To Hilary Emerson Lay at Spirit of ’76 who read two early drafts and to Emily Bradford who read and read. To Sarah Anne Ditkoff for all of her help.
To the city of Salem, my chosen home. To Kate Fox and Stacia Cooper at Destination Salem. To all my friends at the House of the Seven Gables and in particular to Anita Blackaby and Amy Waywell, thank you for letting me write in your beautiful gardens. To the National Parks Service and the Friendship: Colleen Bruce, Jeremy Bumagin, John Newman, Martin J. Fucio, and Ryan McMahon. To Jean Marie Procious and Elaine von Bruns at the Salem Athenaeum. To Teri Kalgren and the staff at Artemesia Botanicals. To Laurie Cabot. To William Hanger at Winter Island. To Beth Simpson and everyone at Cornerstone Books. To HAWC. And finally to Dusty the cat and his family.
To the great town of Marblehead, the town where I and seven generations of my family grew up. To the Marblehead harbormaster, Charlie Dalferro. To Fraffie Welch. To Cathy Kobialka at Waterside Cemetery. To the Marblehead Garden Center and the Spirit of ’76 Bookstore.
To my writing group, the Warren Street Writers: Jacqueline Franklin and Ginni Spencer, who cheered me on through the first book and remained patient and dedicated through the second.
To Alexandra Seros for her friendship and for great notes and for making that first magic phone call.
To Fravenny Pol for her help with all things D.R.
To my early readers: Jeannine Zwoboda, who read and commented twice. Mark W. Barry and Mark J. Barry, who turned reading into a father/son competition. To Mandee Barry, Whitney Barry, and Sherry Zwoboda, who read on the raft at the summer house when they could have been doing other things. To Cayla Thompson. To my wonderful friend Susan Marchand, who read section by section. To Ken Harris and Debra Glabeau for expertise on pirates and Melville and for making us laugh far too much.
To the Greater Boston medical and psychiatric communities for patiently answering every question (there were so many). Thanks to Dr. Peter Bevins. And thanks to Lucy Zahray, “The Poison Lady,” for her lecture at Crime Bake and for her very interesting set of tapes.
To Hawthorne and Melville. And, of course, to Yeats.
And a bow and a prayer to my friends who didn’t live long enough to realize the happily-ever-after: Tommy, Chuckie, Robbie, Shirley, and Jay.
About the Author
Born and raised in Massachusetts, BRUNONIA BARRY lives in Salem, Massachusetts, with her husband and their beloved golden retriever, Byzantium.
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Copyright
Grateful acknowledgment is made for permission to reprint excerpts from the following:
“The Harp of Aengus” by W. B. Yeats, reprinted with the permission of Scribner, a Division of Simon & Schuster, Inc., from The Collected Works of W. B. Yeats, Volume I: The Poems, Revised, edited by Richard J. Finneran. Copyright © 1924 by The Macmillan Company; copyright renewed © 1952 by Bertha Georgie Yeats. All rights reserved.
“Leda and the Swan” by W. B. Yeats, reprinted with the permission of Scribner, a Division of Simon & Schuster, Inc., from The Collected Works of W. B. Yeats, Volume I: The Poems, Revised, edited by Richard J. Finneran. Copyright © 1928 by The Macmillan Company; copyright renewed © 1956 by Georgie Yeats. All rights reserved.
“Stolen Child” by W. B. Yeats, reprinted with the permission of Scribner, a Division of Simon & Schuster, Inc., from The Collected Works of W. B. Yeats, Volume I: The Poems, Revised, edited by Richard J. Finneran. Copyright © New York: Scribner, 1997. All rights reserved.
This book is a work of fiction. The characters, incidents, and dialogue are drawn from the author’s imagination and are not to be construed as real. Any resemblance to actual events or persons, living or dead, is entirely coincidental.
THE MAP OF TRUE PLACES. Copyright © 2010 by Brunonia Barry. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.
FIRST EDITION
Library of Congress Cataloging-in-Publication Data has been applied for.
EPub Edition © April 2010 ISBN: 978-0-06-199250-6
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