by Harlan Coben
His computer was up and online. Jack’s default page was the “official” Grace Lawson Web site. Grace stared at the chair for a moment, the ergonomic gray from the local Staples store, imagining Jack there, turning on the computer every morning, having her face greet him. The site’s home page had a glam shot of Grace along with several examples of her work. Farley, her agent, had recently insisted that she include the photograph in all sales material because, as he put it, “You a babe.” She reluctantly acquiesced. Looks had always been used by the arts to promote the work. On stage and in movies, well, the importance of looks was obvious. Even writers, with their glossy touched-up portraits, the smoldering dark eyes of the next literati wunderkind, marketed appearances. But Grace’s world—painting—had been fairly immune to this pressure, ignoring the creator’s physical beauty, perhaps because the form itself was all about the physical.
But not anymore.
An artist appreciates the importance of the aesthetical, of course. Aesthetics do more than alter perception. They altered reality. Prime example: If Grace had been fat or homely, the TV crews would not have been monitoring her vital signs after she’d been pulled from the Boston Massacre. If she’d been physically unappealing, she would have never been adopted as the “people’s survivor,” the innocent, the “Crushed Angel,” as one tabloid headline dubbed her. The media always broadcasted her image while giving medical updates. The press—nay, the country—demanded constant updates on her condition. The families of victims visited her room, spent time with her, searched her face for ghostly wisps of their own lost children.
Would they have done the same had she been unattractive?
Grace didn’t want to speculate. But as one too-honest art critic had told her: “We have little interest in a painting that has little aesthetic appeal—why should it be different with a human being?”
Even before the Boston Massacre Grace had wanted to be an artist. But something—something elusive and impossible to explain—had been missing. The whole experience had helped take her artistic sensibilities to the next level. Yes, she knew how pretentious that sounded. She had disdained that art-school clatter: You have to suffer for your art; you need tragedy to give your work texture. It had always rung hollow before, but now she understood that there was indeed something to it.
Without changing her conscious viewpoint, her work developed that vague intangible. There was more emotion, more life, more . . . swirl. Her work was darker, angrier, more vivid. People often wondered if she’d ever painted any scenes from that horrible day. The simple answer was only one portrait—a young face so full of hope that you knew it would soon be crushed—but the truer answer was that the Boston Massacre shaded and colored everything she touched.
Grace sat down at Jack’s desk. The phone was to her right. She reached for it, deciding to try the simplest thing first: Hit redial on Jack’s phone.
The phone—a new Panasonic model she’d picked up at Radio Shack—had an LCD screen so she could see the redialed number come up. The 212 area code. New York City. She waited. On the third ring a woman answered and said, “Burton and Crimstein, law office.”
Grace wasn’t sure how to proceed.
“Hello?”
“This is Grace Lawson calling.”
“How may I transfer your call?”
Good question. “How many attorneys work at the firm?”
“I really couldn’t say. Would you like me to connect you with one?”
“Yes, please.”
There was a pause. The voice had a shade of that trying-to-be-helpful impatience now. “Is there one in particular?”
Grace checked the Caller ID. There were too many numbers. She saw that now. Usually long distance calls had eleven numbers. But here there were fifteen, including an asterisk. She mulled that over. If Jack had made the call, it would have been late last night. The receptionists would not have been on duty. Jack probably hit the asterisk button and plugged in an extension.
“Ma’am?”
“Extension four-six-three,” she said, reading off the screen.
“I’ll connect you.”
The phone rang three times.
“Sandra Koval’s line.”
“Ms. Koval please.”
“May I ask who is calling?”
“My name is Grace Lawson.”
“And what is this in reference to?”
“My husband, Jack.”
“Please hold.”
Grace gripped the phone. Thirty seconds later, the voice came back on.
“I’m sorry. Ms. Koval is in a meeting.”
“It’s urgent.”
“I’m sorry—”
“I just need a second of her time. Tell her it’s very important.”
The sigh was intentionally audible. “Please hold.”
The hold music was a Muzak version of Nirvana’s “Smells Like Teen Spirit.” It was strangely calming.
“Can I help you?”
The voice was all clipped professionalism. “Ms. Koval?”
“Yes?”
“My name is Grace Lawson.”
“What do you want?”
“My husband Jack Lawson called your office yesterday.”
She did not reply.
“He’s missing.”
“Pardon?”
“My husband is missing.”
“I’m sorry to hear that, but I don’t see—”
“Do you know where he is, Ms. Koval?”
“Why on earth would I know?”
“He made a phone call last night. Before he disappeared.”
“So?”
“I hit the redial button. This number came up.”
“Ms. Lawson, this firm employs more than two hundred attorneys. He could have been calling any of them.”
“No. Your extension is here, on the redial display. He called you.”
No reply.
“Ms. Koval?”
“I’m here.”
“Why did my husband call you?”
“I have nothing more to say to you.”
“Do you know where he is?”
“Ms. Lawson, are you familiar with attorney-client privilege?”
“Of course.”
More silence.
“Are you saying my husband called you for legal advice?”
“I cannot discuss the situation with you. Good-bye.”
chapter 9
It didn’t take Grace long to put it together.
The Internet could be a wonderful tool when used properly. Grace had Googled the words “Sandra Koval,” for Web hits, for newsgroups, for images. She checked the Burton and Crimstein Web site. There were bios of all their lawyers. Sandra Koval had graduated from Northwestern. She had gotten her law degree at UCLA. Based on the years of graduation, Sandra Koval would be forty-two or so. She was married, according to the site, to one Harold Koval. They had three children.
They lived in Los Angeles.
That had been the giveaway.
Grace had done a little more research, some the old-fashioned way: with a telephone. The pieces started to come together. The problem was, the picture made no sense.
The drive into Manhattan had taken less than an hour. Burton and Crimstein’s reception desk was on the fifth floor. The receptionist/ security guard gave her a closed-mouth smile. “Yes?”
“Grace Lawson to see Sandra Koval.”
The receptionist made a call, speaking in a voice below a whisper. A moment later, she said, “Ms. Koval will be right out.”
That was something of surprise. Grace had been prepared to launch threats or accept a long wait. She knew what Koval looked like—there had been a photograph of her on the Burton and Crimstein Web site—so she’d even accepted the fact that she might have to confront her as she left.
In the end Grace had decided to take the chance and drive into Manhattan without calling first. Not only did she feel she’d need the element of surprise, but she very much wanted to confront Sandr
a Koval face to face. Call it necessity. Call it curiosity. Grace had to see this woman for herself.
It was still early enough. Emma had a play-date after school. Max attended an “enrichment program” today. She wouldn’t need to pick either of them up for several hours yet.
The reception area of Burton and Crimstein was part old-world attorney—rich mahogany, lush carpeting, tapestry-clad seating, the décor that foreshadows the billing—and part Sardi’s celebrity wall. Photographs, mostly of Hester Crimstein, the famed TV attorney, adorned the walls. Crimstein had a show on Court TV cleverly dubbed Crimstein on Crime. The photos included Ms. Crimstein with a bevy of actors, politicos, clients, and, well, combinations of all three.
Grace was studying a photograph of Hester Crimstein standing alongside an attractive olive-skinned woman when a voice behind her said, “That’s Esperanza Diaz. A professional wrestler falsely accused of murder.”
Grace turned. “Little Pocahontas,” she said.
“Excuse me?”
Grace pointed at the photograph. “Her wrestling name. It was Little Pocahontas.”
“How do you know that?”
Grace shrugged. “I’m a swarm of useless facts.”
For a moment Grace openly stared at Sandra Koval. Koval cleared her throat and made a big production of looking at her watch. “I don’t have much time. Please come this way.”
Neither woman spoke as they headed down the corridor and into a conference room. There was a long table, maybe twenty chairs, one of those gray speakerphones in the middle that looks suspiciously like a dropped octopus. There were a variety of soft drinks and bottled water on a counter in the corner.
Sandra Koval kept her distance. She crossed her arms and made a gesture that said, Well?
“I did some research on you,” Grace said.
“Care to sit?”
“No.”
“Mind if I do?”
“Suit yourself.”
“How about a drink?”
“No.”
Sandra Koval poured herself a Diet Coke. She was what you’d call a handsome woman rather than pretty or beautiful. Her hair was going a gray that worked for her. Her figure was slim, her lips full. She had one of those lick-the-world postures that let your adversaries know that you were comfortable with yourself and more than ready to do battle.
“Why aren’t we in your office?” Grace asked.
“You don’t care for this room?”
“It’s a tad large.”
Sandra Koval shrugged.
“You don’t have an office here, do you?”
“You tell me.”
“When I called, the woman answered ‘Sandra Koval’s line.’ ”
“Uh huh.”
“Line, she said. Line. Not office.”
“And that’s supposed to mean something?”
“On its own, no,” Grace said. “But I looked up the law firm on the Web. You live in Los Angeles. Near the Burton and Crimstein West Coast office.”
“True enough.”
“That’s your home base. You’re visiting here. Why?”
“A criminal case,” she said. “An innocent man wrongly accused.”
“Aren’t they all?”
“No,” Sandra Koval said slowly. “Not all.”
Grace moved closer to her. “You’re not Jack’s lawyer,” she said. “You’re his sister.”
Sandra Koval stared at her drink.
“I called your law school. They confirmed what I suspected. Sandra Koval was the married name. The woman who graduated was named Sandra Lawson. I double-checked it through LawMar Securities. Your grandfather’s firm. Sandra Koval is listed as a member of the board.”
She smiled without humor. “My, aren’t we the little Sherlock.”
“So where is he?” Grace asked.
“How long have you two been married?”
“Ten years.”
“And in all that time, how many times has Jack talked about me?”
“Pretty much never.”
Sandra Koval spread her hands. “Precisely. So why would I know where he is?”
“Because he called you.”
“So you say.”
“I hit the redial button.”
“Right, you told me that on the phone.”
“Are you saying he didn’t call you?”
“When did this call purportedly take place?”
“Purportedly?”
Sandra Koval shrugged. “Always the lawyer.”
“Last night. Around ten o’clock.”
“Well, there’s your answer then. I wasn’t here.”
“Where were you?”
“At my hotel.”
“But Jack called your line.”
“If he did, nobody would have answered. Not at that hour. It would have gone into voice mail.”
“You checked the messages today?”
“Of course. And no, none from Jack.”
Grace tried to digest that. “When was the last time you spoke to Jack?”
“A long time ago.”
“How long?”
Her gaze flicked away. “We haven’t spoken since he went overseas.”
“That was fifteen years ago.”
Sandra Koval took another sip.
“How would he still know your phone number?” Grace asked.
She didn’t reply.
“Sandra?”
“You live at 221 North End Ave in Kasselton. You have two phone lines, one the phone, one the fax.” Sandra repeated the two numbers from memory.
The two women looked at each other. “But you’ve never called?”
Her voice was soft. “Never.”
The speakerphone squawked. “Sandra?”
“Yes.”
“Hester wants to see you in her office.”
“On my way.” Sandra Koval broke the eye contact. “I have to go now.”
“Why would Jack try to call you?”
“I don’t know.”
“He’s in trouble.”
“So you say.”
“He’s disappeared.”
“Not for the first time, Grace.”
The room felt smaller now. “What happened between you and Jack?”
“It’s not my place to say.”
“The hell it isn’t.”
Sandra shifted in her seat. “You said he disappeared?”
“Yes.”
“And Jack hasn’t called?”
“Actually, he has.”
That puzzled her. “And when he called, what did he say?”
“That he needed space. But he didn’t mean it. It was code.”
Sandra made a face. Grace took out the photograph and placed it on the table. The air rushed out of the room. Sandra Koval looked down and Grace could see her body jolt.
“What the hell is this?”
“Funny,” Grace said.
“What?”
“Those are the exact words Jack used when he saw it.”
Sandra was still staring at the picture.
“That’s him, right? In the middle with the beard?” Grace asked.
“I don’t know.”
“Sure you do. Who’s the blonde next to him?”
Grace dropped the blowup of the young woman onto the table. Sandra Koval looked up. “Where did you get these?”
“The Photomat.” Grace quickly explained. Sandra Koval’s face clouded over. She wasn’t buying it. “Is it Jack, yes or no?”
“I really can’t say. I’ve never seen him with a beard.”
“Why would he call you immediately after seeing this picture?”
“I don’t know, Grace.”
“You’re lying.”
Sandra Koval pushed herself to a stand. “I have a meeting.”
“What happened to Jack?”
“What makes you so sure he didn’t just run away?”
“We’re married. We have two kids. You, Sandra, have a niece and nephew.”
“And I
had a brother,” she countered. “Maybe neither one of us knows him that well.”
“Do you love him?”
Sandra stood there, shoulders slumped. “Leave it alone, Grace.”
“I can’t.”
Shaking her head, Sandra turned toward the door.
“I’m going to find him,” Grace said.
“Don’t count on it.”
And then she was gone.
chapter 10
Okay, Charlaine thought, mind your own business.
She drew the curtains and changed back into her jeans and sweater. She put the babydoll back in the bottom of her drawer, taking her time, folding it very carefully for some reason. As if Freddy would notice if it was wrinkled. Right.
She took a bottle of seltzer water and mixed in a little of her son’s fruit punch Twister. Charlaine sat on a stool at the marble kitchen block. She stared at the glass. Her finger traced loops in the condensation. She glanced at the Sub-Zero refrigerator, the new 690 model with the stainless steel front. There was nothing on it—no kid pictures, no family photographs, no finger smears, not even magnets. When they had the old yellow Westinghouse, the front had been blanketed with that stuff. There had been vitality and color. The remodeled kitchen, the one she had wanted so much, was sterile, lifeless.
Who was the Asian man driving Freddy’s car?
Not that she kept tabs on him, but Freddy had very few visitors. She could, in fact, recall none. That didn’t mean he didn’t have any, of course. She did not spend her entire day watching his house. Still a neighborhood has a routine of its own. A vibe, if you will. A neighborhood is an entity, a body, and you can feel when something is out of place.
The ice in her drink was melting. Charlaine had not yet taken a sip. There was food shopping to be done. Mike’s shirts would be ready at the cleaner. She was having lunch with her friend Myrna at Baumgart’s on Franklin Avenue. Clay had karate with Master Kim after school.
She mentally ran through the rest of her to-do list and tried to come up with an order. Mindless stuff. Would there be time before lunch to do the food shopping and get back to the house? Probably not. The frozen goods would melt in the car. That errand would have to wait.
She stopped. To hell with this.
Freddy should be at work now.
That was how it’d always worked. Their perverted little dance lasted from around ten to ten-thirty. By ten-forty-five, Charlaine always heard that garage door open. She’d watch his Honda Accord pull out. Freddy worked, she knew, for H&R Block. It was in the same strip mall as the Blockbuster where she rented the DVDs. His desk was near the window. She avoided walking past it, but some days, when she parked, she would look over and see Freddy staring out the window, pencil resting against his lips, lost.