Morabito made an expressive gesture and moved closer to Squire. ‘I tell you, maybe I shouldn’t tell this, but I think many are second-rate, and you will be disappointed. Another thing — they have here the Russians.’
‘A couple of them. We’re pretty safe — they’re outnumbered. You have to invite them these days if you want to seem international.’
‘For myself, I don’t like the Russians and just having them here will not make a crowd of provincials seem at all international. You will see how these small men bow to the Russians. Excuse my saying so.’
Squire smiled. ‘I’m glad of the information. Frankly, I’m a bit lost. Are you going into the conference hall now?’
‘Yes, yes. It’s time for the procedure to start.’ He gestured Squire in ahead of him.
‘We’ll have a glass of wine together later.’
‘I will buy you one, in return for that tea-time in your English garden.’
The conference room was situated at the rear of the hotel, through a marble gallery lined by busts interspersed with plants — an elegant place in which to saunter. Beyond the gallery, the chamber in which all sessions were to be held was walled by mirrors framed in gilt. Three large chandeliers glittered over the green baize hectares of the table. At the far end of the chamber behind arches, a small area was set apart for any members of the general public who might wish to attend. Above was a balcony, in which some members of the press were gathering.
In an adjoining chamber, reached by wide shallow steps, four glass booths had been built; inside the booths the interpreters sat waiting, ready to translate anything into, or out of, English, Italian, French, and Russian. Behind the glass, their expressions were apprehensive as they watched the delegates enter.
The delegates ambled round the table, looking for their places, pushing politely.
By each place was a name card, a microphone, a folder and pencil, a shining drinking glass with a sanitary paper lid, and a bottle of San Pellegrino mineral water still beaded from the refrigerator. Thomas Squire found his name looking up at him, and sat down, laying his briefcase before him. He was seated at the top of the table, with Jacques d’Exiteuil on his right and the secretary, Gianni Frenza, beyond d’Exiteuil. On Squire’s left was a place for a delegate from the Soviet Union, Vasili Rugorsky.
At meetings elsewhere, Squire would have taken his jacket off and hung it over the back of his chair, as much to make other people feel comfortable as for his own ease. He saw that the delegates here preferred to be formal. He sat down, content to be there before his neighbours arrived; an element of ascendancy enters into everything.
He opened his folder. In it was a ballpoint pen, clipped to a timetable of the sessions of the conference with a list of speakers. Tucked into the pocket of the folder were some foilwrapped perfumed tissues for refreshing the face and hands, and a map of the city of Ermalpa and surroundings, presented by courtesy of the local tourist board.
A separate dossier, on variously coloured papers, presented biographies of the main speakers, with Squire’s heading the list. He looked it through idly. It had been copied and abridged from Who’s Who or some similar work of reference; he reflected on how curiously little the curt sentences told of his real life.
Squire, Thomas Charles. C.B.E. (1969)
B. July, 1929. Educ: Orwell Park, Ipswich, 1937-42; Gresham School, Holt, 1942-45 (First XIV); King’s College, Cambridge, 1947-50. Mar. Teresa Rosemary Davies, 1951. Ch. John, b. 1953; George, b.1955 (d. 1959); Ann, b. 1965; Jane, 1966.
Nat. service. Royal Mendips, 1945-46.
BIA, Belgrade, 1946; Exhib. ‘Restoration of Serbian Monasteries’ Wellcome Hall, 1950; ‘American Noises’, Newnham College, Camb., 1950; ‘Microgroovey: Style in L.P. Record Covers’, Verlaine Gallery, London, 1954-55; ‘Piranesi Goes Pop’, ICA, 1962; ‘On the Road Roadshow’, ICA, 1965.
Regal Insurance, dir., 1951-
Lect., Univ. of East Anglia, 1958-
Prs., Anglo-Yugoslav Assoc., 1964-
Ch. and dir., Hyde Park Pop Expo, 1968. Founder, Soc. for Pop. Aesthetics, 1969. Lect. in Pop Aesthetics at Berkeley (1971), Bahrain (1973), Austin, Texas (1975) Univs. Ch., Animals in the Popular Imagination Symp., Norwich, 1975.
Pubs. Against Barbarism, 1960; Cult and Culture, 1975; Frankenstein Among the Arts, 1978.
Fellow, King’s College, Cambridge; Wolfson, Oxford.
T.V., How Serbia Served the West, 1965. Frankenstein Among the Arts, 1978.
Clubs, Travellers, Arts.
Home, Pippet Hall, Hartisham, Norfolk, England. Tel., Thursford 336.
The dessicated facts were followed by extracts from an interview published in The Times some years earlier. There was also a photograph, reproduced in green on yellow paper, but nevertheless distinct. It was, in its way, quite a famous photograph, having served as a still to advertise ‘Frankenstein Among the Arts’. Squire was dressed in a flapping canvas shirt and swimming trunks; beside him was Laura Nye in a bikini, hair streaming, in her role as Sex Symbol of the series; they were jumping through the shallow waves of the North Sea. The photo, more than the potted biog., said something about Squire’s life style.
Also included in the presentation folder were envelopes and a pad of A4 paper of good quality, handsomely decorated with the name of the Faculty of Iconographic Simulation, University of Ermalpa, Sicily. Below the inscription was the symbol of the conference, five red tulips on parallel stalks — or they could be lollipops or hearts — the iconography was deliberately ambiguous — with one stalk, the longest, branching off sideways at right angles, with a spearhead — or was it a rocketship with vapour trail? — neatly piercing a red sun. At the top of the paper on the other side, was another symbol, the symbol of the organization of which Thomas Squire was founder and president, SPA, the Society for Popular Aesthetics, with the S and the A buttressing the big P with a wide eye in its centre. Squire recognized the placing of this hieroglyph as at once a tribute to him and an insinuation. They wanted his organization.
One hundred and fifty delegates from fifteen countries were listed in the programme. The seating round the table, as a rapid computation showed, allowed for only half that number to appear. Fairly standard practice.
Squire watched the delegates seat themselves, observing their various ploys. An arrangement of pens. A watch removed from wrist and prominently displayed — LCD digital quartz most likely, to judge by its brutal shape, possibly new. A manly and immediate attack on the mineral-water bottle. Earnest writing of notes. Intense communication with one’s next-door neighbour. A deliberate stare towards the ornate ceiling. Someone whistling. Smiling. Frowning. Everything equally effective, really, in asserting one’s individuality, if one needed to do so.
Gianni Frenza, the secretary of the conference, said hello to Squire before sitting down. He was a decent solid man with a heavy face and thick shaggy hair which curled over his heavy spectacles. Probably a good family man.
Vasili Rugorsky entered with a colleague. Both bowed formally to Squire before sitting down. Rugorsky had written a curious book on Shakespeare and Evolution, which ranged Shakespearean characters on a sort of evolutionary ladder, starting with the ‘youth heroes’ like Romeo and Hamlet and proceeding through Mark Antony and Julius Caesar to Lear and Prospero. A curious work for a Russian critic. His book had been translated into French but not English. Rugorsky was a handsome man in a rather porcine way, his white hair brushed back over a good broad brow. He wore a blue double-breasted suit, with a white handkerchief protruding, neatly folded, from the breast pocket. A bit like a nineteen-forties big bandleader, thought Squire.
Rugorsky’s compatriot, according to the notice before him, which he was examining with blunt figures, was Georgi Kchevov. He was listed in the curriculum simply as ‘Leningrad critic’. Nobody knew his name. The editor who had been invited, a distinguished academician well known in the West, had not materialized; Kchevov had materialized instead. That too was fairly standard. Kchevov could be a tru
ck driver, judging by his muscles and rugged looks. The gold-rimmed spectacles contributed a parody of a Weimar professor.
The Russians were escorted into the conference hall by one of the vulpine young academics from the University of Ermalpa who played some part in the organization of the conference. Squire observed that Kchevov spoke fluent Italian to this dignitary; Rugorsky maintained a watchful silence, blinking as he gazed about the room. He hardly looked up as the Ermalpan delegate bowed himself away.
When Jacques d’Exiteuil entered through the double doors, his copper hair gleaming, the chatter in the large room was slightly hushed. His arrival was a signal that business was about to begin. Slight but important, he smiled at all and sundry as he advanced, slipping easily from one language to another according to the nationality of the delegate he addressed. Even to the Greek…? Well, it sounded remarkably like it.
Using the biography list, Squire started to make a nationality count. Three quarters of the delegates were Italian, over half of them from the University of Ermalpa, which gave the proceedings the provincial air of which Morabito had spoken. There were ten French, five Americans, including the youthful Albert Russell Cantania, who had already made a name for himself in academic circles with his large structural work, Form Behind Formula. Had he been invited because he was likely to make a real contribution or because he had an Italian surname? Then a rabble of nationalities, including Squire himself, the only Englishman present. He was sorry to see there was no Yugoslav delegate.
The Americans, two Canadians, and two Australians, who were very young and studying in Ermalpa (and apparently invited along for the ride), all dressed in sloppy style, without ties or jackets; one Canadian wore an old T-shirt with an advertisement for something across his chest. They all seemed to be heavy smokers, lighting up as soon as they slumped into their chairs.
‘Are we going to be too hot in here, Tom?’ d’Exiteuil asked as he passed Squire and took his seat.
‘Temperature’s fine as far as I’m concerned.’
‘No windows, you notice. Poor psychological effect. Well, we will proceed. We can always scream for ice, I suppose.’
He dropped his head, looking at his watch; his hand rested on his knee. He studied it so hard that Squire looked at his own watch. Nine four on the morning of Wednesday, 13 September. It was the same time in Britain. And where was Teresa and what would she be doing? The possibilities which swam to mind in response to that question made him sigh. He took a deep breath and held it, diverting his attention. D’Exiteuil would not be studying the time but gathering his thoughts for his opening speech.
Something like calm settled round the table.
Frenza whispered to d’Exiteuil and then began speaking into his microphone without standing up. He sounded amiable and relaxed.
Putting on his headphones, Squire twiddled with the translation box. Instructions said Dial 3 for English. He switched to 3, but nothing happened. He noted that the other English-speakers were having trouble.
Then a girl’s voice entered his ear, saying in a foreign accent, ‘Sorry, he is saying some general words of welcome to delegates, from a number of important people — like the mayor of Ermalpa, I think he said, or maybe — yes, the mayor couldn’t be present. The Faculty of Icon — Iconographology Stimulation — well, yes, all from the great University here. The first ever of such international affairs on such a subject and of such an importance. To be in keeping with the modern age and find a way of accessing all the productions of all the mediums generally regarded as of little weight, which is in fact where culture, it begins. So first he’ll let Mr Sagrado from the Azienda Autonoma di Turismo di Ermalpa e Nontreale give his address to us.’
Squire glanced covertly at d’Exiteuil, but the chairman was staring ahead, following everything without headphones.
The man from the tourist office rose to his feet and spoke at some length. He praised the conference, its delegates, its objectives. He welcomed everyone to Ermalpa, and hoped that, despite the brevity of their stay, they would be able to forget work for a short while and see something of the beautiful coastline and the city and provinces which were, he could assure them, stuffed with antiquities, not only from Roman times but Norman, Arab, and Gothic periods. On the Sunday, at the close of the conference, there would be an excursion for delegates, in special luxury coaches provided by the Board of Tourism. He also expected that they would have a marvellous discussion in this room where Garibaldi was known to have been, and was only dismayed that he was unable to stay to hear their words of wisdom. He thanked them for listening and sent the mayor’s regrets.
Delegates clapped. They murmured among themselves.
The two Russians sitting on Squire’s left had remained looking straight ahead, arms folded, not even exchanging a word with each other. The Englishman was conscious of the bulk of Rugorsky in the next chair, and so prepared when the Russian turned to him and remarked, in French, ‘The speaker did not mention the cathedral at Nontreale, which is only some kilometres from here. Yet it is famous even in my country for its mosaics.’
‘I’ve heard the mosaics are very fine. I’ve not been there.’
‘Perhaps it will prove possible to go there. Perhaps one can get a coach.’
The impact of his gaze was considerable. For a moment, Squire received the impression that he recognized Rugorsky. The man’s eyes were hazel, with a golden gleam at their centre; they were fortified behind marked folds beneath the eye and cheeks positioned high on the face. Looking at Rugorsky, Squire remembered the old Russian saying, ‘Scratch a Russian and you will find a Tartar.’
‘Possibly we may talk together later.’
‘I’d be glad to. I enjoyed your book on Shakespeare.’
D’Exiteuil rose, clutching his beard.
He began to speak in English, then switched to his native language, then, with a small joke, to Italian. He spoke for about half-an-hour, about the nature of the conference and about what they should strive to achieve during the conference. He reminded delegates that they would not be allowed to talk for more than thirty minutes, because of pressure of time, but full or extended versions of their papers would be published later in the proceedings. There was tremendous interest all over the world in what had been termed ‘arts of no refinement’, the instant clichés and iconophilism in various media given off like radioactive particles by the bourgeois societies of the West. Whole genres were being born which invited categorization and scholarly attention, since these reservoirs of the dystopian imaginary were where we could go to learn most about the social dimensions of contemporary mondial life.
Changing tack slightly, and putting a small restless right hand into his trouser pocket, he went on to praise the University of Ermalpa for having established the Faculty of Iconographic Simulation, and for its foresight in setting Dottore Gianni Frenza at its head. Even better, the University had agreed — not without a couple of years of prompting from the present speaker in his watchdog role as editor of Intergraphic Studies — to host this present vitally needed conference. They had secured monies from the International Universities Foundation, for which they were most grateful. And the Ermalpa Tourist Board had been extremely helpful also. The Faculty felt that it was following parameters set down almost a decade ago by that doyen of popular culture, Thomas C. Squire, whose series of TV programmes, ‘Frankenstein Among the Arts’, had done much to further interest in a vital study area. They esteemed themselves very fortunate to have Tom Squire with them as guest of honour.
Squire appeared pleased at this, nodded to both sides of the table, and restrained himself from reaching for the water glass.
The small hand returned from its trip to the pocket and took a slow circuit through the air in a clockwise direction as d’Exiteuil explained that they hoped this First International Congress of Intergraphic Criticism would first of all promote deeper interest in polyvalent media throughout Italy, and then throughout the rest of the world, including the socialist coun
tries.
He knew that the socialist countries had already begun to express interest, and even to study the subject academically.
As he said this, he turned slightly, to smile beyond Squire at the slightly bowed white head of Vasili Rugorsky.
‘I feel bound at this point to inject the personal note’, the interpreter of d’Exiteuil continued. ‘I have been personally involved on this issue, and I know that all my colleagues are in general compliance that we have reached significance here only because we have taking part members of one of the foremost nations or I should say states on the planet today. It’s the home of most powerful coinages, achieved nowhere else, followed everywhere. Let’s just say without emotion how we welcome very much the two colleagues from the USSR, Vasili Rugorsky and Georgi Kchevov.’
D’Exiteuil started to clap his hands, and most of the Italian members joined in. So did the Americans. Other delegates followed suit. Squire, sitting next to Rugorsky, joined in. The applause mounted. The two Russians rose from their chairs, and stood there smiling amiably. Everyone was clapping now, smiling and nodding in agreement to each other.
‘Merci mille fois,’ said Rugorsky. There was general laughter as if a witticism had been delivered. The clapping died. The two Russians sat down. D’Exiteuil raised his left hand, palm inward, letting it drop to a horizontal position as he inclined his head with a similar movement, and then sat down himself. It was not entirely a modest gesture, not when linked with a sly little smile which chased itself into his beard. It appeared to say, ‘Well, there you are, I gave them to you. It’s what you all wanted.’
After a pause, Frenza spoke into his microphone, and the English voice in the earphones said, ‘Now our first formal speaker of our first formal session, our guest of honour, Mr Thomas Squire, will address us. Afterwards, just fifteen minutes, please. Thanks, Mr Squire, if you would…’
Squire removed his earphones, placing them on the table before him as the clapping died. He regarded the faces round the table. Sharp, intelligent, youthful, for the most part. An audience he, like d’Exiteuil, had worked for.
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