Past Master mog-3

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Past Master mog-3 Page 6

by Nigel Tranter


  James, for whom the written word held an importance that was almost a fascination, was already scanning the paper, his lips forming the words as he read,'… restored to his former positions, privileges and offices…' he muttered.

  'Modest and humble as they were,' the Master mentioned, easily. 'Including, of course, my Sheriffship of the shire of Forfar.'

  'Ah!Ufcmn.-Wdl…'

  'I thank Your Grace'

  With a sigh, the King fumblingly dipped quill in ink-horn and appended his signature, the pen spluttering.

  By the time that the King's party came back into the hall, organised entertainment had been superseded by private, however much some of it might savour of public display. Pandemonium in fact reigned. Whether or not the host had been any restraining influence, his absence appeared to have removed all semblance of order. Two of his ladies, considerably underclad, had taken up his position on the table-top, and were attempting to emulate the bear-dancer's act, to the music of a gipsy fiddler standing on the King's chair, a young lordling, with one of the sheepskins from the floor around his shoulders, performing the bear's part with much pawing and embracing. Further down the table active love-making was in process, at various stages, to the uncaring snores of the sleeping or the encouraging advice of those too drunk to stand but not drunk enough to sleep. Horseplay of sundry sorts was going on all over the great chamber, guests, members of the establishment, entertainers and servants apparently equally involved.

  The most popular activity, however, judging by the amount of attention received, was taking place on the raised dais at this top end of the room, behind the high table, where two gallants were fighting a spirited duel with naked swords over a young woman whom they had penned into a corner there, while a third young man egged them on with the King's white staff. Strangely enough, despite the vigour and drama of the sword-fight, and the shouted comments of the onlookers, it was the young woman herself who drew all eyes, so at odds was she with the scene around her. Seemingly wholly unconcerned with what was represented by the swording, the noise, and all else, she was gazing calmly over that chaotic hall, with a detached interest that had as little of shrinking alarm in it as it had of proud self-assertion. Even her dress was out-of-place – though by no means in the way that was the case with many women present; she was clad, not in any finery but in a plain dark pinafore-gown of olive green, that was almost prim, lightened by the white collar and sleeves of a linen under-blouse. For all her air of demure modesty and quiet reserve, she was the loveliest, proudest-borne and most alive figure in that room. She was Mary Gray.

  The scene affected the royal party in differing ways. The King, at sight of naked, gleaming steel, blanched and flapped his hands wildly, exclaiming. The Duke of Lennox let fly an oath, and went striding forward. And the Master of Gray came to a halt, and stood completely still, staring at the girl, lips slightly parted below that crescent of moustache.

  Mary turned her head and perceived the newcomers. Her dark eyes locked with those of her father. After a moment or two, she moved, coming straight towards him, even though her route inevitably lay close to the sparring, panting swordsmen. With quiet assurance she raised her hand a little to them, spoke a word or two, and without pausing came on. The duellists obligingly moved to one side, sensibly slackening the vigour of their clash, even grinning in drunken fashion. One of them was Patrick, Master of Orkney, the old Earl's heir, and the other the Lord Lindores, a son-in-law.

  Mary reached Ludovick first, as he hurried to her, but though she held out a hand to him, touched his arm, she moved on. To the King she curtsied gravely, from a few paces off. Then she turned to her father, searching his face.

  He had not ceased to gaze at her. So they stood, so uncannily alike. There might have been no one else in all that noisy, chaotic room.

  Only Ludovick knew how last these two had parted. It had been in dire, tragic emotion in a garden-house of Bothwell's castle of Hailes in Lothian, twenty months before, with the girl informing her father that she had deliberately betrayed him, sent proof of his most treasonable activities to his prime enemy, the Chancellor Maitland, and warned him that he had only hours to get out of Scotland before the Chancellor would seize him on a capital charge, whereafter nothing could save him from the headsman's block. None had witnessed that scene between these two – but Mary had told Ludovick something of it, for it was for his sake that she had done it, to save him from the evil consequences of the Master's plotting. The distress of mind which forced that terrible action, long put off as it had been, had deeply affected and changed Mary Gray; it was to be seen whether it had in any way changed the man who at the age of fifteen had conceived her.

  Patrick it was who acted. He did not move, but slowly his hands rose, open, towards her, arms wide. 'Mary!' he said, throatily, huskily.

  She ran, hurling herself into those arms, to clutch him convulsively, to bury her dark head against his white padded shoulder. 'Patrick! Oh, Patrick!' she sobbed.

  He held her to him and kissed her hair, eyes moist, hushing her like a child.

  Watching, Ludovick bit his lip, frowning blacker than he knew.

  The King, although somewhat preoccupied by the still naked swords so close at hand, and also by the insolence of a gipsy standing on his chair and one of Orkney's sons purloining his staff, could not find it consistent with his royal dignity to stand waiting in public while this private reunion was enacted, however touching. But he had a soft spot for Mary Gray, whom he conceived to be one of the few people who really appreciated his poetic outpourings, and was disposed to be lenient. He moved over, to tap her on the heaving shoulder.

  'Mistress Mary,' he said. 'Waesucks, Mistress -1 think you forget yoursel'. In our presence. Aye – this isna seemly, lassie.'

  For a brief moment the Master's dark eyes blazed. But he restrained himself. As for the girl, she stepped back, raising her head, uncaring for the tears on her cheeks.

  'As you say, Sire. I crave Your Grace's pardon. It has been a long parting.'

  'Tph'mm. No doubt.' And then, relenting. 'I've no' seen you for long, Mistress. How's the bairn? Vicky's bairn?' 'Well, Sire. Very well, I thank you.'

  'You should be more about my Court, lassie. You and Vicky.

  No' hiding away in yon Methven. I… I miss you. Aye, I miss you both. See to it, I say.' 'But, Your Grace…'

  Patrick spoke quickly. 'Highness – this, I swear, is well thought of. That Mary should return to the Queen's side. She can no longer be a Maid-in-Waiting, it seems, as she was! But if Your Grace was to appoint her a Woman of the Bedchamber, she could serve all notably well in this pass. Close to the Queen, at all times, and with a child of her own. She is quick, sharp-witted…'

  'Aye, to be sure. She couldna be a Lady-in-Waiting, no. But an extra Woman o' the Bedchamber. Aye, we could have her that…'

  'But I do not wish…'

  'Wheesht, lassie – it's no' for you to wish this or that! This is our royal will, see you – for the good o' Her Grace and the realm. So be it. Aye. Now – come, Johnnie. Attend me back. I'm needing my bed. There's ower much clatter here. It's a right randy crew! Vicky – get me my stick. Yon ill limmer Robbie Stewart's got it. There's nae respect here. Come…'

  'May I wait upon you in the morning, Sire?' the Master said. 'With plans. For your urgent attention?'

  'Aye, do that, Patrick – do that. A good night to you. Aye – to you all…'

  As they straightened up from their bows and curtsies, Mary signed to her father to follow her, while Ludovick trailed reluctantly after the King. At a side door she turned.

  'This way, Patrick -I have a small room in the bell-tower.'

  He climbed the narrow winding turnpike stair after her, up and up, to a tiny high chamber under the old abbey belfry, sparse and bare, and only large enough to hold the bed, a chest, the cradle, and little more. In it the gorgeous Master of Gray looked like a peacock in a henhouse. Arm around the girl's shoulder, he stepped with her over to the plain wooden cr
adle.

  'Ha! A darling! A poppet!' he exclaimed, peering down at the wide-eyed, wakeful but silent child. 'And handsome! On my soul – he's not unlike my own self!'

  'In looks, Patrick – only in looks, I pray!'

  Soberly he looked up at her, saying nothing.

  'How is Marie? Dear Marie?' she asked, then. 'And Andrew? He will have grown…?

  "They are well. Both. And none so far off. In Northumberland. At the house of a friend – Heron, of Ford Castle. Marie is with child again, bless her! And young Andrew is a stout lad. Near eight. But not so like me as this of yours..'

  'Patrick,' she interrupted him, with a tenseness which was not at all like Mary Gray. 'Pay heed to me. You have gained your way with the King again, it is clear – as I knew that you would. You are to be accepted back to Scotland, at Court, banishment past. Once more. I… I cannot be glad of it. I fear for us all.'

  'Shadows, my dear – you imagine shadows, and start at them.'

  'Aye, shadows, Patrick. Shadows of your casting. You are, as always, good to see, good to look upon. In one way, you warm my heart. But the shadows you cast are not good. They are cold.'

  He sighed. 'Are you not a little unfair to me, Mary? I have made mistakes, yes – done certain things which I would wish undone. But I have done much otherwise. I have saved this realm more than once. Spared it from war and bloodshed. Preserved the King. I come to do so again…'

  'Patrick – for sweet mercy's sake, do not palter and quibble! Not with me. Let you and I, at least, speak each other frank. We are too close to do other, too alike to make pretence. I know how your mind works – because my own works in the same way. But, pray God, to different ends! You… you learned that, when last we spoke, Patrick. To your hurt. And to my own. I crossed you then – sore as it hurt. I would do the same again.'

  Slowly he spoke. 'Are you threatening me, Mary?'

  'I am warning you.' Her hand reached out to grip his arm. 'Patrick – understand me. If I can understand you so clearly -then surely you must be able to understand me? We are of the same mould and stamp, you and I. Heed my warnings, then. For your own sake, and mine. And for Marie's, and Andrew's -aye, and Vicky's, and this child's also. For we have both great power to hurt and harm those we love!'

  'Love!' he exclaimed. 'A strange love this, which knowing nothing yet threatens and counters me…'

  'I know enough, knowing you, to feel already that cold shadow which you can cast, Patrick! I feared this, and would have stopped you coming, if I could. Although I longed to see you, God knows! No – hear me. Let me say my say. Now that you are here, I must give you my warning. Do not entangle Vicky in your schemes again. That before all. Do not injure or betray the poor silly King…'

  'God help me, girl – it is to save him that I am come!' the Master cried. 'Aye, and Vicky too. This conspiracy is against them…'

  'Aye – that I believe! But, Patrick – from what Vicky has told me of it, the same conspiracy is far too clever, far too deep-laid, far too intricate for my Lords Bothwell and Huntly to have contrived. Or any of their friends. Any man in all this realm… save Patrick Gray!'

  He drew a long breath, looking at her steadily. 'You believe that?'

  'I believe that,' she nodded. 'Oh, some of it – much, perhaps – may be based on a true design of these wild and arrogant lords. They are capable of great villainy, great ambitions. But not of the ginning interweaving of artifice, the subtle stratagems, the close-knit scheming perfection of this master-plot! That would demand a mind infinitely more talented -with the evil talents of the Devil himself!'

  'On my soul – I do not know whether to be flattered or affronted!'

  She ignored that. 'This I see clearly. What I do not know is your object. Your main object, Patrick. Whether it is all just a device to win you back from banishment into a position of power, with the King much dependent upon you? And having gained this, little more will come of it? Or whether there is more than that? That you have worked up this conspiracy in order to betray it, so that there will be great upheavals, great troubles, which you may seek to control for your own ends? I wish that I knew.'

  He swallowed. 'This is extraordinary!' he declared, turning to pace the two or three steps Which was all that tiny chamber would allow. 'Are you out of your mind, Mary? What sort of creature did I beget on your mother those twenty years ago?'

  'One too like yourself for your own comfort, perhaps! Or her own! One who can plot and plan also, if need be. And, as you have learned, betray! So heed me well, Patrick. For I have much more to scheme and fight for. More than formerly.' 'As…?'

  'Ludovick. Our son, John. John Stewart of Methven. All that Methven means to me…'

  'You call that much, Mary? Mistress to Vicky, Duke though he be! To be cast off at will? Damme, child – I could make you better than that! With your looks and wits, and my influence, you could and should go far.'

  'I desire no better than Vicky and Methven. His love – and its peace. These I have. I am secure in Vicky's heart. He would marry me – but I know this to be impossible. I know what I want, Patrick. I do not want position at Court. You will not make me one of the Queen's ladies again. For your own ends…'

  'That is a royal command, girl. You cannot ignore or avoid it. You must obey – you have no choice.'

  'I shall obey for a short time. Till the child is born. Then I shall take leave of the Queen. She will let me go. She does not love me greatly. Nor I her. So heed me. Do not seek to entangle Ludovick or myself in your schemes – or you will find me a more certain foe than Chancellor Maitland!'

  'And what are you now?'

  'Your daughter, Patrick, in bastardy and unacknowledged -who would love dearly to be your friend.'

  Chapter Four

  So Patrick, Master of Gray3 returned to the left hand of the King of Scots – and it was not long before all Scotland was aware of it. The new hand bearing on the helm of the ship of state was not to be mistaken, a firm hand, assured as it was flexible – but flexible as is a Ferrara rapier blade.

  The Chancellor, of course, remained the right hand of the Crown, the official agent of authority. That Lord Maitland of Thirlestane did not relish the return of his long-time foe went without saying: but he was too shrewd a man to fail to perceive that for the meantime he had been out-manoeuvred, and that he must bide his time if he would restore the situation. He made no secret of his distrust and dislike of the Master – but he did not deliberately put himself in the other's way or seek to provoke an open clash.

  This situation was much facilitated by the immediate removal of the Court to Stirling. The very day after Patrick's arrival the move was made. James had always preferred Stirling to the Capital. He had been brought up there, in the castle of which Johnnie Mar's father had been Keeper; from there he was closer to his beloved Falkland, where this most unmanly of monarchs yet doted on the manly pursuits of the chase – hunting, hawking and coursing. Maitland, however, a Lothian man, had in the past years centred nearly all the agencies and offices of government, that were not there already, in the Capital; he was now more or less tied to Edinburgh – where also the Kirk leadership was ensconsed. All this the Master knew well, and had allowed for.

  King, Queen and Court, therefore., travelled the thirty-five miles to Stirling, in the waist of Scotland, leaving the Chancellor and his minions behind. The young Queen, although nearly five years married, was still not nineteen, and looking somehow, with her great belly, even more physically immature than ever, however shrewd of eye and sharp of tongue. She rode, complainingly, in a horse-litter, with her ladies on palfreys all around her, a colourful, chattering, giggling throng. The King, all clumsy and excessive attention – for though he lacked enthusiasm as a husband, he had been anxiously awaiting this heir and proof of his manhood for years – kept close by. The Duke of Lennox also rode with the ladies, to be near Mary Gray, who carried her baby in a wicker pannier behind her. Mar, however, and most of his nobles, kept as far away as possible -with the
Master of Gray circulating around all groups of the strung-out cavalcade, throughout the entire protracted journey like an elegant but genially authoritative sheep-dog. He was noticeably more welcome with the ladies than with the men. And he was very urgent that the escort of two hundred men-at-arms of the Royal Guard should maintain a tight circle at all times round the Queen's litter – although it seemed unlikely indeed that any kidnapping attempt could have been organised so quickly after this change of programme, and anyway it was notorious that members of the Royal Guard were usually the first to be suborned in any major conspiracy.

  The journey was accomplished without either attack or premature birth, and the great fortress-castle of Stirling, towering above the climbing grey town and shaking its fist at all the frowning bastions of the Highland Line, received them into its security. But even before they reached it, Patrick Gray went to work, having a messenger despatched, in the King's name, to the young Earl of Argyll at his Lowland seat of Castle Campbell at Dollar, a dozen miles away, to summon him forthwith to his monarch's side. In the event, the young man was at Stirling soon after the King, and after being kept waiting for an hour or two was highly astonished to have James inform him in a fractious and preoccupied fashion – for he was distracted by the loss of a couple of sheets of his poem which must have been left behind at Holyroodhouse – that he was herewith appointed Lieutenant of the North, in the place of the Earl of Huntly, and was to be given a commission of fire and sword against that nobleman and his treasonable Catholic associates. More than this the bewildered youth could not get out of the King – whereupon Patrick took him in hand, explained the position privately and approximately, informed him that Maitland was plotting his downfall and the seizure of his lands, but that he, Gray, was his friend and had engineered this situation in order to bring to justice the murderers of the Earl of Moray, Argyll's cousin and guardian. This was the opportunity for which Clan Campbell had been waiting. Mac Cailean Mhor, to give him his proud Gaelic patronymic, set off for his West Highland fastnesses there and then, eyes glowing, to raise the clan, on the Master's assurances that he would inform his Campbell uncles, his present guardians, of what was toward.

 

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