth, a thick leather muzzle, which has been previously prepared in compliance with the thoughtful injunctions of the Legislature, is instantly clapped over his head, by way of making him cooler, and he either looks remarkably unhappy for the next six weeks, or becomes legally insane, and goes mad, as it were, by Act of Parliament. But these trades are as eccentric as comets; nay, worse, for no one can calculate on the recurrence of the strange appearances which betoken the disease. Moreover, the contagion is general, and the quickness with which it diffuses itself, almost incredible.

 

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