Joey was watching his mother's house when Billy Williams and the blond woman rode away. It surprised him that the blond woman had come to his mother's house and that she was still there. She must have brought the old Ranger to his mother.
Joey saw Billy lead the blond woman and two extra horses up the river he had just ridden down. They were going to get the old deputy, no doubt of that. Famous Shoes had already told him that the blond woman belonged to the deputy.
He didn't know why they were taking an extra horse, though. The old deputy might be dead-- Joey knew he had hit him at least twice-- but if he was alive, he could only ride one horse.
He watched through his spyglass. Joey could have followed Billy Williams and the woman and killed them, but he didn't. His wounds hurt too much. His back and legs felt as if they had been skinned. He knew his mother would have to cut his clothes off, for they were stuck to him from all the bleeding.
Joey saw his mother come out of the house to watch Billy and the blond woman leave. He watched it all through his spyglass from a mile away. He saw that Famous Shoes was there as well, for he came out of the house carrying a blanket that Joey had left in his camp. When Joey saw the blanket, he grew angrier and angrier.
He had never liked it when people took his things, and he had certainly not made Famous Shoes a gift of his blanket. The old Indian had simply taken it. Perhaps he believed that Joey would soon die from the shotgun wounds. Joey had known the old man all his life and had neither liked him nor disliked him. The old Indian was crazy; he came and went, walking all over the place for no reason. Often he disappeared into the Madre. When Joey had been a prisoner of the Apaches, Famous Shoes had sometimes come to their camp. The Apaches thought he was crazy too; otherwise, they would have killed him. They didn't like Kickapoo.
Famous Shoes had finally decided to hurry home to the Madre. He had told Billy Williams just where to find the wounded man. He had no more business in Ojinaga, or any town, for that matter. He wanted to go to the high mountains where he could track the great eagles with his eyes.
Once when he was young he had trapped an eagle, killed it, and eaten its eyes, hoping the vision of the eagles would be his. In tracking, he needed to see things so small that his human eyes couldn't find them. He thought the eagle's eyes might help, but the effort was a disappointment. His eyes did not improve, and worse, the meal made him sick. But he forgave the eagles. It was not their fault that he had been foolish enough to hope that he could see with their eyes. He liked to sit on rocks and watch the eagles swoop far down, out of sight into the shadows of the deep valleys, to catch what they wanted to eat.
Famous Shoes left Ojinaga at a good trot, for he wanted to hurry home to the Madre. But he had not gone far before he saw a familiar track in front of him. It was the track of Joey Garza's horse. Famous Shoes immediately turned north. He wanted to go as far around Joey Garza as possible. Joey might have changed his mind, and he might be in the mood to kill him now.
He had gone only a few miles north when, to his dismay, the track of Joey's horse appeared in front of him again. Joey, too, was going north. Famous Shoes thought he had made a mistake in leaving Ojinaga so soon. He immediately turned and started back for the village. Joey was evidently not as badly wounded as he had supposed. It would be better to stay in the village for a few days, until Joey left or died.
But he had gone only a mile back toward the village when he saw the track of Joey's horse in front of him once more. Famous Shoes didn't think the horse was wandering loose and just appearing in front of him every time he turned.
Once, Joey had let him look briefly through the great eye he carried with him, the spyglass.
The great eye was even stronger than the eyes of eagles. With it, Famous Shoes could see all the signs he had been hoping to see when he trapped the eagle. But Joey had only let him look for a moment, and then he tied the great eye back on his saddle. If Pea Eye had managed to kill Joey, Famous Shoes meant to ask him if he could have the great eye. It would help him in his work.
That hadn't happened, though. Now Joey was angry, and the young killer was stalking him. Famous Shoes saw no point in walking any farther.
If he was going to be killed, he might as well rest. He had done a great deal of walking since he had left for the Rio Rojo. There was no point in turning again, since Joey would just turn too, and appear ahead of him. It had been a mistake to take his blanket, for Joey might resent it. But Famous Shoes had seen the blast from the big shotgun knock Joey off his feet, and he had seen the second blast hit him when he jumped for his horse. Famous Shoes didn't think a man could live long with so much lead in him.
Lead was bad for the blood. Joey was young and strong and he might yet die, but so far, he was lasting.
Famous Shoes was sitting on Joey's blanket, singing the Kickapoo death song, when Joey appeared on his horse. From the front Joey looked well, but when he dismounted, Famous Shoes saw that the boy's whole back was raw. Much of his shirt had been driven into his body from the impact of the pellets. Pea Eye had shot him pretty good, just as Famous Shoes had thought. The lead would soon poison Joey's blood unless he got it out. It might already be too late.
But Joey had his pistol in his hand, and Famous Shoes kept singing. It was his bad luck that the pellets were not killing Joey more quickly. It meant that he himself would have to die. He saw no point in holding a conversation with the young Mexican; it was better just to sing. He thought an eagle might come and take his song to the Madre for him. Famous Shoes sang loudly, for he wanted the eagles to hear him if there were any around.
Joey walked close to him and held his pistol to the old Indian's head.
"Get off my blanket," he said. "And give me back my knife." Famous Shoes moved off the blanket, but he kept singing. He took Joey's knife from his belt and handed it to him. He looked to the sky to see if any eagles were coming, but he saw no eagles. He thought of asking Joey if he could look through the great eye one more time. He thought if he looked through it, he might see where his spirit would be going when Joey shot him. But Joey did not like to lend his things, and he was not in any mood to allow Famous Shoes a few minutes with the great eye.
Famous Shoes sang his death song loudly.
He wanted to send his spirit far away on the sound.
He had been in the Valley of Echoes once, in the country of the Utes, and he knew that sound could travel far and live on in echoes, even after the person or the animal who made the sound was dead.
He had once seen Ben Lily shoot a bear.
The bear had not been shot well, and its cries traveled far away as it was dying. Famous Shoes wanted his spirit to float high on his song; perhaps an eagle would pass and hear it and take it to the Madre.
As Famous Shoes was waiting for the bullet, singing proudly, Joey Garza turned away and got back on his horse. He had come to Famous Shoes with a cold face, the face of a boy who could kill and not think about it. But once he got his blanket and his knife, Joey's face changed.
He tied the blanket back on his saddle and got on his horse. He turned his horse toward Ojinaga and didn't speak again.
Famous Shoes was so startled that he went on singing. He sang until Joey was out of sight.
He found it hard to stop singing his death song, for he had already turned loose of his spirit and sent it away. It was hard to have to recall it and go on living. His spirit was far above him and it was reluctant to come back. Joey had been about to pull the trigger, but he had changed his mind. It was quite puzzling. Joey killed as easily as he himself walked. Yet in this case, he had changed his mind and had simply ridden off.
Famous Shoes stopped singing, finally, but he did not get up for a while. He had to wait for his spirit to come back; it came slowly, like a bird fluttering down.
When his spirit was back with him, Famous Shoes stood up--but he did not turn toward the Madre. He followed Joey's track, which went toward Ojinaga. He knew it was not safe; after all, Joey might change his mind a
gain. His cold mood might return when he remembered that Famous Shoes had signaled Pea Eye where the big shotgun was, the shotgun that had driven lead and cloth into Joey's body, sickening his blood.
But Famous Shoes was curious. He wanted to know what Joey was doing, and he wanted another look through the great eye. If he followed and waited, he might get to see through the great eye again.
Joey headed toward Ojinaga and his mother, for he wanted to make her take the pellets out of his body. He felt sick, so sick that he had lost interest in killing the old Indian. The wounds were like fire. They were making him feel so bad that he had lost his pride in killing. Joey had never expected to be injured himself, certainly not by an old man who could scarcely shoot a rifle. He felt such weakness in his body that he had difficulty mounting his horse; he could not waste his strength killing crazy old men. Once his mother had cleaned his wounds and he was well again, he would dispose of Rafael and Teresa. Then he would have his pride back. No more would he overlook loaded guns; he would no longer make mistakes. He thought he might go back near the City of Mexico and rob more trains. It would be nice to take some silver and some jewels back to his cave.
Soon after Lorena and Billy Williams left the village, the shoemaker came for Maria. His name was Jorge, and he had a very young wife--too young, Maria thought. Her name was Negra. Her parents were rough people; they had married Negra to Jorge when she was only twelve. Now, barely thirteen, she was with child, and her time had come.
Jorge urged Maria to come to his wife quickly. Negra had already been in labor for more than a day. Maria had been to their home six times to check on her already. It was her practice to check often when a child was coming. She did not like surprises, although she often got them. There was no way of knowing how a birth would go until it happened--birth and death were alike in that way.
It was not a day when Maria wanted to leave her children. With luck, Billy Williams would be back that night or the next morning with the wounded man. Maria wanted to stay near Rafael and Teresa in case Joey came. The shoemaker's house was not far, but it was not her house, and Joey was quick in his evil. There was no one in the village that Maria could trust, now that Billy was gone.
Captain Call was feverish, and he mumbled words that made no sense. Sometimes he was conscious, but he was too weak to even lift his head. When he had to relieve himself, Maria and Lorena had taken turns assisting him. He tried to fight them off with his one hand, but they helped him anyway, directing his water into a jug. Maria would have to do it herself now that Lorena was gone. And Call would accept all other attentions only from Teresa.
But Call could not help her guard against Joey, for he was too weak and in too much pain.
If Joey came while she was helping Negra in her labor, Joey would probably finish off the Captain--with a knife, with a rifle butt, with anything handy.
"Maria, she is screaming--I'm scared," Jorge said.
Maria got ready to go. Negra was only one year older than Teresa, and she was small in the hips. It would not be an easy birth, and if Maria was not skillful, both Negra and her child might die. Maria felt a deep uneasiness: she could not refuse to help a child have a child, just because she was worried about Joey. Negra's baby was there, and Joey was not. She had to go, but she was very worried. She took her sharp knife with her when she went, and she made Rafael and Teresa go with her. Rafael drove his goats the short distance to the shoemaker's little house.
Teresa was very reluctant to leave Call.
"I want to stay with the old man," she said to her mother. She had taken a great liking to Captain Call, and he to her. Teresa was the only one who could get him to eat in his few moments of lucidity. Teresa would sit by him for hours, whispering stories in his ear and bathing his face with a wet rag to cool his fever.
"You can't stay with him, not now," Maria said.
"You have to stay near me. We will be back this afternoon, I hope. Then you can be with the old man." "But he might die if I leave," Teresa said. "I am his nurse." "But I'm Negra's nurse, and we have to go now," Maria said. "Bring your chickens. Don't worry about the old man. He will be here when we get back." Before she left, Maria took a cowbell.
Their cow had died, and she had not been able to afford to replace her. When they all got to the shoemaker's house, Maria put the bell around Rafael's neck. It was a little awkward; the bell was for a cow, not for a boy. But Maria didn't know what else to do.
"Stay where I can hear the bell," she told them both. "If your brother Joey comes, ring the bell and run to me. Do not let him catch you, whatever you do." Rafael took a few steps amid the goats, and the bell tinkled. He began to moan.
Rafael was easily frightened, for anything out of the ordinary upset him. A bell around his neck was out of the ordinary, and it made him feel anxious.
"I don't want you to be too long," Teresa told her mother. "I want to go back to see Se@nor Call. He is my friend." "He was not your grandfather's friend," Maria told her, but right away she regretted saying it.
Teresa knew nothing of those troubles, and besides, bringing Call into the house had been Maria's decision. She had not expected Teresa or anyone to make friends with him, but Teresa often did things Maria would not have expected her to do. Teresa found a little storybook of Joey's and pretended to read it, although she could not see. She made up her own story while holding the book.
"I like Se@nor Call--do not talk bad about him," Teresa warned.
"I'm not talking about him, I'm talking about Joey," Maria said. She caught her daughter's face in her hands and brought it close to hers. Often that was the only way to get Teresa's attention when she was being willful.
Only when she felt her mother's breath on her face would Teresa heed her.
"I have to help Negra have her baby," Maria said. "I want you to be careful and if Joey comes, you run. Your brother doesn't make jokes. I'm afraid he will hurt you if he comes." "I will run away from him if he comes," Teresa told her mother casually, as if she could not imagine such a thing happening to her.
"Run, but make Rafael ring the bell," Maria told her daughter. "Make it ring loud, and I will come. Don't forget." But she was afraid that Teresa would forget.
Teresa wasn't afraid of her big brother.
Rafael was afraid, but Rafael might not be able to remember to ring the bell if he became frightened. Some days, Rafael could not remember anything at all.
While Maria was talking to Teresa, Negra screamed. The scream poured out of the little hut into the empty streets of the quiet town. Gordo the butcher heard it; he had just butchered a pig and was hauling it up so he could gut it. The pig had screamed too, when he hit it in the head to kill it. The butcher had been drunk the night before, forwith his wife dead he was lonely. He drank often, and in the mornings his work was not always precise.
Gordo had not struck well, and the pig screamed when he hit it and when he cut its throat. He had not noticed before that the wild scream of a dying pig was so much like that of a woman in labor.
"Maria, can't you come?" Jorge begged.
"Negra is dying." He came out of the little house shaking. His face was tortured with worry. Maria had seen many husbands in such pain. They did not know that their wives were not really dying; though sometimes the husbands were right--the wives did die, and their babies too.
Maria knew she could not delay any longer.
She had to do her work, but she could not make her worry go away.
It was six hours before the baby came. Negra had been in labor a long time, and Maria's fear was that the young girl would become too weak to help.
The girl's small, unprepared body would have to force the baby out without help from the mother's will.
Already, Negra's will was almost exhausted. Maria had to sit with her patiently, soothing her and coaxing her to rest between pains. Negra was terrified of the pain; she thought she must be dying.
Maria soothed her and explained to her that it was the necessary pain of child
birth.
"Soon you will have a fine baby," Maria told her. The water finally broke, and Maria became hopeful. The baby was turned properly and did not seem to be too large. She had sent Jorge away. She did the work with two women, old sisters who had made their lives together. They were crafty old women, and greedy. Each wanted to outlive the other so as to get the other's possessions. They had seen many children born and were indifferent to Negra's pain. From time to time they smoked tobacco, in little cigarettes they rolled themselves. Soon the floor of the little room was littered with cigarette papers the old women had dropped. But they knew the business of birth and helped efficiently when the pains came. Their names were Juana and Josia. Some people thought they were twins, for they looked very much alike. But each denied being the other's twin, and each claimed to be the younger sister.
"She was two when I was born," Juana claimed.
"She is a liar, she will go to hell," Josia said. "She was already three when I was born." Maria didn't particularly like the old sisters. They were rude to one another, often having loud, harsh arguments just when the young mothers needed quiet. But they were the only ones she could find who knew what to do during difficult births, and so she called them in. They looked at life with skeptical eyes, which sometimes irritated Maria. She felt she knew as well as any woman that life was a thing of sadness; but it was not all sadness, and there were times for hope. And one time for hope was when a baby was being born.
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