Ah! thought she, and moved into the cover of the trees. The light—which had vanished—now reappeared a story higher and so on, higher and higher, until it reached the top. It wobbled a little, as if held in the hand. So this was his country seat! Silently and with great care, she made her way from one pool of shadow to another. One hundred feet from the tower she circled it and approached it from the northern side. A finger of the sea cut in very close to the base of the building (it had been slowly falling into the water for many years) and in this she first waded and then swam, disturbing the faint, cold radiance of the starlight in the placid ripples. There was no moon. Under the very walls of the tower she stopped and listened; in the darkness under the sea she felt along the rocks; then, expelling her breath and kicking upwards, she rushed head-down; the water closed round, the stone rushed past and she struggled up into the air. She was inside the walls.
And so is he, she thought. For somebody had cleaned the place up. What she remembered as choked with stone rubbish (she had used the place for purposes of her own a few years back) was bare and neat and clean; all was square, all was orderly, and someone had cut stone steps from the level of the water to the most beautifully precise archway in the world. But of course she should not have been able to see any of this at all. The place should have been in absolute darkness. Instead, on either side of the arch was a dim glow, with a narrow beam of light going between them; she could see dancing in it the dust-motes that are never absent from this earth, not even from air that has lain quiet within the rock of a wizard’s mansion for uncountable years. Up to her neck in the ocean, this barbarian woman then stood very quietly and thoughtfully for several minutes. Then she dove down into the sea again, and when she came up her knotted cloak was full of the tiny crabs that cling to the rocks along the seacoast of Ourdh. One she killed and the others she suspended captive in the sea; bits of the blood and flesh of the first she smeared carefully below the two sources of that narrow beam of light; then she crept back into the sea and loosed the others at the very bottom step, diving underwater as the first of the hurrying little creatures reached the arch. There was a brilliant flash of light, then another, and then darkness. Alyx waited. Hoisting herself out of the water, she walked through the arch—not quickly, but not without nervousness. The crabs were pushing and quarreling over their dead cousin. Several climbed over the sources of the beam, pulling, she thought, the crabs over his eyes. However he saw, he had seen nothing. The first alarm had been sprung.
Wizards’ castles—and their country residences—have every right to be infested with all manner of horrors, but Alyx saw nothing. The passage wound on, going fairly constantly upward, and as it rose it grew lighter until every now and then she could see a kind of lighter shape against the blackness and a few stars. These were windows. There was no sound but her own breathing and once in a while the complaining rustle of one or two little creatures she had inadvertently carried with her in a corner of her cloak. When she stopped she heard nothing. The fat man was either very quiet or very far away. She hoped it was quietness. She slung the cloak over her shoulder and began the climb again.
Then she ran into a wall.
This shocked her, but she gathered herself together and tried the experiment again. She stepped back, then walked forward and again she ran into a wall, not rock but something at once elastic and unyielding, and at the very same moment someone said (as it seemed to her, inside her head) You cannot get through.
Alyx swore, religiously. She fell back and nearly lost her balance. She put out one hand and again she touched something impalpable, tingling and elastic; again the voice sounded close behind her ear, with an uncomfortable, frightening intimacy as if she were speaking to herself: You cannot get through. “Can’t I!” she shouted, quite losing her nerve, and drew her sword; it plunged forward without the slightest resistance, but something again stopped her bare hand and the voice repeated with idiot softness, over and over You cannot get through. You cannot get through—
“Who are you!” said she, but there was no answer. She backed down the stairs, sword drawn, and waited. Nothing happened. Round her the stone walls glimmered, barely visible, for the moon was rising outside; patiently she waited, pressing the corner of her cloak with her foot, for as it lay on the floor one of the crabs had chewed his way to freedom and had given her ankle a tremendous nip on the way out. The light increased.
There was nothing there. The crab, who had scuttled busily ahead on the landing of the stair, seemed to come to the place himself and stood here, fiddling. There was absolutely nothing there. Then Alyx, who had been watching the little animal with something close to hopeless calm, gave an exclamation and threw herself flat on the stairs—for the crab had begun to climb upward between floor and ceiling and what it was climbing on was nothing. Tears forced themselves to her eyes. Swimming behind her lids she could see her husband’s face, appearing first in one place, then in another, as if frozen on the black box the fat man had showed her the first day they met. She laid herself on the stone and cried. Then she got up, for the face seemed to settle on the other side of the landing and it occurred to her that she must go through. She was still crying. She took off one of her sandals and pushed it through the something-nothing (the crab still climbed in the air with perfect comfort). It went through easily. She grew nauseated at the thought of touching the crab and the thing it climbed on, but she put one hand involuntarily over her face and made a grab with the other (You cannot said the voice). When she had got the straggling animal thoroughly in her grasp, she dashed it against the rocky side wall of the tunnel and flung it forward with all her strength. It fell clattering twenty feet further on.
The distinction then, she thought, is between life and death, and she sat down hopelessly on the steps to figure this out, for the problem of dying so as to get through and yet getting through without dying, struck her as insoluble. Twenty feet down the tunnel (the spot was in darkness and she could not see what it was) something rustled. It sounded remarkably like a crab that had been stunned and was now recovering, for these animals think of nothing but food and disappointments only seem to give them fresh strength for the search. Alyx gaped into the dark. She felt the hairs rise on the back of her neck. She would have given a great deal to see into that spot, for it seemed to her that she now guessed at the principle of the fat man’s demon, which kept out any conscious mind—as it had spoken in hers—but perhaps would let through . . . She pondered. This cynical woman had been a religious enthusiast before circumstances forced her into a drier way of thinking; thus it was that she now slung her cloak ahead of her on the ground to break her fall and leaned deliberately, from head to feet, into the horrid, springy net she could not see. Closing her eyes and pressing the fingers of both hands over an artery in the back of her neck, she began to repeat to herself a formula that she had learned in those prehistoric years, one that has to be altered slightly each time it is repeated— almost as effective a self-hypnotic device as counting backward. And the voice, too, whispering over and over You cannot get through, you cannot get through—cannot—cannot—
Something gave her a terrific shock through teeth, bones and flesh, and she woke to find the floor of the landing tilted two inches from her eyes. One knee was twisted under her and the left side of her face ached dizzily, warm and wet under a cushion of numbness. She guessed that her face had been laid open in the fall and her knee sprained, if not broken.
But she was through.
She found the fat man in a room at the very top of the tower, sitting in a pair of shorts in a square of light at the end of a corridor; and, as she made her way limping towards him, he grew (unconscious and busy) to the size of a human being, until at last she stood inside the room, vaguely aware of blood along her arm and a stinging on her face where she had tried to wipe her wound with her cloak. The room was full of machinery. The fat man (he had been jiggling some little arrangement of wires and blocks on his lap) looked up, saw her, registered sur
prise and then broke into a great grin.
“So it’s you,” he said.
She said nothing. She put one arm along the wall to steady herself.
“You are amazing,” he said, “perfectly amazing. Come here,” and he rose and sent his stool spinning away with a touch. He came up to where she stood, wet and shivering, staining the floor and wall, and for a long minute he studied her. Then he said softly;
“Poor animal. Poor little wretch.”
Her breathing was ragged. She glanced rapidly about her, taking in the size of the room (it broadened to encompass the whole width of the tower) and the four great windows that opened to the four winds, and the strange things in the shadows: multitudes of little tables, boards hung on the walls, knobs and switches and winking lights innumerable. But she did not move or speak.
“Poor animal,” he said again. He walked back and surveyed her contemptuously, both arms akimbo, and then he said, “Do you believe the world was once a lump of rock?”
“Yes,” she said.
“Many years ago,” he said, “many more years than your mind can comprehend, before there were trees—or cities—or women—I came to this lump of rock. Do you believe that?”
She nodded.
“I came here,” said he gently, “in the satisfaction of a certain hobby, and I made all that you see in this room—all the little things you were looking at a moment ago—and I made the tower, too. Sometimes I make it new inside and sometimes I make it look old. Do you understand that, little one?”
She said nothing.
“And when the whim hits me,” he said, “I make it new and comfortable and I settle into it, and once I have settled into it I begin to practice my hobby. Do you know what my hobby is?” He chuckled.
“My hobby, little one,” he said, “came from this tower and this machinery, for this machinery can reach all over the world and then things happen exactly as I choose. Now do you know what my hobby is? My hobby is world-making. I make worlds, little one.”
She took a quick breath, like a sigh, but she did not speak. He smiled at her.
“Poor beast,” he said, “you are dreadfully cut about the face and I believe you have sprained one of your limbs. Hunting animals are always doing that. But it won’t last. Look,” he said, “look again,” and he moved one fat hand in a slow circle around him. “It is I, little one,” he said, “who made everything that your eyes have ever rested on. Apes and peacocks, tides and times” (he laughed) “and the fire and the rain. I made you. I made your husband. Come,” and he ambled off into the shadows. The circle of light that had rested on him when Alyx first entered the room now followed him, continually keeping him at its center, and although her hair rose to see it, she forced herself to follow, limping in pain past the tables, through stacks of tubing and wire and between square shapes the size of stoves. The light fled always before her. Then he stopped, and as she came up to the light, he said:
“You know, I am not angry at you.”
Alyx winced as her foot struck something, and grabbed her knee.
“No, I am not,” he said. “It has been delightful—except for tonight, which demonstrates, between ourselves, that the whole thing was something of a mistake and shouldn’t be indulged in again—but you must understand that I cannot allow a creation of mine, a paring of my fingernail, if you take my meaning, to rebel in this silly fashion.” He grinned. “No, no,” he said, “that I cannot do. And so” (here he picked up a glass cube from the table in back of him) “I have decided” (here he joggled the cube a little) “that tonight—why, my dear, what is the matter with you? You are standing there with the veins in your fists knotted as if you would like to strike me, even though your knee is giving you a great deal of trouble just at present and you would be better employed in supporting some of your weight with your hands or I am very much mistaken.” And he held out to her—though not far enough for her to reach it—the glass cube, which contained an image of her husband in little, unnaturally sharp, like a picture let into crystal. “See?” he said. “When I turn the lever to the right, the little beasties rioting in his bones grow ever more calm and that does him good. A great deal of good. But when I turn the lever to the left—”
“Devil!” said she.
“Ah, I’ve gotten something out of you at last!” he said, coming closer. “At last you know! Ah, little one, many and many a time I have seen you wondering whether the world might not be better off if you stabbed me in the back, eh? But you can’t, you know. Why don’t you try it?” He patted her on the shoulder. “Here I am, you see, quite close enough to you, peering, in fact, into those tragic, blazing eyes—wouldn’t it be natural to try and put an end to me? But you can’t, you know. You’d be puzzled if you tried. I wear an armor plate, little beast, that any beast might envy, and you could throw me from a ten-thousand-foot mountain, or fry me in a furnace, or do a hundred and one other deadly things to me without the least effect. My armor plate has in-er-tial dis-crim-in-a-tion, little savage, which means that it lets nothing too fast and nothing too heavy get through. So you cannot hurt me at all. To murder me, you would have to strike me, but that is too fast and too heavy and so is the ground that hits me when I fall and so is fire. Come here.”
She did not move.
“Come here, monkey,” he said. “I’m going to kill your man and then I will send you away; though since you operate so well in the dark, I think I’ll bless you and make that your permanent condition. What do you think you’re doing?” for she had put her fingers to her sleeve; and while he stood, smiling a little with the cube in his hand, she drew her dagger and fell upon him, stabbing him again and again.
“There,” he said complacently, “do you see?”
“I see,” she said hoarsely, finding her tongue.
“Do you understand?”
“I understand,” she said.
“Then move off,” he said, “I have got to finish,” and he brought the cube up to the level of his eyes. She saw her man, behind the glass as in a refracting prism, break into a multiplicity of images; she saw him reach out grotesquely to the surface; she saw his fingertips strike at the surface as if to erupt into the air; and while the fat man took the lever between thumb and forefinger and—prissily and precisely, his lips pursed into wrinkles, prepared to move it all the way to the left—
She put her fingers in his eyes and then, taking advantage of his pain and blindness, took the cube from him and bent him over the edge of a table in such a way as to break his back. This all took place inside the body. His face worked spasmodically, one eye closed and unclosed in a hideous parody of a wink, his fingers paddled feebly on the tabletop and he fell to the floor.
“My dear!” he gasped.
She looked at him expressionlessly.
“Help me,” he whispered, “eh?” His fingers fluttered. “Over there,” he said eagerly, “medicines. Make me well, eh? Good and fast. I’ll give you half.”
“All,” she said.
“Yes, yes, all,” he said breathlessly, “all—explain all—fascinating hobby—spend most of my time in this room—get the medicine—”
“First show me,” she said, “how to turn it off.”
“Off?” he said. He watched her, bright-eyed.
“First,” she said patiently, “I will turn it all off. And then I will cure you.”
“No,” he said, “no, no! Never!” She knelt down beside him.
“Come,” she said softly, “do you think I want to destroy it? I am as fascinated by it as you are. I only want to make sure you can’t do anything to me, that’s all. You must explain it all first until I am master of it, too, and then we will turn it on.”
“No, no,” he repeated suspiciously.
“You must,” she said, “or you’ll die. What do you think I plan to do? I have to cure you, because otherwise how can I learn to work all this? But I must be safe, too. Show me how to turn it off.”
He pointed, doubtfully.
“Is tha
t it?” she said.
“Yes,” he said, “but—”
“Is that it?”
“Yes, but—no—wait!” for Alyx sprang to her feet and fetched from his stool the pillow on which he had been sitting, the purpose of which he did not at first seem to comprehend, but then his eyes went wide with horror, for she had got the pillow in order to smother him, and that is just what she did.
When she got to her feet, her legs were trembling. Stumbling and pressing both hands together as if in prayer to subdue their shaking, she took the cube that held her husband’s picture and carefully—oh, how carefully!—turned the lever to the right. Then she began to sob. It was not the weeping of grief, but a kind of reaction and triumph, all mixed; in the middle of that eerie room she stood, and threw her head back and yelled. The light burned steadily on. In the shadows she found the fat man’s master switch, and leaning against the wall, put one finger—only one—on it and caught her breath. Would the world end? She did not know. After a few minutes’ search she found a candle and flint hidden away in a cupboard and with this she made herself a light; then, with eyes closed, with a long shudder, she leaned—no, sagged—against the switch, and stood for a long moment, expecting and believing nothing.
But the world did not end. From outside came the wind and the sound of the sea-wash (though louder now, as if some indistinct and not quite audible humming had just ended) and inside fantastic shadows leapt about the candle—the lights had gone out. Alyx began to laugh, catching her breath. She set the candle down and searched until she found a length of metal tubing that stood against the wall, and then she went from machine to machine, smashing, prying, tearing, toppling tables and breaking controls. Then she took the candle in her unsteady hand and stood over the body of the fat man, a phantasmagoric lump on the floor, badly lit at last. Her shadow loomed on the wall. She leaned over him and studied his face, that face that had made out of agony and death the most appalling trivialities. She thought:
Alyx - Joanna Russ Page 7