by Blake Crouch
"Orson, we can see it. We got less than a quarter of a tank of gas left. That’s not enough for another night of heat, and what if there’s another storm coming? We’re going."
"Any of these clothes waterproof?"
"No."
"Then forget it. That ice will saturate cotton, and it’ll take us several hours at least to reach the cabin in snow this deep. Ever heard of frostbite?"
"I’ll risk it. I’m not staying in this car another night with you."
I dug the handcuff key out of my pocket.
"I’m sorry I told you about Willard," he said. "Andy?"
"What?"
"You gonna forget again?"
"Don’t say another fucking word to me."
The snow came up just shy of my waist. I’d never walked in snow so deep that each step required you to expend the energy of a toddler climbing a staircase. I made Orson walk several yards ahead of me, and, just as he’d predicted, we hadn’t taken fifty awkward steps before the ice began to soak through the layers of my khakis and sweatpants. We’d gone a quarter of a mile when the initial icy burn set in above my knees, like a swarm of needles poking in and out of my raw red skin. It hurt to walk. It hurt to stand still, and by the time we’d hiked a mile through the snow, even my eyes burned from the sunny crystal glare. I wondered how I could possibly reach that minuscule black dot, which still seemed a fixture on the horizon.
Orson trudged on at his tireless gait, showing no sign of pain or fatigue. The burning in my legs had grown so unendurable that my forehead broke out into a cold sweat.
"Hold up!" I shouted, and Orson stopped. He was twenty feet ahead, bundled up in two T-shirts, a sweater, a sweatshirt, and a black leather jacket. His legs appeared bulky beneath the long johns, sweatpants, and jeans I’d given him from Walter’s suitcase.
"What’s wrong?" he asked.
"I just need a breather."
After a moment, I lifted my grocery-filled suitcase up over my head, and we continued on. My legs and feet turned numb shortly thereafter, so I battled only the stinging in my eyes. The sole relief came from closing my eyes, but I couldn’t shut them long enough to quell the pain while Orson walked uncuffed ahead of me.
With the cabin three football fields away, my legs were spectacularly numb. I kept thinking of that medical definition I’d found for snow blindness while doing research for Blue Murder — a sunburn directly on the cornea. It watered my eyes just to think of it, and I fixated on locking Orson into that spare bedroom and falling asleep under his fleece blanket in the soothing darkness of the cabin.
Orson glanced back at me, and I couldn’t believe I hadn’t noticed it before. He wore my sunglasses. Did you swipe them from the top of the dashboard while we dressed for this snow trek? I was going to scream at him to stop, but I thought, Fuck it, we’re almost there.
Even when squinting, I couldn’t adequately shield my eyes from the glare, so I let them close entirely, and it felt wonderful. I’m just going to shut them for a moment, I thought, moving clumsily and blindly now through the snow.
After six gargantuan steps, I opened my eyes to check on Orson.
He was gone.
Dropping the suitcase, I took the Glock out of my waistband and looked in every direction — nothing but smooth unending snow, which drifted randomly in gentle mounds.
"Orson!" I screamed. My voice cracked and echoed across the blinding white expanse. "Orson!" No sound, not even wind. Trying to follow his tracks through the snow, my eyes watered, and the salt in the tears exacerbated the sting.
I sensed suddenly that someone was running up behind me, and I spun around and pointed the gun back in the direction of the car. The snow sparkled, pristine and empty. Fear tickled my loins. The white Lexus, half-buried and camouflaged in snow, existed now only as a silver glimmer in the distance. Sunlight struck the speck of its windshield like a flake of mica.
He’s out there, I thought, turning back toward the cabin. He’s lying in the snow, and all I have to do is follow his footprints. I saw where they ended less than fifty feet ahead.
"Stand up!" I shouted. "I won’t shoot you, Orson! Come on! Don’t do this!"
Nothing moved. I grabbed up the suitcase, and I had taken three steps, when something occurred to me. Kneeling down in the snow, I hollowed out a sufficient space to sit. With my leather-gloved hands, I attempted to tunnel into the thirty-six-inch wall of snow, and, to my horror, succeeded. During the storm, the wind had compressed the snowpack, so now I could shovel out a passageway, which barely exceeded one foot in height and two feet in width, while keeping the surface above intact. In essence, a man could tunnel unseen under the snow.
I stood up, becoming colder now through my torso. The footprints ahead of me meant nothing. Even as I reached the end of Orson’s tracks and saw the suitcase he’d left behind, I knew that he could be anywhere in the immediate vicinity, hiding, waiting just two feet below the surface.
Dropping the suitcase again, I sprinted off into the snow, running in slowly expanding circles and screaming at my brother to show himself. I ran myself dizzy and finally collapsed on top of our suitcases, back again where Orson’s tracks had terminated.
On the cusp of blindness, I feared that the numbness in my legs masked tremendous pain, which warmth would soon unthaw. The Glock in my hands was useless, and conceding that for the moment he held the advantage, I came to my feet and bounded on through virgin powder toward the cabin.
34
REACHING into the side pocket of my frozen khakis, I took the key that Orson had promised me would unlock the front door. Punching it through the icebound keyhole, I turned the key. The door opened; hauling the suitcases behind me, I entered the cabin.
I wagered that no one had been here in months. There was an unpalatable scent in the air, as if I’d climbed into an attic or a crawl space. My effete vision made the interior of the cabin dusky. I staggered across the stone floor so I could look out the window that faced south, the direction from which we’d come. Though late in the afternoon, the sun blazed as it descended over the bluff. Nothing moved in the sprawl of dazzling white, and I took comfort in knowing that were he to approach the cabin now, I would undoubtedly see him.
My attention turned from my brother to the morbid condition of my legs. I could feel nothing below the knees, and I imagined this was the sensation an amputee might endure when first walking on a prosthetic appendage. I need heat, I thought, limping toward the kitchen.
My snow blindness caused me to see everything in crimson. Nothing had changed. Orson’s cornucopia of books still lined the walls, and on the northern edge of the living room, the perfectly organized kitchen stood against the wall, minus a functional sink. The doors to the back bedrooms were closed, and when I saw them, and that small Monet between the doors, my stomach dropped.
I noticed Orson’s record player on the stool by the front door, along with the stack of jazz records he’d left behind. I would’ve put on a record, but there was no power, and it dawned on me that I should find the fuel supply and crank the generator before nightfall.
Beside the stove, I found what I was looking for — the white kerosene heater. I couldn’t find a corresponding can of kerosene, but when I lifted the heater, I heard a plentiful sloshing of fuel inside its tank. After dragging it into the living room and setting it before the black leather couch, I pressed the electric starter, and, to my surprise, the heater ignited on the first attempt. Warmth flooded the subfreezing cabin, and as the drafts of heat splashed at my face, I began removing the sweaters and sweatshirts that had kept me alive on that hike from the car to this cabin.
Leaving the pile of clothes on the floor, I sank down into the couch, unlaced my boots, and pulled the ice-encrusted shoes off my feet. I stripped the stiff socks, the khakis, sweats, and finally the wet long underwear that stuck to my legs. Below my knees, my skin had turned waxy white. I touched my pallid calves, and though they felt cold and hard like a corpse’s, the tissue underneath was s
till malleable. My feet looked much worse. The ends of my toes were tinged with blue, and when I pinched the soles of my feet, there was no sensation of pain or pressure.
I glanced out the window and then, still seeing nothing on the desert, walked into the kitchen. There was a large silver basin on the counter, its interior frosted with the remnants of unbleached flour. I took it out onto the front porch and filled it with snow. The top of the kerosene heater was a level metal plate, exposed directly to the glowing orange coils underneath. I set the bowl of snow on the plate and lay back on the couch to watch it melt.
As the pile of snow disappeared into the basin, I couldn’t shake the pavid feeling that being in this cabin fomented inside of me. I felt as if I’d come to my own wake and was standing before the casket, looking down into my lifeless face, unnatural beneath the false warm color of my skin. No sound, no wind, no movement in the back bedrooms — my hands trembled.
I should not be here. This is very wrong.
The snow had been melted for some time when steam began to roll off the surface of the water. Reaching forward, I dipped my finger into the bowl. The water was warm, so I used my socks to lift the hot bowl and set it on the floor. Then I slid my blue feet into the basin, unable to feel the temperature or even the wetness of the water. Lying back on the couch, I closed my eyes as my legs came back to life, their resurrection announced by the tingling between my ankles and knees.
After five minutes, I still couldn’t feel my toes. Reaching down, I plunged my hand into the water and found that my feet had cooled it more effectively than two blocks of ice. I set the bowl back on top of the kerosene heater, let the water reheat, and once again submersed my feet.
It took two more rounds of cooling and reheating the snowmelt before I felt something awaken in the bones of my toes — the beginning of a deep, freezing burn. I tried to relax, visualizing my lake house in spring and imagining myself sitting out on my back porch beneath the pines, in the presence of the virid forest and the lake-chilled wind.
The lukewarm water bit like acid, and I grunted, sweat running into my tender eyes, my feet burning, as though I held them over an open flame. The pain reduced me to whimpering, and though the impulse to withdraw them from the water was enticing, I knew it wouldn’t obviate the burn. I was paying for the cold now, for walking four hours through the snow in leaky boots. I could do nothing but sit on the couch and endure what was perhaps the most virulent pain I’d ever known.
By 6:00 P.M. the pain was sufferable, though I still saw the world in red. It was futile staring out the window for Orson. The sun had set, and the desert was blacker than the space between stars.
Retracting my feet from the cold water, I stood up, wobbly, but relieved to have the feeling returned to my ankles. The ends of my toes were blackening, but there was nothing more I could do. At the very least, I might have saved my feet. Who the hell needs pinkie toes?
Rummaging through the kitchen drawers, I located a candle and a book of matches. With the flame throwing soft yellow light against the log walls, I checked the dead bolt for the third time and secured the four living room windows. Then, clutching the tarnished brass candlestick, I walked through the narrow hallway into the back of the cabin.
The key to the dead bolt also unlocked the room that had been my prison. It appeared just as I had left it, meager and confining. Though the window in the back wall was still barred, I reached through and tested the latch. Then I opened the dresser drawers, which were empty, and peeked under the bed. There was nothing significant in this room, a holding cell, nothing more.
I walked back into the hallway and stopped at Orson’s door. Touching the doorknob, I hesitated. You’re alone. Fuck the fear. I stepped inside.
The freezer chest stood unlocked beneath the window. I opened it. Empty. I locked the window. Now he’d have to break glass to get inside.
Setting the candle atop Orson’s pine dresser, I started opening drawers. The top three were empty, but when I tried the last, it was stuck. Yanking on it again, it still wouldn’t open, so I kicked it. The wood squeaked, and jerking back once more on the handles, I pulled the drawer entirely out of the dresser and onto the floor.
Thank you, God.
I inventoried five videotapes, a stack of manila folders, a box of microcassettes, and three Mead notebooks. Bringing the candle down onto the floor, I held it over the drawer and removed a videotape. I read the label on the tape, written in his straight, microscopic penmanship: "Jessica Horowitz: 5-29-92; Jim Yountz: 6-20-92; Trevor Kistling: 6-25-92; Mandy Sommers: 7-06-92" — all on one label, and there were five tapes here, not counting the three I’d destroyed in Woodside. I noticed that each tape, without exception, had been recorded during the months of May, June, July, and August: his hunting season.
The microcassettes were labeled only by date, and I assumed they contained the same self-absorbed drivel I’d heard Orson dictating in his bed in Vermont. Lifting a green wire-bound notebook from the drawer, I lay on my stomach and thumbed through the pages by candlelight. This one was full of poetry, every page, front and back. I read a short untitled poem aloud to explore the rhythm of his verse, his direct, protean voice flowing through mine:
You are always with me
When I lie in bed in the dark
When I walk a crowded street
When I watch the night sky
When I shit
When I laugh
When I possess them, as you possess me
You are omnipotent, but you aren’t my god
You raised me but did not make me
You are gas but not the fire
I am deeper
I am incalculable
I am
The two other notebooks contained short stories, brainstorms, and the fragmented thoughts of someone aspiring to write. Orson wouldn’t make it as a writer. He could turn a nifty phrase, but there was a general ungainliness and ambiguity in his verse and prose, which would’ve doomed him to fail had he ever tried to publish. I wanted to tell him this, and that his poetry was prosaic. I wanted him to watch me burn the notebooks and the tapes.
There were three manila folders. The first, titled "In the News," was filled with newspaper clippings regarding the discovery or lack thereof of Orson’s victims. The second folder, "Memory Lane," bulged with photographs, and I studied all of them. I saw myself in half a dozen pictures, but they didn’t unglue me like I’d feared, even the one of me staring down at Jeff seconds after his execution.
A handful of photographs featured Luther doing grisly things to people. In one photo, he stared truculently into the camera with dead, soulless eyes, fingernail marks running down each cheek.
In the third folder, "The Minutes," Orson had chronicled six summers of killing on unlined loose-leaf paper. Flipping to the end, I skimmed the synopsis of our time together, until I reached the final paragraph:
Wyoming: June 2, 1996
He hasn’t been as easy or productive as Luther, but I see in him potential that transcends my other pupil. So I’m letting him go. Another week here and he’d lose his mind, when what I want is for his rage to ferment so he becomes drunk on the hate. He is my brother. He is me in so many ways. I love him, and the least I can do is introduce him to himself. Though I anticipate bringing him out here again, let me make a prediction: I won’t have to. He’ll come for me, and there won’t be anything I can do to prevent it. Andy’s smart and remarkably cruel when he needs to be. If he does come for me, I’ll give him the gift, because he’ll be ready. It’s funny — the selflessness he inspires in me.
35
THE moon came up over the Winds, lighting the snowpack like a field of blue diamonds. I simmered a can of pork and beans on top of the kerosene heater, and as they filled the cabin with their sweet, smoky aroma, I surveyed the desert for Orson.
We’d left the car at noon, and it was nearly 8:30. He couldn’t have stayed alive on the desert this long. The temperature hadn’t surpassed ten degrees all day, a
nd tramping through the snow in deficient clothing would’ve resulted in his freezing to death by now. So he was either dead out there or he’d found refuge, the only viable shelters being the Lexus, the shed, or this cabin. I knew he wasn’t in the cabin. I’d checked the four closets, under the two beds, and I knew with certainty that I was the sole occupant. The shed glowed in the moonlight. I could see it through the window beside the front door. If I’d mustered the nerve, I might’ve walked outside and searched for tracks leading to the shed. But I didn’t have the temerity to go back out into the cold to look for him, especially since my legs were beginning to blister. Where are you? I thought. And what are you going to do?
When I finished my supper, I sat on the floor beside the heater and pulled a shoe box down from the couch. I’d found it under the defunct kitchen sink, and it contained all sorts of goodies, including Indiana, Oregon, California, and Louisiana state driver’s licenses. In addition to Orson Thomas and David Parker, he was also Roger Garrison, Brad Harping, Patrick Mulligan, and Vincent Carmichael. He had passports for every name except Roger Garrison, and flipping through them, I saw that he’d traveled extensively in Europe and South America.