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by Agatha Christie

'Yes, later. At the moment that we were telephoning to the police, Gladys Sanders was alive and well.'

  'You mean it was someone pretending to be her? But surely when you touched her - '

  'It was a dead body, right enough,' said Miss Marple gravely.

  'But, dash it all,' said Colonel Bantry, 'you can't get hold of dead bodies right and left. What did they do with the - the first corpse afterwards?'

  'He put it back,' said Miss Marple. 'It was a wicked idea - but a very clever one. It was our talk in the drawing-room that put it into his head. The body of poor Mary, the housemaid - why not use it? Remember, the Sanders' room was up amongst the servants' quarters. Mary's room was two doors off. The undertakers wouldn't come till after dark - he counted on that. He carried the body along the balcony (it was dark at five), dressed it in one of his wife's dresses and her big red coat. And then he found the hat cupboard locked! There was only one thing to be done, he fetched one of the poor girl's own hats. No one would notice. He put the sandbag down beside her. Then he went off to establish his alibi.

  'He telephoned to his wife - calling himself Mr Littleworth. I don't know what he said to her - she was a credulous girl, as I said just now. But he got her to leave the bridge party early and not to go back to the Hydro, and arranged with her to meet him in the grounds of the Hydro near the fire escape at seven o'clock. He probably told her he had some surprise for her.

  'He returns to the Hydro with his friends and arranges that Miss Trollope and I shall discover the crime with him. He even pretends to turn the body over - and I stop him! Then the police are sent for, and he staggers out into the grounds.

  'Nobody asked him for an alibi after the crime. He meets his wife, takes her up the fire escape, they enter their room. Perhaps he has already told her some story about the body. She stoops over it, and he picks up his sandbag and strikes... Oh, dear! It makes me sick to think of, even now! Then quickly he strips off her coat and skirt, hangs them up, and dresses her in the clothes from the other body.

  'But the hat won't go on. Mary's head is shingled - Gladys Sanders, as I say, had a great bun of hair. He is forced to leave it beside the body and hope no one will notice. Then he carries poor Mary's body back to her own room and arranges it decorously once more.'

  'It seems incredible,' said Dr Lloyd. 'The risks he took. The police might have arrived too soon.'

  'You remember the line was out of order,' said Miss Marple. 'That was a piece of his work. He couldn't afford to have the police on the spot too soon. When they did come, they spent some time in the manager's office before going up to the bedroom. That was the weakest point - the chance that someone might notice the difference between a body that had been dead two hours and one that had been dead just over half an hour; but he counted on the fact that the people who first discovered the crime would have no expert knowledge.'

  Dr Lloyd nodded.

  'The crime would be supposed to have been committed about a quarter to seven or thereabouts, I suppose,' he said. 'It was actually committed at seven or a few minutes after. When the police surgeon examined the body it would be about half past seven at earliest. He couldn't possibly tell.'

  'I am the person who should have known,' said Miss Marple. 'I felt the poor girl's hand and it was icy cold. Yet a short time later the Inspector spoke as though the murder must have been committed just before we arrived - and I saw nothing!'

  'I think you saw a good deal, Miss Marple,' said Sir Henry. 'The case was before my time. I don't even remember hearing of it.

  What happened?'

  'Sanders was hanged,' said Miss Marple crisply. 'And a good job too. I have never regretted my part in bringing that man to justice. I've no patience with modern humanitarian scruples about capital punishment.'

  Her stern face softened.

  'But I have often reproached myself bitterly with failing to save the life of that poor girl. But who would have listened to an old woman jumping to conclusions? Well, well - who knows? Perhaps it was better for her to die while life was still happy than it would have been for her to live on, unhappy and disillusioned, in a world that would have seemed suddenly horrible. She loved that scoundrel and trusted him. She never found him out.'

  'Well, then,' said Jane Helier, 'she was all right. Quite all right. I wish - ' she stopped. Miss Marple looked at the famous, the beautiful, the successful Jane Helier and nodded her head gently. 'I see, my dear,' she said very gently. 'I see.'

  The Herb of Death

  'Now then, Mrs B,' said Sir Henry Clithering encouragingly. Mrs Bantry, his hostess, looked at him in cold reproof. 'I've told you before that I will not be called Mrs B. It's not dignified.'

  'Scheherazade, then.'

  'And even less am I Sche - what's her name? I never can tell a story properly, ask Arthur if you don't believe me.'

  'You're quite good at the facts, Dolly,' said Colonel Bantry, 'but poor at the embroidery.'

  'That's just it,' said Mrs Bantry. She flapped the bulb catalogue she was holding on the table in front of her. 'I've been listening to you all and I don't know how you do it. "He said, she said, you wondered, they thought, everyone implied" - well, I just couldn't and there it is! And besides I don't know anything to tell a story about.'

  'We can't believe that Mrs Bantry,' said Dr Lloyd. He shook his grey head in mocking disbelief.

  Old Miss Marple said in her gentle voice: 'Surely dear - '

  Mrs Bantry continued obstinately to shake her head.

  'You don't know how banal my life is. What with the servants and the difficulties of getting scullery maids, and just going to town for clothes, and dentists, and Ascot (which Arthur hates) and then the garden - '

  'Ah!' said Dr Lloyd. 'The garden. We all know where your heart lies, Mrs Bantry.'

  'It must be nice to have a garden.' said Jane Helier, the beautiful young actress. 'That is, if you hadn't got to dig, or to get your hands messed up. I'm ever so fond of flowers.'

  'The garden,' said Sir Henry. 'Can't we take that as a starting point? Come, Mrs B. The poisoned bulb, the deadly daffodils, the herb of death?'

  'Now it's odd your saying that,' said Mrs Bantry. 'You've just reminded me. Arthur, do you remember that business at Clodderham Court? You know. Old Sir Ambrose Bercy. Do you remember what a courtly charming old man we thought him?'

  'Why, of course. Yes, that was a strange business. Go ahead.

  Dolly.'

  'You'd better tell it, dear.'

  'Nonsense. Go ahead. Must paddle your own canoe. I did my bit just now.'

  Mrs Bantry drew a deep breath. She clasped her hands and her face registered complete mental anguish. She spoke rapidly and fluently.

  'Well, there's really not much to tell. The Herb of Death - that's what put it into my head, though in my own mind I call it sage and onions.'

  'Sage and onions?' asked Dr Lloyd.

  Mrs Bantry nodded.

  'That was how it happened you see,' she explained. 'We were staying, Arthur and I, with Sir Ambrose Bercy at Clodderham Court, and one day, by mistake (though very stupidly, I've always thought) a lot of foxglove leaves were picked with the sage. The ducks for dinner that night were stuffed with it and everyone was very ill, and one poor girl - Sir Ambrose's ward - died of it.'

  She stopped.

  'Dear, dear,' said Miss Marple, 'how very tragic.'

  'Wasn't it?'

  'Well,' said Sir Henry, 'what next?'

  'There isn't any next,' said Mrs Bantry, 'that's all.'

  Everyone gasped. Though warned beforehand, they had not expected quite such brevity as this.

  'But, my dear lady,' remonstrated Sir Henry, 'it can't be all. What you have related is a tragic occurrence, but not in any sense of the word a problem.'

  'Well, of course there's some more,' said Mrs Bantry. 'But if I were to tell you it, you'd know what it was.'

  She looked defiantly round the assembly and said plaintively:

  'I told you I couldn't dress things up and make it so
und properly like a story ought to do.'

  'Ah ha!' said Sir Henry. He sat up in his chair and adjusted an eyeglass. 'Really, you know, Scheherazade, this is most refreshing. Our ingenuity is challenged. I'm not so sure you haven't done it on purpose - to stimulate our curiosity. A few brisk rounds of "Twenty Questions" is indicated, I think. Miss Marple, will you begin?'

  'I'd like to know something about the cook,' said Miss Marple.

  'She must have been a very stupid woman, or else very inexperienced.'

  'She was just very stupid,' said Mrs Bantry. 'She cried a great deal afterwards and said the leaves had been picked and brought in to her as sage, and how was she to know?'

  'Not one who thought for herself,' said Miss Marple.

  'Probably an elderly woman and, I daresay, a very good cook?'

  'Oh! excellent,' said Mrs Bantry.

  'Your turn, Miss Helier,' said Sir Henry.

  'Oh! You mean - to ask a question?' there was a pause while Jane pondered. Finally she said helplessly, 'Really - I don't know what to ask.'

  Her beautiful eyes looked appealingly at Sir Henry.

  'Why not dramatis personae, Miss Helier?' he suggested smiling.

  Jane still looked puzzled.

  'Characters in order of their appearance,' said Sir Henry gently.

  'Oh, yes,' said Jane. 'That's a good idea.'

  Mrs Bantry began briskly to tick people off on her fingers.

  'Sir Ambrose - Sylvia Keene (that's the girl who died) - a friend of hers who was staying there, Maud Wye, one of those dark ugly girls who manage to make an effort somehow - I never know how they do it. Then there was a Mr Curie who had come down to discuss books with Sir Ambrose - you know, rare books - queer old things in Latin - all musty parchment. There was Jerry Lorimer - he was a kind of next door neighbour. His place, Fairlies, joined Sir Ambrose's estate. And there was Mrs Carpenter, one of those middle-aged pussies who always seem to manage to dig themselves in comfortably somewhere. She was by way of being dame de compagnie to Sylvia, I suppose.'

  'If it is my turn,' said Sir Henry, 'and I suppose it is, as I'm sitting next to Miss Holier, I want a good deal. I want a short verbal portrait, please, Mrs Bantry, of all the foregoing.'

  'Oh!' Mrs Bantry hesitated.

  'Sir Ambrose now,' continued Sir Henry. 'Start with him. What was he like?'

  'Oh! he was a very distinguished-looking old man - and not so very old really - not more than sixty, I suppose. But he was very delicate - he had a weak heart, could never go upstairs - he had to have a lift put in, and so that made him seem older than he was. Very charming manners - courtly - that's the word that describes him best. You never saw him ruffled or upset. He had beautiful white hair and a particularly charming voice.'

  'Good,' said Sir Henry. 'I see Sir Ambrose. Now the girl Sylvia what did you say her name was?'

  'Sylvia Keene. She was pretty - really very pretty. Fair-haired, you know, and a lovely skin. Not, perhaps, very clever. In fact, rather stupid.'

  'Oh! come, Dolly,' protested her husband.

  'Arthur, of course, wouldn't think so,' said Mrs Bantry drily. 'But she was stupid - she really never said anything worth listening to.'

  'One of the most graceful creatures I ever saw,' said Colonel Bantry warmly. 'See her playing tennis - charming, simply charming. And she was full of fun - most amusing little thing. And such a pretty way with her. I bet the young fellows all thought so.'

  'That's just where you're wrong,' said Mrs Bantry. 'Youth, as such, has no charms for young men nowadays. It's only old buffers like you, Arthur, who sit maundering on about young girls.'

  'Being young's no good,' said Jane. 'You've got to have SA.'

  'What,' said Miss Marple, 'is SA?'

  'Sex appeal,' said Jane.

  'Ah! yes,' said Miss Marple. 'What in my day they used to call "having the come hither in your eye".'

  'Not a bad description,' said Sir Henry. "The dame de compagnie you described, I think, as a pussy, Mrs Bantry?'

  'I didn't mean a cat, you know,' said Mrs Bantry. 'It's quite different. Just a big soft white purry person. Always very sweet.

  That's what Adelaide Carpenter was like.'

  'What sort of aged woman?'

  'Oh! I should say fortyish. She'd been there some time - ever since Sylvia was eleven, I believe. A very tactful person. One of those widows left in unfortunate circumstances with plenty of aristocratic relations, but no ready cash. I didn't like her myself but then I never do like people with very white long hands. And I don't like pussies.'

  'Mr Curie?'

  'Oh! one of those elderly stooping men. There are so many of them about, you'd hardly know one from the other. He showed enthusiasm when talking about his musty books, but not at any other time. I don't think Sir Ambrose knew him very well.'

  'And Jerry next door?'

  'A really charming boy. He was engaged to Sylvia. That's what made it so sad.'

  'Now I wonder - ' began Miss Marple, and then stopped.

  'What?'

  'Nothing, dear.'

  Sir Henry looked at the old lady curiously. Then he said thoughtfully:

  'So this young couple were engaged. Had they been engaged long?'

  'About a year. Sir Ambrose had opposed the engagement on the plea that Sylvia was too young. But after a year's engagement he had given in and the marriage was to have taken place quite soon.'

  'Ah! Had the young lady any property?'

  'Next to nothing - a bare hundred or two a year.'

  'No rat in that hole, Clithering,' said Colonel Bantry, and laughed.

  'It's the doctor's turn to ask a question,' said Sir Henry. 'I stand down.'

  'My curiosity is mainly professional,' said Dr Lloyd. 'I should like to know what medical evidence was given at the inquest - that is, if our hostess remembers, or, indeed, if she knows.'

  'I know roughly,' said Mrs Bantry. 'It was poisoning by digitalin - is that right?'

  Dr Lloyd nodded.

  'The active principle of the foxglove - digitalis - acts on the heart.

  Indeed, it is a very valuable drug in some forms of heart trouble.

  A very curious case altogether. I would never have believed that eating a preparation of foxglove leaves could possibly result fatally. These ideas of eating poisonous leaves and berries are very much exaggerated. Very few people realize that the vital principle, or alkaloid, has to be extracted with much care and preparation.'

  'Mrs MacArthur sent some special bulbs round to Mrs Toomie the other day,' said Miss Marple. 'And Mrs Toomie's cook mistook them for onions, and all the Toomies were very ill indeed.'

  'But they didn't die of it,' said Dr Lloyd.

  'No. They didn't die of it,' admitted Miss Marple.

  'A girl I knew died of ptomaine poisoning.' said Jane Helier.

  'We must get on with investigating the crime,' said Sir Henry.

  'Crime?' said Jane, startled. 'I thought it was an accident.'

  'If it were an accident,' said Sir Henry gently, 'I do not think Mrs Bantry would have told us this story. No, as I read it, this was an accident only in appearance - behind it is something more sinister. I remember a case - various guests in a house party were chatting after dinner. The walls were adorned with all kinds of old-fashioned weapons. Entirely as a joke, one of the party seized an ancient horse pistol and pointed it at another man, pretending to fire it. The pistol was loaded and went off, killing the man. We had to ascertain in that case, first, who had secretly prepared and loaded that pistol, and secondly who had so led and directed the conversation that that final bit of horseplay resulted - for the man who had fired the pistol was entirely innocent!

  'It seems to me we have much the same problem here. Those digitalis leaves were deliberately mixed with the sage, knowing what the result would be. Since we exonerate the cook - we do exonerate the cook, don't we? - the question arises: Who picked the leaves and delivered them to the kitchen?'

  'That's easily answered,' sa
id Mrs Bantry. 'At least the last part of it is. It was Sylvia herself who took the leaves to the kitchen. It was part of her daily job to gather things like salad or herbs, bunches of young carrots - all the sort of things that gardeners never pick right. They hate giving you anything young and tender - they wait for them to be fine specimens. Sylvia and Mrs Carpenter used to see to a lot of these things themselves. And there was foxglove actually growing all amongst the sage in one corner, so the mistake was quite natural.'

  'But did Sylvia actually pick them herself?'

  'That, nobody ever knew. It was assumed so.'

  'Assumptions,' said Sir Henry, 'are dangerous things.'

  'But I do know that Mrs Carpenter didn't pick them,' said Mrs Bantry. 'Because, as it happened, she was walking with me on the terrace that morning. We went out there after breakfast. It was unusually nice and warm for early spring. Sylvia went alone down into the garden, but later I saw her walking arm-in-arm with Maud Wye.'

  'So they were great friends, were they?' asked Miss Marple.

  'Yes,' said Mrs Bantry. She seemed as though about to say something, but did not do so.

  'Had she been staying there long?' asked Miss Marple.

  'About a fortnight,' said Mrs Bantry.

  There was a note of trouble in her voice.

  'You didn't like Miss Wye?' suggested Sir Henry.

  'I did. That's just it. I did.'

  The trouble in her voice had grown to distress.

  'You're keeping something back, Mrs Bantry,' said Sir Henry accusingly.

  'I wondered just now,' said Miss Marple, 'but I didn't like to go on.'

  'When did you wonder?'

  'When you said that the young people were engaged. You said that that was what made it so sad. But, if you know what I mean, your voice didn't sound right when you said it - not convincing, you know.'

  'What a dreadful person you are,' said Mrs Bantry. 'You always seem to know. Yes, I was thinking of something. But I don't really know whether I ought to say it or not.'

  'You must say it,' said Sir Henry. 'Whatever your scruples, it mustn't be kept back.'

  'Well, it was just this,' said Mrs Bantry. 'One evening - in fact the very evening before the tragedy - I happened to go out on the terrace before dinner. The window in the drawing-room was open. And as it chanced I saw Jerry Lorimer and Maud Wye. He was - well - kissing her. Of course I didn't know whether it was just a sort of chance affair, or whether - well, I mean, one can't tell. I knew Sir Ambrose never had really liked Jerry Lorimer - so perhaps he knew he was that kind of young man. But one thing I am sure of: that girl, Maud Wye, was really fond of him. You'd only to see her looking at him when she was off guard. And I think, too, they were really better suited than he and Sylvia were.'

 

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