'Speak!' she said, putting her face devilishly near his.
'What?' he said, almost overcome.
'You've got to choose!' she cried, as if it were some terrible menace, and as if it hurt her that she could not exact more.
'What?' he said, in fear.
'Choose your girl, Coddy. You've got to choose her now. And you'll get your neck broken if you play any more of your tricks, my boy. You're settled now.'
There was a pause. Again he averted his face. He was cunning in his overthrow. He did not give in to them really - no, not if they tore him to bits.
'All right, then,' he said, 'I choose Annie.' His voice was strange and full of malice. Annie let go of him as if he had been a hot coal.
'He's chosen Annie!' said the girls in chorus.
'Me!' cried Annie. She was still kneeling, but away from him. He was still lying prostrate, with averted face. The girls grouped uneasily around.
'Me!' repeated Annie, with a terrible bitter accent.
Then she got up, drawing away from him with strange disgust and bitterness.
'I wouldn't touch him,' she said.
But her face quivered with a kind of agony, she seemed as if she would fall. The other girls turned aside. He remained lying on the floor, with his torn clothes and bleeding, averted face.
'Oh, if he's chosen - ' said Polly.
'I don't want him - he can choose again,' said Annie, with the same rather bitter hopelessness.
'Get up,' said Polly, lifting his shoulder. 'Get up.'
He rose slowly, a strange, ragged, dazed creature. The girls eyed him from a distance, curiously, furtively, dangerously.
'Who wants him?' cried Laura, roughly.
'Nobody,' they answered, with contempt. Yet each one of them waited for him to look at her, hoped he would look at her. All except Annie, and something was broken in her.
He, however, kept his face closed and averted from them all. There was a silence of the end. He picked up the torn pieces of his tunic, without knowing what to do with them. The girls stood about uneasily, flushed, panting, tidying their hair and their dress unconsciously, and watching him. He looked at none of them. He espied his cap in a corner, and went and picked it up. He put it on his head, and one of the girls burst into a shrill, hysteric laugh at the sight he presented. He, however, took no heed, but went straight to where his overcoat hung on a peg. The girls moved away from contact with him as if he had been an electric wire. He put on his coat and buttoned it down. Then he rolled his tunic-rags into a bundle, and stood before the locked door, dumbly.
'Open the door, somebody,' said Laura.
'Annie's got the key,' said one.
Annie silently offered the key to the girls. Nora unlocked the door.
'Tit for tat, old man,' she said. 'Show yourself a man, and don't bear a grudge.'
But without a word or sign he had opened the door and gone, his face closed, his head dropped.
'That'll learn him,' said Laura.
'Coddy!' said Nora.
'Shut up, for God's sake!' cried Annie fiercely, as if in torture.
'Well, I'm about ready to go, Polly. Look sharp!' said Muriel.
The girls were all anxious to be off. They were tidying themselves hurriedly, with mute, stupefied faces.
The Blind Man
Isabel Pervin was listening for two sounds - for the sound of wheels on the drive outside and for the noise of her husband's footsteps in the hall. Her dearest and oldest friend, a man who seemed almost indispensable to her living, would drive up in the rainy dusk of the closing November day. The trap had gone to fetch him from the station. And her husband, who had been blinded in Flanders, and who had a disfiguring mark on his brow, would be coming in from the outhouses.
He had been home for a year now. He was totally blind. Yet they had been very happy. The Grange was Maurice's own place. The back was a farmstead, and the Wernhams, who occupied the rear premises, acted as farmers. Isabel lived with her husband in the handsome rooms in front. She and he had been almost entirely alone together since he was wounded. They talked and sang and read together in a wonderful and unspeakable intimacy. Then she reviewed books for a Scottish newspaper, carrying on her old interest, and he occupied himself a good deal with the farm. Sightless, he could still discuss everything with Wernham, and he could also do a good deal of work about the place - menial work, it is true, but it gave him satisfaction. He milked the cows, carried in the pails, turned the separator, attended to the pigs and horses. Life was still very full and strangely serene for the blind man, peaceful with the almost incomprehensible peace of immediate contact in darkness. With his wife he had a whole world, rich and real and invisible.
They were newly and remotely happy. He did not even regret the loss of his sight in these times of dark, palpable joy. A certain exultance swelled his soul.
But as time wore on, sometimes the rich glamour would leave them. Sometimes, after months of this intensity, a sense of burden overcame Isabel, a weariness, a terrible ennui, in that silent house approached between a colonnade of tall-shafted pines. Then she felt she would go mad, for she could not bear it. And sometimes he had devastating fits of depression, which seemed to lay waste his whole being. It was worse than depression - a black misery, when his own life was a torture to him, and when his presence was unbearable to his wife. The dread went down to the roots of her soul as these black days recurred. In a kind of panic she tried to wrap herself up still further in her husband. She forced the old spontaneous cheerfulness and joy to continue. But the effort it cost her was almost too much. She knew she could not keep it up. She felt she would scream with the strain, and would give anything, anything, to escape. She longed to possess her husband utterly; it gave her inordinate joy to have him entirely to herself. And yet, when again he was gone in a black and massive misery, she could not bear him, she could not bear herself; she wished she could be snatched away off the earth altogether, anything rather than live at this cost.
Dazed, she schemed for a way out. She invited friends, she tried to give him some further connexion with the outer world. But it was no good. After all their joy and suffering, after their dark, great year of blindness and solitude and unspeakable nearness, other people seemed to them both shallow, prattling, rather impertinent. Shallow prattle seemed presumptuous. He became impatient and irritated, she was wearied. And so they lapsed into their solitude again. For they preferred it.
But now, in a few weeks' time, her second baby would be born. The first had died, an infant, when her husband first went out to France. She looked with joy and relief to the coming of the second. It would be her salvation. But also she felt some anxiety. She was thirty years old, her husband was a year younger. They both wanted the child very much. Yet she could not help feeling afraid. She had her husband on her hands, a terrible joy to her, and a terrifying burden. The child would occupy her love and attention. And then, what of Maurice? What would he do? If only she could feel that he, too, would be at peace and happy when the child came! She did so want to luxuriate in a rich, physical satisfaction of maternity. But the man, what would he do? How could she provide for him, how avert those shattering black moods of his, which destroyed them both?
She sighed with fear. But at this time Bertie Reid wrote to Isabel. He was her old friend, a second or third cousin, a Scotchman, as she was a Scotchwoman. They had been brought up near to one another, and all her life he had been her friend, like a brother, but better than her own brothers. She loved him - though not in the marrying sense. There was a sort of kinship between them, an affinity. They understood one another instinctively. But Isabel would never have thought of marrying Bertie. It would have seemed like marrying in her own family.
Bertie was a barrister and a man of letters, a Scotchman of the intellectual type, quick, ironical, sentimental, and on his knees before the woman he adored but did not want to marry. Maurice Pervin was different. He came of a good old country family - the Grange was not a very great d
istance from Oxford. He was passionate, sensitive, perhaps over-sensitive, wincing - a big fellow with heavy limbs and a forehead that flushed painfully. For his mind was slow, as if drugged by the strong provincial blood that beat in his veins. He was very sensitive to his own mental slowness, his feelings being quick and acute. So that he was just the opposite to Bertie, whose mind was much quicker than his emotions, which were not so very fine.
From the first the two men did not like each other. Isabel felt that they ought to get on together. But they did not. She felt that if only each could have the clue to the other there would be such a rare understanding between them. It did not come off, however. Bertie adopted a slightly ironical attitude, very offensive to Maurice, who returned the Scotch irony with English resentment, a resentment which deepened sometimes into stupid hatred.
This was a little puzzling to Isabel. However, she accepted it in the course of things. Men were made freakish and unreasonable. Therefore, when Maurice was going out to France for the second time, she felt that, for her husband's sake, she must discontinue her friendship with Bertie. She wrote to the barrister to this effect. Bertram Reid simply replied that in this, as in all other matters, he must obey her wishes, if these were indeed her wishes.
For nearly two years nothing had passed between the two friends. Isabel rather gloried in the fact; she had no compunction. She had one great article of faith, which was, that husband and wife should be so important to one another, that the rest of the world simply did not count. She and Maurice were husband and wife. They loved one another. They would have children. Then let everybody and everything else fade into insignificance outside this connubial felicity. She professed herself quite happy and ready to receive Maurice's friends. She was happy and ready: the happy wife, the ready woman in possession. Without knowing why, the friends retired abashed and came no more. Maurice, of course, took as much satisfaction in this connubial absorption as Isabel did.
He shared in Isabel's literary activities, she cultivated a real interest in agriculture and cattle-raising. For she, being at heart perhaps an emotional enthusiast, always cultivated the practical side of life, and prided herself on her mastery of practical affairs. Thus the husband and wife had spent the five years of their married life. The last had been one of blindness and unspeakable intimacy. And now Isabel felt a great indifference coming over her, a sort of lethargy. She wanted to be allowed to bear her child in peace, to nod by the fire and drift vaguely, physically, from day to day. Maurice was like an ominous thunder-cloud. She had to keep waking up to remember him.
When a little note came from Bertie, asking if he were to put up a tombstone to their dead friendship, and speaking of the real pain he felt on account of her husband's loss of sight, she felt a pang, a fluttering agitation of re-awakening. And she read the letter to Maurice.
'Ask him to come down,' he said.
'Ask Bertie to come here!' she re-echoed.
'Yes - if he wants to.'
Isabel paused for a few moments.
'I know he wants to - he'd only be too glad,' she replied. 'But what about you, Maurice? How would you like it?'
'I should like it.'
'Well - in that case - But I thought you didn't care for him - '
'Oh, I don't know. I might think differently of him now,' the blind man replied. It was rather abstruse to Isabel.
'Well, dear,' she said, 'if you're quite sure - '
'I'm sure enough. Let him come,' said Maurice.
So Bertie was coming, coming this evening, in the November rain and darkness. Isabel was agitated, racked with her old restlessness and indecision. She had always suffered from this pain of doubt, just an agonizing sense of uncertainty. It had begun to pass off, in the lethargy of maternity. Now it returned, and she resented it. She struggled as usual to maintain her calm, composed, friendly bearing, a sort of mask she wore over all her body.
A woman had lighted a tall lamp beside the table, and spread the cloth. The long dining-room was dim, with its elegant but rather severe pieces of old furniture. Only the round table glowed softly under the light. It had a rich, beautiful effect. The white cloth glistened and dropped its heavy, pointed lace corners almost to the carpet, the china was old and handsome, creamy-yellow, with a blotched pattern of harsh red and deep blue, the cups large and bell-shaped, the teapot gallant. Isabel looked at it with superficial appreciation.
Her nerves were hurting her. She looked automatically again at the high, uncurtained windows. In the last dusk she could just perceive outside a huge fir-tree swaying its boughs: it was as if she thought it rather than saw it. The rain came flying on the window panes. Ah, why had she no peace? These two men, why did they tear at her? Why did they not come - why was there this suspense?
She sat in a lassitude that was really suspense and irritation. Maurice, at least, might come in - there was nothing to keep him out. She rose to her feet. Catching sight of her reflection in a mirror, she glanced at herself with a slight smile of recognition, as if she were an old friend to herself. Her face was oval and calm, her nose a little arched. Her neck made a beautiful line down to her shoulder. With hair knotted loosely behind, she had something of a warm, maternal look. Thinking this of herself, she arched her eyebrows and her rather heavy eyelids, with a little flicker of a smile, and for a moment her grey eyes looked amused and wicked, a little sardonic, out of her transfigured Madonna face.
Then, resuming her air of womanly patience - she was really fatally self-determined - she went with a little jerk towards the door. Her eyes were slightly reddened.
She passed down the wide hall, and through a door at the end. Then she was in the farm premises. The scent of dairy, and of farm-kitchen, and of farm-yard and of leather almost overcame her: but particularly the scent of dairy. They had been scalding out the pans. The flagged passage in front of her was dark, puddled and wet. Light came out from the open kitchen door. She went forward and stood in the doorway. The farm-people were at tea, seated at a little distance from her, round a long, narrow table, in the centre of which stood a white lamp. Ruddy faces, ruddy hands holding food, red mouths working, heads bent over the tea-cups: men, land-girls, boys: it was tea-time, feeding-time. Some faces caught sight of her. Mrs. Wernham, going round behind the chairs with a large black teapot, halting slightly in her walk, was not aware of her for a moment. Then she turned suddenly.
'Oh, is it Madam!' she exclaimed. 'Come in, then, come in! We're at tea.'
And she dragged forward a chair.
'No, I won't come in,' said Isabel, 'I'm afraid I interrupt your meal.'
'No - no - not likely, Madam, not likely.'
'Hasn't Mr. Pervin come in, do you know?'
'I'm sure I couldn't say! Missed him, have you, Madam?'
'No, I only wanted him to come in,' laughed Isabel, as if shyly.
'Wanted him, did ye? Get you, boy - get up, now - '
Mrs. Wernham knocked one of the boys on the shoulder. He began to scrape to his feet, chewing largely.
'I believe he's in top stable,' said another face from the table.
'Ah! No, don't get up. I'm going myself,' said Isabel.
'Don't you go out of a dirty night like this. Let the lad go. Get along wi' ye, boy,' said Mrs. Wernham.
'No, no,' said Isabel, with a decision that was always obeyed. 'Go on with your tea, Tom. I'd like to go across to the stable, Mrs. Wernham.'
'Did ever you hear tell!' exclaimed the woman.
'Isn't the trap late?' asked Isabel.
'Why, no,' said Mrs. Wernham, peering into the distance at the tall, dim clock. 'No, Madam - we can give it another quarter or twenty minutes yet, good - yes, every bit of a quarter.'
'Ah! It seems late when darkness falls so early,' said Isabel.
'It do, that it do. Bother the days, that they draw in so,' answered Mrs.
Wernham.' Proper miserable!'
'They are,' said Isabel, withdrawing.
She pulled on her overshoes, wrapped a large t
artan shawl around her, put on a man's felt hat, and ventured out along the causeways of the first yard. It was very dark. The wind was roaring in the great elms behind the outhouses. When she came to the second yard the darkness seemed deeper. She was unsure of her footing. She wished she had brought a lantern. Rain blew against her. Half she liked it, half she felt unwilling to battle.
She reached at last the just visible door of the stable. There was no sign of a light anywhere. Opening the upper half, she looked in: into a simple well of darkness. The smell of horses, and ammonia, and of warmth was startling to her, in that full night. She listened with all her ears, but could hear nothing save the night, and the stirring of a horse.
'Maurice!' she called, softly and musically, though she was afraid.
'Maurice - are you there?'
Nothing came from the darkness. She knew the rain and wind blew in upon the horses, the hot animal life. Feeling it wrong, she entered the stable, and drew the lower half of the door shut, holding the upper part close. She did not stir, because she was aware of the presence of the dark hindquarters of the horses, though she could not see them, and she was afraid. Something wild stirred in her heart.
She listened intensely. Then she heard a small noise in the distance - far away, it seemed - the chink of a pan, and a man's voice speaking a brief word. It would be Maurice, in the other part of the stable. She stood motionless, waiting for him to come through the partition door. The horses were so terrifyingly near to her, in the invisible.
The loud jarring of the inner door-latch made her start; the door was opened. She could hear and feel her husband entering and invisibly passing among the horses near to her, in darkness as they were, actively intermingled. The rather low sound of his voice as he spoke to the horses came velvety to her nerves. How near he was, and how invisible! The darkness seemed to be in a strange swirl of violent life, just upon her. She turned giddy.
Her presence of mind made her call, quietly and musically:
'Maurice! Maurice - dea-ar!'
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