Coyote came down the wind path. She came like a thin woman with rough, dun hair on her head and arms, and a long, fine face with yellow eyes. Two of her children came with her, like coyote pups.
Coyote looked at me and said, "Take it easy. You can look down. You can look back."
I looked back and down under the wind. Below and behind me were dark ridges of forest with the rainbow shining across them, and light shining on the water on the leaves of the trees. I thought there were people on the rainbow but was not sure of that. Below and farther on were yellow hills of summer and a river among them going to the sea. In places the air below me was so full of birds that I could not see the ground, but only the light on their wings, Coyote had a high, singing voice like several voices at once. She said, "Do you want to go on from here?"
I said, "I was going to go to the Sun."
"Go ahead. This is all my country." Coyote said that and then came past me on the wind, trotting on four legs as a coyote with her pups. I was standing alone on the wind there. So I went on ahead.
My steps on the wind were long and slow, like the Rainbow Dancers' steps. At each step the world below me looked different. At one step it was light; at the next one, dark. At the next step it was smoky; at the next, clear. At the next long step, black and gray clouds of ash or dust hid everything; and at the next, I saw a desert of sand with nothing growing or moving at all. I took a step, and everything on the surface of the world was one single town, roofs and ways with people swarming in them like the swarming in pond water under a lens. I took another step and saw the bottoms of the oceans laid dry, the lava slowly welling from long center seams, and huge desolate canyons far down in the shadow of the walls of the continents, like ditches below the walls of a barn. The next step I took, long and slow on the wind, I saw the surface of the world - blank, smooth, and pale, like the face of a baby I once saw that was born without forebrain or eyes. I took one more step and the hawk met me in the sunlight, in the quiet air, over the southwest slope of Grandmother Mountain.
It had been raining, and clouds were still dark in the northwest. The rain shone on the leaves of the forests in the canyons of the mountainside.
Of the vision given me in the Ninth House, I can tell some parts in writing, and some I can sing with the drum, but for most of it, I have not found words or music, though I have spent a good part of my life ever since learning how to look for them. I cannot draw what I saw, as my hand has no gift for making a likeness.
One reason it would be better drawn and is hard to tell is that there is no person in it. To tell a story, you say, "I did this" or "She saw that." When there is no I nor she, there is no story. I was, until I got to the Ninth House; there was the hawk, but I was not. The hawk was; the still air was. Seeing with the hawk's eyes is being without self. Self is mortal. That is the House of Eternity.
So of what the hawk's eyes saw, all I can here recall to words is this: It was the universe of power. It was the network, field, and lines of the energies of all the beings, stars, and galaxies of stars, worlds, animals, minds, nerves, dust, the lace and foam of vibration that is being itself, all interconnected, every part part of another part, and the whole part of each part, and so comprehensible to itself only as a whole, boundless and unclosed.
At the Exchange it is taught that the electrical mental network of the City extends from all over the surface of the world out past the moon and the other planets to unimaginable distances among the stars: In the vision all that vast web was one momentary glitter of light on one wave on the ocean of the universe of power, one fleck of dust on one grass seed in unending fields of grass. The images of the light dancing on the waves of the sea or on dust motes, the glitter of light on ripe grass, the flicker of sparks from a fire, are all I have: No image can contain the vision, which contained all images. Music can mirror it better than words can, but I am no poet to make music of words. Foam and the scintillation of mica in rock, the flicker and sparkle of waves and dust, the working of the great broadcloth looms, and all dancing have reflected the hawk's vision for a moment to my mind; and indeed everything would do so, if my mind were clear and strong enough. But no mind or mirror can hold it without breaking.
There was a descent or drawing away, and I saw some things that I can describe. Here is one of them: In this lesser place or plane, which was what might be called the gods or the divine, beings enacted possibilities. These I, being human, recall as having human form. One of them came and shaped the vibrations of energies, closing their paths from gyre into wheel. This one was very strong and was crippled. He worked as blacksmith at the smithy, making wheels of energy, closed upon themselves, terrible with power, flaming. He who made them was burnt away by them to a shell of cinder, with eyes like a potter's kiln when it is opened and hair of burning wires, but still he turned the paths of energy and closed them into wheels, locking power into power. All around this being now was black and hollow where the wheels turned and ground and milled. There were other beings who came as if flying, like birds in a storm, flying and crying across the wheels of fire to stop the turning and the work, but they were caught in the wheels and burst like feathers of flame. The miller was a thin shell of darkness now, very weak, burnt out, and he too was caught in the wheels' turning and burning and grinding and was ground to dust, like fine, black meal. The wheels as they turned kept growing and joining until the whole machine was interlocked cog within cog, and strained and brightened and burst into pieces. Every wheel as it burst was a flare of faces and eyes and flowers and beasts on fire - burning, exploding, destroyed, falling into black dust. That happened, and it was one flicker of brightness and dark in the universe of power, a bubble of foam, a flick of the shuttle, a fleck of mica. The dark dust, or meal, lay in the shape of open curves or spirals. It began to move and shift, and there was a scintillation in it, like dust in a shaft of sunlight. It began dancing. Then the dancing drew away and drew away, and closer by, to the left, something was there, crying like a little animal. That was myself, my mind and being in the world; and I began to become myself again; but my soul that had seen the vision was not entirely willing. Only my mind kept drawing it back to me from the Ninth House, calling and crying for it till it came.
I was lying on my right side on earth, in a small, warm room with earthen walls. The only light came from the red bar of an electric heater. Somewhere nearby people were singing a two-note chant. I was holding in my left hand a rock of serpentine, greenish with dark markings, quite round as if waterworn, though serpentine does not often wear round, but splits and crumbles. It was just large enough that I could close my fingers around it. I held this round stone for a long time and listened to the chanting until I went to sleep. When I woke up, after a while I felt the rock going immaterial so that my fingers began sinking into it, and it weighed less and less, until it was gone. I was a little grieved by this, for I had thought it a remarkable thing to come back from the Right Arm of the World with a piece of it in my hand; but as I grew clearer headed, I perceived the vanity of that notion. Years later the rock came back to me. I was walking down by Moon Creek with my sons when they were small boys. The younger one saw the rock in the water and picked it up, saying, "A world!" I told him to keep it in his heya-box, which he did. When he died, I put that rock back in the water of Moon Creek.
I had been in the vision for the first two days and nights of the Twenty-One Days of the Sun. I was very weak and tired, and they kept me in the heyimas all the rest of the Twenty-One Days. I could hear the long-singing, and sometimes I went into other rooms of the heyimas; they made me welcome even in the inmost room, where they were singing and dancing the Inner Sun and where I had entered the vision.
I would sit and listen and half-watch. But if I tried to follow the dancing with my eyes, or sing, or even touch the tongue-drum, the weakness would wash into me like a wave on sand, and I would go back into the little room and lie down on the earth, in the earth.
They waked me to listen to the Morni
ng Carol; that was the first time in twenty-one days that I climbed the ladder and saw the sun, that day, the day of the Sun Rising.
The people dancing the Inner Sun had been in charge of me. They had told me that I was in danger and that if I approached another vision, I should try to turn away from it, as I was not strong enough for it yet. They had told me not to dance; and they kept bringing me food, so good and so kindly given that I could not refuse it, and ate it with enjoyment. After the Sun Risen days were past, certain scholars of the heyimas took me in their charge. Tarweed, a man of my House, and the woman Milk of the Obsidian, were my guides. It was now time that I begin to learn the recounting of the vision.
When I began, I thought there was nothing to learn. All I had to do was say what I had seen.
Milk worked with words, Tarweed worked with words, drum, and matrix chanting. They had me go very slowly, telling very little at a time, sometimes one word only, and repeating what I had been able to tell, singing it with the matrix chant so that as much as possible might be truly recalled and given and could be recalled and given again.
When I began thus to find out what it is to say what one has seen, and when the great oomplexity and innumerable vivid details of the vision overwhelmed my imagination and surpassed my ability to describe, I feared that I would lose it all before I could grasp one fragment of it and that even if I remembered some of it, I would never understand any of it. My guides reassured me and quieted my impatience. Milk said, "We have some training in this craft, and you have none. You have to learn to speak sky with an earth tongue. Listen: If a baby were carried up the Mountain, could she walk back down, until she learned to walk?"
Tarweed explained to me that as I learned to apprehend mentally what I had perceived in vision, I would approach the condition of living in both Towns; and so, he said, "there's no great hurry."
I said, "But it will take years and years!"
He said, "You've been at it for a thousand years already. Gall said you were an old soul."
It bothered me that I was often not sure whether Tarweed was joking or not joking. That always bothers young people, and however old my soul might be, my mind was fifteen. I had to live a while before I understood that a lot of things can only be said joking and not joking at the same time. I had to come clear back to Coyote's House from the Hawk's House to learn that, and sometimes I still forget it.
Tarweed's way was joking, shocking, stirring, but he was gentle; I had no fear of him. I had been afraid of Milk ever since she had looked at me in the Blood Lodge and said, "What are you here for?"
She was a great scholar and was Singer of the Lodge. Her way was calm, patient, impersonal, but she was not gentle, and I feared her. With Tarweed she was polite, but it was plain that her manners masked contempt. She thought a man's place was in the woods and fields and workshops, not among sacred and intellectual things. In the Lodge I had heard her say the old gibe, "A man fucks with his brain and thinks with his penis." Tarweed knew well enough what she thought, but intellectual men are used to having their capacities doubted and their achievements snubbed; he did not seem to mind her arrogance as much as I sometimes did, even to the point of trying to defend him against her once, saying, "Even if he is a man, he thinks like a woman!"
It did no good, of course; and if it was partly true, it wasn't wholly true, because the thing that was most important of all to me I could not speak of to Tarweed, a man, and a man of my House: and to Milk, arrogant and stern as she was, and a woman who had lived all her life celibate, I did not even need to speak of it. I began to, once, feeling that I must, and she stopped me. "What is proper for me to know of this, I know," she said. "Vision is transgression! The vision is to be shared; the transgression cannot be."
I did not understand that. I was very much afraid of going out of the heyimas and being caught in my old life again, going the wrong way again in false thinking and despair. A half-month or so after the Sun, I began to feel and say that I was still weak and ill and could not leave the heyimas. To this Tarweed said, "Aha! About time for you to go home!"
I thought him most unfeeling. When I was working with Milk, in my worry I began crying, and presently I said, "I wish I had never had this vision!"
Milk looked at me, a glance across the eyes, like being whipped in the face with a thin branch. She said, "You did not have a vision."
I sniveled and stared at her.
"You had nothing. You have nothing. The house stands. You can live in a corner of it, or all of it, or go outside it as you choose." So Milk said and left me.
I stayed alone in the small room. I began to look at it, the small warm room with earth walls and floor and roof, underground. The walls were earth: the whole earth. Outside them was the sky: the whole sky.
The room was the universe of power. I was in my vision. It was not in me.
So I went home to live and try to stay on the right way.
Part of most days I went to the heyimas to study with Tarweed or to the Blood Lodge to study with Milk. My health was sound, but I was still tired and sleepy, and my household did not get very much work out of me. All my family but my father were busy, restless people, eager to work and talk but never to be still. Among them, after the month in the heyimas, I felt like a pebble in a mountain creek, bounced and buffeted. But I could go to work with my father. Milk had suggested to him that he take me with him when he worked. Tarweed had questioned her about that, saying that the craft was spiritually dangerous, and Milk had replied, in the patient, patronizing tone she used to men, "Don't worry about that. It was danger that enabled her."
So I went back to working with power. I learned the art carefully and soberly, and set no more fires. I learned drumming with Tarweed, and speaking mystery with Milk. But it was all slow, slow, and my fear kept growing, fear and impatience. The image of the roan horse's rider was not in my mind, as it had been, but was the center of my fear, I never went to ride, and kept away from my friends who cared for the horses, and stayed out of the pastures where the horses were. I tried never to think about the Summer dancing, the games and races. I tried never to think about lovemaking, although my mother's sister had a new husband, and they made love every night in the next room with a good deal of noise. I began to fear and dislike myself, and fasted and purged to weaken myself.
I told Tarweed nothing of all this, shame preventing me; nor did I ever speak of it to Milk, fear preventing me, So the World was danced, and next would come the Moon. The thought of that dance made me more and more frightened: I felt trapped by it. When the first night of the Moon came, I went down into my heyimas, meaning to stay there the whole time, closing my ears to the love songs. I started drumming a vision-tune that Tarweed had brought back from his dragonfly visions. Almost at once I entered trance and went into the house of anger.
In that house it was black and hot, with a yellowish glimmering like heat lightning and a dull muttering noise underfoot and in the walls. There was an old woman in there, very black, with too many arms. She called me, not by the name I then had. Berry, but Flicker: "Flicker, come here! Flicker, come here!" I understood that Flicker was my name, but I did not come.
The old woman said, "What are you sulking about? Why don't you go fuck with your brother in Chukulmas? Desire unacted is corruption. Must Not is a slave owner, Ought Not is a slave. Energy constrained turns the wheels of evil. Look what you're dragging with you! How can you run the gyre, how can you handle power, chained like that? Superstition! Superstition!"
I found that my legs were both fastened with bolts and hasps to a huge boulder of serpentine rock so that I could not move at all. I thought that if I fell down, the boulder would roll on me and crush me.
The old woman said, "What are you wearing on your head? That's no Moon Dance veil. Superstition!
Superstition!"
I put up my hands and found my head covered with a heavy helmet made of black obsidian. I was seeing and hearing through this black, murky glass, which came down over my
eyes and ears.
"Take it off, Flicker!" the old woman said.
I said, "Not at your bidding!"
I could hardly see or hear her as the helmet pressed heavier and thicker on my head and the boulder pushed against my legs and back.
She cried, "Break free! You are turning into stone! Break free!"
I would not obey her. I chose to disobey. With my hands I pressed the obsidian helmet into my ears and eyes and forehead until it sank in and became part of me, and I pushed myself back into the boulder until it became part of my legs and body. Then I stood there, very stiff and heavy and hard, but I could walk, and I could see and hear, now that the dark glass was not over my ears and eyes but was part of them. I saw that the house was all on fire, burning and smoldering, floor, walls, and roof. A black bird, a crow, was flying in the smoke from one room to the next. The old woman was burning, her clothes and flesh and hair smoldering. The crow flew around her and cried to me, "Sister, get out, you'd better get out!"
There is nothing but anger in the house of anger. I said, "No!"
The crow cawed, saying, "Sister, fetch water, water of the spring!" Then it flew out through the burning wall of the house. Just as it went, it looked back at me with a man's face, beautiful and strong, with curly, fiery hair streaming upward. Then the walls of fire sank down into the walls of the Serpentine heyimas where I was sitting drumming on the three-note drum. I was still drumming, but a different pattern, a new one.
After that vision, I was called Flicker; the scholars agreed that it's best to use the name that that Grandmother gives you, even if you don't do what she says. After that vision, I went up to the Springs of the River, as Crow had said to do; and after it I was freed from my fear of my desire.
The central vision is central; it is not for anything outside itself; indeed there is nothing outside it.
What I beheld in the Ninth House is, as a cloud or a mountain is. We make use of such visions, make meanings out of them, find images in them, live on them, but they are not for us or about us any more than the world is. We are part of them. There are other kinds of vision, all farther from the center and nearer to the mortal self; one of those is the turning vision, which is about a person's own life. The vision in which that Grandmother named me was a turning vision.
The Visionary Page 2