New York City Noir

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New York City Noir Page 27

by Tim McLoughlin


  He meant my whole American love affair. Especially Brooklyn. We’d been downing creamy pints one night, followed by shots of Bushmills, feeling mellow, and I told him of my grand design. We were in Oranmore, a small village outside Galway, lovely old pub, log fire and traditional music from a band in the corner, bodhrans, accordions, tin whistles, spoons and they were doing a set of jigs and reels that would put fire in the belly of a corpse. I’d a nice buzz building, we’d done a job three days before and it netted a solid result. I sank half my pint, wiped the froth off my lip, and said, “Ah, man, Fulton Ferry District, the Brooklyn Bridge, Prospect Park, Cobble Hill, Park Slope, Bed-Stuy, Bensonhurst, Bay Ridge, Coney Island.”

  These names were like a mantra to me, prayers I never tired of uttering, and I got carried away, let the sheer exuberance show. Big mistake, never let your wants out, especially to a Northerner, those mothers thrive on knowing where you’re at. I should have heeded the signs—he’d gone quiet, and a quiet psycho is a fearsome animal. On I went like a dizzy teenager, saying, “I figure I’ll get me a place on Atlantic Avenue and you know, blend.”

  I was flying, seeing the dream, high on it, and he leaned over, said in a whisper, “I never heard such bollixs in me life.”

  Like slapping me in the tush, cold water in my face. I knew he was heavy, meaning he was carrying, probably a Browning, his gun of choice, and that occurred to me as I registered the mania in his eyes. ’Course, Sean was always packing—when you were as paranoid as him, it came with the territory. He’d always said, “I ain’t doing no more time, the cunts will have to take me down.”

  I believed him.

  The band were doing that beautiful piece, “O’Carolan’s Lament” … the saddest music I know, and it seemed appropriate as he rubbished my dream, when he said, “Cop on, see that band over there, that’s your heritage, not some Yank bullshit. You can’t turn your back on your birthright. I’d see you dead first, and hey, what’s with this fucking Yank accent you trot out sometimes?”

  I knew I’d probably have to kill the cocksucker, and the way I was feeling, it would be a goddamm pleasure.

  Clip

  Whack

  Pop

  Burn

  All the great terms the Americans have for putting your lights out.

  Sean ordered a fresh batch of drinks, pints and chasers, and the barman, bringing them over, said, “A grand night for it.”

  I thought, little do you know.

  Sean, raising his glass, clinked mine, said, “Forget that nonsense, we have a lot of work to do. There’s going to be an escalation in our operation.”

  I touched his glass, walloped in the Bush, felt it burn my stomach, and wanted to say, “Boilermakers, that’s what they call it. You get your shot, sink the glass in the beer, and put a Lucky in your mouth, crank it with a Zippo, one that has the logo, ‘First Airborne.’”

  What I said was, “God bless the work.”

  And got the look from him, supposed to strike fear in my gut. He asked, “You fucking with me, son?”

  Son … the condescending prick, I was five years older, more probably. I raised my hands, palms out, said, “Would I do that? I mean, come on.”

  Sean had the appearance of a starved greyhound, all sinewy and furtive. He didn’t take drugs, as the Organization frowned on it, but man, he was wired, fueled on a mix of hatred and ferocity. He belonged to the darkness and had lived there so long, he didn’t even know light existed anymore. He was the personification of the maxim, retaliate first, always on the alert. His eyes bored into mine and he said, “Just you remember that.”

  Then he was up, asking the band for a request. I was pretty sure I could take him, as long as his back was turned and preferably if he was asleep. You don’t ever want the likes of those to know you’re coming. They live with the expectation of somebody coming every day, so I’d act the dumb fuck he was treating me as. The band launched into “The Men Behind the Wire.” Sean came back, a shit-eating grin in place, and as the opening lines began, “Armored cars and tanks and guns …” he joined with, “Came to take away our sons …” Leaned over, punched my shoulder, said, “Come on, join me.”

  I did, sounding almost like I meant it.

  * * *

  Maybe he’s found out by now dat he’ll neveh live long enough to know duh whole of Brooklyn. It’d take a life-time to know Brooklyn t’roo an’ t’roo. An’ even den, yuh wouldn’t know it at all

  Thomas Wolfe said that in “Only the Dead Know Brooklyn.”

  I’d never been out of lreland but I was getting to know Brooklyn. I had a pretty good notion of it. In my bedroom there is a street map, place names heavily underlined in red. I’ve pored over it a hundred times, and with absolute joy. Using my finger, I’d take a few steps to the corner of Fulton and Flatbush, check the border between Downtown and Fort Greene, I’d glance at Brooklyn’s tallest building, the Williamsburg Savings Bank, smile at the idea of taking it down, but I’d be a citizen then, running a small pastry shop, specializing in babka, the polish cake. I learnt that from Seinfeld. Then maybe stroll on Nassau Street to McCarren Park, heading for the south end to the Russian Church of the Transfiguration, light a candle for the poor fucks whose money I stole.

  As well as the books on Brooklyn, I managed to collect over a long period the movies. Got ’em all I think.

  Whistling in Brooklyn.

  It Happened in Brooklyn

  The Lords of Flatbush

  Sophie’s Choice

  Moscow on the Hudson

  Waited ages for the top two to come on TV, I mean those were made in 1944 and 1942.

  * * *

  Saturday Night Fever? … Bay Ridge, am I right or am I right? Last Exit to Brooklyn, book and movie, yeah, got ’em. Red Hook, a fairly barren place is … lemme see, give me a second here … Ah, that’s easy, On the Waterfront.

  Writers too, I’ve done my work.

  Boerum Hill? Washington Irving and James Fenimore Cooper lived there. I’m on a roll here, ask me another. Who’s buried in Greenwood Cemetery? Too easy, Mae West and Horace Greeley.

  When I was in the joint, other guys did weights, did dope, did each other. Me, I read and reread, became a fixture in the library. I didn’t get any grief from the other cons. Sean had my back, better than a Rottweiler. What happened was, he’d got in a beef with the guy running the cigarette gig, the most lucrative deal in the place. I heard the guy was carrying a shiv, fixing to gut Sean in the yard. I tipped off Sean only as this guy had come at me in my early days. He was trailer trash, a real bottom-feeder—if it wasn’t for the cigs, he’d have been bottom of the food chain. Mainly I didn’t like him, he was a nasty fuck, always whining, bitching, and moaning, bellyaching over some crap or other. I hate shivs, they’re the weapon of the sneak who hasn’t the cojones to front it. Sean hadn’t said a whole lot when I told him. He nodded, said, “Okay.”

  Effusive, yeah?

  The shiv guy took a dive from the third tier, broke his back, and the cigarette cartel passed to Sean’s crew. From then on, he walked point for me.

  * * *

  Back in the eighties, a song, “Fade to Gray,” blasted from every radio—it launched the movement, “New Romantics,” and guys got to wear eyeliner and shit. You knew they always wanted to, but now they could call it art.

  Gobshites.

  But I liked the song, seemed to sum up my life, those days, everything down the crapper, a life of drab existence as gray as the granite on the bleak, blasted landscape of Connamara. That’s when I met Maria.

  Lemme tell you straight up, I’m no oil painting. My mother told me, “Get a personality ’cos you’re fairly ugly.”

  I think she figured the “fairly” softened the blow.

  It didn’t.

  Nor was I what you’d call a people’s person. I didn’t have a whole lot of them social skills.

  I was at a dance in Seapoint, the massive ballroom perched on the corner of the promenade, the Atlantic hurling at it with i
ntent. Now, it’s a bingo hall. That night, a showband, eight guys in red blazers, bad hairpieces, with three bugles, drums, trombone, and a whole lot of neck, were massacring “Satisfaction.” They obviously hated the Stones. Those days, there was a sadistic practice known as “ladies’ choice.”

  Jesus.

  Pure hell. The guys used it to nip outside and get fortified with shots of Jameson. I was about to join them when I heard, “Would you like to dance?”

  A pretty face, gorgeous smile, and I looked behind me to see whom she meant. This girl gave a lovely laugh, said, “I mean you.”

  Hands down, that is the best second of my life. I haven’t had a whole line of them, but it’s the pinnacle, the moment when God relented, decided, “Cut the sucker a little slack.”

  ’Course, like all divine gifts, he only meant to fuck with me later. That’s okay, I’ve lived that moment a thousand times. And yeah, you guessed it, she was American … from Brooklyn. I loved her accent, her spirit; hell, I loved her Miracle two, she didn’t bolt after the dance, stayed for the next one, “Fade to Gray.” A slow number, I got to hold her, I was dizzy.

  Walked her back to her hotel. I stood with her, trying to prolong the feeling, and she said, “You’re kinda cute.”

  Put it on my headstone, it’s all that counts. She kissed me briefly on the mouth and agreed to meet me at 7 the next evening.

  She didn’t show.

  At 10:30, I went into the hotel, heard she checked out that morning. The clerk, a guy I went to school with, told me her surname, Toscini, that she was traveling with her mother. I palmed him a few notes and he let me see the register—the only address was Fulton Street, Brooklyn, New York.

  I wrote letter after letter, all came back with, “Return to sender, address unknown.” Like that dire song.

  I began to learn about Brooklyn. I’d find her. Her not showing or leaving a note, it was some awful misunderstanding. Her mother had suddenly decided they were leaving and Maria had no way to contact me. Yeah, had to be that. I made it so. Got to where I could see her pleading, crying with her mother, and being literally dragged away. Yes, like that, I know

  Mornings, like a vet, I’d come screaming, sweating outa sleep, going, “Maria, hon, I’m on my way!”

  Shit like that, get you killed in prison. They’re not real understanding about screamers, though there’s plenty of it.

  No more than any other guilt-ridden Catholic Irish guy, I’m not superstitious. But I tell you, the omens, they’re … like … there. You just gotta be open to them.

  Listen to this: A while ago, there was a horse running at the Curragh. I’m not a gambler but read the sports pages, read them first to show I’m not gay. At 15/1, there was one, Coney Island Red. How could I not? Put a bundle on him, on the nose.

  He lost.

  See the omen? Maria wouldn’t want me gambling, lest I blow the kid’s college fund. Over the years, if I was asked about girlfriends, I’d say my girl was nursing in America, and came to believe it. She was caring and ideal for that. ’Course, when the kids arrive, she’ll have to give up her career—I wouldn’t want my wife working, it’s the man’s place to do the graft—know they’ll appreciate those old values in Brooklyn.

  * * *

  Sean came to see me about the new plan. He was wearing one of those long coats favored by shoplifters or rock stars. The collar turned up to give him some edge. I made coffee and he said, “Nice place you got here.” I sat opposite him and he launched: “We’re going to do the main post office.”

  I didn’t like the sound of that, said, “Don’t like the sound of that.”

  He gave the grin, no relation to warmth or humor, said, “It’s not about what you like or don’t like, money is needed and a lot of it. This Thursday, there is going to be a massive sum there, something to do with the payment of pensions and the bonus due for Social Benefit. It’s rare for them to handle such a large amount so we have to act now.”

  I went along with it, there wasn’t a whole lot of choice, he wasn’t asking me, he was delivering orders.

  We went in hard and it was playing out as usual, when I took my eye off the crowd, distracted for one second, and that’s when the guy came at me, grabbed my gun, and it went off, taking half his face. Then we were out of there, running like demented things, got in the stolen car, then changed vehicles at Tuam and drove back into town, the exact opposite of what would be anticipated. Sean was breathing hard, said, “You fucked up.”

  “Hey, he came at me, it was an accident.”

  He gritted his teeth, a raw sound like a nail on glass, said, “This is going south.”

  He was right. The dead man was a cop, in plain clothes, and the heat was on. Sean called me that evening, went, “You wasted a fucking policeman, there’s going to be serious repercussions. I’ve a meet with my superiors and I’ll let you know what’s going to happen.”

  He slammed down the phone. So I waited, checking my travel arrangements. I’d fly from Shannon to New York, and hell, splurge a little, grab a cab all the way to Brighton Beach, because I liked the sound of it. Then I’d find Maria.

  I’d already packed and was trying to decide what movies to bring, when Sean called. “It’s bad.”

  “Tell me.”

  “We can’t have a cop-killer on our hands, the pressure is enormous.”

  I took a deep breath, said, “You’ve given me up.”

  For the first time, he sounded nervous, then, “I’m giving you a chance, I wasn’t even supposed to call you.”

  “You’re all heart, Sean. So what’s the bottom line?”

  Deep breath, then, “They’re sending two guys to pick you up, they’ll be there in twenty minutes, so get the fuck out and run like hell.”

  Curious, I asked, “And these guys, they’re not bringing me to the authorities, are they?”

  “You’re wasting time, get moving.”

  Click.

  I’ve poured a Bush, opened a beer, and am going to have a boilermaker. The Sig is in my lap and I have that song playing, here comes my favorite riff: “Fade …”

  DUMPED

  NICOLE BLACKMAN

  Fort Greene

  I met her at this party on Clinton Street. When I’d see her around the neighborhood I’d just stare at her, like she was unreal. I saw her in the deli, talking on her cell-phone, so I followed her around the store just to listen to her talk. She just seemed, I don’t know, special, you know? I guess I had a crush on her. One night we both end up at this party, we started talking and I was just blown away. We talked about everything and I kept bringing her drinks just to have something to do. She was smiling and laughing like she thought I was funny, and I think I’m doing really good here, so I’m not going home any time soon. We stayed really late and the sun was coming up and a couple of people were passed out on the couch, so we just crashed on the floor with some blankets and stuff. I’m lying there with my hand on her thinking maybe I’ve got a shot. I didn’t think it would become anything, I thought she was messing with me, you know?”

  Brian just listened as Sean spoke. The light cast stark, flickering shadows on his face as the cargo van rocked slightly. They’d been on the road for a few hours or more and they still had no idea where they were going.

  “Anyway, so she comes over the next night, and then she wants to see me three, four nights a week, and I didn’t know how to handle it, or, like, handle her, you know? I guess I was just … afraid of her. I mean, why was she dating me? It’s like you dream about something for so long … a girl, a car, a new job, whatever. Then if you get it, you still don’t think you deserve it. It’s a mistake, or someone’s playing a trick on you like that movie Carrie when they dump pig’s blood on her head and it’s all a joke.

  “She just … wasn’t like anyone I’d ever dated before. The girls I usually dated worked at indie labels or were somebody’s assistant or read manuscripts and fucking hated their jobs, and we’d go out for pizza and see some special effects movie where
stuff blew up, you know? We’d get drunk and they’d wake up at my place, hung over and ugly, and maybe we’d see each other again, maybe we wouldn’t. I had a system and she didn’t fit the system. At all.”

  Sean sighed, silenced for a moment by the memory of her. He seemed to forget he was sitting in the back of a van, his wrists and ankles bound in gaff tape, arms tied behind him to the van’s wall bars, with two other guys he didn’t know.

  “I mean, I do ad sales and I do okay, but she made a lot more money than me, you know? I didn’t know where to take her. We’d go out to dinner and she’d order stuff I couldn’t pronounce much less pay for. Dating her was like dating a movie—she’d show up at my place in a black town car, wearing a trench coat with nothing but black lace panties underneath, and dare me to fuck her in the car. I mean, she wanted to go down on me in a taxi as we were going across the Brooklyn Bridge, like she thought it would be a huge turn-on, and I … I just couldn’t do it.”

  “A woman wants to blow you in the back of a cab and you flinch?” Brian spat.

  “I know, I know, but the only thing I could think of was, what if the driver saw? What if other people saw?”

  “Who the fuck cares?” Brian really didn’t like him now. Besides, he was short, and short guys were usually weird, like they needed to compensate.

  “I cared! It was … I guess I just chickened out.” Sean was flustered now. “Come on, she knew all kinds of stuff, everywhere we went she had a story about something cool that happened there, and she’d run into people she knew wherever we went. On Sundays I’d wake up and she’d be sitting on my couch reading the New York Times Magazine. I didn’t know girls like that. Then there’s the morning I wake up and she’s laughing her ass off.”

  “About what?”

  “She looked at my bookshelf, and she saw a whole row of paperbacks on the shelf facing backwards so you couldn’t read the titles. So she started turning them around and burst out laughing.”

 

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