The idea of taking a hundred-pound note from Mackay’s money and buying a round of drinks only came to me later. So did the idea of handing the note to Mish, saying, “Share this with the others,” and leaving fast before she could reply. So did the best idea of all: I could have laid five hundred-pound notes on the table, said, “Conscience money, a hundred each,” and hurried off to put the rest in Mackay’s account. Later I could have told him, “I paid back half what I owe today. You’ll have to wait till next week for the rest – I’ve done something stupid with it.” As he heard the details his mouth would open wider and wider or his frown grow sterner and sterner. At last he would say, “That’s the last interest-free loan you get from me” – or something else. But he would have been as astonished as the five in the pub. I would have proved I was not predictable. Behaving like that would have changed me for the better. But I could not imagine doing such things then. I can only imagine them since I changed for the worse.
I walked from the Whangie toward Mackay’s bank brooding on my recent adventure. No doubt there was a smug little smile on my lips. Then I noticed someone walking beside me and a low voice saying, “Wait a minute.”
I stopped. My companion was Roberta who stood staring at me. She was breathing hard, perhaps with the effort of overtaking me, and her mouth was set in something like a sneer. I could not help looking straight at her now. Everything I saw – weird hair and sneering face, shapeless leather jacket with hands thrust into flaps below her breasts, baggy grey jeans turned up at the bottoms to show clumsy thick-soled boots laced high up the ankles – all these insulted my notion of how a woman ought to look. But her alert stillness as her breathing quietened made me feel very strange, as if I had seen her years ago, and often. To break the strangeness I said sharply, “Well?”
Awkwardly and huskily she said, “I don’t think you’re mean or uninteresting. I like older men.”
Her eyes were so wide open that I saw the whole circle of the pupils, one brown, one blue. There was a kind of buzzing in my blood and the nearby traffic sounded fainter. I felt stronger and more alive than I had felt for years – alive in a way I had never expected to feel again after my marriage went wrong. Her sneer was now less definite, perhaps because I felt it on my own lips. Yes, I was leering at her like a gangster confronting his moll in a 1940 cinema poster and she was staring back as if terrified to look anywhere else. I was fascinated by the thin stubble at the sides of her head above the ears. It must feel exactly like my chin before I shaved in the morning. I wanted to rub it hard with the palms of my hands. I heard myself say, “You want money. How?”
She murmured that I could visit my bank before we went to her place – or afterward, if I preferred. My leer became a wide grin. I patted my inner pocket and said, “No need for a bank, honey. I got everything you want right here. And we’ll take a taxi to my place, not yours.”
I spoke with an American accent, and the day turned
into one of the worst in my life.
Edison’s Tractatus
Perhaps you know that musclemen – hard men who want to be extra strong – have a habit of eating big feeds of steak and chips, and the minute the last mouthful is swallowed they heave big weights, or run great distances, or work machines that let them do both at the same time. This converts all the food in their guts into muscle without an ounce of additional fat. When a dedicated muscleman overeats, sheer strength is the only outcome.
There was once a man who trained that way to strengthen his brain. Not only after but during big feeds he would read very deep books – trigonometry, accountancy, divinity, that class of subject – and think about them fiercely and continually till he felt hungry again. He grew so brainy that before you said a word to him he guessed the sort of thing you meant to say and quoted Jesus or Euclid or Shakespeare who had said it better. This destroyed his social life but at first he didn’t care.
One day he was sitting in a restaurant reading Edison’s Tractatus and beasting into his third plate of steak and chips when he noticed a young woman across the table from him eating the same stuff. She had cut it into small bits and was forking them steadily into her mouth with one hand while writing just as steadily with the other. She wrote in red ink on a block of the squared paper scientists use for charts and diagrams, but she was writing words as clear as print, words so neat and regular that he could not stop staring at them although they were illegible from where he sat being upside down. He noticed that the woman, though not a small woman, was neat and regular in a way that suggested a school mistress. He could not imagine what she would say if she spoke to him and the strangeness of this put him in a confusion through which at last he heard his voice ask if she would please pass the salt cellar, which was as close to him as to her.
The woman glanced at the salt cellar – at him – smiled – put her fork down and said, “What will I most dislike about you if I let that request lead to intimate friendship?”
He hesitated then said frankly, “My breadth of knowledge. I talk better about more things than anyone else. Nobody likes me for it.”
She nodded and said, “What do you know about the interface between pre-Columbian Aztec pottery, Chinese obstetrics during the Ming dynasty and the redrawing of constituency boundaries in the Lothian Region subsequent to the last general election?”
He said, “They are perfect examples of inter-disciplinary cross-sterilization. When William Blake said that The dog starved at his master’s gate predicts the ruin of the state he was stating a political fact. The writer who traced a North American hurricane back to a butterfly stamping on a leaf in a tropical rain forest was reasoning mathematically. The absurd interface you posit is (like most post-modernist and post-constructionalist concepts) a sort of mental afterbirth. Are you writing about it?”
“No but you can reach for the salt cellar yourself,” she said and went on writing. The man felt a pang of unintelligent grief. He tried to quench it with manly anger. “Tell me just one thing!” he said sternly. “If we had conversed intimately what would I have most disliked about you?”
“My depth of sympathy,” she answered with a patient sigh. “No matter how loud-mouthed, boastful and dismissive you grew I would realize you could never be different.”
“O thank God you never passed me that salt cellar!” he cried.
And continued reading Edison’s Tractatus
but could no longer concentrate.
EPILOGUE TO EDISON’S TRACTATUS
In 1960 I went on holiday to Ireland with Andrew Sykes, a tough small stocky man with a thick thatch of white hair and a face like a boxer’s. Like myself he dressed comfortably rather than smartly. We had met when he was a mature student at Glasgow University and I a very callow one just out of Glasgow Art School. We were from the working class who had benefited when two post-war governments (Labour and Tory) agreed that all who qualified for professional educations might have them whether or not they or their parents could pay. Andrew, who had been a sergeant with the British army in India, eventually won a doctorate through a paper on trade unions in the building industry, getting his knowledge by the unacademic ploy of working as a navvy. His army experience and a course in economics had also given him insights into the workings of our officer and financial class. He took malicious glee in gossiping to me about the insider trading by which this minority manipulate the rest. My notion of Britain had been formed at the end of the Second World War when our government announced the coming of a fairer society and the creation of social welfare for all. I had thought Britain was now mainly managed by folk who had mastered difficult processes through training and experience. Andrew explained that, as often today as in the past, most British civil service and business chiefs had stepped into senior positions because they had been to three or four expensive boarding schools and a couple of universities in the English east midlands: institutions where exams mattered less than their parents’ wealth and friends they had made. He persuaded me that Britain was not (as mo
st of our politicians and publicity networks claimed) a democracy, but an electoral aristocracy.
I thought Andrew disliked this unfair system since he was entering a profession through a socialist act of parliament. On our Irish holiday (we were guests of his friends Greta and David Hodgins at Nenagh in Tipperary) I was surprised to find he hated almost any group who wanted to change the dominant system. He even hated the Campaign for Nuclear Disarmament. He forgave me for being a member but we could not discuss it. The only political hope we shared was a wish for Scottish self-government. I enjoyed what I saw of Ireland but enjoyed his company less than I had expected. His hobbies were wrestling and judo. He told me that body builders convert steak into muscle by a course of weight-lifting immediately after a meal. I will say more about him because he gave me more than the first sentence of “Edison’s Tractatus”.
He became Strathclyde University’s first Professor of Sociology in 1967, retired in 1989, died in 1991. His closest relatives were aunts with whom he lodged in a Glasgow tenement until they died long before he did. His job gave him prestige and colleagues. His holidays with the Hodgins in Tipperary gave him a family whose children regarded him as an uncle, a community which treated him as an equal. From a Labour Party member he became a xenophobic Tory. In the university staff club he once aimed a judo kick at a black visitor who was quietly minding his own business. Since his special study was trade unions in the 1980s he became a salaried adviser of the British government, telling Margaret Thatcher how to weaken them. He took self-conscious glee in the bowler hat, tailor-made striped trousers, black jacket and waistcoat he acquired for visits to Downing Street. I fear he did a lot of harm but not to me. From 1961 to 1974 he was my only steady patron. He bought paintings and lent money when I was in need, usually taking a drawing as repayment. He lent me money as if it was an ordinary, unimportant action, leaving my self-respect undamaged. I cannot type so he got his secretaries to type my poems, plays and first novel onto wax stencils from which (in days when photocopying was hugely expensive) they printed all the copies I needed without charge. In 1974 he arranged for the Collins Gallery of Strathclyde University to give the largest retrospective show my pictures have ever had, getting a Glasgow Lord Provost to open it.
Yet in his last fifteen years I hardly saw him at all, maybe because I no longer supported a family so had less need to borrow. After his retirement he became a recluse and solitary drinker, his only human contacts being a cleaning lady and a weekly phone call from Greta Hodgins in Ireland. I felt sad and guilty when he died. He had given me much more than I ever gave him.
I will now list other ingredients which went into “Edison’s Tractatus”.
1 In the 1960s I heard that Wittgenstein’s Tractatus was a very brainy book. I thought it might not be too brainy for me but never got hold of a copy.
2 I am too shy and pessimistic to start conversations with strangers but when public transport or an eating house places me beside an attractive one I sometimes fantasize about talking to them. This habit led to my first television play and a novel which is still in print. In 1982 I worked with Liz Lochhead, Jim Kelman and Tom Leonard on a review called The Pie of Damocles. I scribbled a sketch in which a young woman at a café table asks a depressed young man to pass her the sugar bowl and he insists on discussing what this might lead to before refusing. My friends did not think it funny. I discarded it.
3 I started hearing the word interface in the 1970s. It seemed to be used by people erecting a barrier round their work practice while talking across it. The barrier made the job they had mastered feel safer but conversation across it sometimes made new work, as forensic medicine had developed from the interface between policing and doctoring. My facetious attitude to new words led me to link activities between which no interface was possible – the gap between Aztec pottery and Chinese obstetrics, for instance, seemed unbridgeable. Around the same time I heard a lecturer amuse a university audience by referring to something as “an example of interdisciplinary cross-sterilization”.
4 For several years I have been perplexed by the adjective post-modern, especially when applied to my own writing, but have now decided it is an academic substitute for contemporary or fashionable. Its prefix honestly announces it as a specimen of intellectual afterbirth, a fact I only noticed when I reread my brainy character saying so.
5 A few years ago I heard that a scientist had shown how a butterfly stamping on a leaf in a tropical rain forest might precipitate a hurricane in North America. This may or may not be true.
6 In the first months of 1994 I conducted a creative writing class at St Andrews University. Going home by train to Glasgow one day I sat opposite a young woman who was writing in red ink on a block of graph paper. I could not read her words but they were shaped with unusual clearness and regularity. She was slightly bigger than average, neatly dressed and with no apparent make-up or anything to catch the eye. I felt a strong prejudice in her favour, believing, perhaps wrongly, that she was unusually intelligent. I suddenly wanted to put her in a story exactly as she appeared. She sometimes exchanged words with a young man beside her but their conversation did not interest me.
I broke my journey home at Markinch to visit Malcolm Hood in Glenrothes Hospital. Two years earlier he had been paralysed by a cerebral stroke: his brain was in full working order but his body could give no sign of it. He was now able to speak and move a little. On this visit I read him a story from Somerville and Ross’s Experiences of an Irish R.M. and occasional comments and snorts of laughter showed his enjoyment. When students at Glasgow Art School forty years before we had often read aloud to each other from amusing authors. My favourites were Max Beerbohm and Rabelais, Malcolm’s were Dickens and Patrick Campbell. Campbell – an Anglo-Irish humorist not much read now – probably gave us our first taste of Blarney, which I define as the employment of an Irish idiom to make an unlikely story more convincing. The Somerville and Ross tale was full of it.
When I boarded a homeward-bound train at Markinch “Edison’s Tractatus” was germinating. I scribbled most of it in a notebook before reaching Glasgow, and as I did so imagined an Irish voice saying it, an Irish voice deliberately constructing an improbable tale. That is why I gave it an improbable title. Were I to read it aloud I would do so in my Scottish voice, but when writing “Edison’s Tractatus” the sentences moved to a second-hand Irish lilt.
7 This lilt must come from more than a fortnight in Tipperary thirty-five years ago and from renewed pleasure in the Blarney of Somerville and Ross. Flann O’Brien’s writings are an ingredient because, though Joyce, Synge and O’Casey use Blarney on occasions, O’Brien is the only Irish genius whose work is Blarney throughout. In the previous six months I had also read with pleasure “This Fella I Knew”, a short story by my friend Bernard MacLaverty who never talks Blarney and hardly ever writes it. This one story is an exception. It appears in his anthology, Walking the Dog, published in 1994.
8 A week after scribbling the first version of “Edison’s Tractatus” a student in my St Andrews class asked how I got ideas for stories. I gave a long confused answer because each novel, short story or play seemed to form differently. What set it going might be a story I had read which I wanted to tell differently, or a daydream, or dream remembered on waking, or a fantasy I had evolved during conversation, or an incident which had befallen someone else but was unforgettable because of its oddity, humour or injustice. Ideas have sometimes come from commissions to write on a particular subject. Thereafter the idea grew through an alternation of writing and deliberate day-dreaming. If a narrative drew in many memories, ideas and phrases which had lain unused in my brain it sometimes expanded to a novella, novel or play. All but my first novel came that way. The first came from childhood faith in a long printed story as my surest way of getting attention. I day-dreamed and scribbled it for years before accumulating enough ideas and experiences to finish it. I have also developed stories by telling or reading parts to friends before completion. Most
authors I know avoid this because displaying unfinished work reduces their enthusiasm for it, but some listeners’ suggestions have expanded my tales in ways I might not have discovered by myself.
The student’s question produced this account of what went into “Edison’s Tractatus”. There is probably more than I am conscious of, but I believe the brainy hero is mainly a caricature of traits which Andrew Sykes and I had in common. We were both inclined to turn sexual urges into clever, sometimes boring monologues.
The urge to deliver an uninterrupted monologue is the energy driving most teachers, story-tellers and politicians. “Edison’s Tractatus” is obviously a portrait
of someone too wordy for his own good,
which also explains the addition
of this bit of intellectual
afterbirth.
The Shortest Tale
Most books nowadays are made of big paper sheets printed, folded and cut into units of thirty-two pages, units which bookbinders call signatures. This book contains five signatures – exactly 160 pages. Since the first five stories do not quite fill them I will write another, a true one because just now my imagination can invent nothing short enough. Like other stories in this book it deals with education. I heard it from Angela Mullane, once a colleague of the teacher who is the story’s most active yet least interesting character.
Mavis Belfrage Page 11