Without a Hero

by T. C. Boyle

  “No gain without pain,” Mike says.

  “Amen,” Fernando chimes in.

  “Listen,” Julian blurts, and he’s upset now, as upset as he’s ever been, “I don’t care what you say, I’m the boss here and I say the stuff stays, just as it is. You—now put down that tripod.”

  No one moves. Mike looks to Fernando, Fernando looks to Susan Certaine. After a moment, she lays a hand on Julian’s arm. “You’re not the boss here, Julian,” she says, the voice sunk low in her throat, “not anymore. If you have any doubts, just read the contract.” She attempts a smile, though smiles are clearly not her forte. “The question is, do you want to get organized or not? You’re paying me a thousand dollars a day, which breaks down to roughly two dollars a minute. You want to stand here and shoot the breeze at two dollars a minute, or do you want action?”

  Julian hangs his head. She’s right, he knows it. “I’m sorry,” he says finally. “It’s just that I can’t…I mean I want to do something, anything—”

  “You want to do something? You really want to help?”

  Mike and Fernando are gone, already heading down the stairs with their burdens, and the Asian woman, her hands in constant motion, has turned to his science-fiction collection. He shrugs. “Yes, sure. What can I do?”

  She glances at her watch, squares her shoulders, fixes him with her dark unreadable gaze. “You can take me to breakfast.”

  Susan Certaine orders wheat toast, dry, and coffee, black. Though he’s starving, though he feels cored out from the back of his throat to the last constricted loop of his intestines, he follows suit. He’s always liked a big breakfast, eggs over easy, three strips of bacon, toast, waffles, coffee, orange juice, yogurt with fruit, and never more so than when he’s under stress or feels something coming on, but with Susan Certaine sitting stiffly across from him, her lips pursed in distaste, disapproval, ascetic renunciation of all and everything he stands for, he just doesn’t have the heart to order. Besides which, he’s on unfamiliar ground here. The corner coffee shop, where he and Marsha have breakfasted nearly every day for the past three years, wasn’t good enough for her. She had to drive halfway across the Valley to a place she knew, though for the life of him he can’t see a whole lot of difference between the two places—same menu, same coffee, even the waitresses look the same. But they’re not. And the fact of it throws him off balance.

  “You know, I’ve been thinking, Mr. Laxner,” Susan Certaine says, speaking into the void left by the disappearance of the waitress, “you really should come over to us. For the rest of the week, I mean.”

  Come over? Julian watches her, wondering what in god’s name she’s talking about, his stomach sinking over the thought of his Heinleins and Asimovs in the hands of strangers, let alone his texts and first editions and all his equipment—if they so much as scratch a lens, he’ll, he’ll…but his thoughts stop right there. Susan Certaine, locked in the grip of her black rigidity, is giving him a look he hasn’t seen before. The liminal smile, the coy arch of the eyebrows. She’s a young woman, younger than Marsha, far younger, and the apprehension hits him with a jolt. Here he is, sharing the most intimate meal of the day with a woman he barely knows, a young woman. He feels a wave of surrender wash over him.

  “How can I persuade you?”

  “I’m sorry,” he murmurs, fumbling with his cup, “but I don’t think I’m following you. Persuade me of what?”

  “The Co-Dependent Hostel. For the spouses. The spoilers. For men like you, Mr. Laxner, who give their wives material things instead of babies, instead of love.”

  “But I resent that. Marsha’s physically incapable of bearing children—and I do love her, very much so.”

  “Whatever.” She waves her hand in dismissal. “But don’t get the impression that it’s a men’s club or anything—you’d be surprised how many women are the enablers in these relationships. You’re going to need a place to stay until Sunday anyway.”

  “You mean you want me to, to move out? Of my own house?”

  She lays a hand on his. “Don’t you think it would be fairer to Marsha? She moved out, didn’t she? And by the way, Dr. Hauskopf tells me she passed a very restful night. Very restful.” A sigh. A glance out the window. “Well, what do you say?”

  Julian pictures a big gray featureless building lost in a vacancy of smog, men in robes and pajamas staring dully at newspapers, the intercom crackling. “But my things—”

  “Things are what we’re disburdening you of, Mr. Laxner. Things are crushing you, stealing your space, polluting your soul. That’s what you hired me for, remember?” She pushes her cup aside and leans forward, and the old look is back, truculent, disdainful. He finds himself gazing into the shimmering nullity of her eyes. “We’ll take care of all that,” she says, her voice pitched low again, subtle and entrancing, “right on down to your toothbrush, hemorrhoid cream and carpet slippers.” As if by legerdemain, a contract has appeared between the creamer and the twin plates of dry unadulterated toast. “Just sign here, Mr. Laxner, right at the bottom.”

  Julian hesitates, patting down his pockets for his reading glasses. The original contract, the one that spelled out the responsibilities of Certaine Enterprises with respect to his things—and his and Marsha’s obligations to Certaine Enterprises—had run to 327 pages, a document he barely had time to skim before signing, and now this. Without his reading glasses he can barely make out the letterhead. “But how much is it, per day, I mean? Marsha’s, uh, treatment was four hundred a day, correct? This wouldn’t be anywhere in that ballpark, would it?”

  “Think of it as a vacation, Mr. Laxner. You’re going away on a little trip, that’s all. And on Sunday, when you get home, you’ll have your space back. Permanently.” She looks into his eyes. “Can you put a price on that?”

  · · ·

  The Susan Certaine Co-Dependent Hostel is located off a shady street in Sherman Oaks, on the grounds of a defunct private boys’ school, and it costs about twice as much as a good hotel in midtown Manhattan. Julian had protested—it was Marsha, Marsha was the problem, she was the one who needed treatment, not him—but Susan Certaine, over two slices of dry wheat toast, had worn him down. He’d given her control over his life, and she was exercising it. That’s what he’d paid for, that’s what he’d wanted. He asked only to go home and pack a small suitcase, an overnight bag, anything, but she refused him even that—and refused him the use of his own car on top of it. “Withdrawal has got to be total,” she says, easing up to the curb out front of the sprawling complex of earth-toned buildings even as a black-clad attendant hustles up to the car to pull open the door, “for both partners. I’m sure you’ll be very happy here, Mr. Laxner.”

  “You’re not coming in?” he says, a flutter of panic seizing him as he shoots a look from her to the doorman and back again.

  The black Mercedes hums beneath them. A bird folds its wings and dips across the lawn. “Oh, no, no, not at all. You’re on your own here, Mr. Laxner, I’m afraid—but in the best of hands, I assure you. No, my job is to go back to that black hole of a house and make it livable, to catalogue your things, organize. Organize, Mr. Laxner, that’s my middle name.”

  Ten minutes later Julian finds himself sitting on the rock-hard upper bunk in the room he is to share with a lugubrious man named Fred, contemplating the appointments. The place is certainly Essene, but then, he supposes that’s the idea. Aside from the bunk bed, the room contains two built-in chests of drawers, two mirrors, two desks and two identical posters revealing an eye-level view of the Bonneville Salt Flats. The communal bathroom/shower is down the checked linoleum hallway to the right. Fred, a big pouchy sack of a man who owns a BMW dealership in Encino, stares gloomily out the window and says only, “Kind of reminds you of college, doesn’t it?”

  In the evening, there’s a meal in the cafeteria—instant mashed potatoes with gravy, some sort of overcooked unidentifiable meatlike substance, Jell-O—and Julian is surprised at the number of his fellow su
fferers, slump-shouldered men and women, some of them quite young, who shuffle in and out of the big room like souls in purgatory. After dinner, there’s a private get-acquainted chat with Dr. Heiko Hauskopf, Dr. Doris’s husband, and then an informational film about acquisitive disorders, followed by a showing of The Snake Pit in the auditorium. Fred, as it turns out, is a belcher, tooth grinder and nocturnal mutterer of the first degree, and Julian spends the night awake, staring into the dark corner above him and imagining tiny solar systems there, hanging in the abyss, other worlds radiant with being.

  Next morning, after a breakfast of desiccated eggs and corrosive coffee, he goes AWOL. Strides out the door without a glance, calls a taxi from the phone booth on the corner and checks into the nearest motel. From there he attempts to call Marsha, though both Susan Certaine and Dr. Doris had felt it would be better not to “establish contact” during therapy. He can’t get through. She’s unavailable, indisposed, undergoing counseling, having her nails done, and who is this calling, please?

  For two days Julian holes up in his motel room like an escaped convict, feeling dangerous, feeling like a lowlife, a malingerer, a bum, letting the stubble sprout on his face, reveling in the funk of his unwashed clothes. He could walk up the street and buy himself a change of underwear and socks at least—he’s still got his credit cards, after all—but something in him resists. Lying there in the sedative glow of the TV, surrounded by the detritus of the local fast-food outlets, belching softly to himself and pulling meditatively at the pint of bourbon balanced on his chest, he begins to see the point of the exercise. He misses Marsha desperately, misses his home, his bed, his things. But this is the Certaine way—to know deprivation, to know the hollowness of the manufactured image and the slow death of the unquenchable tube, to purify oneself through renunciation. These are his thirty days and thirty nights, this is his trial, his penance. He lies there, prostrate, and when the hour of his class at the community college rolls round he gives no account of himself, not even a phone call.

  On the third night, the telephone rings. Absorbed in a dramedy about a group of young musician/actor/models struggling to make ends meet in a rented beach house in Malibu, and well into his second pint of bourbon, he stupidly answers it. “Mr. Laxner?” Susan Certaine’s hard flat voice drives at him through the wires.

  “But, how—?” he gasps, before she cuts him off.

  “Don’t ask questions, just listen. You understand, of course, that as per the terms of your agreement, you owe Certaine Enterprises for six days’ room and board at the Co-Dependent Hostel whether you make use of the facilities or not—”

  He understands.

  “Good,” she snaps. “Fine. Now that that little matter has been resolved, let me tell you that your wife is responding beautifully to treatment and that she, unlike you, Mr. Laxner, is making the most of her stay in a nonacquisitive environment—and by the way, I should caution you against trying to contact her again; it could be terribly detrimental, traumatic, a real setback—”

  Whipped, humbled, pried out of his cranny with a sure sharp stick, Julian can only murmur an apology.

  There’s a pause on the other end of the line—Julian can hear the hiss of gathering breath, the harsh whistle of the air rushing past Susan Certaine’s fleshless lips, down her ascetic throat and into the repository of her disciplined lungs. “The good news,” she says finally, drawing it out, “is that you’re clean. Clean, Mr. Laxner. As pure as a babe sprung from the womb.”

  Julian is having difficulty putting it all together. His own breathing is quick and shallow. He rubs at his stubble, sits up and sets the pint of bourbon aside. “You mean—?”

  “I mean twelve-o’clock noon, Mr. Laxner, Sunday the twenty-seventh. Your place. You be there.”

  On Sunday morning, Julian is up at six. Eschewing the religious programming in favor of the newspaper, he pores methodically over each of the twenty-two sections—including the obituaries, the personals and the recondite details of the weather in Rio, Yakutsk and Rangoon—and manages to kill an hour and a half. His things have been washed—twice now, in the bathroom sink, with a bar of Ivory soap standing in for detergent—and before he slips into them he shaves with a disposable razor that gouges his face in half-a-dozen places and makes him yearn for the reliable purr and gentle embrace of his Braun Flex Control. He breakfasts on a stale cruller and coffee that tastes of bile while flicking through the channels. Then he shaves a second time and combs his hair. It is 9:05. The room stinks of stir-fry, pepperoni, garlic, the sad reek of his take-out life. He can wait no longer.

  Unfortunately, the cab is forty-five minutes late, and it’s nearly ten-thirty by the time they reach the freeway. On top of that, there’s a delay—roadwork, they always wait till Sunday for roadwork—and the cab sits inert in an endless field of gleaming metal until finally the cabbie jerks savagely at the wheel and bolts forward, muttering to himself as he rockets along the shoulder and down the nearest off-ramp. Julian hangs on, feeling curiously detached as they weave in and out of traffic and the streets become increasingly familiar. And then the cab swings into his block and he’s there. Home. His heart begins to pound in his chest.

  He doesn’t know what he’s been expecting—banners, brass bands, Marsha embracing him joyously on the front steps of an immaculate house—but as he climbs out of the cab to survey his domain, he can’t help feeling a tug of disappointment: the place looks pretty much the same, gray flanks, white trim, a thin sorry plume of bougainvillea clutching at the trellis over the door. But then it hits him: the lawn ornaments are gone. The tiki torches, the plaster pick-aninnies and flag holders and all the rest of the outdoor claptrap have vanished as if into the maw of some brooding tropical storm, and for that he’s thankful. Deeply thankful. He stands there a moment, amazed at the expanse of the lawn, plain simple grass, each blade a revelation—he never dreamed he had this much grass. The place looks the way it did when they bought it, wondering naively if it would be too big for just the two of them.

  He saunters up the walk like a prospective buyer, admiring the house, truly admiring it, for the first time in years. How crisp it looks, how spare and uncluttered! She’s a genius, he’s thinking, she really is, as he mounts the front steps fingering his keys and humming, actually humming. But then, standing there in the quickening sun, he glances through the window and sees that the porch is empty—swept clean, not a thing left behind—and the tune goes sour in his throat. That’s a surprise. A real surprise. He would have thought she’d leave something—the wicker set, the planters, a lamp or two—but even the curtains are gone. In fact, he realizes with a shock, none of the windows seem to have curtains—or blinds, either. What is she thinking? Is she crazy?

  Cursing under his breath, he jabs the key in the lock and twists, but nothing happens. He jerks it back out, angry now, impatient, and examines the flat shining indented surface: no, it’s the right key, the same key he’s been using for sixteen years. Once again. Nothing. It won’t even turn. The truth, ugly, frightening, has begun to dawn on him, even as he swings round on his heels and finds himself staring into the black unblinking gaze of Susan Certaine.

  “You, you changed the locks,” he accuses, and his hands are trembling.

  Susan Certaine merely stands there, the briefcase at her feet, two mammoth softbound books clutched under her arms, books the size of unabridged dictionaries. She’s in black, as usual, a no-nonsense business suit growing out of sensible heels, her cheeks brushed ever so faintly with blusher. “A little early, aren’t we?” she says.

  “You changed the locks.”

  She waits a beat, unhurried, in control. “What did you expect? We really can’t have people interfering with our cataloguing, can we? You’d be surprised how desperate some people get, Mr. Laxner. And when you ran out on your therapy…well, we just couldn’t take the chance.” A thin pinched smile. “Not to worry: I’ve got your new keys right here—two sets, one for you and one for Marsha.”

  Her
heels click on the pavement, three businesslike strides, and she’s standing right beside him on the steps, crowding him. “Here, will you take these, please?” she says, dumping the books in his arms and digging into her briefcase for the keys.

  The books are like dumbbells, scrap iron, so heavy he can feel the pull in his shoulders. “God, they’re heavy,” Julian mutters. “What are they?”

  She fits the key in the lock and pauses, her face inches from his. “Your life, Mr. Laxner. The biography of your things. Did you know that you owned five hundred and fifty-two wire hangers, sixty-seven wooden ones and one hundred and sixty-nine plastic? Over two hundred flowerpots? Six hundred doilies? Potholders, Mr. Laxner. You logged in over one hundred twenty—can you imagine that? Can you imagine anyone needing a hundred and twenty potholders? Excess, Mr. Laxner,” and he watches her lip curl. “Filthy excess.”

  The key takes, the tumblers turn, the door swings open. “Here you are, Mr. Laxner, organization,” she cries, throwing her arms out. “Welcome to your new life.”

  Staggering under the burden of his catalogues, Julian moves across the barren porch and into the house, and here he has a second shock: the place is empty. Denuded. There’s nothing left, not even a chair to sit in. Bewildered, he turns to her, but she’s already moving past him, whirling round the room, her arms spread wide. He’s begun to sweat. The scent of Sen-Sen hangs heavy in the air. “But, but there’s nothing here,” he stammers, bending down to set the catalogues on the stripped floorboards. “I thought…well, I thought you’d pare it down, organize things so we could live here more comfortably, adjust, I mean—”

  “Halfway measures, Mr. Laxner?” she says, skating up to him on the newly waxed floors. “Are halfway measures going to save a man—and woman—who own three hundred and nine bookends, forty-seven rocking chairs, over two thousand plates, cups and saucers? This is tabula rasa, Mr. Laxner, square one. Did you know you owned a hundred and thirty-seven dead penlight batteries? Do you really need a hundred and thirty-seven dead penlight batteries, Mr. Laxner? Do you?”