New and Selected Poems

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New and Selected Poems Page 4

by Hughes, Ted


  Backward into the head.

  Blackness is depth

  Beyond star. But the warm weight of his breathing,

  The ammoniac reek of his litter, the hotly-tongued

  Mash of his cud, steamed against me.

  Then, slowly, as onto the mind’s eye –

  The brow like masonry, the deep-keeled neck:

  Something come up there onto the brink of the gulf,

  Hadn’t heard of the world, too deep in itself to be called to,

  Stood in sleep. He would swing his muzzle at a fly

  But the square of sky where I hung, shouting, waving,

  Was nothing to him; nothing of our light

  Found any reflection in him.

  Each dusk the farmer led him

  Down to the pond to drink and smell the air,

  And he took no pace but the farmer

  Led him to take it, as if he knew nothing

  Of the ages and continents of his fathers,

  Shut, while he wombed, to a dark shed

  And steps between his door and the duckpond;

  The weight of the sun and the moon and the world hammered

  To a ring of brass through his nostrils. He would raise

  His streaming muzzle and look out over the meadows,

  But the grasses whispered nothing awake, the fetch

  Of the distance drew nothing to momentum

  In the locked black of his powers. He came strolling gently back,

  Paused neither toward the pig-pens on his right,

  Nor toward the cow-byres on his left: something

  Deliberate in his leisure, some beheld future

  Founding in his quiet.

  I kept the door wide,

  Closed it after him and pushed the bolt.

  Cat and Mouse

  On the sheep-cropped summit, under hot sun,

  The mouse crouched, staring out the chance

  It dared not take,

  Time and a world

  Too old to alter, the five mile prospect –

  Woods, villages, farms – hummed its heat-heavy

  Stupor of life.

  Whether to two

  Feet or four, how are prayers contracted!

  Whether in God’s eye or the eye of a cat.

  View of a Pig

  The pig lay on a barrow dead.

  It weighed, they said, as much as three men.

  Its eyes closed, pink white eyelashes.

  Its trotters stuck straight out.

  Such weight and thick pink bulk

  Set in death seemed not just dead.

  It was less than lifeless, further off.

  It was like a sack of wheat.

  I thumped it without feeling remorse.

  One feels guilty insulting the dead,

  Walking on graves. But this pig

  Did not seem able to accuse.

  It was too dead. Just so much

  A poundage of lard and pork.

  Its last dignity had entirely gone.

  It was not a figure of fun.

  Too dead now to pity.

  To remember its life, din, stronghold

  Of earthly pleasure as it had been,

  Seemed a false effort, and off the point.

  Too deadly factual. Its weight

  Oppressed me – how could it be moved?

  And the trouble of cutting it up!

  The gash in its throat was shocking, but not pathetic.

  Once I ran at a fair in the noise

  To catch a greased piglet

  That was faster and nimbler than a cat,

  Its squeal was the rending of metal.

  Pigs must have hot blood, they feel like ovens.

  Their bite is worse than a horse’s –

  They chop a half-moon clean out.

  They eat cinders, dead cats.

  Distinctions and admirations such

  As this one was long finished with.

  I stared at it a long time. They were going to scald it,

  Scald it and scour it like a doorstep.

  The Retired Colonel

  Who lived at the top end of our street

  Was a Mafeking stereotype, ageing.

  Came, face pulped scarlet with kept rage,

  For air past our gate.

  Barked at his dog knout and whipcrack

  And cowerings of India: five or six wars

  Stiffened in his reddened neck;

  Brow bull-down for the stroke.

  Wife dead, daughters gone, lived on

  Honouring his own caricature.

  Shot through the heart with whisky wore

  The lurch like ancient courage, would not go down

  While posterity’s trash stood, held

  His habits like a last stand, even

  As if he had Victoria rolled

  In a Union Jack in that stronghold.

  And what if his sort should vanish?

  The rabble starlings roar upon

  Trafalgar. The man-eating British lion

  By a pimply age brought down.

  Here’s his head mounted, though only in rhymes.

  Beside the head of the last English

  Wolf (those starved gloomy times!)

  And the last sturgeon of Thames.

  November

  The month of the drowned dog. After long rain the land

  Was sodden as the bed of an ancient lake,

  Treed with iron and birdless. In the sunk lane

  The ditch – a seep silent all summer –

  Made brown foam with a big voice: that, and my boots

  On the lane’s scrubbed stones, in the gulleyed leaves,

  Against the hill’s hanging silence;

  Mist silvering the droplets on the bare thorns

  Slower than the change of daylight.

  In a let of the ditch a tramp was bundled asleep;

  Face tucked down into beard, drawn in

  Under his hair like a hedgehog’s. I took him for dead,

  But his stillness separated from the death

  Of the rotting grass and the ground. A wind chilled,

  And a fresh comfort tightened through him,

  Each hand stuffed deeper into the other sleeve.

  His ankles, bound with sacking and hairy band,

  Rubbed each other, resettling. The wind hardened;

  A puff shook a glittering from the thorns,

  And again the rains’ dragging grey columns

  Smudged the farms. In a moment

  The fields were jumping and smoking; the thorns

  Quivered, riddled with the glassy verticals.

  I stayed on under the welding cold

  Watching the tramp’s face glisten and the drops on his coat

  Flash and darken. I thought what strong trust

  Slept in him – as the trickling furrows slept,

  And the thorn-roots in their grip on darkness;

  And the buried stones, taking the weight of winter;

  The hill where the hare crouched with clenched teeth.

  Rain plastered the land till it was shining

  Like hammered lead, and I ran, and in the rushing wood

  Shuttered by a black oak leaned.

  The keeper’s gibbet had owls and hawks

  By the neck, weasels, a gang of cats, crows:

  Some, stiff, weightless, twirled like dry bark bits

  In the drilling rain. Some still had their shape,

  Had their pride with it; hung, chins on chests,

  Patient to outwait these worst days that beat

  Their crowns bare and dripped from their feet.

  An Otter

  I

  Underwater eyes, an eel’s

  Oil of water body, neither fish nor beast is the otter:

  Four-legged yet water-gifted, to outfish fish;

  With webbed feet and long ruddering tail

  And a round head like an old tomcat.

  Brings the legend of himself

 
; From before wars or burials, in spite of hounds and

  vermin-poles;

  Does not take root like the badger. Wanders, cries;

  Gallops along land he no longer belongs to;

  Re-enters the water by melting.

  Of neither water nor land. Seeking

  Some world lost when first he dived, that he cannot

  come at since,

  Takes his changed body into the holes of lakes;

  As if blind, cleaves the stream’s push till he licks

  The pebbles of the source; from sea

  To sea crosses in three nights

  Like a king in hiding. Crying to the old shape of the

  starlit land,

  Over sunken farms where the bats go round,

  Without answer. Till light and birdsong come

  Walloping up roads with the milk wagon.

  II

  The hunt’s lost him. Pads on mud,

  Among sedges, nostrils a surface bead,

  The otter remains, hours. The air,

  Circling the globe, tainted and necessary,

  Mingling tobacco-smoke, hounds and parsley,

  Comes carefully to the sunk lungs.

  So the self under the eye lies,

  Attendant and withdrawn. The otter belongs

  In double robbery and concealment –

  From water that nourishes and drowns, and from land

  That gave him his length and the mouth of the hound.

  He keeps fat in the limpid integument

  Reflections live on. The heart beats thick,

  Big trout muscle out of the dead cold;

  Blood is the belly of logic; he will lick

  The fishbone bare. And can take stolen hold

  On a bitch otter in a field full

  Of nervous horses, but linger nowhere.

  Yanked above hounds, reverts to nothing at all,

  To this long pelt over the back of a chair.

  Witches

  Once was every woman the witch

  To ride a weed the ragwort road:

  Devil to do whatever she would:

  Each rosebud, every old bitch.

  Did they bargain their bodies or no?

  Proprietary the devil that

  Went horsing on their every thought

  When they scowled the strong and lucky low.

  Dancing in Ireland nightly, gone

  To Norway (the ploughboy bridled),

  Nightlong under the blackamoor spraddled,

  Back beside their spouse by dawn

  As if they had dreamed all. Did they dream it?

  Oh, our science says they did.

  It was all wishfully dreamed in bed.

  Small psychology would unseam it.

  Bitches still sulk, rosebuds blow,

  And we are devilled. And though these weep

  Over our harms, who’s to know

  Where their feet dance while their heads sleep?

  Thrushes

  Terrifying are the attent sleek thrushes on the lawn,

  More coiled steel than living – a poised

  Dark deadly eye, those delicate legs

  Triggered to stirrings beyond sense – with a start, a bounce, a stab

  Overtake the instant and drag out some writhing thing.

  No indolent procrastinations and no yawning stares.

  No sighs or head-scratchings. Nothing but bounce and stab

  And a ravening second.

  Is it their single-mind-sized skulls, or a trained

  Body, or genius, or a nestful of brats

  Gives their days this bullet and automatic

  Purpose? Mozart’s brain had it, and the shark’s mouth

  That hungers down the blood-smell even to a leak of its own

  Side and devouring of itself: efficiency which

  Strikes too streamlined for any doubt to pluck at it

  Or obstruction deflect.

  With a man it is otherwise. Heroisms on horseback,

  Outstripping his desk-diary at a broad desk,

  Carving at a tiny ivory ornament

  For years: his act worships itself – while for him,

  Though he bends to be blent in the prayer, how loud and above what

  Furious spaces of fire do the distracting devils

  Orgy and hosannah, under what wilderness

  Of black silent waters weep.

  Snowdrop

  Now is the globe shrunk tight

  Round the mouse’s dulled wintering heart.

  Weasel and crow, as if moulded in brass,

  Move through an outer darkness

  Not in their right minds,

  With the other deaths. She, too, pursues her ends,

  Brutal as the stars of this month,

  Her pale head heavy as metal.

  Pike

  Pike, three inches long, perfect

  Pike in all parts, green tigering the gold.

  Killers from the egg: the malevolent aged grin.

  They dance on the surface among the flies.

  Or move, stunned by their own grandeur

  Over a bed of emerald, silhouette

  Of submarine delicacy and horror.

  A hundred feet long in their world.

  In ponds, under the heat-struck lily pads –

  Gloom of their stillness:

  Logged on last year’s black leaves, watching upwards.

  Or hung in an amber cavern of weeds

  The jaws’ hooked clamp and fangs

  Not to be changed at this date;

  A life subdued to its instrument;

  The gills kneading quietly, and the pectorals.

  Three we kept behind glass,

  Jungled in weed: three inches, four,

  And four and a half: fed fry to them –

  Suddenly there were two. Finally one.

  With a sag belly and the grin it was born with.

  And indeed they spare nobody.

  Two, six pounds each, over two feet long,

  High and dry and dead in the willow-herb –

  One jammed past its gills down the other’s gullet:

  The outside eye stared: as a vice locks –

  The same iron in this eye

  Though its film shrank in death.

  A pond I fished, fifty yards across,

  Whose lilies and muscular tench

  Had outlasted every visible stone

  Of the monastery that planted them –

  Stilled legendary depth:

  It was as deep as England. It held

  Pike too immense to stir, so immense and old

  That past nightfall I dared not cast

  But silently cast and fished

  With the hair frozen on my head

  For what might move, for what eye might move.

  The still splashes on the dark pond,

  Owls hushing the floating woods

  Frail on my ear against the dream

  Darkness beneath night’s darkness had freed,

  That rose slowly towards me, watching.

  Sunstroke

  Frightening the blood in its tunnel

  The mowing machine ate at the field of grass.

  My eyes had been glared dark. Through a red heat

  The cradled guns, damascus, blued, flared –

  At every stir sliding their molten embers

  Into my head. Sleekly the clover

  Bowed and flowed backward

  Over the saw-set swimming blades

  Till the blades bit – roots, stones, ripped into red –

  Some baby’s body smoking among the stalks.

  Reek of paraffin oil and creosote

  Swabbing my lungs doctored me back

  Laid on a sack in the great-beamed engine-shed.

  I drank at stone, at iron of plough and harrow;

  Dulled in a pit, heard thick walls of rain

  And voices in swaddled confinement near me

  Warm as veins. I lay healing

 
; Under the ragged length of a dog fox

  The dangled head downward from one of the beams,

  With eyes open, forepaws strained at a leap –

  Also surprised by the rain.

  Cleopatra to the Asp

  The bright mirror I braved: the devil in it

  Loved me like my soul, my soul:

  Now that I seek myself in a serpent

  My smile is fatal.

  Nile moves in me; my thighs splay

  Into the squalled Mediterranean;

  My brain hides in that Abyssinia

  Lost armies foundered towards.

  Desert and river unwrinkle again.

 

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