The inner garden was a bare lawn, with shrubs and flowerbeds now heavy with snow. It was easy to sight Andrew in his black cloak; he was the only person in the chilly garden, other than the guards at the doorways leading from the garden to the rest of the palace. Andrew was on his knees, scraping away at the snow with his bare hand. Peter realized, with a stab of guilt, that he had sent his servant out to gather moss and twigs in a snowstorm.
There was nothing he could do, though; Andrew was too far away to hear if Peter shouted. Peter closed the shutter, climbed down from the chair, and returned his mind to his half of the tasks.
Meat . . . Perhaps Andrew could find a solution to that. The basket was another problem. Drogo had greeted Peter's enquiry by raising his eyebrow and saying that there were no doubt baskets somewhere in the palace "if the Chara's son should wish me to search for them." Peter had resisted an impulse to throw the water pitcher at Drogo. Instead, he now began searching his room, trying to find something that could be used as a basket. There was the water basin, of course, but it was made of silver, and silver came from deep in the mines. He needed something that was made of a material that could be found outdoors. Wood, perhaps? The chairs were made of solid wood, too thick to tear apart, and in any case, he could just imagine what the Chara would say if he found Peter dismembering a valuable chair.
His eye fell on the pieces of paper sitting next to the books on the table, where he had been scribing notes to himself.
It took him until the final trumpet of daylight to finish making the creation basket, partly because it had occurred to him that the basket would be more beautiful if it were decorated. So he had taken up his pen, dipped it in ink, and drawn a decoration that he hoped resembled the swirly vine patterns he had seen on the tunics of visiting lords from Koretia. At the last moment, on impulse, he had added masks on the borders of the paper. He and Andrew had held a conversation about masks just a few days before, at midwinter's eve, when he had happened across Andrew staring out a window that faced south. Peter seemed to recall that masks were connected in some way with the Koretian religion. He had no idea what Koretian masks looked like, so he inked them all in as solid black. Then he set about trying to paste the papers together with sap in such a way that they formed a basket.
He was not very successful. Part of the problem was that he had no blade with which to cut strips of paper. His father had promised that the Chara's heir would begin his lessons in bladeplay as soon as the weather grew warm, which would be not long after Peter's fifteenth birthday. But not until his coming of age at his sixteenth birthday, he knew, would he be permitted to actually own a free-man's blade. Every man in the palace wore a blade on ceremonial occasions, except for the slave-men and, of course, the eunuchs. But the eunuchs were not men at all – rather, they were half man, half woman. Peter avoided them as much as possible, not knowing what to say to such oddly mixed creatures.
His craftwork looked more like a very fat ship than a basket. It had a pointy bow and a long, flat stern. It looked utterly unseaworthy. Peter put his chin on his fist and contemplated the results. He supposed that, if he had more practice at this sort of thing, he would be better at it, but that did not change the fact that the basket looked ugly.
Not at all a decent present to give to Andrew. Peter sighed.
His head jerked up as he heard a sound in the corridor, but it was only his father, returning from the Map Room. His father paused to speak briefly to the guards outside the Chara's living quarters, and Peter waited, half hopeful and half dreading, to see whether the Chara would stop next door to check on his son. But a moment later came a familiar thud as the door to the Chara's living quarters closed.
Peter sighed again. There were times – many times – when he wished he had not been born as heir to an empire. If he had been any other boy, he could be spending this festal eve playing with children his age, rather than sitting alone in his chamber, feeling guilty because he had not read a law book in three hours. He looked again at the basket and wondered whether he should tear it up before Andrew arrived back.
The decision was taken from him as Andrew slid silently into the chamber. Peter was never quite sure how Andrew managed to get past the guards, who were supposed to challenge anyone entering Peter's quarters, even if only for form's sake. The guards were just a couple of spear-lengths away, guarding his father's quarters next door, so they ought to see anyone who approached Peter's chamber. Yet somehow, Andrew always managed to slip in, unheralded by even a knock.
Now he was holding something under the cloak. He produced it silently: a wooden bucket full of objects. Peter looked at the bucket, feeling his throat ache. A bucket – of course, he should have asked Drogo for a bucket made of wood. Why had he wasted his time making a useless, ugly basket out of paper?
Stepping to the side, in hopes that Andrew would not see the mess on the table, he asked, "How did you manage to find anything out there? Everything is buried under snow."
"In Emor, anything worth getting is buried." Andrew walked past Peter before Peter had the wits to realize that Andrew had just made a joke. He so rarely did that; his jokes would blossom unexpectedly like bright flowers in an otherwise arid desert.
"Like you," Peter said, trying to return the joke.
Andrew turned and gave him a look that was deeper than a well. "Like me," he agreed. "Buried, cold . . . dead."
Peter felt a shiver crawl over him, like wet slime. "Not dead," he responded in a voice that was almost an entreaty. "Alive and whole."
Andrew's gaze lingered on him for a moment; then the slave turned away. Kneeling down, Andrew began to inspect the contents of the bucket, asking, "Did you find a basket?"
Peter said hesitantly, "That bucket won't do?"
"It's too deep. We need something more shallow."
Peter looked again at his efforts. The basket was certainly shallow. It was falling to pieces, but it was shallow. He cleared his throat. "I have something we could use. It's not very good, though. It will probably crumple the moment we pour in the earth . . ."
His voice faded. Andrew had risen and turned and was staring at the basket. He walked slowly forward and gazed down at it. Peter tried to think of an apology he could make that would not sound like a plea for pity.
Andrew asked softly, "How did you know?"
"Know what?"
"That the baskets are made of paper. That they're made the same shape as Koretia."
Now it was Peter's turn to stare at the basket. The basket sat there, waiting for him to notice the obvious. Not the shape of a fat ship, no – the basket was in the shape of the dominion of Koretia. The shape of a triangular mask.
"The baskets are made of paper?" he said finally.
"Yes, the ones made by the rich. If you're a commoner, you make the baskets of whatever is available: twigs, roots, grass, leaves . . . But the rich make their baskets from paper. I always wondered what the paper baskets looked like." He reached out, as though to touch the basket, then hastily drew his hand back. "Would you like me to make your creation basket, Lord Peter, or would you prefer to make it yourself?"
"You do it. I'll watch, so that I know how to do it next time." He tried to keep the disappointment from his voice. For a moment there, he had thought he had finally found the right gift for Andrew. But Andrew evidently believed that the basket could not be for him, since it was made of paper, and in a certain sense he was right. Whatever the basket was made of, it would have to stay in Peter's chamber, for Andrew would not be allowed to keep belongings in the slave-quarters.
No, Peter could not give Andrew an object for a gift. But if not an object, then what?
o—o—o
It was Andrew who found the solution to the problem of the paper falling apart, of course. He dug into the chest in which Peter kept all his most special treasures, and which even Drogo was not permitted to open. Peter had shown the contents of the chest to Andrew on the first day of his service in this chamber: Peter's copy of The La
w-Structure and the Division of Powers, given to him by his much-beloved aunt before she and his not-so-agreeable uncle and cousin moved to the Central Provinces of Emor; a portrait of his mother, whom he had never known, because she had died when he was born; the royal emblem brooch that Lord Carle had given him just that month; and a glass bowl that one of Peter's ancestors, the Chara Lionel, had had commissioned hundreds of years before, after the Battle of Mountain Heights.
Peter had explained the origins of his treasures to Andrew – all except the brooch, which Andrew would not have understood, since he had not been there when Lord Carle had spoken so tenderly of his love for the Chara's law. It had not mattered; Andrew had been most interested, not in the brooch, but in the bowl, which Peter's father had once described as "one of the greatest treasures of the empire."
The craftsman who had created it had been a master at glass-blowing. There was scarcely a single air-bubble within the glass, and the bowl was smooth to the touch. What wavering occurred in the glass, right at the brim, captured colors from the air and trapped them. The colors shifted when you looked at the brim from different angles.
Carefully now, Andrew placed the paper basket within the bowl. The basket just fit, with the masked border running alongside the colorful brim of the bowl. Together they poured in the winter-hard earth that Andrew had managed to dig out of the garden, and which they had warmed and softened next to the fire. The fragile basket split its seams almost immediately, but the earth settled into the bowl, like mud at the bottom of an iridescent lake.
Andrew stared down at the remainder of what he had brought, his eyes fierce with concentration. He had a bit of dirt across his cheek, but it looked merely like a different tone of brown on his skin. Peter liked Andrew's dark skin, in the same way that he liked Andrew's dark hair and eyes, his soft vowels and slow consonants, and the way his hands moved when he grew excited while speaking. Peter's own hair was very ordinary yellow, and his skin was chalky white, just like the skin of most of the people he had met in his life. Andrew was far more interesting to look at.
"The twigs are too long," Andrew said finally. "I'll have to break them to the right size."
"I'll do that," said Peter quickly. "You just tell me what to do."
It was fun and amusing to be the servant for once, following Andrew's exacting instructions on the proper way to snap the twigs. Peter sat on the floor, which was made of cold marble, and set to work at the task, while Andrew stood next to the table, carefully arranging the other objects in the bowl.
After a while, it ceased to be fun and amusing to sit on a cold floor, snapping twigs, and Peter would have stood up to see how the younger boy was progressing if it had not occurred to him that Andrew and the other slave-servants did this sort of dull work all the time. So Peter stayed on the floor, and thought about the division of labor, so necessary to keep the empire running, but so very tedious for the men and women and children who were given the lower jobs.
After Peter had reached the end of his task, he sighed and began to stretch out his weary legs, but at that moment Andrew dumped a pile of moss next to him and told him that the moss needed to be cleaned of dirt.
Peter looked at the moss. There was a great deal of it to clean. He looked up at Andrew and asked, "How do you keep from screaming with boredom and running from the task?"
Andrew did not pretend to misunderstand. He never pretended to misunderstand. He said, "If you know that you're going to be beaten if you don't finish the job, that helps."
Peter felt heat flood into his cheeks. "Oh," was all he said, and turned his attention back to the moss.
Outside the corridor, the Chara's guards murmured to each other, the shaft-tips of their spears scraping against the floor as they shifted position. The scribes to the Chara's clerk, let free from work early on this special evening, emerged from the clerk's quarters, laughing and chattering. Peter could only recognize the voice of the newest scribe, who stammered badly; Peter had never been given the opportunity to speak more than a few words to the boys who worked daily across the corridor from himself. Nor had he spoken much with the noble-boys and noble-girls in the palace. He had only the one cousin, living far away from him, and all of the other boys and girls he met were very formal and respectful to him. It made him want to throw things at the wall sometimes.
It had occurred to him, more than once, that a boy who was training to be High Judge of a land and three dominions ought to be allowed to spend more time with the people he would be duty-bound to judge in court, should they commit crimes or offer witness. Of course, everything would change in just over a year. His law studies would reach their end, and he would emerge from his quarters, like a butterfly emerging from its cocoon. From that point forward, he would spend most of his time visiting the various portions of the palace, and the tents of the army headquarters nearby, and even journeying into faraway portions of the empire. He had taken one trip already, south to Koretia – but he was forbidden to return there by the Chara, because Peter had nearly been assassinated on that trip.
Peter tilted his head to look up at Andrew, who was moving a broken pebble with great concentration onto a pile of smooth pebbles. It remained a wonder to Peter that he had first met Andrew in Koretia, when Andrew was still free. Of course, he knew that such a thing was not impossible. Many of the Koretians who had been captured during the Emorians' conquest of the Koretian capital had been sent as slaves to the Chara's palace. Hundreds of slaves were needed to run the palace. But that Andrew should have been sold to a council lord, of all people, and that Peter should have happened to see Andrew in Lord Carle's quarters . . . Somehow, Peter was quite sure that they were meant to meet each other. Perhaps it was only so that the Chara To Be could become more familiar with the lives of his ordinary subjects.
But it was more than that; he knew that in his heart.
"I need the moss now," said Andrew, breaking into Peter's reverie.
Peter looked down. "It's only half done. I was daydreaming."
Andrew said nothing. Looking up, Peter saw that the slave had a darkly ironic look in his eye which he hid by ducking his head to stare down at the creation basket.
Peter felt suddenly sick. "What kind of beating would you have received if you didn't finish your work in time?" he asked.
"From Lord Carle? None at all. He would have lashed me with his tongue, which is far worse."
Peter nodded slowly. He had witnessed Lord Carle berating Andrew on the day that the council lord had sentenced his slave to a prolonged beating. Both the cutting words and the beating still puzzled Peter. He could not imagine how a man who so manifestly loved the Chara's law, and who acted with such generosity toward the Chara's son, could be needlessly strict with his slaves. Perhaps Andrew had simply allowed his temper to get the best of him in Lord Carle's presence. He had a temper; Peter knew that much about him, though the slave was still a stranger to Peter in many ways.
Andrew had come over to gather the moss; Peter quickly brushed the dirt off the rest, saying, "Can I see the basket now?"
"Not yet," replied Andrew imperturbably. Peter grinned. It was so very hard to find servants who would say no to him – even Drogo said yes when he really meant no.
"What else do we do besides make the creation basket?" asked Peter. "You said there were songs— No, I forgot, we're not singing songs. Nuts in the fire, you said? I have some shelled Daxion nuts by my bed."
He looked hopefully at the pile of nuts on the sideboard, but Andrew shook his head. "It has to be nuts still in their shells. The shells have to crack as they're tossed into the fire."
"Oh." Peter frowned. He was unlikely to receive nuts with his dinner; Daxion nuts were expensive and reserved for special treats. And if he asked Drogo for nuts that still had shells . . .
"Is there anything else you do?" he asked.
Andrew seemed at first not to hear him. Then he said, "There are vows."
"What kind of vows?"
Again, Andrew hesi
tated. Finally he said, "Blood vows."
Immediately, Peter regretted asking the question. He understood now why Andrew had been reluctant to reply. Blood vows . . . The Koretians vowed their blood on all sorts of matters, but the most common type of blood vow, before the arrival of the Emorians, had been blood vows to kill.
Peter stared down at the moss, brushing it lightly with his finger. It was soft and springy and looked surprisingly green for a winter plant. Koretia was green year-round. It was a hot land, filled with people with hot tempers, who had created the gods' law. Lord Carle had once described the gods' law as "a way to murder and be praised for it afterwards." Peter's father, not surprisingly, had abolished the gods' law once he had brought Koretia under the protection of the Chara's law, though he had been careful to point out that he was not forbidding the practice of the Koretian religion. The Koretians could still worship their gods, just as the people in Emor's northern dominions did; they simply would not be permitted to murder each other in the names of their gods.
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