The Other Family
Joanna Trollope
Also by Joanna Trollope
The Choir
A Village Affair
A Passionate Man
The Rector’s Wife
The Men and the Girls
A Spanish Lover
The Best of Friends
Next of Kin
Other People’s Children
Marrying the Mistress
Girl from the South
Brother & Sister
Second Honeymoon
Friday Nights
For more information on Joanna Trollope and her books,
see her website at www.joannatrollope.com
For Jason
CHAPTER ONE
Looking back, it astonished her that none of them had broken down in the hospital. Even Dily, who could be relied on to burst into tears over a shed eyelash, had been completely mute. Chrissie supposed it was shock, literal y, the sudden suspension of al natural reactions caused by trauma. And the trauma had actual y begun before the consultant had even opened his mouth. They just knew, al four of them, from the way he looked at them, before he said a word. They knew he was going to say, ‘I’m so very sorry but—’ and then he did say it. He said it al the way through to the end, and they al stared at him, Chrissie and the three girls. And nobody uttered a cheep.
Chrissie didn’t know how she had got them home. Even though Tamsin and Dil y could drive, it hadn’t crossed her mind to hand either of them the car keys. Instead, she had climbed wordlessly into the driver’s seat, and Tamsin had got in – unchal enged for once – beside her, and the two younger ones had slipped into the back and even put their seat belts on without being reminded. Unheard of, usual y. And Chrissie had started the car and driven, upright behind the wheel as if she was trying to demonstrate good posture, up Highgate Hil and down the other side towards home, towards the house they had lived in since Amy was born, eighteen years ago.
Of course, there was no parking space directly outside the house. There seldom was in the evenings, after people got home from work.
Chrissie said, ‘Oh bother,’ in way, and Dil y said, from the back seat, ‘There’s a space over there, outside the Nelsons’,’ and then nobody spoke while Chrissie manoeuvred the car in, very badly, because they were al thinking how he would have been, had he been there, how he would have said, ‘Ornamental objects shouldn’t be asked to do parking. Gimme the keys,’ and Chrissie would – wel , might, anyway – have laughed and thrown the keys at him ineptly, proving his point, and he’d have inserted the car neatly into an impossible space in no time so that they could al please him by saying, ‘Show-off,’ in chorus. ‘I make my living from showing off,’ he’d say. ‘And don’t you forget it.’
They got out of the car and locked it and trooped across the road to their own front door. There were no lights on. It had been daylight when they left, and anyway they were panicking because of the ambulance coming, and his frightening pal or and evident pain, so nobody thought of the return, how the return might be. Certainly, nobody had dared to think that the return might be like this.
Chrissie opened the front door, while the girls huddled behind her in the porch as if it was bitterly cold and they were desperate to get into the warmth. It occurred to Chrissie, irrelevantly, that she should have swept the leaves out of the porch, that it badly needed redecorating, that it had needed redecorating for years and Richie had always said that his granny, in North Shields on Tyneside, had scrubbed her front doorstep daily –
except for Sundays – on her hands and knees. Daily. With a brush and a galvanized bucket.
Chrissie took the keys out of the door, and dropped them. Tamsin leaned over her mother’s bent back and switched on the hal lights. Then they al pushed past and surged down the hal to the kitchen, and Chrissie straightened up, with the keys in her hand, and tried to put them into the door’s inside lock and found she was shaking so badly that she had to hold her right wrist with her left hand, in order to be steady enough.
Then she walked down the hal , straight down, not looking in at the sitting room and certainly not in at his practice room, where the piano sat, and the dented piano stool, and the framed photographs and the music system and the racks and racks of CDs and the certificates and awards and battered stacks of old sheet music he would never throw away. She paused in the kitchen doorway. Al the lights were on and so was the radio, at once, KISS FM or something, and the kettle was whining away and al three girls were scattered about, and they were al now crying and crying.
Later that night, Chrissie climbed into bed clutching a hot-water bottle and a packet of Nurofen Extra. She hadn’t used a hot-water bottle for years.
She had an electric blanket on her side of their great bed – Richie, being a Northerner, had despised electric blankets – but she had felt a great need that night to have something to hold in bed, something warm and tactile and simple, so she had dug about in the airing cupboard and found a hot-water bottle that had once been given to Dil y, blue rubber inside a nylon-fur cover fashioned to look like a Dalmatian, its caricatured spotted face closing down over the stopper in a padded mask.
One of the girls had put some tea by her bed. And a tumbler of what turned out to be whisky. She never drank whisky. Richie had liked whisky, but she always preferred vodka. Or champagne. Richie would have made them drink champagne that evening; he always said champagne was grief medicine, temper medicine, disappointment medicine. But they couldn’t do it. There was a bottle in the fridge – there was almost always a bottle in the fridge – and they took it out and looked at it and put it back again. They’d drunk tea, and more tea, and Amy had had some cereal, and Tamsin had gone to telephone her boyfriend – not very far away – and they could hear her saying the same things over and over again, and Dil y had tried to pick some dried blueberries out of Amy’s cereal and Amy had slapped her and then Chrissie had broken down at last herself, utterly and total y, and shocked them al into another silence.
That shock, on top of the other unbearable shock, probably accounted for the whisky. And her bed being turned down, and the bedside lamp on, and the bathroom al lit and ready, with a towel on the stool. But there was stil a second towel on the heated rail, the supersized towel he liked, and there were stil six pil ows on the bed, and his reading glasses were on top of the pile of books he never finished, and there were his slippers, and a half-drunk glass of water. Chrissie looked at the glass with a kind of terror. His mouth had been on that glass, last night. Last night only. And she was going to have to lie down beside it because nothing on earth could persuade her either to touch that glass or to let anyone else touch it.
‘Mum?’ Amy said from the doorway.
Chrissie turned. Amy was stil dressed, in a minidress and jeans and bal et slippers so shal ow they were like a narrow black border to her naked feet.
Chrissie said, gesturing at the bed, at the whisky, ‘Thank you.’
‘S’OK,’ Amy said.
She had clamped some of her hair on top of her head with a red plastic clip and the rest hung unevenly round her face. Her face looked awful.
Chrissie put her arms out.
‘Come here.’
Amy came and stood awkwardly in Chrissie’s embrace. It wasn’t the right embrace, Chrissie knew, it wasn’t relaxed enough, comforting enough.
Richie had been the one who was good at comfort, at subduing resistant adolescent limbs and frames into affectionate acquiescence.
‘Sorry,’ Chrissie said into Amy’s hair.
Amy sighed.
‘What for?’ she said. ‘You didn’t kil him. He just died.’
For being here, Chrissie wanted to say, for being here when he isn’t.
�
��We just have to do it,’ she said instead, ‘hour by hour. We just have to get through.’
Amy shifted, half pul ing away.
‘I know.’
Chrissie looked at the Nurofen.
‘Want something to relax you? Help you sleep?’
Amy grimaced. She shook her head.
Chrissie said, ‘What are the others doing?’
‘Dil y’s got her door shut. Tam’s talking to Robbie.’
‘ Still?’
‘Stil ,’ Amy said. She looked round the bedroom. Her glance plainly hurried over the slippers, the far pil ows. ‘I don’t know what to do.’
‘Nor me,’ Chrissie said.
Amy began to cry again. Chrissie tightened the arm round her shoulders, and pressed Amy’s head against her.
‘I know, baby—’
‘I can’t stand it—’
‘Do you,’ Chrissie said, ‘want to sleep with me?’
Amy stopped crying. She looked at the extra pil ows. She shook her head, sniffing.
‘Couldn’t. Sorry.’
‘Don’t have to be sorry. Just a suggestion. We’l none of us sleep, wherever we are.’
‘When I wake up next,’ Amy said, ‘there’l be a second before I remember. Won’t there?’
Chrissie nodded. Amy disengaged herself and trailed towards the door. In the doorway she paused and took the red clip out of her hair and snapped it once or twice.
‘At least,’ she said, not turning, not looking at her mother, ‘at least we’ve got his name stil . At least we’re al stil Rossiters.’ She gave a huge shuddering sigh. ‘I’m going to play my flute.’
‘Yes,’ Chrissie said. ‘Yes. You do that.’
Amy flicked a glance at her mother.
‘Dad liked my flute,’ she said.
Then she went slowly away down the landing, shuffling in her little slippers, and Chrissie heard her starting tiredly on the stairs that led to the second-floor conversion that she and Richie had decided on and designed so that Dil y and Amy could have bedrooms of their own.
She did sleep. She had thought she neither could nor should, but she fel into a heavy, brief slumber and woke two hours later in order to fal instead into a pit of grief so deep that there seemed neither point nor possibility of climbing out of it. She had no idea how long she wrestled down there, but at some moment she exchanged her embrace of the Dalmatian hot-water bottle for one of Richie’s pil ows, scented with the stuff he used on the grey streaks in his hair, and found herself crushing it, and groaning, and being suddenly and simultaneously aware that there were lines of incipient daylight above the curtain tracks, and that a bird or two was tuning up in the plane tree outside the window. She rol ed over and turned on the light. It was six-thirteen. She was six hours and thirteen minutes, only, into the first day of this chapter of life which she had always dreaded and, consequently, had never permitted herself to picture.
‘I’l be a hopeless widow,’ she used to say to Richie, and, if he was paying attention, he’d say back, ‘Wel , I’m not giving you the chance to find out,’ and then he’d sing her something, a line or two of some Tony Bennett or Jack Jones bal ad, and deflect the moment. He’d always done that, defuse by singing. Once she thought it was wonderful. Recently, however, in the last year or two, she thought he found it easier to sing than to engage. Oh God, if only! If only he had engaged! If only he’d done even that!
She drew her left hand out from under the duvet, and looked at it. It was a wel -kept, pretty hand, as befitted a wel -kept, pretty woman. It bore a narrow white-gold plain band and a half-hoop of diamonds. The plain band was not new, in fact it was quite worn, having been on Chrissie’s finger since shortly after Tamsin’s birth. She remembered the occasion exactly, since she had bought it herself, in order to wear it in hospital, and put it on her own finger. The diamonds, however, were new. They were quite big, bigger than they possibly might have been had they been dug out of the faraway depths of South Africa. Instead, they had been made, ingeniously, in a smal factory near Antwerp, by a process which simulated what nature might have managed over mil ennia, but in only three weeks. They were, Chrissie told Richie, known as industrial diamonds. He had looked at her hand, and then his attention went back to his piano and he played a few bars of Gershwin, and then he said, ‘You wear them, sweetheart. If they make you happy.’
She said, ‘You know what would make me happy.’
Richie went on playing.
She said, ‘I have to be Mrs Rossiter, for the girls. I have to be Mrs Rossiter at school. I have to wear a wedding ring and be Mrs Rossiter.’
‘OK,’ Richie said softly. He began on some mounting chords. ‘Course you do.’
‘Richie—’
‘Wear the diamonds,’ Richie said. ‘Wear them. Let me pay for them.’
But she hadn’t. She told herself that it was principle, that a woman of independent mind could buy her own manifestations of the outward respectability required at the school gates, even in liberal-minded North London. For a week or two, she registered the glances cast at her sizeable diamonds – and the conclusions visibly drawn in consequence – with satisfaction and even tiny flashes of triumph. When Tamsin, who missed no detail of anyone’s appearance, said, ‘Oh my God, Mum, did Dad give you those?’ she had managed a smal , self-conscious smile that could easily have passed for coquettish self-satisfaction. But then heart quietly overcame head with its usual stealthy persistence, and the independence and the triumph faded before the miserable and energetic longing for her status as Mrs Rossiter to be a reality rather than a fantasy adorned with meaningless – and engineered – symbols.
It wasn’t real y just status either. She was Richie’s manager, after al , the control er and keeper of his diary, his finances, his pragmatical y necessary wel -being. She had plenty of status, in the eyes of Richie’s profession, as Christine Kelsey, the woman – girl, back then – who had persuaded Richie Rossiter that a bigger, younger audience awaited him outside the Northern circuit where he had thus far spent al his performing life. Richie only answered the telephone for pleasure and left al administration, and certainly anything technological, to her. No, it wasn’t real y status, it real y wasn’t.
It was instead that hoary old, urgent old, irreplaceable old need for commitment. In twenty-three years together, Chrissie could not shift Richie one mil imetre towards divorcing his wife, and marrying her. He wasn’t Catholic, he wasn’t in touch with his wife, he wasn’t even much in touch with his son by that marriage. He was living in London, in apparent contentment, with a woman he had elected to leave his wife for, and the three daughters he had had by her and with whom he was plainly besotted, but he would make no move of any kind to transfer his legal position as head of his first family to head of his second.
For years, he said he would think about it, that he came from a place and a background where traditional codes of conduct were as fundamental to a person as their heartbeat, and therefore it would take him time. And Chrissie at first understood that and, a little later in this relationship, continued at least to try and understand it. But his efforts – such as they had ever real y been – dwindled to invisibility over time, corresponding inevitably with a rise in Chrissie’s anxiety and insistence. The more she asked – in a voice whose rigorously modulated control spoke volumes –
the more he played his Gershwin. If she persisted, he switched to Rachmaninov, and played with his eyes closed. In the end – wel , it now looked like the end – she had marched out and bought her industrial diamonds and, she now realized, surveying her left hand in the first dawn of her new widowhood, let him off the hook, by finding – as she so often did, good old Chrissie – a practical solution to living with his refusal.
She let her hand fal into the plumpness of the duvet. The girls were al Rossiter. Tamsin Rossiter, Delia Rossiter, Amy Rossiter. That was how they had al been registered at birth, with her agreement, encouragement even.
‘It makes sense to have your name,’ she
’d said. ‘After al , you’re the wel -known one. You’re the one people wil associate them with.’
She’d waited three times for him to say, ‘Wel , they’re our children, pet, so I think you should join the Rossiter clan as wel , don’t you?’ but he never did.
He accepted the girls as if it was entirely natural that they should be identified with him, and his pride and delight in them couldn’t be faulted.
Those friends from the North who had managed to accept Richie’s transition to London and to Chrissie professed exaggerated amazement at his preparedness to share the chores of three babies in the space of five years: he was a traitor, they said loudly, glass in hand, jocular arm round Chrissie’s shoulders, to the noble cause of unreconstructed Northern manhood. But none of them, however they might covertly stare at Chrissie’s legs and breasts or overtly admire her cooking or her ability to get Richie gigs in legendarily impossible venues, ever urged him to marry her.
Perhaps, Chrissie thought now, staring at the ceiling through which she hoped Dil y stil slept, they thought he had.
After al , the girls did. Or, to put it another way, the girls had no reason to believe that he hadn’t. They were al Rossiters, Chrissie signed herself Rossiter on al family-concerned occasions, and they knew her professional name was Kelsey just as they knew she was their father’s manager. It wouldn’t have occurred to them that their parents weren’t married because the subject had simply never arisen. The disputes that arose between Richie and Chrissie were – it was the stuff of their family chronicle – because their father wanted to work less and play and sing more just for playing and singing’s sake, and their mother, an acknowledged businesswoman, wanted to keep up the momentum. The girls, Chrissie knew, were inclined to side with their father. That was no surprise – he had traded, for decades, on getting women audiences to side with him. But – perhaps because of this, at least in part – the girls had found it hard to leave home. Tamsin had tried, and had come back again, and when she came home it was to her father that she had instinctively turned and it was her father who had made it plain that she was more than welcome.
The Other Family Page 1